Sofia Hives is a fancy handwritten script font. With bold high contrast stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Sofia Hives font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Sofia Hives font. Cheers, Maulana Creative

Paint King dripping graffiti display font. Heavy stroke, fun character with a bit of ligatures. To give you an extra creative work. Paint King dripping graffiti display font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Paint King dripping graffiti display font. Cheers, Maulana Creative

Blackbirdy is a super slanted script font. With bold contrast stroke, slanted, fancy and fun character with a bit of ligatures and lowercase alternates. To give you an extra creative work. Blackbirdy font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Blackbirdy font. Cheers, MaulanaCreative

Pure Grapes is a fancy handwritten script font. With bold contrast stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Pure Grapes font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Pure Grapes font. Cheers, Maulana Creative

Bojeria is a Classic modern Blackletter font. With medium high contrast stroke and smooth edges, fun character with a bit of ligatures and alternates. To give you an extra creative work. Bojeria font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Bojeria font. Cheers, Maulana Creative

Anklettes is a fancy handwritten script font. With bold stroke, slant and Unique Upper and lower characters with bit of ligatures and alternate lowercase. To give you an extra creative work. Anklettes font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Anklettes font. Cheers, MaulanaCreative

Just Hopes is an script font. With natural feel brush stroke, slanted and fun character with a bit of ligatures and vector version. To give you an extra creative work. Just Hopes font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Just Hopes font. Cheers, MaulanaCreative

Kasa Green is a fancy handwritten script font. With bold contrast stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Kasa Green font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Kasa Green font. Cheers, Maulana Creative

Krower is a Caps and Small Caps Display Serif font. With light contrast stroke, Strong character with a bit of ligatures and alternates. To give you an extra creative work. Krower font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or script. Make a stunning work with Krower font. Cheers, Maulana Creative

Hookypilots Unique Handwritten Font Hookypilots is an expressive slanted handwritten display font. With bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Hookypilots font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Hookypilots font. Cheers, MaulanaCreative

Rust Crowth is a handwritten brush font. With regular rough brush stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Rust Crowth font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Rust Crowth font. Cheers, Maulana Creative

Fit Fleet is a casual script font, with a light felt-tip stroke, slanted and fun character. It has Opentype features ligatures of character, To give you an extra creative work. Fit Fleet script font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Fit Fleet font. Cheers, MaulanaCreative

Another Christmas is an annual Christmas font with slanted style clean mono-line stroke, fun character with a bit of ligatures. To give you an extra creative work. Another Christmas font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Another Christmas font. Cheers, Maulana Creative

Railstone is a quirky handwritten font. With sharp bold stroke, slanted, tight spacing and fun character with a bit of ligatures and Capital "R" & "L" alternates. To give you an extra creative work. Railstone font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Railstone font. Cheers, MaulanaCreative

Merchons is a fancy line style Display sans serif font. With two line soft stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Merchons font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Merchons font. Cheers, Maulana Creative

Ellisa Snowly is an slanted style script font. With high contrast stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Ellisa Snowly font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Ellisa Snowly font. Cheers, Maulana Creative

Beauty Snowy is an expressive super slanted signature script font. With high contrast contrast stroke, condensed and fun character with a bit of ligatures. To give you an extra creative work. Beauty Snowy font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Beauty Snowy font. Cheers, MaulanaCreative

Gritts Rolly is a slanted expressive signature script font. With medium contrast stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Gritts Rolly font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Gritts Rolly font. Cheers, Maulana Creative

The Scriptuale family, which contains eight styles, is a contemporary upright calligraphic face. Designed by German designer Renate Weise in 2003, this family of typefaces speaks to the present, while at the same time reflecting on a lyrical past. The letterforms of the Scriptuale family are romanticized, they reference German calligraphic styles from the 19th and early 20th Centuries. For instance the design of Scriptuale's uppercase strays from the canon of classical proportion into romantic idealism. While the C and O are drawn according to the ancient quadratic proportions - almost twice as wide, optically, as the E or the L - the letter A is wider than would be expected, and the D narrower. These subtle differences introduce a different rhythm into text set in Scriptuale than Italic styles of calligraphy may offer. Scriptuale's Gs merit special notice: both the upper and lower case G lunge slightly forward, further enhancing the dynamic quality of the text. Also unique in Scriptuale's design is the lowercase width: the letterforms appear slightly condensed; they have large x-heights to compensate for this. In a delightful twist, the number 2's beak has been closed by drawing it full-circle, back into the stem: this references a style of letter design that was practiced, among other places, by artists from the old Klingspor foundry in Offenbach Germany. Typefaces constructed there easily captured the zeitgeist of the romantic period, but are less calligraphic than Scriptuale (e.g., Rudolf Koch's Koch Antiqua). A semi-serif face (like Prof. Hermann Zapf's Optima or Otl Aicher's Rotis Semi), some of Scriptuale's letters have serifs (D), and some do not (A). And although both the B and the E normally have the same "structure" on their left side, Weise has drawn them differently in Scriptuale. These strengthen the calligraphic-like quality of the family. Traces of the pen are easy to see in Scriptuale's design; it is a thoroughly calligraphic face. The eight typefaces in the Scriptuale family include Light, Regular, Semi Bold, and Bold weights. Each weight has a companion italic. Scriptuale is similar to one other contemporary calligraphic family in the Linotype portfolio, Anasdair , from British designer

