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  1. Komikazoom - Unknown license
  2. Frankie - Unknown license
  3. Beffle - Unknown license
  4. Eddie - Unknown license
  5. A Drink For All Ages - Unknown license
  6. Dummies - Unknown license
  7. Startling - Unknown license
  8. BN Sunday Kid - Unknown license
  9. Starlet - Unknown license
  10. BN Year 2000 - Unknown license
  11. BN Moog Boy - Unknown license
  12. EasterGirl - 100% free
  13. MadisonSquare - Unknown license
  14. Automind - Unknown license
  15. Ygnorant - Unknown license
  16. Whackadoo - Unknown license
  17. Cló Gaelach (Twomey) - Unknown license
  18. Sauerkraut - Unknown license
  19. ZeueiMinchoSample - Unknown license
  20. Lane - Posh - Personal use only
  21. SixtySeven - Unknown license
  22. BN M@TAN - Unknown license
  23. Weehah - Unknown license
  24. Devroye - Unknown license
  25. GhoulyBooly - Unknown license
  26. Cack-handed by Kerry Colpus Designs, $25.00
    Cack-handed was created by writing with my left hand even though I am right handed.
  27. Matchbox by K-Type, $20.00
    Display font for pixel lovers - mad for right angles and hard edges? Constructivists ate my bitmaps.
  28. Bedaax - Personal use only
  29. roinert - Personal use only
  30. pixcoose - Personal use only
  31. wmxyo - Personal use only
  32. renvem - Personal use only
  33. Franca by René Bieder, $29.00
    Franca is a neo-grotesk family in nine weights plus matching italics. The inspiration for the design came through the constant interest in new interpretations of the classic grotesk model and a study of "neutral“ typefaces like Helvetica, Univers or Normal Grotesk. During the studies, additional attention was given to the American representatives of the genre, resulting in the initial impetus for a reinterpretation, combining both paths into one contemporary design. This is reflected in the name, blending together the names of the most popular typefaces of each genres, (Fran)klin and Helveti(ca). Due to its large x-height and plain design, the family is perfectly suited for all kinds of text. Its mid-weights are optimized for usage in long paragraphs, while the bolder weights, due to a short descender and ascender, create a compact and confident look in headlines or short copy. In order to create strong and dynamic italics, the oblique glyph shapes come with a faint calligraphic hint, defined by a higher stroke contrast and a steeper connection between stems and arcs in, for example, h n m and u. This is followed by different standard shapes for a and y, supporting the dynamic movement of the lowercase in general. A wide range of OpenType features such as ligatures, old style figures, fractions, case-sensitive shapes and many more, are available for professional and contemporary typesetting. This is completed with eleven alternative glyph sets, enabling a quick customization of the typeface. The family supports up to 92 languages and comes with 500+ glyphs per font.
  34. ITC Handel Gothic by ITC, $40.99
    The Handel Gothic? typeface has been a mainstay of graphic communication for over 40 years - all the while looking as current as tomorrow. Designed by Don Handel in the mid-1960s, and used in the 1973 United Airlines logo developed by Saul Bass, Handel Gothic was an instant success when released to the graphic design community. Its generous lowercase x-height, full-bodied counters and square proportions make the design highly readable at a wide range of sizes. Handel Gothic's slightly idiosyncratic character shapes gave the face a futuristic look 40 years ago that retains its power today. In addition, its Uncial-like lowercase is instantly identifiable - and unique among sans serif typestyles. Award-winning type designer Rod McDonald was attracted to the simple, decisive forms of the original, but he felt the design needed to be refined and updated. ?One of my goals was to bring a modern typographic discipline to what was really an old phototypesetting font.? To achieve his goal, McDonald re-proportioned every character and balanced the delicate relationship between the curves and the straight strokes. He also added a number of alternate characters to extend the range of the design. ?I wanted to give designers a large enough character set so they wouldn't feel constrained in what they could do. I want them to be able to play with the fonts, not just set words.? McDonald enlarged the family from the single-weight original to five weights, each with a full suite of alternate characters.In 2015 Nadine Chahine designed matching arabic weights to this family.
  35. Loop by Fontmill Foundry, $15.00
    Loop started off as a few glyphs drawn up for a commercial job and evolved into a family with 6 weights.
  36. Extension by Red Rooster Collection, $45.00
    Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Many of the weights and the italics were created after Les’ death.
  37. Double Dagger by Dharma Type, $9.99
    Geometric stencil with a variety of weights. It is so orthodox and simple that you can use it in various creations.
  38. Frenkel MF by Masterfont, $59.00
    A practical font family with 2 weights for all your needs: headlines, body text, signage etc. High legibility at small sizes.
  39. Couponim MF by Masterfont, $59.00
    A practical font family with 4 weights for all your needs: headlines, body text, signage etc. High legibility at small sizes.
  40. Skippie by RodrigoTypo, $25.00
    Skippie - a typeface specially designed for children's titles - contains different weights from Thin to DemiBold, with extras, dingbats and many alternates.
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