Al Chevrola is a dynamic modern sans serif. Strong, with curves and an elegant touch. It is a rounded, geometric near-monoline construction sans serif typeface with display details which gives it modern, simple, elegant, chic, cool, and strong vibes. Each style and character looks amazing in large headlines. Al Chevrola works great in branding, logos, magazines, packaging. FEATURES: 4 Weight OpenType support Easy to use (with special combination) Multilingual support (15 languages) PUA Encoded Thanks for checking out Al Chevrola. I really hope you enjoy using it! If you have any questions I'd be more than happy to answer them, just send me a message.

"Soup Du Jour" is French and simply means "Soup Of the Day" - may not sound interesting, but I can tell you that I have had several tasty soup of the day served. I wanted to make a font that resembles that feeling of not really knowing what you get served, but you got a feeling that it is something good! The font has got 6 different versions of each letter, and they automatically changes as you type - it makes your text organic and lively, and probably quite tasty too! :) "Soup Du Jour" is also a well-known quote from one of my favourite movies: "Dumb and dumber"

I wouldn't recommend that you use this font for massive text, or text written in CAPS ... but then again, go ahead and try - I even kerned all the capital letters ... just in case that you would do something so crazy! :) Dynamique is a kind of a "straight out of the highway" grid-font. But then again, not ... if you use the lowercase alone, you have this almost monospaced font - try starting every word with a capital letter, and let it end with the alternate ligature, your words suddenly got even more power! If you want to go lightspeed - then use the same technique, but only with the italic version!

Leapfrog is a friendly and restless cursive font with no baseline containing 3 glyph variations per character. Each variant of the glyph is slightly different and is replaced randomly as you type, giving the impression of a unique handwriting. The font is suitable for logos, large headlines, posters, signs, children's books and comics. Its character is cheerful, kind and playful due to the random set and rounded stroke endings. Leapfrog contains extended latin, cyrillic, ligatures, peace sign and frog, the total number of characters is 1902. It contains OpenType functions: liga, numr, dnom, calt, ss01, ss02. The font is also case sensitive, has fractions, currency signs, and arrows.

The Gramma font family provides about 240 very basic graphic structures. Compilation of of this set has been inspired not by symblic but by graphical-morphological concerns. Therefore the three fonts (A, B, C) represent the entirety of all possible and simple graphic forms. Glyphs of this kind are likely to be found anywhere: in scripts, in signage, in branding marks – and so on. So, the Gramma font package is applicable to a great variety of usage. Whenever a free choice of elemental graphic motifs is desired – be it ideographical, pictographical or for brand design, this package provides you with nearly any graphic shape imaginable.

The Sommet superfamily has been updated with a new serifed member. Expanding on Sommet’s successful design principles, Sommet Serif is there when you need legibility for continuous text. Its interesting forms lend it to use as headlines as well. Sommet Serif is available with six weights and complementary italics and plenty of OpenType features. Sommet Serif features a tall x-height, and its letterforms are compact, perfect for when layout space is at a premium. Sommet Serif also includes oldstyle figures and small caps. Use Sommet Serif whenever you need a powerful and contemporary serif. In addition, be sure to check out the sans, rounded, and slab members of the superfamily.

Patricia Pothin-Roesch's Saussa typeface began life as brush-lettered artwork for fruit salad packaging in France. After the key letters had been painted, Patricia Pothin-Roesch switched to digital tools to create the final font. True to its roots, Saussa is a real advertising face, perfect for point-of-purchase displays. Even its name is consistent with its intended area of application: Saussa sounds a lot like the word “sauce.” Saussa is an informal script; its outstrokes function almost like serifs, and the capitals have a lowercase structure. The feelings this typeface conveys are due to the hand of its creator, Patricia Pothin-Roesch, an experienced brush-letterer.

Ethos is a contemporary serif fontfamily by Fonts With Love. It comes in 36 fontstyles with true italics and a huge bunch of opentype features like small caps, ligatures, nominators and denomiators, fractions and many more. Its x-height is pretty high, which makes it legible even on small fontsizes. Above that, the lighter weights have a rather low-contrast linestyle, which improves the legibility on display application especially on smaller sizes. On larger fontsizes, the typeface stands out with a distinctive character of geometrically shaped letters with soft rounded corners. Each fontface contains 500+ glyphs, supporting a huge amount of languages, mathematical operators, symbols and punctuations.

