1,596 search results (0.517 seconds)
  1. Railroad Gothic Pro by Red Rooster Collection, $60.00
    Railroad Gothic Pro is a condensed, sans serif typeface, exclusively licensed from the Ludlow Collection. The original Railroad Gothic was produced by Ludlow in the early 1900’s, and Steve Jackaman (ITF) produced the digital version in 2017. The font provides support for Latin 1, Central, and Eastern European languages, and Cyrillic. Railroad Gothic Pro is reminiscent of typefaces used in 1900’s railyards, hence the name.
  2. Futurette by Jvne77 Studio, $11.00
    Futurette is a large weight family, covering all your needs for futuristic or sport projects, logos and others. Each style comes with 409 glyphes and can be used for Display titling, but in text also well. It was inspired by a bunch of 70's and 80's types like Handel Gothic or the ITC Bolt, and more recent faces like Typodermic's Conthrax and Good Times...
  3. Roadstar by Kustomtype, $25.00
    Roadstar is a script designed in the style of the classic American advertising font from the 1940's-1950's. Roadstar is a retro brush-style script designed for logotype, packaging, posters, T-shirts, signage & design projects with a retro & vintage feel. Roadstar comes with two styles that both contain all upper and lower case characters, punctuation, numerals and mathematical operators, as well as all accented characters.
  4. Balcony Seats JNL by Jeff Levine, $29.00
    Balcony Seats JNL is a different take on Jeff Levine's Aisle Seats JNL. The original font was modeled from Redikut die-cut cardboard letters - used in the 1940's and 1950's for display and show card work). Although the basic letter shapes are similar, the horizontal stroke weights have been narrowed, providing a type variation with a classic Art Deco "thick and thin" look.
  5. Amateur Stencil JNL by Jeff Levine, $29.00
    With all of the stencil fonts created by Jeff Levine from various vintage sources, you would think everything had already been covered. Not so. Along comes Amateur Stencil JNL. Modeled from a child's stencil set from the late 1950's or early 1960's, it vaguely resembles Futura, but its irregular widths and semi-stencil appearance sets it off greatly from that classic typeface.
  6. Gandur New by Blackletra, $50.00
    Gandur is a display textura in three weights, split into two families: Alte — the German word for old — and New. Gandur was inspired by other geometric texturas, specially Max Bittrof’s Element (1933). The design began by adhering to a strict hexagonal grid, but during its development, slowly moved from a purely geometric to a more pen-based design (this is especially true in the heaviest weights). The differences between Alte and New are essentially morphological, with reflections in the character set and OpenType features. Gandur New has a more humanistic, contemporary structure and is more ‘romanized’ then Alte. Gandur New also features small capitals. Gandur Alte, on the other hand, remains truer to historical forms, most notably: S s X x Z z. Gandur Alte also features the long-s, which can be accessed via a Stylistic Set or the glyph palette. (As is historically accurate, a short-s will be used at the end of words automatically when the historical Stylistic Set has been activated).
  7. Gandur Alte by Blackletra, $50.00
    Gandur is a display textura in three weights, split into two families: Alte — the German word for old — and New . Gandur was inspired by other geometric texturas, specially Max Bittrof’s Element (1933). The design began by adhering to a strict hexagonal grid, but during its development, slowly moved from a purely geometric to a more pen-based design (this is especially true in the heaviest weights). The differences between Alte and New are essentially morphological, with reflections in the character set and OpenType features. Gandur New has a more humanistic, contemporary structure and is more ‘romanized’ then Alte. Gandur New also features small capitals. Gandur Alte, on the other hand, remains truer to historical forms, most notably: S s X x Z z. Gandur Alte also features the long-s, which can be accessed via a Stylistic Set or the glyph palette. (As is historically accurate, a short-s will be used at the end of words automatically when the historical Stylistic Set has been activated).
