Arab Brushstroke is a graceful, upright German calligraphic script. At first glance, Arab Brushstroke does not seem to have much in common with Arabic calligraphy. Yet the gracefulness of its letterforms remind the viewer that calligraphy is a global passion, one that can be seen in the Arab world as well. Perhaps that feeling was the inspiration behind this typeface’s name? In any case, Arab Brushstroke is a good choice for use in headlines, as well as other display applications.

For everyone wishing for a modern serif that’s as clear and readable as a sans in restrictive digital environments, meet ABI by Reza Bohloul. Sans serifs are commonly used on small screens to save space and carry a modern tone and Abi is the best one. Abi now provides a serif option for these restrictive digital environments. The screen has met its serif match. Abi was created from and for the digital world. Abi supports Arabic, Persian, Urdu and Kurdish languages.

Introducing "Cringe": a captivating typeface that draws inspiration from the mesmerizing world of psychedelic pop culture and combining it with a uncial letter form and calligraphy approach. Each character exudes a sense of whimsy and free-spiritedness. Cringe Font Family contains 5 style regular, medium, semi bold, bold, & Expanded. It comes with Stylistic set & ligatures. Ayr Cringe Font Family is best used for headings, logotype, quotes, apparel design, invitation, poster, flyers, greeting cards, packaging, book cover, printed quotes, cover album, movie, & etc

Jonquin was inspired by some hand lettering seen on a World -War One recruiting poster. It's a family of three faces for display work and headings designed to be used readily as an 'All-Capitals' face as well as in upper and lower case format. Regular and bold weights are offered, as well as an even more decorative incised form. The whole family is ideally suited for poster and advertising work, as well as book and record covers and period themed signage.

Hello Aluyeaholics! Introducing Salks, the Typeface That Brings Joy to Your Designs! Salks is a playful and joyful display typeface that will add a touch of happiness to your creative projects. With Salks' 140+ playful ligatures, four weight options, quick access features, and careful attention to detail, you'll have the perfect tool to instantly uplift any project and unlock unlimited creative possibilities. Experience the happiness that Salks brings to your creative world with this delightful display typeface that guarantees smiles all around.

Regular Joe was first delivered to the font world by Ron and Joe. Yes, the same Ron and Joe of the ArtParts fame. A few years of being so regular, Regular Joe became, well, just bored. Regular Joe needed company. He wished for a family. After all, most of his font friends had big families. His wishes were granted by FontHaus. So Skinny and Husky were created to be with Regular and all together, they became Family Joe. All is well.

Palatino is the work of Hermann Zapf and became available in the late 1950s from D. Stempel AG in Frankfurt am Main. Zapf optimized Palatino’s design for legibility, producing a typeface which remained legible even on the inferior paper of the post World War II period. Zapf named the font after Giambattista Palatino, a master of scripts from the time of Leonardo da Vinci. Palatino is an Old Face font which proves that classic forms can still be used to create new typefaces.

Red Top is the UK name for the tabloid press, the scandal sheets of journalism, scourge of royalty, errant politicians and public figures, and celebrants of sex, celebrity and astrology: all human life is there as they used to say in the now defunct News of the World. For the budding media moguls amongst you – or for designers who want to make their headlines shout a little louder – here at last is Red Top the font. Splash it all over!

Corsham was inspired by traditional stonemason's engraved lettering designs. Designed to be used alone, or in combination with our Corton family, it has wonderfully lively air, with distinctive lively serifs and beautifully swashed downstrokes. Four faces are offered-regular bold and black weights as well as a condensed form. All faces include a range of Opentype features, including ligatures and old-style numerals. The Corsham faces merge 'olde-worlde' charm with fun character, yet remaining clear and legible for text use.

Rebeck Black is a typeface that evokes the best of two worlds, the classic and refined lines, the high contrast and forceful movements of the 18th century together with fresh strokes and risky characters that combine perfectly to place this typeface in the modern and avant-garde times of the 21st century. Created to be different, generate power and visual impact, it is ideal for use in identities, headers and all types of graphic pieces that seek to enhance the message.