Neue School is a modern sans serif font with extra tight tracking & deep ink traps. Designed to maximize the available space, make impactful headlines. Inspired by old school narrow poster fonts, presented in a “neue”-way. The font consists of 8 weights, across 2 widths, plus italics. Symbols are fixed weight throughout, as a contrast to the font weights. There are 2 additional OpenType stylistic sets. Stylistic Set 1 adds more rounded edges to specific characters for a softer look. Stylistic Set 2 makes lowercase ascenders and symbol height equal to capital height, making it ideal for stacking type more easily with all same height.

Eurostile Candy is a fun spinoff from Akira Kobayashi's Eurostile Next family. As the name implies, it is based on Eurostile but with many striking new features. Most obviously, the corners and joints have been rounded off to give it a more friendly and softer feel. On top of those changes, the main skeleton of many characters have been modified. Any extra strokes have been removed - such as in the a, s, or t - and joints have been simplified to create even more square shapes - like in the n and r. With these contemporary and futuristic-styled alterations, Eurostile Candy is a cool new design great for many display projects.

Oswald Bruce Cooper designed Cooper Black, an extra bold roman face, based on the forms of his earlier typeface Cooper Old Style, which appeared with Barnhart Brothers & Spindler Type Founders in Chicago. Copper Black was produced by Barnhart in 1922 and acquired in 1924 by the Schriftguß AG in Dresden, where it was later completed with a matching italic. Although Cooper Black appeared in the first third of the 20th century, it still looks contemporary and it can be found on storefronts in almost any city scene. The flowing outer contours create forms that are both strong and soft, making Cooper Black an extremely flexible font.

After releasing Amsi in 2015, this year Sans Beam is now ready to launch with the design that support many different usability from Headline to Body text, and specifically designed to be compatible with other font families of Stawix Foundry. This typeface has been designed under the simple idea of ‘Choose. Play. Repeat.’ on the limited space of typographic layout, in which most of the time faces the problem of choosing appropriate font weight that would serve the right intention. This typeface is designed to erase those problems, preventing impossibility in designer’s layout in both Body Text and Headline, which comes in 15 different weights.

Setisa, a delightful monoline script font, enchants with its inherent cuteness and graceful simplicity. Each stroke is meticulously crafted, forming a seamless dance of letters that exude a charming, handwritten aesthetic. The monoline design lends a uniform and contemporary feel, while the script nature adds a touch of whimsy. Setisa effortlessly blends a sense of playfulness with a clean, modern edge, making it perfect for a myriad of creative endeavors. Whether used in branding, invitations, or any design project seeking a sweet and approachable tone, Setisa stands as a testament to the beauty found in simplicity, making every word written a joyful expression of charm and elegance.

A cheerful handwritten font family composed by 8 fonts. 5 slab weights, 2 slab effects and a sans serif. Handmade, friendly and classy, this family is inspired in one of our favorite traditions in Torino, “ L'Aperitivo ”. The social event every afternoon! Before dinner friends meet in the local bar and spend the time together eating, drinking, talking, laughing and eating and drinking again. Handwritten to get a friendly and human feeling. Letterforms specially designed to take the charming mood of this event. The sans serif has been inspired in some letterings found in old local liquor labels. Check out also ‘Modern Love Slanted’ Turquoise Nautica

Script font with a dazzling touch of love. I made this font with great pleasure. Given the alternative options and ligatures available, you can get a beautiful design feel. You can use this font for your design purposes such as craft designs, logos, quotes, wedding invitations, etc. See some of the previews above for reference. Features: -Uppercase -Lowercase -Numeral -Punctuation -Multilingual -Ligature -Alternate Note: To access the Opentype feature, it would be better if you use a program that supports it and is available with a glyph panel so you can see various alternative characters. Examples of programs such as Adobe Illustrator, Corel Draw or Inkscape. Thanks.

