Hachura is a sketchy typeface designed by Ricardo Esteves. Its general proportions are based on the garalde models, with traditional roman serifs. It was initially made by hand using a drawing technique to create a font that simulates the unfinished aspect of a work in constant progress. This textured face is useful for display sizes, making a very visible presence. Because of its basic dimensions and careful distribution of black and white, it still also very readable in text sizes like 10 or 8 points.

Heartstrong Script is a monoline script and carefully crafted with personality. It easily for creating the traditional style logos, labels, package designs, lettering for t-shirts, and many others. Mix and match Heartstrong with a bunch of alternative characters to fit your project. The alternative characters in this font were divided into several OpenType features such as Stylistic Alternates, Swash, Stylistic Sets, and Ligature. The OpenType features can be accessed by using the OpenType program such as Adobe Illustrator, Adobe Photoshop, and Adobe InDesign.

OpenType Layout features: stylistic alternates, localized forms, uppercase-sensitive forms, oldstyle figures, lining figures, arbitrary fractions, superscript, subscript. Consolas is intended for use in programming environments and other circumstances where a monospaced font is specified. All characters have the same width, like old typewriters, making it a good choice for personal and business correspondence. The improved Windows font display allowed a design with proportions closer to normal text than traditional monospaced fonts like Courier. This allows for more comfortable reading of extended text on-screen.

Inspired by food labels, signs and coats of arms, PR-Scrolls is a collection of images which can be used for framing text in contexts where antiquity, craftsmanship, or traditional quality are conveyed. There are several sets of glyphs which work together to make a variety of shapes, or banners of custom length. Most of the glyphs are presented in a range of three or more widths. Scrolls 3 has a greater unity of detail, and a greater variety of form than our earlier designs.

Flawsome is a stylish and modern italic serif font that combines traditional serif elements with contemporary design features. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Sovba is an amiable rounded sans-serif inspired by handwriting. Sovba is useful for a look that is uniquely casual, fresh and smooth. Sovba simplifies character forms down to their basic characteristics, and has a strong, silky smooth forward motion. Sovba includes more traditional optional alternates for a number of characters, including the ëEí and ëF,í OpenType alternate characters, old style figures and small caps. Sovba is a fine choice when you require a versatile upright oblique for logotypes, headlines or short blocks of text.

Bonjour! Murberry a fashion chic display font. This font was carefully crafted and inspired by one of leading fashion brand in the world. In general, it creates a luxurious and elegant look in design. Coming to you with 50+ luxury ligature and 30+ alternate in 4 weight – light, normal, medium and bold – to create a perfectly beautiful, classy, chic, elegant, and luxurious design. Use this font for your fashion brand, resort, cosmetics, invitations, wedding, branding, packaging, magazines, boutique, social media, restaurant, spa, greeting cards, headers, headline and many more. Features: OpenType support Multilingual support (15 languages) PUA Encoded Super Easy to Use alternates – It’s OpenType support but you can easily call alternates character using special combination like a.2 c.2 e.3 etc so you don't need special software. To get results like the preview just type Mu.2RBe.5RRY

Mourich comes in 2 styles and is recommended for use with stylish and minimalist design. It is carefully designed with medium contrast of the strokes. This font is an all-caps font or has small capitals that very useful for the headline or logo, and is suitable in large or small sizes. Mourich has 500+ glyphs with many OpenType features. There are beautiful ligatures, stylistic alternates, and swashes which you can use it to get your design more softly. Mourich Bold is has 20pt thick from the regular style. The rounded serif gives a strong and assertive look. Beautiful to use as standalone type or combine with regular style. Very much recommended for headlines. Mourich Regular has a minimalist adjustment with more relieved of negative space that awesome to apply in many media. Also useful in the body text or editorial purposes.

Korsen font is a unique multipurpose font that consists of 5 styles. Korsen font has an attractive appearance which is a combination of serif, slab and decorative fonts. Each letter is carefully crafted with rounded edges. You can use this font for retro, vintage and modern designs. Korsen font can help you complete various projects such as brand logos, headlines, products, social media posts, web and much more. Korsen fonts feature opentype, kerning, ligature and alternate packed in 5 styles: Light, Regular, Medium, SemiBold and Bold. Korsen fonts include uppercase letters, lowercase letters, numeral, punctuation and multilingual support. Thank you! FYI: To use the alternate and ligature features, please look in the Glyph Panel / Character Map in your software to be able to access all the glyphs in this font. There are standard and discretionary ligatures.

