Skyline was commissioned from Font Bureau by Condé Nast specifically as a headline typeface for Traveler magazine. This strongly personal work by Imre Reiner from 1929 and 1934 was known in Europe as Corvinus. Skyline Black and Bold Condensed offer immediate headline recognition through Reiner’s variations on the themes found in the classical Modern structure. Both styles were adapted by Jane Patterson; FB 1992

Agitha is a lovely, round lettered handwritten font. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates. Fall in love with its incredibly versatile style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more!

ITC Bauhaus was designed by Edward Benguiat and Victor Caruso in 1975. They based it on a prototype face drawn by Herbert Bayer in 1925 while he was teaching at the Bauhaus School in Dessau, Germany. ITC Bauhaus has simple geometric shapes and monotone stroke weights. The rounded, open forms and quirky geometric gyrations of ITC Bauhaus will make contemporary graphic designs look both fun and stylish.

The inspiration source for Arteaga Borders Three is a collection of the embroidery and beading patterns from a vintage embroidery patterns catalog dating back to 1865. The original collection of patterned sides has been expounded upon to create matching corners that continue the fluidity of the ornate forms. Download and view the “MFC Arteaga Borders Three Guidebook” if you would like to learn a little more.

Onirom is a Modern ligature serif font comes with joining ligatures that give it a fancy and unique style. This awesome font is perfect for branding, logos, invitation, watermark and so much more. Onirom typeface comes with regular and round font styles. Uppercase letters, numbers, punctuation, ligatures, alternates and multilingual support. If you have any questions, please feel free to get in touch. Thank you

The idea was to create a typeface with a high black ratio that would work well in a compact style. The five styles of Vivala Black share similar metrics, so they can be easily substituted for each other in a body of text. OpenType features include ligatures, fractions, ordinals, numerators, denominators and stylistic alternates. Fields of application are posters, magazines, packaging, books, and corporate design.

NATRON Rough is the textured version of NATRON (rounded and condensed sans serif), in two weights, medium and bold. It features stylistic alternates and ligatures. Both fonts support Latin and Cyrillic codepages for Western, East and Central European, and Baltic countries. Designed for tight-fitting text, NATRON Rough is great for display, branding, labels, packaging, advertising, food, sports, titles, and any other type of visual communication projects.

Searching for the Exceptional Designing Tapir was driven by the search for a display typeface which is doing something different than the rounded and bouncy fun faces – the letterforms should stand out with a slight touch of weirdness, creating attention and recognizabilty. A big character set, optimized spacing & kerning and lots of features make Tapir a good choice for professional usage between games, toys and skateboards.

Sprouts is probably best described as "Bonsai-Nouveau". It's designed to look 100% organic up close, while maintaining good readability even at a distance. The looped letters terminate in playful swirls perfect for use on the cover of a menu or cookbook, yet would be equally at home in corporate logo art or as initials. Play with it, because creativity is an organic process.

A modern san serif typeface with a humanistic influence. The intention was to create a clean, functional design that would also have an elegant appearance. Careful attention has been paid to proportions and purity of form to help improve readability across text layouts. Details include 8 weights with italics, 540 characters with old style and tabular numerals, stylistic alternatives, manually edited kerning and Opentype features.

Furius is a display typeface inspired by the split serif style of woodcut or chiseled letters found in roman inscriptions and later popularized by the western genre in the United States. Created as a display typeface, Furius combines a host of Opentype features and equally incoporates a full extended latin and cyrillic character set to provide a versatile and complete design solution for titles or display settings.

Here’s another wild and wacky typeface based on handlettering found on Hallmark Studio Cards of the 1950s. All possible letter combinations have been kerned, so you can mix and match upper and lowercase letters to create just the balance you’re looking for. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

The design of P22 Foxtrot is inspired by the lively ballroom dance of the same name. Foxtrot is a transitional antiqua with rounded serifs that features ligatures, small caps, oldstyle numerals and full Central European support for those with applications that support OpenType features. The companion, Foxtrot Sans, is a sans serif version with a little more jazzy expression. Both fonts are great for text and display.

Goudy’s Newstyle typeface was desiged in 1921 began as an experiment in creating a phoentic alphabet with different shapes for letters depending on their unique sound. The design is strongly influenced by the Venetian Romans of Aldus which Goudy believed to be the most readable letterforms. Steve Matteson digitized the roman faithfully to Goudy’s original and designed the companion italic in the spirit of Goudy’s style.

