Linotype Gavotte was designed by Rudo Spemann in 1940. His style was unmistakable, marked by original ideas and completely new forms. His tendency toward the unusual and adventurous resulted in unique, decorative characters. When he wrote, the tip of his pen flew across the page, leaving behind rows of letters which displayed an almost unbelievable regularity of form and flow. Gavotte is a perfect example of the best of Spemann’s calligraphy.

Blippo Black with its constructed style is a typical headline typeface. Its robust figures with their even strokes were composed using the basic forms of the circle and rectangle. Its curves are often not completely closed. The figures of Blippo Black form dark, heavy lines, making the typeface suitable only in middle and larger point sizes. Blippo Black will make an impression when used for flyers and correspondence.

Linotype Rory oblique is part of the Take Type Library, selected from contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. The font was designed by Canadian Tad Biernot with strictly constructed forms. The similarly formed figures seem mechanically created and their light slant gives the impression of strenght and dynamism. Linotype Rory oblique should only be used in the shorter texts of headlines in larger point sizes.

Rebirth begins with light streaks that form a vintage style with a touch of rough and stamp. Riborn with 4 fonts in number, as "ribs" in your design work, and able to beautify also strengthen your work in the form of type logos, typography, hand-lettering, packaging, t-shirts, labels, and much more. This family also equipped with an extras weight, which includes beautiful ornaments in a classic and minimalist impression.

The Kairos™ family from Terrance Weinzierl is that rare form of typeface that successfully melds design distinction and ease of use. While based on 19th century Grecian wood type forms, it performs admirably in a variety of applications, both in print and on screen. Kairos Variables are font files which are featuring two axis and have a preset instance from Thin to Black and Condensed to Extended

Chipper is the work of British designer Andrew Smith, an adorably awkward typeface resembling the first printing of a child. Shaky lines and irregular forms combine for this naive look, which is completed by tiny specks surrounding each form as well as a number of illustrations. Chipper reflects an innocent fun and is perfect for children's greeting cards, certificates, or magazines and advertising for or about the little ones.

The result of reducing elements of letterforms to only its necessity in lowercase is mostly influenced by the ideal of Aerodynamics. The true intention behind the design of Cobe is to construct a fluid typeface while maintaining a strong structure of uppercase that possessed distict forms, shapes and corners, resulting in an eye-pleasing texture when forming a sentence. Cobe comes in 9 consecutive weights with italics and standard features.

An elegant, stylish unicase font with alternative lower-case letter-forms designed to fit the capital’s X-height. The lower-case forms are available in many of the lower-case keystrokes, with even more available as “stylistic alternates” or a “stylistic set”, which can be activated in Adobe apps. Eye-catching, sophisticated and contemporary. Available in five weights. A more sober companion to the original op-art version of “Dazzle” .

The sans serif Angro was designed in the weights light and bold by Erwin Koch. The figures are based on the form of a rectangle which along with the high xheight and short ascenders and descenders gives the forms a static character. Lines of text in Angro are very compact and close set. Due to the reserved ascenders and descenders Angro can be set with very close line spacing.

Based on an engravers’ pattern plate, this outline form deriving from an English roundhand was fitted to linecasting matrices by Intertype about 1940.

Geometric forms make this elegant font family a great companion for invitations and signs, indoor and outdoor. Proportional figures added, perfect for signage.

Blackwood is a sans serif headline face with a woodgrain effect. Based loosely on Grotesk, it has strong, solid forms with distinctive style.

“Vacation Monogram” is a script font combined with a monogram. This monogram is decorated with forms of tourism and traveling around the world.

Fonton is a contemporary and modern bigger display font, inspired on bigger ton barrel shape, designed as posters font, with very soft curves drawing each stroke, The project regards 2 weight sizes, regular & small. Is useful in poster but also in covers and headings, letterhead, magazines, POP & Graphic culture, hip-hop topics, urban representations, and big sizes prints, Volumetric 3D shapes, etc. Now decorative ligatures, alternates and figures as the same graphic style as Fonton all powered by OTF technology.

Round Squeeze Monogram Font is a perfect round shaped monogram font consisting of 78 letters and 3 frames. With just a single font file you will be able to create beautiful monograms in just a matter of minutes after the purchase! Round Squeeze Monogram Font comes with font file in .otf format. It features all the modern advanced font features such as contextual alternates, effectively eliminating the need to use multiple separate font files for left, center and right letters.

