Little Things is a cute handwritten font with an alternates character set and lots of extras (underlines, doodles, arrows, words). Perfect to include in cute handmade designs, such as logos, packaging, prints and postcards, patterns, and social media posts. Little Things includes: Little Things font Little Things alternates, with an extra character for 0-1, a-z, A-Z (and accents) Little Things extras, with swashes, underlines, doodles, arrows and words

Crazy Party is a quirky handmade font that will make all your project more unique and handy. This font also including a unique lowercase and uppercase with very different weight. Combining the uppercase and lowercase in one word will make your project even more stunning. You can use this font for quotes, your cover book or playing with words in your instagram post. This font also support multilingual!

Hebron Hebrew is a font that contains 22 Hebrew letters along with five word ending letters that are automatically activated when used in Applications such as Apple-Pages and MicroSoft-Word. The Hebrew letters do not contain "Niqquds" (Hebrew Vowels) except with the added alternates, if desired. You may also be interested in my NEWMARK Hebrew, YOM TOV Hebrew PAGEANTRY Hebrew, HANAH Hebrew and KOMUNIDAD Hebrew Script FONTS.

Somes Slab Small Caps Extra-Light Display IMPROVED VERSION 2.0 + SWASH Somes Slab is a slab serif small caps designed by Ivan Yelizarow in 2019, inspired and named after The Matiu/Somes Island in Wellington, New Zealand. Its distinctive feature is a combination of wavy curves with slab serifs that makes it ideal for titling, headlines, subheads, spotlighting a short few-paragraph text that needs detachment. Best at Display sizes. Complete classification: Wavy Squircle Slab-Serif Small Caps Extra-Light Display.

Chinoise, a CastleType original, is based on hand lettering that is reminiscent of a style of ancient Chinese square-cut ideograms (perhaps cut in wood), and therefore the suggestive name "Chinoise" for this new design. There are alternate forms for each letter in the lowercase. Although square-cut, all corners of the letters are slightly rounded to give a more organic, weather-worn look. Uppercase only with support for most European languages, including modern Greek, and languages that use the Cyrillic alphabet.

Vigorous is a clean and crisp, display font set. As their names imply, Vigorous Lower Case has a lowercase alphabet while Vigorous Small Caps has small caps in place of the lowercase alphabet. Both fonts have the same uppercase alphabet, numbers, accented characters, punctuation, symbols, and miscellaneous characters. The Vigorous fonts are ideal for headlines or titles - wherever a fresh, unique font is desirable. Vigorous Lower Case and Vigorous Small Caps are sold only as a set priced at $20.

Formasi, Azeri for "Form of," resulted from the concept of a civil war between serif and sanserif. What would the aftermath of such a war be? The answer is simple: Formasi!

Hobgoblin is a cute and happy little font. It would be ideal for children's books, games and apps. Hobgoblin come with mischievous glyphs and a pot-o-gold worth of diacritics.

Christy Marie likes fun fonts. This was the first font to meet with her approval. It's bouncy, teenage girl sort of font and would do well at parties or the mall.