  8. My 70s Ding - Unknown license
  9. Anglo-Saxon Caps - Unknown license
  10. Yank - Unknown license
  11. AZ Storm by Artist of Design, $20.00
    AZ Storm was inspired from old '70's skateboard logo. This font was designed for use as a fun bold headline.
  12. Passo Borgo by Intellecta Design, $19.90
    Passo Borgo is a blackletter typeface inspired on classic vampire filmes from 50"s and in Dracula's Bram Stoker novel... creepy...
  13. Zaius by The Northern Block, $12.80
    A bold sans serif typeface influenced by Ed Benguiat 's work for the 1968 movie poster for Planet of the Apes .
  14. CUBU - Unknown license
  15. GROSSFADERS CH01 - Unknown license
  16. Cornering - Unknown license
  17. Memory by Fewell Foundry, $39.00
    A typeface inspired by 1980's graphic design fused with a modern futuristic style. Aimed at the Fashion industry and style magazines.
  18. Retro Qalva by Nirmana Visual, $24.00
    Retro Qalva Inspired by magazine adverts from the 70'sand 80's, suitable for branding, logo, promotion, product packaging, and other needs.
  19. Cherry Hill by Robert Petrick, $19.95
    Cherry Hill Regular is based on a late 20’s font modernized for the digital age- but still retaining it’s nostalgic glory!
  20. LHF Advertisers Square by Letterhead Fonts, $33.00
    This easy to read, versatile letterstyle was inspired by Al Imelli's "Advertiser's Square" (circa 1920's). Modifications were made and alternates added.
  21. Corvinus Skyline by GroupType, $15.00
    Corvinus Skyline is an elegant retro 1920/30's looking font great for headlines in magazines, posters, signage and other design projects.
  22. Catseye by Device, $39.00
    A casual sans that harks back to the very English style of book jacket and poster art of the late 50's and early 60's. The turned-in terminals are reminicent of Stephenson Blake's Grotesque 9, and the italic provides unique cursive versions of the lowercase characters. Available in a "narrow" version as well as two standard weights, this face lends itself to the wider letterspacing that evokes hot metal.
  23. Flat20 Hippies by Dharma Type, $14.99
    This 8-bit pixel font is designed with respect for 80’s game designers and the pixel font pioneers in middle 90’s. Recommended use at 20 pixels or multiples of 20 and anti-alias off. List of our Pixel Font Project. ·Flat10 Antique ·Flat10 Artdeco ·Flat10 Arts&Crafts ·Flat10 fraktur ·Flat10 Holy ·Flat10 Holly ·Flat10 Segments ·Flat10 Stencil ·Flat20 Gothic ·Flat20 Headline ·Flat20 Hippies ·Flat20 Streamer ·Behrensmeyer Vigesimals ·Civilite Vigesimals
  24. Flat20 Headline by Dharma Type, $1.00
    This 8-bit pixel font is designed with respect for 80’s game designers and the pixel font pioneers in middle 90’s. Recommended use at 20 pixels or multiples of 20 and anti-alias off. List of our Pixel Font Project. ·Flat10 Antique ·Flat10 Artdeco ·Flat10 Arts&Crafts ·Flat10 fraktur ·Flat10 Holy ·Flat10 Holly ·Flat10 Segments ·Flat10 Stencil ·Flat20 Gothic ·Flat20 Headline ·Flat20 Hippies ·Flat20 Streamer ·Behrensmeyer Vigesimals ·Civilite Vigesimals
  25. Enge Journal Antiqua by RMU, $30.00
    Hermann Zehnpfundt’s Enge Journal Antiqua, released by the Emil Gursch Foundry, Berlin, in 1910, revived and redesigned. This font contains also a long s, which can be reached by typing option + b, or turning the round s into the long one by using the OT feature historical forms. It is recommended to also use the OT feature discretionary ligatures to get access to all ligatures in this font.