Hollistic is a sweet, versatile, unique and flexible handwritten font. Warm, jovial and compromise. This font will turn any of your project ideas into anything true works of art! This font is PUA encoded which means you can access all of the glyphs and swashes with ease! These fonts include: OTF files. Displayed fonts: Uppercase, Lowercase, Numbers, Symbols, Accents, Styles, Swashes and Ligatures also Multilingual Support Enjoy the font, feel free to comment or feedback, send me a PM or email. Thank You!

Bannertype is – at least for my feeling – the most German of all fonts. It was used heavily mostly in newsprint and advertising in the early 1900s. I designed a dirty version of the narrow font in 4 stages of dirtiness, plus one free shadow font. Since the font has too many points I cannot generate a OTF-version, I am over the limit for that. But I have tried this TrueType version and it works like a jiffy in MacOS 10.8.2!

Gilmore Sans Extra Bold Extra Condensed Titling is a sans serif typeface that was inspired from early designs by the renowned English typographer Eric Gill. It was designed in 1992 by A. Pat Hickson (P&P Hickson) and Steve Jackaman (ITF) exclusively for the Red Rooster Collection. It has a clean, fresh, sturdy feel that is exceptionally powerful at display size. The typeface lends itself well to a variety of projects, including everything from packaging to signage to high-profile advertising campaigns.

This series of faces was designed initially by Morris Fuller Benton, circa 1900. The design is a refinement of Taylor Gothic from 1897. It features a sans serif thick and thin design with angular stems. Pre-dating art deco, this design feels quaint, yet it still has a touch of modernism. Frederic Goudy designed a bold version of Globe Gothic in 1905 for ATF. The Bold and Bold Italic digital versions have been added to the LTC library in early 2007.

This quasi-Chancery classic is a revival of Walter MacKay’s Heritage typeface, made for ATF in 1952. Walter is clean and legible free-flowing calligraphy with a subdued, conservative and traditional letterform base that can be used in large sizes for posters, covers and packaging, as well as in relatively small sizes for personalized letters, poetry and quotables. Walter comes with 430 glyphs and support the majority of Latin-based languages. Plenty of alternates and ligatures are sprinkled throughout the font.

Cats OTF color font. Creative set of characters, kittens pictured in a variety of poses. You can use this font for design logos, quotes prints on t-shirts and other. OpenType-SVG Font was designed with Fontself Maker in Illustrator CC. Contains only uppercase letters and digits. WARNING Color fonts are pretty new technology - they currently show up in Photoshop CC 2017+, Illustrator CC 2018 and some Mac apps. Learn more about color font support on third-party apps here: https://www.colorfonts.wtf/

Introducing Bigtime! If you are looking for a powerfull signature font for your branding and project design, Bigtime script is the best choice. Bigtime script creates a natural, modern and luxury style. A powerful identity will give more value for your work, so you need this in your branding. What's Included: Bigtime file in OTF Swash glyph (a-z) Alternate glyph (g,j,yz,r,t,) Multilingual support Numbering and punctuation. Easy to use Let's make your designs great! Best, Donis

This family was inspired by a font carved circa 1590 for a Polish editor. We don't know who was the punchcutter, nor the printer's name. We have added the special East European diacritics (Czech, Hungarian, Romanian, Croatian, Slovak, Slovenian, Sorbian )as the original font has only the Polish accents. It is a Garamond type, like our 1592 GLC Garamond or 1589 Humane Bordeaux, rough and a little approximate, but attractive. We recommend using OTF version with Windows Vista, providing a best compatibility.

Introducing Lethbridge a luxury handwritten font with a personal touch. Lethbridge script is ideal for a variety of projects that require a handwritten touch, such as branding and logo designs, wedding invitations and stationery, social media posts and advertisements. Lethbridge Script (Regular, Caps, and Tails) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures Multilingual Support for ä ö ü Ä Ö Ü … OTF file format Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Ratieka is a stylish, modern font that is perfect for use in fashion-related design projects. Its elegant letterforms make it ideal for branding and logo design, while its high level of legibility makes it perfect for use in websites, advertising, and other types of communication. Features. Supports all languages in the world (37) Versatile Single Font. One font for all needs. OTF File Ratieka is perfect for modern fashion brands or any projects that require a high-end feel.