Ahkio is a brushed disconnected script family of 5 fonts. Ahkio’s roots are in 1930s sign painting and showcard lettering but with a modern and individual twist. Main characteristics are soft, rounded forms and a bit curved stems. Ahkio is a friendly and gentle font that suits well in titles, packages, logos and for example posters. 5 weights makes Ahkio a versatile font that gives you a possibility to add contrast and interest to your typography. Ahkio includes black and white manicules. You can use them easily with OpenType options. Just choose Stylistic set 1 and make sure Standard ligatures are on. Then just type: >> for Blackmaniculeright >> for Whitemaniculeright

Carefree makes it so simple to elevate a logo or headline text, whether you're wanting something bold or delicate. Introducing the Carefree Serif family – a gorgeous condensed serif typeface that includes 16 fonts, regular and italic, from Hairline weight to Bold. This typeface looks best in larger settings as a display text (think big headers, pretty quotes, calls to action, etc.), but can also be really stunning for longer text like quotes. I would probably avoid using this as a body text because of the high contrast. I've also been loving combining the regular and italic and mixing up the weights, especially for beautiful logos.

Royce is a cute and minimalist designed font family with rounded edges on each character to make a fun and modern impression on your designs. It is very easy to combine this font with other types because it comes with 10 complete weights ranging from thin to extrablack, with a modern impression Royce has many useful features for example Alternate which is more formal in feel and Discretionary Ligature which is very eye-catching so it is ready to be used for various kinds design types such as displays, titles, body text, magazines, cover art, social media, logos, web Ui, clothing, posters, and others. Royce also has multilingual support.

Burowai is an ancient font style. Inspired by the ancient greek letters and the tribal ornaments. This ethnic font inspired by the shapes of tree branches and combined with rough strokes such as ancient symbols found inscribed in caves. Perfect for the natural theme, folk, tribal, children, adventures, and social movement. Burowai is a display font, that represents brave, spirits, natural, and tradition. Perfect for the headline, logo, books, poster, signage, and more. You can mix and match the alternates characters to get more unique tribal handwritten. Fonts featured: Uppercase Allcaps Numbers & symbols Accents Alternates Hope you like it! Thank you for your support and happy designing!

Conceived as an exploration of geometrical type designs of the early twentieth century, Canaro was — in its first design stages — heavily rooted in that time period. During its development and the effort to give it a modern appearance, it turned into a contemporary font with a strong historical background, defined by legibility and functionality. In addition, the lack of spurs provide a unique but unobtrusive character and support the contemporary impression. Typographic features like alternative glyphs, ligatures, oldstyle numbers, arrows, fractions and other special characters, round up the family. Canaro is available in nine weights plus matching italics. Ranging from sharp and elegant thinner cuts to sporty and athletic heavy weights.

This highly stylish, engraved blackletter font was cut by Rudolf Koch between 1919 and 1921 for Klingspor in Offenbach on Main. It was then sold under the name Deutsche Zierschrift. I completely redraw and extended this font and called it Zierfraktur. To take full advantage of this fine headline blackletter font, please use it from, at least, 18 points upward. This font contains a bunch of useful ligatures, and it is recommended to activate both Standard and Discretionary Ligatures. The round s can be reached by typing the # key, and you get the numero sign by typing the combination N-o-period and activating the OT feature Ordinals.

Neogram is a modern neo-grotesque type family inspired by the early roots of Swiss design. The concept was to create a neutral typeface that would demonstrate great clarity while understated in its intended use and application. Stroke contrast is slightly increased, with a more geometric letter shape giving a warmer and more robust personality. Neogram is now available as version 2.0 (2021); the remastered letterforms meet a higher level of technical standards demanded by modern-day users. Details include nine weights with matching italics, three variable widths, 540 characters, five variations of numerals, Opentype features inferiors, superiors, fractions, case-sensitive punctuation, and language support covering Western, South and Central Europe.

Flyoika is a slab serif family with a fairly low x-height, long ascenders, and considerable contrast. The family has five weights, each with an italics and it can be used for either display or text. Flyoika was not designed to meet a particular need but rather out of curiosity. Years ago I had designed two slab serif families, FlyHigh and Euroika, that I recently noticed had a lot of similarities and I wondered what a blend of the two would look like. Several corresponding characters in the two families are considerably different and in cleaning up the results, I usually opted for simplicity. The name "Flyoika" reflects these origins.