Rumblekill is a blackletter font in the retro style. Elegant and rounded, it adds a bold touch to your projects and will inspire you to create something unique and modern. This font is also equipped with alternative characters, Ligatures, and multi-language support. Rumblekill Font is ideal for headings, flyers, greeting cards, product packaging, book covers, printed quotes, logotype, apparel design, and album covers.

Eckhardt Casual JNL was modeled from an example of poster lettering found in a 1941 Speedball® Lettering Pen instruction book. The font is named in honor of Jeff Levine's good friend, the late Albert Eckhardt, Jr. (owner of Allied Signs in Miami, Florida until his passing) and is one of a number of releases with a "sign painter" theme that comprise the "Eckhardt Series".

Party Doodles: the perfect font for that quickie party flyer. Six party words in script and hand printing as well as 24 party drawings of gifts, party hats and party crowns, a sundae, a cupcake, fancy cakes, drinks, party horn and noisemakers, candles and a gift tag. One font, many possible party flyers. It can also be found in the book "1000 Fonts" by Bob Gordon.

PiS Creatinin pro is based on a vintage ABC learning game for kids found in my grandparents attic. The narrow and high hand-drawn letters combine delicacy and chunkyness in a wonderful way, so it can be used both in huge display sizes and in small text sizes. PiS Creatinin pro - Makes you want to go back to school and learn the alphabet all over again!

A number of pieces of antique sheet music utilizing the same Roman typeface were the inspirational basis for Musical Score JNL. This antique design closely resembles pen lettering and its hand-made charm due to the rounded stroke ends and varying character widths. Informal, yet attractive - the character design evokes the feeling of the turn of the previous century and simplicity of life at that time.

Eckmannschrift is a redrawing based on original sketches and type specimens of the original 1900 Otto Eckmann typeface Eckmannschrift. It includes the original characters designed by Otto Eckmann not included in most modern releases of the font. Though it is a vintage typeface, it has found several popular resurgences of use over its 100 years in existence, including today's retro styles and psychedelic posters from the 1960s.

KgStuttgart1930 -- Kunstgewerbeschule Stuttgart 1930 -- is based on a printed sample of a font designed in 1930 at the Stuttgart School of Applied Arts. Found in the book ABZ, more alphabets and other signs by J. Rothenstein and M. Goodings. I recreated the grid and kept some awkward letters of this bauhaus-era inspired design. I created the missing glyphs and added alternate versions of already existing ones.

Youth Syndicate is a flowing handwritten font, described by an elegant touch, perfect for your favorite projects. Fall in love with its incredibly distinct and timeless style and use it to create spectacular designs! Youth Syndicate would perfect for photography, watermark, social media posts, advertisements, logos & branding, invitation, product designs, label, stationery, wedding designs, product packaging, special events or anything that need handwriting taste.

Veneribe -the Venerable face- is an experiment in what many today might call 'grunge', though we at Greater Albion would probably prefer to talk of rustic (or if we're feeling really old-fashioned rustick) charm. It's a derivative of our Clementhorpe family, and aims to combine a battered antique look with the charm of that decorative Roman family. Regular and oblique forms are offered.

Skyline Hotel is a brand new hand painted font from Dathan Boardman of Open Window. It utilizes Art Deco structures but is greatly amplified by organic paint brush strokes. The font would be best used in designs that require an organic degraded look and feel. Skyline Hotel… optimal for back alley graffiti mural or a poster to begin a political revolution. Geometric essentials betrayed by fluid expression.

I bought a pair of green gumboots (or Wellingtons) the other day. I have a little wilderness outside and it is quite muddy, so I thought a pair of boots would be a good buy. Gumboots is a handmade comic font. It comes in a regular and a fat style and you can use it for just about anything that needs a bit of comic relief.

Fat, bold, and comfortably bulbous; that's ITC Liverpool, designed by Kevin Bailey. The letterforms are soft and mildly eccentric, characterized by tiny counters that shift around from letter to letter like the highlights on cartoon eyeballs. Some of Liverpool's letters are reminiscent of display lettering from the '30s, yet this exuberant face would also be right at home in the '60s. Not for the typographically timid.

Owly Barn is a Friendly and Playful font. The rounded corners of Owly Barn give it a sense of joy and positivity. Also friendly and approachable vibe. Owly Barn is incredibly versatile. It can be used across various mediums, including digital and print, and it adapts seamlessly to different sizes and resolutions. This versatility makes it a go-to choice for graphic designers, marketers, and creatives alike.