Ratieka is a stylish, modern font that is perfect for use in fashion-related design projects. Its elegant letterforms make it ideal for branding and logo design, while its high level of legibility makes it perfect for use in websites, advertising, and other types of communication. Features. Supports all languages in the world (37) Versatile Single Font. One font for all needs. OTF File Ratieka is perfect for modern fashion brands or any projects that require a high-end feel.

On the very northern edge of South Tucson lies an Old Pueblo institution, Le Caves Bakery, Home of the Vegetable Donut. That’s what they were called when Le Caves opened; now you’d say Vegan Donut, or No Animal Products Used. Radical concept in the Brave New World of 1935. I started with the letters from their sign and extrapolated the rest of the font from those. Deco Donut Fat is extrapolated from Deco Donut. If you want a donut, type a 0 (zero).

The lettering on the cover of the sheet music for 1919's "The World is Waiting for the Sunrise" was set in a decorative sans serif with an engraved line adorning each character. Reminiscent of the headlines of legal documents, way bills, stock certificates and the like, the digital version of the design was given the name Legal Eagle JNL and is available in both regular and oblique versions. A companion font without the engraved lines is also available as Junior Clerk JNL.

Gin is a futuristic decorative font that combines calligraphy, graffiti and typography. This font is inspired by the street art called calligraffiti where it is abstract and elegant. This font is suitable for those who are anti mainstream and out of the zone, this is a new face in the world of fonts, for those who are against this font it will be considered broken but for those who are from the future, this font is an answer to futuristic design needs

Introducing "Woly Wonka" - A Display Sans Font. Step into a world of whimsy and imagination with "Woly Wonka," a captivating display sans font that adds a touch of playfulness to your designs. There's some connected letters and some alternates that suitable for any graphic designs. This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Flower Island - A Playful Bubble Display Font. Immerse yourself in the whimsical world of Flower Island, a delightful bubble display font that adds a touch of fun and playfulness to your designs. There's some connected letters and some alternates that suitable for any graphic designs. This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

A style of die-cut cardboard letters and numbers used for signs, displays and show cards was the basis for Haute Couture JNL, an Art-Deco flavored typeface from Jeff Levine. A direct cousin to Signboard JNL, this font shares some similar characteristics in letterforms. Both styles of die-cut lettering were manufactured by a number of companies, and were most popular from the 1940s through the mid-1960s.

PaperCutPeach is unique in that it is a paper cut font but also a SCRIPT FONT. With PaperCutPeach you can create extraordinary lettering that looks effortless, casual and handmade. Each and every glyph is based on a paper letter cut by hand with a pair of scissors by me in my studio. Ideal for packaging for organic products, illustrated goods, book covers, editorial illustrations and other freestyle projects.

One in the series of fonts called Whiz-Bang Wood Type, intended to be set large and tight. Suitable for any occasion, Ozymandias is a caps and small caps font, available in solid and outline versions. The name is taken from a poem by Shelley. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Speyside is a round, curved and controlled sans serif with an additional set of decorated uppercase letters, initials and small caps. It's appropriate for text, titling and display. The origin of the name is taken from a small location in Tobago. The font is inspired by the local handicraft, the batik in particular. Each pro font style includes small caps and decorative initials as well as several OpenType features.

Donatello is a classically proportioned design with subtly tapered strokes, inspired by the lettering on the fifteenth century cantoria by Luca della Robbia in the Museum of the Duomo, in Florence. The design, consisting of caps and small caps, also includes Donatello Alternates -- a compatible set of wider characters. It was designed by Paul Shaw and Garrett Boge in 1997. Donatello is part of the LetterPerfect Florentine Set.

Radial is a multi-line retro sans-serif font that is reminiscent of fonts from the 70s / disco era. It is all caps, but the lower case glyphs have rounded edges for a subtle difference if you are looking for a softer look. Use open type for some discretionary ligatures of common letter pairs (when set in all caps). Great for use on posters and in headline copy.