Neuropol Nova is more than just a typeface, it’s a portal to a world of hard sci-fi design. Inspired by Neuropol X, this typeface transports us to a chilling and distant future, one where letterforms are stripped down to their most essential components. The stark, almost clinical aesthetic of Neuropol Nova is reminiscent of a high-tech laboratory or the sterile environment of a spaceship’s bridge. Neuropol Nova pushes the boundaries of letterform recognition to levels that are truly ultra-futuristic. The sparsely connected patterns that make up the letters evoke a sense of ancient cuneiform markings, or perhaps even the language of a highly advanced alien civilization from a distant, unknown future. The choice of three widths, three weights, and italics only adds to the versatility of this incredible typeface. With its strategic overtones, Neuropol Nova is ideal for any designer looking to create a design that screams of a dystopian future. Whether you’re working on a sci-fi novel cover or a video game interface, Neuropol Nova is the perfect typeface to transport your audience to a world of cutting-edge design. In conclusion, Neuropol Nova is more than just a typeface, it’s a masterful creation that seamlessly blends the past, present, and future of typography. So if you’re looking for a font that will truly set your design apart, look no further than Neuropol Nova. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Almost a half of a millennium after being mistaken for the original 4th century Gothic alphabet and falsely labeled "barbaric" by the European Renaissance, the blackletter alphabet was still flourishing exclusively in early 20th century Germany, not only as an ode to Gutenberg and the country's rich printing history, but also as a continuous evolution, taking on new shapes and textures influenced by almost every other form of alphabet available. Blackletter would continue to go strong in Germany until just before the second World War, when it died a political death at the height of its hybridization. For almost 50 years after the war, blackletter was very rarely used in a prominent manner, but it continued to be seen sparely in a variety of settings, almost as a subliminal reminder of western civilization's first printed letters; on certificates and official documents of all kinds, religious publications, holiday cards and posters, to name a few. In the early 21st century, blackletter type has been appearing sporadically on visible media, but as of late 2005, it is not known how long the renewed interest will last, or even whether or not it will catch on at all. The last few years before World War II were arguably the most fascinating and creative in modern blackletter design. During those years, and as demonstrated with the grid-based Leather font, the geometric sans serif was influencing the blackletter forms, taking them away from their previous Jugendstil (Art Nouveau) hybridizations. Blackhaus is a digitization and elaborate expansion of a typeface called Kursachsen Auszeichnung, designed in 1937 by Peterpaul Weiss for the Schriftguss foundry in Dresden. This is one of very few designs from that time attempting to infuse more Bauhaus than Jugendstil into the Blackletter forms. This is why we used a concatenation of the words blackletter and Bauhaus to name this face. The result of injecting Bauhaus elements into blackletter turned out to be a typeface that is very legible and usable in modern settings, while at the same time harking back to the historical forms of early printing. The original 1937 design was just one typeface of basic letters and numbers. After digitizing and expanding it, we developed a lighter version, then added a few alternates to both weights. The Rough style came as a mechanically-grunged afterthought, due to current user demand for such treatment. Having the flexibility of 2 weights and many alternates of a blackletter typeface is not a very common find in digital fonts. More specifically, having the flexibility of 2 weights and alternates of a 20th century blackletter typeface is almost unheard of in digital fonts. So the Blackhaus family can be quite useful and versatile in an imaginative designer's hands.

ManRay is a photogenic typefamily of 6 fonts designed by @andinistas, with more than 2600 glyphs distributed in 3 Scripts and 3 Caps. Its shapes are ideal for attention-grabbing and for its eloquent character set, each style is presented with three levels of erosion planned with meticulous dotted texture bézier drawing, diagonal texture, and vertical texture pattern. ManRay Script, Script2, Script3 is based on calligraphy made with a fine tip brush and therefore communicates pleasant and attractive ideas. Its capital letters measure three times the height of the lower case and stand out for its artistic curved lines ideal for writing on photos, logos, labels, packaging, posters, covers of food products, spirits, organic teas, etc. In that order, it also offers other expressive alternate letters that activate spontaneously, and each of the three styles is case-infinite with and without Swash, Stylistic, and Titling Alternates. ManRay Caps, Caps2, Caps3 are inspired by calligraphic Roman letters drawn with a brush with a square tip and are equipped with descending flourishes for word start and end. The core of ManRay mixes the ideas of Ed Benguiat and Ross F. George and its name is a tribute to the Dada hero who changed history a century ago by working against the conventions of art and photography.