The letters in Bouncer are round because they all begin as a ball and then have parts of the ball cut away. Bouncer was one of the earliest typefaces from Ingrimayne Type. Lower-case letters are smaller versions of the upper-case letters. BouncerTwo, designed twenty years after the original Bouncer, continues playing with the idea of making letters by cutting out parts of a circle, but in this case the circles are interlocking. All letters are upper-case but some of those on the lower-case keys differ from those on the upper-case keys. BouncerTwo is eye-catching but not highly legible.

Vintage, printed look Mozzart Rough typeface from Posterizer KG Type Foundry is one of two decorative versions of Mozzart Sans font family (slightly rounded, Neo-Grotesque corporate font, created for MOZZART D.O.O. company from Belgrade, Serbia). Mozzart Rough contains: 2 Weights, 2 Condensed and 1 Oblique version of the font, complementing each other perfectly. All versions contains completely MacOS Roman and MacOS Cyrillic code pages, tabular figures, small caps... Along with all of this, you will also discover extra added unique ornaments and symbols. It will be helpful for users to create realistic letterpress pages. Enjoy! Because of its complex outlines, Eveleth may process slowly in some applications.

Although the early 1900s through the 1920s seemed to be the "Golden Age" of ridiculously long novelty song titles, it appears that even the decade of the 1940s had its fair share as well. Song Merchant JNL was modeled from the hand lettered [but exhausting] title of the sheet music for "Princess Poo-Poo-Ly Has Plenty Pa-Pa-Ya (and she Loves to Give it Away)". Despite the obvious double-entendre inferences of the title, the square block letters with rounded corners make for a useful headline font (even if the source material it was drawn from is quite forgettable). Available in regular and oblique versions.

Wainou, a free-form handwriting font, gracefully dances on the digital canvas, embodying the essence of unbridled self-expression. Its fluid strokes and whimsical curves breathe life into each character, fostering a sense of organic spontaneity that captures the nuances of individual penmanship. Wainou transcends the rigidity of conventional typefaces, inviting a playful journey through the artistry of personal writing styles. With a harmonious blend of elegance and informality, this font offers a delightful visual experience, evoking a handwritten note’s warmth and authenticity. Wainou stands as a testament to the beauty found in the unrestrained, inviting users to infuse their projects with the unique charm of personal expression.

Eckhardt Bold JNL continues a series of sign painter-inspired type designs and is named in honor of the late Al Eckhardt, a talented sign man who was a good friend of Jeff Levine for about 18 years until his passing. The font is available in both regular and oblique versions and was inspired by an example found in the 1928 edition of E.C. Mattthews' "How to Paint Signs and Sho' Cards". Both squat and wide for maximum use in wall and window applications, the original name for the design is "Heavy Plug". Plug was the sign painter's term at the time for describing this type of letter form.

100.000 years ago years ago, a group of mad scientists from the far away planet ZyrXX, encountered the earth and just waited to conquer the planet. Their masterplan was to use electronic brain waves to manipulate our minds. Sounds cheesy and comic, right? Well, that is the true story about this font. The font was built using a grid (hence the name!) and all I had in mind, was a mixture of old sci-fi movies and computer graphics from the 80ies. I did my best to recall and re-create this - I will let you be the judge to decide whether I succeeded! :)

I started designing Volupia in 2004 and the main goal was to create a very casual font with some characteristics than we can find in some old commercial advertisements. After designing the basic character set I decided to go OpenType because it would allow me to go deep into the script, correcting the balance of the spaces and the kerning, along with the possibility to create Ligatures and Swashes. The result is a typeface ideal for use in very big sizes. Volupia includes Small Caps, Ligatures, Fractions, CE Characters, Swashes and Alternates. The ligatures and the ending swashes allow the user to make the text more calligraphic and personal.

Ok, so many of you are now probably wondering if I am a teenager. Nope. But I was once, and I had alot of pent up angst like alot of other teens, and maybe this typeface is my outlet for what is left of those teenage days of mine. Take it as you will, but Young Itch is a bold, scratchy, handdrawn typestyle, with that feel of grunge and pent up anger. The typeface comes with its own persona, but I bet it would work itself well into a wide array of designs. Ventilate your current or past teen angst with Young Itch today!

Binner was designed by John F. Cumming in 1898 and is an alphabet with a strongly historic character. It takes the reader back to the early part of the 20th century, when typefaces of this kind could be found in advertisements on houses and posters. The robust figures display a marked stroke contrast. Particularly striking are the high middle strokes of the E and F as well as the wavy connecting stroke of the H. The curves of the R and P extend well into the lower third of the characters. With its robust figures, Binner is best used for headlines in middle and larger point sizes.