Garstang Engraved is the latest in Greater Albion's series of ‘wood type’ inspired fonts. Garstang Engraved is a hand-cut Roman, suggesting the late Victorian era, but the type of thing that continued in use well into the twentieth century. If you want a title face that has versatility and suggests a past history, as well as the art of finely cut wood type, then this is it!

Dellimun is a sweet, stylish, and delicate script font. Whatever the topic, this font will be a wonderful asset to your font library, as it has the potential to enhance any creation. What's Included : - Uppercase, Lowercase, Numerals & Punctuations - Ligature & Alternate - Works on PC & Mac - Simple installations - Multilingual support - (PUA Encoded) Compatible with Silhouette Studio, Cricut Design Space, Scan N Cut, Adobe Illustrator and other cutting and design programs.

Winkell family is a futuristic all caps four width opentype™ font family of 16 fonts featuring multilanguage support. Winkell is heavily inspired by dystopian futuristic settings in science fiction especially subgenres like cyberpunk and other futuristic visuals. Simple all caps display design based on straight forms connected by 45° rounded angles. Winkell Mix+Match Letters™ system allows you to mix letters from same weight but different widths.

Designed by Ceyhun Birinci from 2014-17, is a comprehensive typeface family with 162 fonts. It offers 9 weights with true italics in normal, condensed, and extended widths. Each font contains over 1500 glyphs and supports multilingual including Latin and Cyrillic. It includes various Opentype features like small caps, alternates, and more. The font also provides separate alternates and small caps versions for use in software without OpenType support.

The inspiration for Home Room JNL was a 1950s-era package of die cut cardboard letters and numbers manufactured for educators by the Mutual Aids Company of Los Angeles, California. Pre-cut lettering was popular with teachers who used them in their classrooms for posters, bulletin boards, displays and flash cards. These bold, blocky letters are great for headlines or for recreating the look of school days past.

Designed at ParaType in 1996-2002 by Tagir Safayev. Inspired by works of Russian Constructivists of the 1920s and 30s: Alexander Rodchenko, Varvara Stepanova, Vladimir and George Stenberg, Gustav Klutsis and others. A geometrical, caps and small caps only, sans serif design. The glyphs are formed using straight lines only. Totally simplified, this face is perceived as a symbol of Russian Avant Garde. For use in advertising and display typography.

A revival of one of the popular wooden type fonts of the 19th century, suitable for display. The bold version has rounded ball shapes at top and bottom of stems as well as at horizontal strokes. The pointed version has pointed shapes at top and bottom of stems as well as at horizontal strokes. Lowercase was not originally designed for these fonts. These new versions include caps, figures and accented caps.

When Jim Lee sent us pages of his latest project, DIVINE RIGHT, we knew we had to do something special for him. Something Unique. We knew we had to create a whole new look for his book. We spent weeks holed up in our Colorado mountain retreat, meditating on the true nature of leading and kerning, sketching out ideas and rejecting all but the best of the best. As the dreaded deadline doom rapidly approached, we suddenly knew we had the answer: A line of 'Celebrity' fonts -- digitally remastered lettering based on handwriting samples of the many Artists and Creators we all know and love. Of course, our first font would have to be...the SAMMY DAVIS Jr font! But Jim didn't like that idea and made us create a font based on his handwriting instead. You're no fun, Jim.

Surfoid is a bold, soft, hazy, lazy and sleepy font-dude that is most happy under an umbrella at the beach holding a drink with an umbrella in the glass. It’s fun, fun, fun until daddy takes the T-Bird away because of the problems that too much fun creates. It’s a rounded off, a little blurry on the lazy edges and would never want to be a serif font. Serif is not the style of Surfoid. Dressed up and sophisticated, this font never wants to be in a suit and tie. Happy is to be in tie dye t-shirt…with its feet dug deep into the cool sand. This is a display headline font best seen at sizes greater than 36 points. It is a full glyph set with upper and lowercase forms. Very Stoked.

