Aeris™ typeface is a contemporary book face created by the American designer Tom Grace. It combines the proportions and rhythm of a sans serif font with the high contrasts and flexed strokes of script faces, while the open counters also ensure optimal legibility. Tom Grace focuses on providing subtle differentiations in his cuts and, as a consequence, this font family has its own individual structure: there are A and B variants of the basic forms regular, italic, bold and bold italic, and a display version for use in titles that also comes in A and B variants. It is advisable to use the A variant for larger font sizes, while the slightly more emphasized B variant can be recommended for smaller font sizes. Where the basic forms are to be mixed together in a work, it is important to use the corresponding A/B variants throughout as their designs have been carefully coordinated. Aeris is available in the OpenType Pro format and thus includes a wide range of different glyphs. The font family can be used in various environments, such as books, magazines, advertisements and promotional materials, but it is also the perfect choice for printed corporate documentation.

A bold, handmade stencil alphabet from the book “Lettering” by Harry B. Wright (1950) served as the model for Obscure Stencil JNL – available in both regular and oblique versions.

Uranus is a futuristic font inspired by space and extraterrestrial civilizations. The proportions of the letters are wide, the elements of the letters have organic curves, reminiscent of the design of streamlined spaceships. What gives the font a special character is the excessive contrast between the upper element and the crossbar in letters such as A, B, E, F, K, P, R. In these letters, there is a barely noticeable intra-letter gap in the form of a line. Due to this contrast and rounded elements in these letters, a negative space of a triangular shape also turned out. Particular attention should be paid to the broad language support for the font. The font has support for Latin, extended Cyrillic, and Korean (2780 base syllables). Total glyphs: 3562. Uranus is well-suited for large typography, logos, and any other design related to futurism and space.

Hello Aluyeaholics! Glamour Bouquet, a magnificent wadding handwritten font. It's was inspired by a royal wedding that just took place in our town. Uniting the two empires of the two major cities of our country. Coming with 140+ stunning and super easy to use alternates and ligatures. Super Easy to Use alternates - You can easily call alternates using special combination like a.2 k.3 b.4 t.h c.c etc. To get results like the preview just type g.7l.8amour.3 b.6ouquet.2

Stevens Titling refers to the classic Roman alphabet as it appears on the Trajan column and numerous other monuments. With its realistic brush strokes, it shows the letterforms as they might have been sketched on the marble before the stonecutter reached for his hammer and chisel. The four fonts that constitute the Stevens Titling suite are named after animals — badger, boar, sable and wolf –, each known for the specific character of its hairs when used to make painting brushes. Sable Brush is the most formal and elegant, with solid forms which show no obvious trace of the handdrawn brush stroke; it comes with a set of small capitals for those classical titles preferred by Hollywood. In fact, each of these fonts would do a great job as a film title and poster font. The Badger Brush variant is compact and firm; Boar Brush is dramatic, and in Wolf Brush each part of the letter is made up of realistic, dry strokes.

This font from the same family as Scripio A and Scripio B. The truth it more likely their cousin, very much it is not similar to them. Though looks not so bad.

Liquoia are three scripts with lots of contrast and different embellishments. Liquoia-A has the elegant, flaming decoration it blends well with Fleurons-Six. Liquoia-B has the flowery embellishments and goes very well with my Ornata-A and Ornata-B. Liquoia-C is the plain, straightforward and solid floating script. The name is derived from "liquid", meaning it is a fluid script that has a distinctive waveform. The "oia" part of the name comes from Sequoia, the sturdiest tree that came to my mind. Your sturdy, floating designer Gert Wiescher

Based on the earliest ATF/M.F. Benton versions of the Bank Gothic typefaces. ‘Fleshed-out’ into a full family.

Sign Man JNL is a reworking of Sign Shop JNL, with a lighter font weight and a number of changed characters (including extended horizontal crossbars on the B,E,F,H,K,P and R).

Sablon is back! This time on the edge in Thick & Thin version, keeping its significant features especially in letters B, G, M and N. With new expressive figures best suitable in headlines and packaging graphics.

Wintery Mix contains a set of small winter and holiday illustrations collected from years of holiday cards I created. A winter scene or greeting can be created with the tap of an 'a' or 'B'.

Amaro is the Italian word for bitter (amaro) herbal drinks like Ramazotti, Averna and a trillion lesser known ones. These liquors were the literal base for this elaborate set of four fonts. Each has different uppercase letters and some of the lowercase letters vary as well. Amaro-A, B, and C can be mixed freely. The Amaro-D has underlining swashes in two different lengths, the uppercase has the shorter underlines and the lowercase the longer ones. I throw these in for free and the entire set is very reasonably priced. Enjoy and cheers to you!