Nachel Victoria is a simple, yet aesthetically beautiful typeface. It has a modern script look which can be used for business cards, logos, packaging, branding, magazines, quotes, and much more! What's included: 1. Nachel Victoria (OTF) 2. Style in this font include: Regular, Bold, Italic, and Bold italic 3. Works on Mac & PC 4. Simple installations 5. Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, CorelDraw, even work on Microsoft Word. 6. Support multilingual; ä ö ü Ä Ö Ü ß ¿ ¡

Assembled for those less commercialized holidays, LTC Holiday Ornaments features over 80 printers' ornaments from Lanston Monotype and other historical foundries such as BBS and ATF. Holidays include Easter, Valentine's Day, St. Patrick's Day, April Fool's Day, Thanksgiving and 4th of July. There¹s even a pirate to represent international "Talk Like a Pirate" day. LTC Holiday Ornaments joins the Lanston Collection alongside the popular LTC Halloween and Christmas Ornaments. LTC Holiday Ornaments contains additional Halloween and Christmas ornaments as well.

Six Sided Monogram Font is a perfect shaped monogram font consisting of 78 letters and 1 basic frame. With just a single font file you will be able to create beautiful monograms in just a matter of minutes after the purchase! Six Sided Monogram Font comes with font file in OTF format. It features all the modern advanced font features such as Contextual Alternates, effectively eliminating the need to use multiple separate font files for left, center and right letters.

Exablock is a display typeface based on a 6x6 grid, highly modular and geometric. Diacritics appear as negative space cut into the glyph form.

Linotype Aroma No.2 appears straightforward in form, completely sans serif, yet with a trace of humanistic features that gives it that extra edge.

One of the classic old German large x-height Grotesques revised and still in use, identifiable by the rounded form of certain diagonal strokes.

Walbaum Antiqua Pro is an RMU redesign of a German font classic, with three different number forms and small caps throughout all font styles.

Rudolf Koch’s personal form of the geometric sanserif started at the Bauhaus in 1926; this typeface was designed for Klingspor in the following year.

Geometric forms make this elegant font family a great companion for invitations signs, indoor and outdoor. Useful when you design book jackets, posters etc.

Schwabacher was the predominantly used typeface in Germany from about 1470 until about 1530. It has round character forms other than Textura or Fraktur.

Quiller is another catch from the hot metal days, another one that managed to slip through the fingers of both the photo-typers and digitizers of last 4 decades. JJ Sierke’s Privat design from 1966 is now resurrected and heavily extended to be used by computer users everywhere. The original design was revived, and two whole new fonts were added to it - one with very unique swash caps and alternates, and one with many many ligatures and letter-combination ornaments. Quiller is a cross between brush calligraphy and very casual fast handwriting. It even has a slight Arabic simulation to it. Given such traits, the addition of a swash font and a multitude of ligatures comes in very handy to keep the natural flow of the font and maintain the elegance of its spirit. Those who like the auto-magic of OpenType’s intelligent substitution should like the fact that the OTF version is a single font with all the bells and whistles ready to go in the swash and discretionary ligatures features. If you use the latest versions of Adobe programs, the OTF version of Quiller is highly recommended.

PTx Flowers Font Family 2 fonts: regular and silhouette each font - 6 glyphs TTF format Bear in mind that each glyph of the font PTx Flowers Regular is close to the maximum limit of points possible in ttf, which means that despite being tested in several programs, illustrator, photoshop, among others including word, some bugs may occur, depending on the rendering capability of the program you are working on. I found however that most of the time, that by the way the bugs, when tested, were only verified in word, that changing the size of the letter/glyph or even the zoom of the document, the letter/glyph was rendered correctly. These fonts have a very limited number of glyphs because, due to the glyphs having too many points, it can take some time to render. This will depend on the capacity of the machine's graphics card (computer, tablet, mobile phone). Hence a low number to take as little time as possible. See at work in word: https://youtu.be/PIMBlja2I5k See ar work in illustrator: https://youtu.be/RJp9X9TQ4so See at work in photoshop: https://youtu.be/yvrBmCJ80pc