In his 1538 book on measurement, Albrecht Dürer gave clear descriptions and drawings about the proportions of the letters in both Roman and 'fraktur' alphabets (from Latin 'fractura', meaning that it's broken up with lots of different angles rather than smooth curves). Here is the fraktur alphabet as a font completed for use today, with a few characters modernised and some gaps filled. Of course there are countless examples of fraktur fonts already circulating, and indeed one foundry even has another version of this particular one; but we have different approaches to some of the questions raised, we have aimed at a more even tracking (horizontal spacing), and the 260 glyphs in our version include accents and other diacritics, and the modern symbols which Dürer would surely have embraced if he had had access to the internet.

Go out into the wilderness. Cut down a tree. Stop and smell the roses. And then treat yourself with this unplugged, hand-lettered typeface. LiebeGerda is an effortless-but-refined, spontaneous-but-elegant brush font. She is ready for your next project, and she wants to add that little crafty something that makes the difference. Her natural breath of fresh air lets you escape those same old monotonous script fonts you’ve been using. After our successful first brush font, LiebeDoris, and our first interconnected script, LiebeLotte, we’re combining both genres and taking them to the next level: an interconnected brush script. OpenType magic varies LiebeGerda’s letterforms: Most characters have no less than three different variations that are automatically shuffled and inserted as you type. Plus, the “All-Caps” OpenType feature exchanges uppercase letters with less-swashy variants. Now you know why every one of the four styles contains more than 1,200 characters! Ulrike of LiebeFonts painted LiebeGerda’s four styles individually from scratch and carefully adjusted every detail by hand. Rather than being one typeface with different weights, LiebeGerda is a package of four individual fonts that go together really well. Ulrike’s high level of type-nerdy craftsmanship shows. When you use LiebeGerda, your designs will easily convince your audience that they’re looking at a hand-crafted piece of lettering. Feel free to add a few of the stacked ligatures like “the”, “for”, and “new” to round off the illusion. Last but not least, LiebeGerda has a lot more detail than most other brush fonts. That means there’s no ugly, lazy bézier artifacts in the brush traces. You can print words at billboard size, and people will still believe they smell the paint from your brush!

Solar is a font family designed by Carlos Fabian Carmargo G. Its members, together or separate, can be used in packaging, posters, cards, invitations and logos that need expressive letters with craft features. First, a set of arbitrary ideas were designed on rough paper, and through changes five styles resulted to mix and compose bright words and phrases. Solar Script comes from crossbreeding and the collusion of primitive visceral strokes and calligraphy on textured paper. This way its letters were planned for empty and full areas deteriorated sometimes simulating irregular ink clots. Therefore, the simulate trajectories with bold brushstrokes made that it works especially well in sizes larger than 12 points. Its rhythmic vitality and energy give personality, reflected in uninterrupted rapid and logical talics with strokes. Solar Words has more than 115 words unstable and inclined. Solar Dingbats has more than 100 brightness generating drawings, Solar Sans and Serif are capitals combined with other members of the family.

Ahra from Magpie Paper Works is an upright, hand-lettered script full of fun calligraphy. This Opentype font was created with a pointed pen & ink, and features a host of special features. Within Ahra are three sets of capital letters, ranging from simple to quirky to traditional, as well as single-word characters for common titles (Mr., Miss, Dr., etc.) prepositions (to, the, for, etc.) and envelope addressing (blvd., st., etc.). You'll also find simple & automatic end-of-word swashes, old-style numerals and special double-letter ligatures for a true hand-drawn look. Ahra Hand features decorative word art, all lovingly drawn in a swirling traditional calligraphy style. There are 88 unique greetings, prompts, and phrases, plus an ornate set of numerals 0-9. Ahra Swash includes over fifty unique hand-inked flourishes, borders, corners, swashes and curls. Mix and match for a truly custom look! All were designed to coordniate with the Ahra alphabet, but can be used to enhance other faux-calligraphy fonts.