IMPORTANT: This is the VARIABLE VERSION of PG Gothique This is my addition to a long line of traditional gothic typefaces. As you can probably tell, PG Gothique Variable is inspired by classics such as Trade Gothic, News Gothic, Franklin Gothic, Alternate Gothic, and Gothic Gothic. Well, maybe not the last one... But Paulo, we have all those already, why would we want to add PG Gothique Variable to our collection? This typeface has many subtle design nuances that differentiates itself from its historical influences. Also, this is possibly the most comprehensive Latin gothic font family released to date. It has 99 default styles that cover pretty much every width and weight you could ever need, while this variable version unlocks options to match your exact style preference – including the angle of italic. PG Gothique Variable is designed to handle a multitude of applications, from branding projects, to titles, body text, user interfaces, and film poster credits. This typeface has a style that will suit the purpose. There are 99 default instances in this family, ranging from Thin to Ultra weights across six widths in both roman and italic. Activate Stylistic Set 1 and you will get the alternate slab-serif-style capital “I” that offers improved legibility when placed adjacent to a lowercase “l”. PG Gothique Variable has an extensive character set that covers every Latin European language. See full details and hi-res examples at https://paulogoode.com/pg-gothique

The Lunaquête family is a collection of Serif fonts with 6 styles and true Italics. It was designed for book typography. Especially Regular and Text are suitable for this purpose. Medium, Semibold and Bold can be used for text highlighting. Light and Light Italic are suitable for headlines.

Palmilla is a very gestural Sans font that contains 7 fonts (Thin, Light, Regular, Medium, Bold, Black as well as a set of dingbats, it is perfect for informal or children's titles, it contains many Alternatives such as Ligatures, to have more options at the time of writing.

Carrosserie is made for display use, inspired by the shapes of the ’30s. It is a capital letter font with alternate characters and special domain symbols (check the PDF in the gallery for details). The font is now available in thin, extra light, light, regular, medium, bold & fat. Enjoy!

Spumoni plays freely off of the typeface Bodoni . Though commercial lettering is becoming a disappearing craft, Spumoni provides this hand-drawn quality in a digital medium. Its bouncy, playful letters infuse a sense of humor into headlines, titles and blurbs of text in need of a merry touch

The Hills is a script typeface, perfect for logotypes. Designed by Måns Grebäck during 2017, this high quality lettering brings you to the sunny fifties. It is well balanced and has a nice medium weight. The font contains 350 glyphs and has support for a wide range of languages.

Tomboy is a type design based on informal handwriting. Its presence on the page is friendly and easy to read, suitable for correspondence, brief text, and for display use in titles and headlines. Three weights -- Light, Medium & Bold -- allow Tomboy to speak in a wide range of voices.

Visage is a contemporary text family designed by Garrett Boge in 1988. Its delicate serifs, subtly tapered stems, and generous proportions offer both distinction and readability to the text at any size. The family consists of five weights - Light, Book, Medium, Bold and Black, with corresponding oblique styles.

The Wendy family is a cursive script provided in three weights -- Light, Medium and Bold. The design is an upright, casual handwriting style, with natural joins and connecting strokes. Wendy, in her various modes, projects a friendly persona, adding an approachable quality to headlines and short runs of text.

For much of the world, the last half of December encompasses the beginning of winter and the a season of gift-giving, marked by Hanukkah and Christmas. It is generally accepted that the tradition of giving of gifts at this time was begun by The Three Wisemen. As described in The Gospel According to Matthew, the wisemen, led by a star from a distant land to the east, found the baby Jesus. First, they worshipped him and then, "they presented him with gifts: gold, frankincense and myrrh." (Matthew 2:11). Thus began the tradition of celebrating the birth of Christ with the giving of gifts. There is a parallel tradition in the Jewish faith of the giving of gelt or gold at Hanakkuh to help support poor students, in keeping with the rich history of scholarship that is fundamental to the rabbinic system. Inevitably, in our secular culture, there has been a blending and a secularization of these traditions. The reasons have gotton lost in the “gimme.” What is often overlooked is what Paul realized when he told Timothy, “Neglect not the gift that is in thee.” The most importent gift is the gift inside of us, the gift of sacrificial love for others. When we let that gift be diminished in our minds amid the clutter of modern day material seeking, we can recall the prophesy of Micah over 2800 years ago, But thou, Bethlehem Ephratah, though thou be little among the thousands of Judah, yet out of thee shall he come forth unto me that is to be ruler in Israel: whose goings forth have been from of old, from everlasting." (Micah 5:2 KJV) Never underestimate the impact you have on others. Words of kindness can change people’s lives. The Talmud says that the highest form of wisdom is kindness. Be wise this holiday season. The font BETHLEHEM STAR was originally designed for the church to which I belong, The Star Bethlehem Church of Ansonia, Connecticut, USA and is based on the typeface Accent with the permission of URW++ of Hamburg, Germany. You might choose BETHLEHEM STAR for your personal greetings as well as for flyers and programs at your church this holiday season. Like most display fonts, it is most effective at 18 points and larger. Like most script fonts, it is most effective when set with both upper and lower case. All caps with this font is like eating two pieces of pecan pie — too much of a good thing.