BINTARO is a clean and powerful serif font with a bold, rounded shape. It comes with two regular styles, and outline. BINTARO is a good choice for a variety of projects such as logos & branding, invitations, stationery, social media posts, clothing, advertising, product packaging, product design, labels, photography, watermarks, special events or whatever. WHAT IS INCLUDED: Multilingual support Alternatives A, B, E, F, P, R PUA Encoded

Chilloxine is a clean font with detailed edges combined with sharp corners and one side with rounded corners. font with 18 families that bring more varied thickness and slope, with many style choices in one family, the font is very good to use for logos, titles headlines, & can even work well for text. Chilloxine is very minimalist with a clean form and is more professional.

Did you ever get lyrics from a song wrong? And maybe found out years and years later, that is was wrong...but the wrong lyrics get stuck, even though you know that they are wrong! :) Misheard Lyrics is a font that most likely gets stuck in your design, because it has that bouncy and random look that makes your text come alive - without overdoing it!

Linsingen is a font family inspired by Brazilian tea barrel labels printed with lithography in the beginning of the 20th century. The family consists of three styles - Linsingen Vintage, which preserves the shapes found in the original prints; Linsingen Moderna, a contemporary interpretation of the original shapes, with increased contrast and sharper lines; and Linsingen Stencil. All of the three styles are suited for titles and headlines.

This font is stylish, clean, clear, firm and still looks luxurious. Slim Pro is a fine and all round sans serif font. No matter the topic, this font will be a genuine asset to your fonts’ library, as it has the potential to elevate any creation. Slim Pro is a modern and futuristic sans serif font. The combination of futuristic and geometric elements renders a modern design.

Toyster is an all caps display font designed with playfulness in mind. The childlike characters are defined by their rounded corners, low contrast, and pudgy weight. Smooth contours ensure this will look great for large print projects. Use it for a children's' book, toy packaging, cartoon, or store signage. With 3 different versions Toyster is sure to resonate with kids and the young at heart.

Malebu is a sans serif font that was created based on grotesque and humanist models with certain geometric features. It is clear, simple, gentle and friendly, and can be used in text sizes. It is easy to read in long texts, magazines, books and the like. The rounded shape makes it friendly and fluent. A short x-height is functional and adds economy without losing consistency.

Framboisier means ‘Rasberry Bush’ in French. Even though it’s early spring, I already spotted raspberries at the greengrocers, so I figured a nice raspberry-related name would suit this font just fine. Framboisier is a hand painted script font. It’s a little messy, a little shaky, but legible and cute as well. Comes with all the diacritics and a whole bunch of alternate glyphs.

A Feel Good Kinda Font This playful and light-hearted, sans serif, display font includes uppercase letters, numbers, and punctuation. Great for carefree, boho, and fun designs like stationery, logos, wall art, stickers, patterns, and products. Use the font styles separately or try layering them! Built for easy use in Canva too. Includes: Happy Go Lucky font in 3 styles: Regular, Outlined, and Rounded

One of the classic designs of the wood type era is Hamilton Gothic Bold [from the Hamilton Wood Type Foundry circa 1889]. Clean and timeless, it even had found a resurgence during the rock and roll posters of the 1960s, where vintage wood types and Art Nouveau influences merged with the “Hippie Counterculture”. Wood Gothic JNL is available in both regular and oblique versions.

If it's dog friendly, it must be something good! Actually, I was never really into dogs, not until me and my wife decided to get a dog. We got a French Bulldog and life hasn't been the same since! I found out that I love dogs, and especially French Bulldogs! This font is a kind of tribute to everything good that has to do with dogs! :)

Sumner Stone worked together with Bob Ishi of Adobe to create the Stone family fonts, which appeared in 1987. Coincidentally, ishi is the Japanese word for stone, which precluded any squabbling about whose name the font would carry. The family consists of three types of fonts, a serif, a sans-serif and an informal style. The Stone fonts are very legible and make a modern, dynamic impression.

Antario is a high-contrast sans-serif font with a classic rounded style so it looks elegant and attractive. Available in two styles, Regular and Bold including various OpenType features such as disrectional ligatures, swashes, stylistic sets, fraction etc. Antario font also supports multilingual including Cyrillic. With more than 600 glyphs, you can be more creative in creating various types of typography in graphic design.