Corpo Sans is REFRESHED version of my old font Korpo Sans. Corpo Sans is a sans type family with a friendly feel. This type contains 12 variants with 6 weights.The high contrast and high x height is perfect for headlines and display uses. Corpo Sans is great complement for Corpo Serif.

Calasans is a sans serif font with 7 layered style. You can create a 3D look without using any add-ons, only with fonts! This font is suitable for a vintage poster, 3d type, or retro. Including numbers and punctuations, also support multi-language. Create your own 3D type now!

A popular caps-only type of late Victorian times was called Mural, brought out by Boston Type Foundry in 1890. We always liked it, drew a lowercase for it, and then strengthened it by adding a bit of weight. It now has a nice, understated retro look for paragraphs of copy.

HT Mason is bold and hand painting font. This font is retrospective and decent, but it is also funny and cute. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!

Northills Font This pair was inspired by the great lettering poster design that i saw on some coffee shop, It was crafted by hand specially to add natural handmade feeling in its brand identity than i make it clean with pentool. Opentype features Northills font has 215 character set Northills is very good looking in labels, retro logo design, product packaging, invitations, advertising and others. Rough lettering is always have a good retro vibes and give your design authentic and good looking, it’s perfect for branding or even poster design. If you looking for rough retro font for your logo or even lettering design, this font is a great choice to make your design authentic and good looking This fonts works with folowing languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Chiga, Cornish, Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu Thank you for using this font. LS

Designs of characters that are almost forty years old can be already restored like a historical alphabet – by transferring them exactly into the computer with all their details. But, of course, it would not be Josef Tyfa, if he did not redesign the entire alphabet, and to such an extent that all that has remained from the original was practically the name. Tyfa published a sans-serif alphabet under the title Juvenis already in the second half of the past century. The type face had a large x-height of lower-case letters, a rather economizing design and one-sided serifs which were very daring for their time. In 1979 Tyfa returned to the idea of Juvenis, modified the letter “g” into a one-storey form, narrowed the design of the characters even further and added a bold and an inclined variant. This type face also shows the influence of Jaroslav Benda, evident in the open forms of the crotches of the diagonal strokes. Towards the end of 2001 the author presented a pile of tracing paper with dozens of variants of letter forms, but mainly with a new, more contemporary approach: the design is more open, the details softer, the figures and non-alphabetical characters in the entire set are more integral. The original intention to create a type face for printing children’s books thus became even more emphasized. Nevertheless, Juvenis with its new proportions far exceeds its original purpose. In the summer of 2002 we inserted all of this “into the machine” and designed new italics. The final computer form was completed in November 2002. All the twelve designs are divided into six variants of differing boldness with the corresponding italics. The darkness of the individual sizes does not increase linearly, but follows a curve which rises more steeply towards the boldest extreme. The human eye, on the contrary, perceives the darkening as a more fluent process, and the neighbouring designs are better graded. The x-height of lower-case letters is extraordinarily large, so that the printed type face in the size of nine points is perceived rather as “ten points” and at the same time the line spacing is not too dense. A further ingenious optical trick of Josef Tyfa is the figures, which are designed as moderately non-aligning ones. Thus an imaginary third horizontal is created in the proportional scheme of the entire type face family, which supports legibility and suitably supplements the original intention to create a children’s type face with elements of playfulness. The same applies to the overall soft expression of the alphabet. The serifs are varied; their balancing, however, is well-considered: the ascender of the lower-case “d” has no serif and the letter appears poor, while, for example, the letter “y”, or “x”, looks complicated. The only serif to be found in upper-case letters is in “J”, where it is used exclusively for the purpose of balancing the rounded descender. These anomalies, however, fit perfectly into the structure of any smoothly running text and shift Juvenis towards an original, contemporary expression. Tyfa also offers three alternative lower-case letters *. In the case of the letter “g” the designer follows the one-storey form he had contemplated in the eighties, while in “k” he returns to the Benda inspiration and in “u” adds a lower serif as a reminder of the calligraphic principle. It is above all the italics that are faithful to the tradition of handwritten lettering. The fairly complicated “k” is probably the strongest characteristic feature of Juvenis; all the diagonals in “z”, “v”, “w”, “y” are slightly flamboyant, and this also applies to the upper-case letters A, V, W, Y. Juvenis blends excellently with drawn illustrations, for it itself is modelled in a very creative way. Due to its unmistakable optical effect, however, it will find application not only in children’s literature, but also in orientation systems, on posters, in magazines and long short-stories.