The hand lettered credits from the 1950 Humphrey Bogart film “In a Lonely Place” inspired the digital version called Screenwriter JNL, which is available in both regular and oblique versions. The font was named after the profession of the main character (Dixon Steele) who was a Hollywood screenwriter.

Powerful design of the Steel Race font will speed up your pulse! Wide with sharp serifs and a verified angle of inclination radiate confidence and respect. The "Steel" will save your time and nerves when creating the dynamic compositions, like sports events and promotions or logos. Make sure yourself.

Designed for a privately-published luxury edition of The Time Machine, HGWelles Ultralight, Regular and Bold are now being made available to the public. This is the Welles of the early 20th century, seeing many of his predictions coming true and anticipating the shape of things yet to come.

Arabetics Aladdin is a monoshape font family with a fixed single shape per each Arabic Unicode character. Glyphs are designed to incorporate the traditional Arabetic visual characteristics found in all four varying shapes, isolated, initial, medial, and final, for each letter. The overall design also emphasizes the line-like (khat) horizontal look and feel of the Arabetic scripts without sacrificing legibility. This font family supports all Arabetic scripts covered by Unicode 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks, including support for Quranic texts. It includes two weights: regular and bold, each of which has normal and left-slanted (Italic) versions. The design of this font family follows the Arabetics Mutamathil style design principles utilizing varying x-heights and no glyph substitutions. The Mutamathil type style was introduced by the designer more than 18 years ago. The Arabetics Aladdin font family includes all required Lam-Alif ligatures in addition to all soft vowel diacritics (harakat), which are selectively positioned with most of them appearing on similar high and low levels—top left corner—to clearly distinguish them from the letters. The Tatweel or Kashida lengthening character is a zero-width glyph.

Codo Mono Modern monospace typeface Standard and italic styles, 6 weights + variable weight versions. Codo Mono is a carefully crafted monospaced typeface featuring stylistic alternatives to help make your design or branding stand out. Codo Mono Family: Codo Mono Thin Codo Mono Extra Light Codo Mono Light Codo Mono Regular Codo Mono Medium Codo Mono Bold Codo Mono Italic Thin Codo Mono Italic Extra Light Codo Mono Italic Light Codo Mono Italic Regular Codo Mono Italic Medium Codo Mono Italic Bold Plus: Codo Mono Variable weight Codo Mono Italic Variable weight This font has extensive Latin language support for Western, Central, and South-Eastern European. Designed to have great legibility with a modern feel, Codo Mono is well suited to branding, magazines, editorial copy, packaging, and more.

Isle Body is a high-quality serif typeface family, drawn by Måns Grebäck during 2018 and 2019. It is a sweet font with a casual and calm look, with generous spacing and an even weight, adapted for body texts and small sized type settings. It comes in four weights, each one as italic, totaling in eight styles: Light and Light Italic, Medium and Medium Italic, Bold and Bold Italic, Black and Black Italic. The font family can be used in a combination with a font of a different style, or together with its sister font Isle Headline, also a serif font, which has the same basic structure but more distinct weights and a sharper look. Each style contains ligatures and support for a wide range of languages.

Cilcle TwoLetter Monogram Logo Font Family with OpenType magic that can adjust to front and back letters, there are 10 frame variations that you can access at numbers 0-9 how to activate it simply by adding a number in front of your initials, typing something (0AB - 9AB) it will automatically compose . you can use it on any Logo project it is perfect to add to your collection. Cilcle TwoLetter font FAMILY – includes 9 weights (Thin, Extra light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold, Black) : Cilcle TwoLetter Thin Cilcle TwoLetter Extralight Cilcle TwoLetter Light Cilcle TwoLetter Regular Cilcle TwoLetter Medium Cilcle TwoLetter Semibold Cilcle TwoLetter Bold Cilcle TwoLetter Extra Bold Cilcle TwoLetter Black Hope you enjoy. Intuisi Creative