Antonietta is Mauricio Astete Brito's first typeface, which is inspired by the eccentricity of the rococo style and Queen Marie Antoinette's wild personality. This project, supervised by Latinotype Team, was born from the idea of turning lettering into a digital typeface. Antonietta is based on the Copperplate style and inspired by the works of, among others, Hermann Zapf, Ricardo Rousselot and Herb Lubalin. The font comes in the following variants: Antonietta Script, Antonietta Caps, Antonietta Caps Illuminated, Antonietta Caps Shadow, Antonietta Caps Inline and Antonietta Ornaments. Antonietta Script is characterised by a big x-height, condensed proportions, and short ascenders and descenders, which can be modified by using the contextual alternates included in the set. Antonietta Caps, a companion font to the Script, is an all-caps typeface with rational structure and high contrast between thin and thick strokes. Antonietta is a 7-weight typeface well-suited for logotypes, labelling, headlines and short text. The Script variant contains a set of 878 characters that provide a wide range of contextual alternates to fit any project. The typeface also comes with an 'Ornaments' variant, which includes dingbats, borders and catchwords that complement the rest of the fonts.

Spiral is a digital transcription of a design by Joseph Blumenthal (1897-1990) which was hand-cut by Louis Hoell and cast by the Bauer foundry in 1930. The design with an italic added was later cut for Monotype and issued in 1936 as Emerson 320.

Loosely inspired by the designs of Rudolf Koch and his Koch Antiqua, Sin Original Dark by Mondrey Sin is a curious monoline display face with small x-heights, and large caps. The design almost looks 1920s vintage. Interesting for book Jackets, editorial, and as drop caps.

Camar is a dynamic font that has sharp and pleasant edges, this font represents the word freedom and comfort in socializing and socializing.

Named in homage of Toronto writer and spoken word performer Monica S. Kuebler, Koobler is an interesting interpretation of the classic roman font.

Versatile EP is a powerhouse of 9 fonts that make design and logo creation effortless. While other sans-serif fonts tend to be rigid and cold, Versatile stands out with it's warm and natural feel. It's generous x-height aids in its legibility and function, and the forms are classic yet modern allowing this font to live up to its name as a truly versatile workhorse for your next design or layout. Use it by itself, or in combination with Versatile 7 layer font package (Sold Separately.) https://www.myfonts.com/fonts/charlesborges/versatile-bold/ Versatile EP contains 3 body styles, and 6 shadow fonts including striped and solid in different weights. Versatile EP is not just for the Graphic Designer. It's well suited for the Sign Maker, Cricut and Silhouette users, and anyone else who uses a vinyl plotter. It weeds beautifully in cut vinyl. Its different layers allow the user to stack multi-colored vinyl to create one a kind signs and displays. Versatile EP is ideally suited for advertising and packaging, logo, branding and creative industries, poster and billboards, signage as well as web and screen design. What's included: 9 Fonts included in for one low price: 3 body fonts and 6 different shadows. 1,462 Glyphs (Characters) in each font for a total of 13,158 Glyphs per style pack. Over 200 Languages supported including Cyrillic, Bulgarian Cyrillic and Greek. A massive library of Alternate Characters: Latin, Extended Latin and Cyrillic Alternates including their Diacritic and Small Cap counterparts. Superscripts, Subscripts, Numerators, Denominators, and Scientific Inferiors. Small Caps in Latin, Extended Latin and Cyrillic include Numbers, Punctuation, Diacritics and Alternates. Extended currency symbols including Bitcoin. Fun assortment of speech bubbles. Unlimited fractions. PUA Encoded Versatile EP makes designing fun!

The Alien Argonaut typeface is an emaciated typeface made from the lettering of beings that have lived amongst us for centuries, evolving with humankind. Study your environment, all is not what it seems. Use this typeface to try and blend into their world within ours. Purchase Alien Argonaut today, for knowing the roots of others may help you learn to live in harmony with them.

Inspired by thin and condensed handwriting style, we present to you Saturday Party, a handwritten font with thin and condensed characters that was comes with alternates and multilingual glyphs to help people around world with that unique accent with this font. Saturday Party is very suitable like as sticky notes, handwritten project, signatures, and more.That way easily change the glyphs to make more unique glyphs.