Conversation Hearts are inspired by the sweethearts and conversation hearts that can be found all over the US and Britain, but not in Germany. A source of endless fun and surprise. As a typographer to me they are also a surprising document of written communication. Most people complain that nowadays the inscriptions are not as sweet as they used to be. While they used to held romantic and promising inscriptions like “Be True” “Sweet Talk”, today they carry “Tweet me” “Ur Hot” and “Party Girl”. So i took this as a motivation to work with conversation sweetheart on a conceptial inspirational and typographical level. The obvious: every letter pressed on the keyboard brings out a conversation heart that starts with the letter - i.e. L = Loverboy, H = Heartless but what to write? Since i didn't want to reproduce the old “Fax me” and “Email me” I had to come up with something new. Something with a personal relation and of course something that I Love - what else could i write in the shape of the heart? So I tried to access my upper subconsciousness and looked for two words for every letter in the alphabet. One for the capital letter pressed and one word for the lowercase letter. Resulting in a Kurt Schwitters worthy assemblage of vocables "Post-office" “Internship” “Zebra” “Answers” etc. It is not easy to read a text set in Conversation Hearts but easier as a text set in Zapf-Dingbats. To sparkle the visual appearance uppercase letters are filled hearts with “carved” inscription, while lowercase letters are an outlined heart with written inscription. Conversations Hearts is a part of the Light Hearted Font Collection that is inspired by a recording of Jean Baudrillard with the title, "Die Macht der Verführung" (The Power of Seduction) from 2006. Further inspiration came from the article, "The shape of the heart: I'm all yours". The heart represents sacred and secular love: a bloodless sacrifice. by British writer Louisa Young printed in EYE magazine (#43) London, 2002.

Mangkualam Is a Traditional Javanese Style Script Font Mangkualam is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

Introducing Umami, a playful bold font. It's quirky construction is inspired by the flavour of all things tasty and good. Perfect for headlines, title, display, logo and many more.

Introducing Arcinoll - Graffiti Font inspired by graffiti style with a fun theme very good for graffity poster, kids poster, flyer, childrenbook, cartoon, branding projects, Logo design, Quotes product packaging.

FG Adam turned out (it always is like that) a bit crazy with the baseline shift it makes a good greeting card font. I like it and it's fun!

Here's a good old Victorian job printing font. Faithful to the original issued by Barnhart Bros. & Spindler about 1880. Nothing wildly decorative about it, yet it clearly looks old.

The Inabitavel Typewriter is a unique typewriter font design, great for mimicking the effect of typewriting older machines. Has an erased and much-inked style, good for exquisite designs.

Print Shop Classics JNL is comprised of twenty-six decorative letterpress ornaments from vintage source material along with the words "Welcome" and "Introducing" on the period and comma keys.

Drawn very small with a brush-tipped felt pen, Messcara has qualities of freedom, toughness, with a few girly loops thrown in for good measure. A true handwriting workhorse.

The Arco Web font sets a friendly mood with casual artistic flair. Arco Web features extended characters, and contains West European diacritics & ligatures. Highly suitable for international environments & publications.

Witcher knight Is a Modern Script Font Witcher knight is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

Freshliy is a Modern Handwritten Font. Freshliy is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Support multilingual.

Paula is a non-joining rough brush script with traces of the brush's backstroke that give it that typical look. Paula is an open script with very good readability.

Tandem is a set of opened capitals constructed on a Futura frame. Each sign exists in two versions aimed to be mixed-up to add rhythm to the words.

Conifer is a blocky geometric sans serif font that adheres to strict grid rules in order to define its corner angles. Its seemingly rigid form is tempered by the soft, rounded corners, and fine notched details present at acute angles in the glyphs. Available in a clean solid and a varied, textured rough. The result is a rugged, retro, typeface that is at home in fashion lookbooks and wood-carved park signage alike.