Monospasz means mono-fun in English. It's spelled with 'sz' instead of 'ß' for all you english speaking folks out there who always mistake it with a 'B'. Monospaced fonts keep on drawing attention to them because their proportions stand out from the canon of common fonts. "Yuck. Look at the condensed little m. Isn't that ludicrous?" But Monospasz isn't copycatting traditional typewriters, the most popular of monospaced fonts. It's completely manually ink-written and hand crafted. Monospasz has been designed and first used for the third incarnation of our annual Weimar based typography symposium dubbed "TypograVieh lebt" in the summer 2006.

Grotesk typeface with elastic punctuation & diacritical mark. in 4 weights: Light, regular, Medium and Bold by 4 styles: A (small diacritical), B (normal diacritical), C (hight diacritical) and D (very hight diacritical) language: all latin glyphs

The original OCR B was designed for optical character recognition systems and was therefore monospaced. Designer Alexander Branczyk made a more typographically tuned and fitted version, with both regular and bold weights, and called it OCRBczyk™.

The Willgray family offers three options: A, B, and C, each equipped with 20 fonts. This versatile family is ideal for a wide range of applications, including signage, packaging, brand identity, software, editorial design, and web and screen design.

Shibumi is a brush-titling face that has an "Eastern" feel. It was designed with a Speedball B (round nib [heavily manipulated]). Its sheer weight exudes authority while the Eastern influence and gentle curves lend a sense of grace.

Pacific Northwest Letters is a fun, handwritten font by Cultivated Mind. Pacific Northwest has been carefully hand painted and comes in two styles (Regular/Rough). This font includes a set of lower case letters and Pacific Northwest hand painted Labels B.

Pasquale was designed by Tony Stan. The Pasquale font family has short ascenders, and the lowercase and caps A, B, D, E and Q are open. This versatile warm design is suitable for advertising, magazines, brochures, letterheads and text work.

A picture of some cast metal letters in a 1950s architectural signage catalog was the basis for Window Dressing JNL. The clean, simple lines as well as the unusual letter form of the B and R inspired this digital interpretation.

Helsa is a slim and eccentric serif for headings and short texts. It’s a modern interpretation of the narrow Elseviers of the early 20th century. The letterforms are based on Dutch samples, and in the details there are references to both American type catalogs and letters from the foundries of Wolf and Herbeck. Due to the compact proportions of characters and the high contrast of strokes, Helsa doesn’t take up much space in the line and allows you to increase the type size freely, drawing the viewer's attention to the text. The typeface is suitable for branding museums and exhibitions, alternative music bands, independent clothing and perfume brands, and for any topic related to design or history. Helsa’s character set has more than 1600 characters. It supports hundreds of languages, including extended Cyrillic, Greek, and Vietnamese, as well as many OpenType features: fractions, ligatures, old style and tabular numerals, titular letter alternates, and more. There are variants of dashes and other punctuation marks specifically for uppercase typing. In addition to letters, the typeface contains arrows, numbers in circles (in fact, in ovals), symbols of various types of plastic, card suits and much more. Helsa typeface was made at Paratype in 2020-2022.

If one were to be visiting Dania Beach in South Florida, they would find on the West side of US 1 just North of Sheridan Street a Bar-B-Q joint located smack dab between a McDonald’s and an all-you-can-eat buffet that took over a closed down Pizza Hut. Charlie’s BarBQ JNL is Jeff Levine’s homage to some great Texas Bar-B-Q - cooked by a Cuban immigrant - served in South Florida... A true American success story, but with a sad ending. Charlie's closed because the landlord wanted the property. for his own use. Charlie now resides in Leon, Nicaragua and runs some successful business ventures there.

This is my new, completely worked over and fine-tuned Bodoni Classic for Europe (no Greek and Cyrillic). I have added a set of elegant Swashes (B) and 2 alternating uppercase swirly Initials (C) as well as two lowercase end-letters (D). The fonts A and B have extensive kerning, which the initials (C) don't need, they are aligned to replace the standard capital letter. The lowercase end-letters (D) are aligned to replace the standard lowercase letters, so you might need to add a blank after the swirl. For good measure I throw in an extra set of swings for 1 Dollar (E). Your Bodoni maniac, Gert Wiescher

Presenting Heirloom Artcraft-- by Baseline Fonts within the Grit History B series. Like an auntie who insists on baking cookies from scratch every time you visit, Heirloom Artcraft is a beacon of tradition and consistent delight with every letterform. Gentleness and subtlety keep this font far away from kitsch. This font sincerely says "ma'am" and "sir" and is perfect for business cards, custom stamps, coffeetable books, letterhead, invitations and anywhere you or your client wish to make an extremely well mannered and charming statement. There are many alternate ligatures available within the font including capital alternates for T, A, P, B, D, and N. It also boasts a full symbol set and the most darling little swashes scattered tastefully throughout the character map you ever did key. Heirloom Artcraft is available in Thin, Thin Italic, Book, Book Italic, Demi Italic, Black, and Black Italic. It also features Metrics and Optical kerning - metrics displays characters with letterpress-traditional spacing that is pleasantly askew, or more rigid optical kerning which displays characters at identical distances for times when the importance of readability exceeds that of stylistic merit.