French designer Christophe Badani developed the Linotype Rough family in 1999. The family contains nine different typeface styles, each with a slightly different voice. The forms appear to have found a unique middle ground between hand-drawn letters and pure geometry, especially Linotype Rough Outline. Make sure to pay special notice to the true-italic forms in the three italic weights! Badani's attention to typographic detail is not to be missed. Linotype Rough is perfect for headlines and display work. The medium and bold weights can also function splendidly in text. The entire family is included in the TakeType 4 collection, available through Linotype."

Winnie the Hoop is a bold, friendly and round display family inspired by a certain well known teddy bear. The family consists of three styles; Roman, Italic and Script, which are designed to be combined together. You can use any of the three styles as your main style and use the others to create multilayered typography that all share the same aesthetic. The typeface is well suited for branding and packaging design, advertisements, posters and even editorial design as a headline style. The Script is packed with ligatures and has Swash alternates that make it easy to customise your design. All styles include two sets of numerals.

Introducing Neon Sci-fi Futuristic Font called Stacker A unique Fonts with Futuristic Style can make your logotype become more interesting. inspired by real world neon light signs, it features minimal letter forms with smooth rounded corners and, true to real neon tubes, strictly uses lines with open start and end points. This font is perfect for adding your own glowing light effects or can be used to actually design real world neon signs. Stacker fonts is perfect for your project and allows you to create designs, headlines, posters, logos, badges, and many more that are beautiful. It is also best used for posts, logos, posters, labels and more.

P22 Slogan is a non-connecting script font that captures the essence of the lettering used in 1950s European advertising. Bold strokes of this brush-drawn face make this design a great choice for both retro design and contemporary work. The font is based on the 1957 design Slogan by Aldo Novarese for the Italian Nebiolo Type Foundry. At the time of its original release, it was touted for "striking publicity work". This new digitization accurately reproduces the outlines of the original not found in previous digital versions of this design. P22 Slogan is a non-Pro Opentype font that includes Central European characters.

Morocco is a round, curvaceous font from Swiss designer Michael Parson. Many of the letterforms in Morocco are inspired by the Modern Greek alphabet. Five of the lowercase letters have additional ascenders/descenders that are not typical in the Roman alphabet (h, n, s, u, x). This experimentation continues into the uppercase as well; many capital letters in this font have been bequeathed with ascender or descender-like elements, and some capital letters, like the Q", only come up to the x-height of the lowercase letters. This experiment in type design is one of ten from Parson that has been included in the Take Type 5 collection from Linotype GmbH."

Waddle is inspired by the playfulness of mid-century jazz albums, opening title sequences and movie posters. Friendly, rounded, slightly roughed, with a bouncy baseline, this unique typestyle boasts a generous number of glyphs and ligatures across all three weights. Waddle Thin is perfect for body copy and is both fun and elegant. Waddle Plump has been designed for bold headlines and titles. Waddle Regular is an ideal all-rounder. Combine the Waddle Family for maximum affect the next time you need to get a playful and positive message across to an audience of any age. Not too kiddy, not too serious ... just right.

We would like to introduce our new product Wigwams - Handwritten Geometric Font. Wigwams is a linear font in a hand-drawn minimalistic style, the lowercase is decorated with geometric elements. The typeface includes Regular and Symbol versions. Combine the font with symbols to get a unique design. The font is easy to use in various design programs or without any program. Wigwams is suitable for lettering posters, camping products, photo overlays in hipster style and music albums. The font works great both for printing clothes and craft products, branding and packaging (herbal tea, handmade soap, organic food). Also use individual letters and symbols to create logos and monograms.

Linotype Minos is part of the Take Type Library, chosen from contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. This fun font was designed by Swiss artist Christian Goetz, who named it after King Minos of Crete of the Bronze Age. Typical of scripts of this time were the ornamental borders around the characters, found on palaces of Knossos, Phaistos and Mallia. These borders surround every character of Linotype Minos, making it exclusively for headlines in larger point sizes. Single characters can also be used as initials mixed with other alphabets, especially with constructed sans serif and modern serif fonts.