Inspired by thin and childly handwriting style, we present to you Playbus Bays, a handwritten font with thin and childly characters that was comes with alternates and multilingual glyphs to help people around world with that unique accent with this font. Playbus Bays is very suitable like as text, cover book, poem, handwritten style, and more.That way easily change the glyphs to make more unique glyphs.

Inspired by slow and slanted handwriting style, we present to you Story Maker, a handwritten font with slow and slanted characters that was comes with alternates and multilingual glyphs to help people around world with that unique accent with this font. Story Maker is very suitable like as text, cover book, poem, handwritten style, and more.That way easily change the glyphs to make more unique glyphs.

We introduced the Crubstone font which was released and received great exposure from users and font fans all over the world. Massive development of experiments on alternative letters. We redesigned each shape to make it more functional and comfortable as the text size increased. Apart from rejuvenating the shape of the letters, we also applied italic styles to provide a wide choice of styles.

Sacred Geo is a Dingbat font, containing the basic principles of geometry, perpendiculars, bisections, partitions of angles, curves joints aligned and asymmetric, thus the construction of the main spirals, construction of polygons as a square, rhombus, pentagon, hexagon, octagon and how to combine them into ornamental shapes. Discover the magical world of sacred geometry. Winner in the TL2012 International Biennial of LatinAmerican Typography, Tipos Latinos.

Monoska is a display monospaced font designed with classic industrial taste and rounded font style by Radinal Riki. Inspired by retro vhs font. created for electronic displays found in our modern techie world such as postal packing slips, airline tickets, informational video displays, ads, logos and more. Come in only one weight, this entire font is capitalized and with a character set that covers over 100 languages.

Proto Mono™ is a modular monospaced font built with rounded shapes, designed with tech industrial taste by Radinal Riki. Created for electronic displays found in our modern techie world such as postal packing slips, airline tickets, informational video displays, ads, and more. Come with 2 styles with 4 weights each. This entire font is capitalized and with a character set that covers over 100 languages.

Allineato was part of the Face2Face project, a fontlabel created with a couple of friend in order to stimulate new ideas and forms in the typographical landscape. Most of the Typefaces were used by Alexander Branczyk in his famous techno magazine "Frontpage". About Allineato: "Al" means "Alessio Leonardi" and Lineato "lined", but if you read it as an italian world means "conformed to a given line".

He's a man of character; a Man for All Seasons. He upholds the values of Truth, Justice and the American Way and he's never averse to a slice of Ma's homemade apple pie. He's not a man of yesteryear, nor a man caught in the here and now. He's a human being of great honor, a citizen of the world -- a Man of Tomorrow!

Introducing the "Three Horse" Vintage Letter Font Collection – a captivating journey into the artistry of yesteryears. This remarkable font family embodies the essence of vintage charm, offering 12 distinct font variations that encapsulate the character and nostalgia of classic letterforms. The "Three Horse" collection is your gateway to a world of timeless design, perfect for projects seeking to evoke the allure of eras gone by.

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Sottoterra is heavy and high-contrast font, and you can see triangles in some letters. This font reminds us of old posters of science fiction movie. It works best for for display or titling.

Bronzino’s roots lie in the Arts and Crafts movement, and in the traditions of letterpress printed fine quality books. It’s ideal for legible headings which have just that hint of charm and difference outside of the normal and mundane. It’s formal enough to go anywhere yet it has a spirit of fun, it brings a world of bygone care and quality to the modern age.

NuevoLitho is my first successful font design. It was designed for use in the heads and subheads of my first book, “Printing in a Digital World” back in 1994. It’s a very loosened play on Lithos, Carol Twombly’s fashionable font of the period. However, I added a complete lowercase set, several special characters, and all the other fun stuff I do with my fonts.

This font, is dedicated to all the Russian and non-Russian Babushkas around the world. This font was created using a flat brush and Chinese ink. After that I scanned all the letters and numbers and created the real font. Designed by Giuseppe Salerno, in the 2011. You can even watch a video on YouTube showing how Babushka was hand-drawn by the artist.