Humeira is a playfully font, inspired by handwriting lettering and doodle art movement. Designed with a manual brush and carefully vectorized with many alternates that you can apply to give handwritten looks! Humeira is perfect for headlines or body text. You have a regular and a bold weight that you can combine well. Humeira also has an Outline Shadow style with bolder contrast, funny and childish looks. Humeira font family is suitable for T-shirts, mugs, coffee cups, flyers, brochures, quotes, branding and more.

Look back to learn how to look forward - Joe Girard Find yourself and share your purpose with the Caride Script. With its bold vintage script type, sometimes you need to remind others that we must look to the past to pave a better way for our future. It’s time for you to unleash the old school retro trend again. Leather jackets? Making a comeback. Pompadour hairdos? Definitely cool. 70s music? They’re sampled in the music all over our radio stations! The magnificence of the past will surely help you give a new and fresh breath of life to your projects. This font was designed for you to use in any kind of projects that you might have! They were specifically designed to fit in anywhere you want them to be. We assure you that there will be no awkwardness in the relationship between your text and your designs, they’ll get along well like old-timey partners! The Caride Script is the perfect addition to bring your perspective to the world. Have the world see you and your encompassing view of the human experience with your creations!

Looking to infuse your brand with a burst of retro charm and a dash of pop culture pizzazz? Say hello to our Gresua Fonts! Designed to make your brand stand out in the realms of pop culture, lifestyle, and food and beverage branding, these fonts are an absolute game-changer. Gresua transports you to the golden era of the past, evoking a sense of nostalgia that resonates with pop culture enthusiasts. Seamlessly blending boldness and authenticity, they captivate the hearts of your audience, adding a unique and irresistible touch to your brand identity. In the ever-evolving world of pop culture, lifestyle, and food and beverage branding, it's essential to stay ahead of the curve. Our Gresua Fonts combine vintage aesthetics with a contemporary twist, allowing your brand to shine as a trendsetter. Embrace the bold and unexpected, and watch as your brand becomes the talk of the town. Are you ready to take your brand on an unforgettable journey through the realms of pop culture, lifestyle, and food and beverage branding? Embrace the captivating allure of our Gresua Fonts today and unleash a world of endless possibilities!

The Great Wall, as the name of this font is created and inspired by a legendary world masterpiece, with a special uniqueness in a style that is very firm but looks elegant, so it is suitable for you to use for a variety of designs that accentuate the professional and charming. Various advantages of this font : This font consists of four (4) very interesting styles, please choose ! With a rather thick but consistent style line, accentuating the firmness and professionalism of the users of this font. This font is complete with Uppercase, Lowercase, Numeral, Punctuation, Multilingual support and ligature letters in each style. Can be applied in various software, such as Ms.office, Photoshop, Coreldraw, Adobe Illustrator, Inkscape and others. There are many purposes that are very suitable to use this font, among others: writing the name of a professional profession, for book covers, fashion branding, watches, jewelry, marketing products, magazines and more. With you using this font for any purpose, I hope your business will be more successful and known to the world as the name of this font. Thank you, I say for your visit and purchase.

Stagen is a cloth with a length ranging from 5-10 meters and a width of about 15 cm which is usually used by traditional Javanese women as part of the traditional kebaya dress. The stagen is wrapped around the stomach to help maintain posture and "lock" the jarik cloth on the kebaya. Stagen existed before World War II in Indonesia and became an elegance in the harsh world at that time. Inspired by the rich culture, Stagen is a modern sans serif typeface that has an upright and sturdy impression, with unique curves in it. A simple, yet distinctive, elegant font that can be applied to many areas of design. Coming with 130+ stunning and super easy to use alternates and ligatures. Very suitable for magazine, headline, website, ads, product package and all type of design project you have. Features: OpenType support Multilingual support (15 languages) PUA Encoded Super Easy to Use alternates - It's OpenType support but you can easly call alternates character using special combination like A.2 R.3 L.A L.a etc so you don't need special software. To get results like the preview just type Sta.gen.