Pentagram TwoLetter Monogram Logo Font Family with OpenType magic that can adjust to front and back letters, there are 10 frame variations that you can access at numbers 0-9 how to activate it simply by adding a number in front of your initials, typing something (0AB - 9AB) it will automatically compose . you can use it on any Logo project it is perfect to add to your collection. Pentagram TwoLetter font FAMILY – includes 9 weights (Thin, Extra light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold, Black) : Pentagram TwoLetter Thin Pentagram TwoLetter Extralight Pentagram TwoLetter Light Pentagram TwoLetter Regular Pentagram TwoLetter Medium Pentagram TwoLetter Semibold Pentagram TwoLetter Bold Pentagram TwoLetter Extra Bold Pentagram TwoLetter Black Hope you enjoy. Intuisi Creative

Isle Headline is a high-quality serif typeface family, drawn by Måns Grebäck during 2018 and 2019. It is a sharp font with a clear and attentive look, adapted for headlines, titles and large type settings. It comes in four weights, each one as italic, totaling in eight styles: Light and Light Italic, Medium and Medium Italic, Bold and Bold Italic, Black and Black Italic. The font family can be used in a combination with a font of a different style, or together with its sister font Isle Body, also a serif font, which has the same basic structure but with a softer look and adapted for body text and smaller type. Each style contains ligatures and support for a wide range of languages.

Cinematica was specially designed for film credits in communication pieces. Due to its space saving qualities, geometric elegance of its shapes, and eight wights; it allows a wide range of uses. Its geometry makes Cinematica able to harmonize and unify any text, incorporating the necessary signs for composition in English, Spanish, Italian, French, German and Portuguese. The Regular weight also incorporates statements that usually appear in film credits (such as "directed by", "produced by", etc.) that have been programmed as predetermined ligatures and can be accessed by typing a short sequence of signs to avoid typing the full phrase. To make the most of the alternatives proposed, use applications that support Open Type. Take a look at the User Guide.

Kamui is a font designed by Carlos Fabian Camargo G. and used to write headlines. Its strategy makes it ideal for covers and advertisements with Japanese-style manga comics requiring latin style. Precisely its purpose was inspired by typographical classics such as Mistral by R. Excoffon and Zapfino by H. Zapf that then were diluted by separate strokes as blackletter calligraphy. However, high doses of miscegenation and lettering untimely torn between 50% esthetic and 50% legibility. That way his radical expression is highly profitable for composing and designing words and phrases with Eastern look. And more importantly, the writing seems drawn quickly with thin-tipped brush staining over a rough surface, from that process comes the idea of corroded outlines and changes in contrast. In conclusion, some diagonal strokes, horizontal, curved and vertical stand or hide from their simulation of scarcity or abundance of ink clots. That way each stroke seems inconsistent, footprint of the 423 brush drawing glyphs in Regular Kamuy. In that sense, the OpenType features included are: Standard Ligatures, Contextual Alternates, discretionary ligatures, swash, stylistic alternates, alternatives for titles, ordinals, fractions. And to end the Variable “Kamuy Dingbats” has is 52 fictitious drawings and zamurais.

Introducing, Naville Sans, the all caps font family. This family has 6 weights - extra light, light, reguler, medium, semibold and bold. The clean and simplicity look of the font suitable for wide range of graphic needs especially for headline, title, sign board, information board, billboard and for UI/UX design.

Mettle Bilingual Arabic font, Latin-Arabic for print and web. The Mettle font family contains four weights: thin, normal, medium, and broad. This font supports Arabic, Latin, Persian, Urdu, and Kurdish languages. The digital designer can use the variable Mettle font to access wider options in working with the text.

In 1957, Helmut Matheis designed Charme for the Ludwig and Mayer type foundry, located in Frankfurt am Main, Germany. This informal script is of medium weight and has some variation of color. The caps are flowing and the lower case letters are close fitting. Their is a bold companion, called Slogan.

Lieur is a minimalist, geometric, sans serif font suitable for logos, label designs, or even just plain body text. It comes with 2 styles, Normal and Italic, and includes Light, Regular, Medium, Bold, and Black weights to give you great possibility to harmonize the look and feel of your text.

Brightag, a serif display font with two modes, medium and italic. The Brightag font's shape adapts the cursive style, thus showing a combination of the two styles to be more unique and decorative, very suitable for use in vintage or floral style designs. Alternate features are available and supports multiligual.

Blog has a new distinctive look and comes in four weights light, regular, medium and bold. It can be seen as quite elegant in the light weights while looking masculine in the heavy weight. Its unique look lends to so many different applications. Blog works well for both headline and text.

Cybrox JNL takes a simple bitmap font and regenerates it into its most distressed form. The design is perfect for "technology-gone-bad" messages, radical headlines and anything with an electronic, techno or digital theme.

The hand lettered credits for the 1942 film comedy “I Married a Witch” were so unusual (with their mix of rounded and flat terminals and varying character shapes) that the only logical name for a digital revival would be So Unusual JNL… which is available in both regular and oblique versions.