  26. JSL Ancient - Unknown license
  27. Paris - Unknown license
  28. JSL Blackletter - Unknown license
  29. Koobler by Zang-O-Fonts, $25.00
    Named in homage of Toronto writer and spoken word performer Monica S. Kuebler, Koobler is an interesting interpretation of the classic roman font.
  30. Orbit-B by Bitstream, $29.99
    A second VGC face, this one by S. Biggenden, borrowing from the structure of MICR figures to lend computer associations to the page.
  31. Kidprint by Monotype, $50.99
    The Kidprint font is designed to look like a child´s printing. Kidprint is useful any time a playful or whimsical look is required.
  32. Kidprint Paneuropean by Monotype, $92.99
    The Kidprint font is designed to look like a child´s printing. Kidprint is useful any time a playful or whimsical look is required.
  33. Black Asylum by KC Fonts, $14.00
    Black Asylum from KC Fonts is a handmade font that’s inspired by the title names of slasher horror movies of the 70’s and 80’s. Nothing else resembles it in the slightest, as it’s a font that demands respect, it’s a font that instills fear from deep within & it’s perfect for all of your horror needs! Black Asylum has an extended character set for multilingual support to scare the pants off of everyone worldwide!
  34. VT Showcard by VarsityType, $15.00
    This condensed block is a true knockout. VT Showcard is a heavy-hitting headliner with presence. Inspired by the boxing showcards of the 60’s and 70’s, VT Showcard towers over body copy and demands attention. This tall and mighty athletic display typeface features chiseled corners and subtle embellishments that reinforce a steady rhythm across its dramatic letterforms. With 7 weights, VT Showcard provides a versatility for sports headlines and similar projects.
  35. Poynter Gothic by Font Bureau, $40.00
    Morris Fuller Benton’s drawings at the Smithsonian show a creative concern for effects of scale on typeface design. Tobias Frere-Jones began with 4pt ATF Franklin Gothic drawings, modifying proportions to mix with Poynter Oldstyle and Benton Gothic, and adjusting ends of the curved strokes of C G S a c e r s to suit news printing conditions. Poynter Gothic Text excels as subheads used with Poynter Oldstyle Text; FB 1997–99
  36. Strong Grandpa by Putracetol, $28.00
    Introducing Strong Grandpa, a super bold retro script font which will bring back to 60s - 70s fell. Inspired from retro typography and lettering in the 60's and 70's combine with bold typography style. it’s great for any project that needs a retro vibe or vintage touch. Strong Grandpa is perfect for vintage and retro design, badge, logos,t-shirt, poster, branding, title, heading, packaging, signage, book coverand so much more!
  37. Overlander by Oakstone Creative, $6.50
    Overland is a strong Art Deco typeface, inspired by the train 'The Overland' that runs in Australia, the font is perfect for headlines, display, branding and much more... even wedding stationary!. It is a bold and dense with an obvious deco inspired background, great for any projects or brands that wear the roaring 20's to 40's on their sleeve. Great for Signage, Wedding stationary, logos, branding materials, business cards, quotes, posters, and more!
  38. Transcity by Ahmad Jamaludin, $17.00
    Say hello to my serif font, Transcity! Transcity is a Bold Playful Elegant Modern vintage font with beautiful ligatures, tons of special alternative glyphs, ornament and multilingual support. It's a very versatile font that works great in large and small sizes. This beautiful font perfect for branding projects, logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image. Features: More than 100 beautiful swashes in this font Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters Fully accessible without additional design software. Multilingual Support: à á â ã ä å æ ç è é ê ë ì í î ï ñ ò ó ô õ ö ø ù ú û ü ý ÿ š fl fi ž œ ı ç ø š ž æ œ À Á Â Ã Ä Å Æ È É Ê Ë Ì Í Î Ï Ñ Ò Ó Ô Õ Ö Ø Œ Ù Ú Û Ü Ý Ÿ Š Š ŽŁ Ð Ç
  39. JSL Ancient - Unknown license
  40. Skull Salad - Unknown license
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