KT Nirma Sans Nirma is a typeface with 9 Weight Sans Serif from thin to Black, inspired by Founders Grotesk, This project start from April 2022 and start from the stretch until shaped the solid character to represent the Dynamic Sans Serif. Nirma has total 462 glyph and 218 Support language. Nirma support Latin Basic, Latin-1 Supplement, Latin Extended A-B, Spacing Modifier Letters, and Combining Diacritical Marks. The Solid Character has multi function Display Sans & Body text based on Display Grotesk. Especially in te Thin to Regular is more legible for body text and the black one good for Display Sans, with dinamyc shape and more wide.

Silver Thread is a hairline thin geometric sans serif font with both art deco and 1970s elements to it. Perfect for any project that needs a typeface which evokes elegance and sophistication. Digitally revived from an older photo-typositing face, Silver Thread is named after a waterfall in eastern Pennsylvania. The font contains alternate versions of B, Q, W, &, a, e, k, n, s, t, u, w, y and 4 for added variety. They can be found under the Stylistic Alternates OT feature. Jukebox fonts are provided in OpenType .otf format and all fonts contain basic OpenType features as well as support for Latin-based and most Eastern European languages.

Linotype Pisa is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. It was designed by Swedish artist Lutz Baar and is a modern text font based on the humanistic Old Face style. The dynamic lines and harmonious proportions make Linotype Pisa a pleasant and legible font. Distinguishing characteristics are the elongated cross strokes of the capital A, B, E, F and P and the slanted cross stroke of the lower case e, typical of Venecian Old Face characters of the 15th century. Linotype Pisa is well-suited to longer texts and headlines.

Royal, majestic, elegant. These letters are based on Roman and Greek characters carved on stone. They come in 3 different styles. Normal and Shaded are designed to have serifs with a finer thinning. On the other hand, Metallic is bolder and simulates in the most realistic way three-dimensional metallic lettering. There are some alternate characters placed at lowercase positions as well as a few stylistic alternates which are accessed through the OpenType features. Pay attention to letters like Greek Omega (lowercase position) and Greek Xi (lowercase position) as well as B, R, K (lowercase position). Monumenta Pro was recently upgraded to support Latin, Greek and Cyrillic.

Durazno de Chile are cursive fonts based on Chilean school script. It can be written in Aymara, Mapuche and Rapa Nui from Chile. It can also be written in Dutch, Maltese, and other languages. This font family is cute. The style is wide and rounded. It has wide and open loops. The strokes are drawn with a round cap tool, with no contrast. It is cursive and connected. The form is upright because upright is the Chilean script standard. It is easy to read in Chile. Parts A have capitals with high starts. Parts B have capitals with low starts. Parts F are Final forms.

Lythmore This font is called Lythmore and is inspired by Lithos. Lithos was originally designed for Adobe by Carol Twombly in 1990, based it on the lettering from ancient Greek inscriptions. The Capitals are similar in feel and design, but is totally original and built from scratch. It is designed to be similar intentionally, but it is not a clone or rip off. Lithos is an example of a simple blocky san serif font style, with subtly concave sides, angled ends, and off centred curves. Lythmore is also an example of that same style. But is also different in places where I felt it could be improved. And it has a complete lower case set, which Lithos doesn't. I built Lythmore with 8 different weights. Lythmore can be very effective when used in advertising and general display work, but it can also be used for much more. Although it was never designed to be body copy, when used as such, it is still perfectly readable and adds its own version of sans serif style and flavour. I have included two versions of the Lythmore family. Lythmore A and Lythmore B. In the Lythmore A family, the lighter 4 weights all vary in weight in both the horizontal and vertical axis. The heavier 4 weights all vary in the horizontal axis only. In the Lythmore B family, the transition is even in both directions across the entire family. The result of this difference is that the A and B versions difference is most noticeable between the Regular and Medium weights. While the extreme ends of each family version are virtually identical.

A classic example of Art Deco lettering made with a round nib ink pen was found within the pages of “Lettering” by Harry B. Wright (circa 1950). Now available as a digital type font, Pen Moderne JNL is available in both regular and oblique versions.

The former hot-metal font Sebaldus Gotisch, a 19th century Berthold in-house design, was carefully redesigned and updated for today’s use. This font contains a long s which you can access by typing alt b or by using the historical alternate OTF feature.

This is decorative typeface for large scale designs (like headers or so), inspired by french forged balcony decorations. This font has 2 dimensions in it (thin letters like a, o, e and ‘wide’ m, b etc.), to make it more vibrant and add volume.

Brachella Drumal, a Graceful and Elegant Display Font Coming to you with 30+ stunning alternate and ligature to create a perfectly mystical, beautiful, classy, elegant design. Features: OpenType support Multilingual support (15 languages) PUA Encoded Super Easy to Use alternates - It's OpenType support but you can easily call alternates character using special combination like A.2 B.2 k.2 etc. so you don't need special software. To get results like the preview just type B.2r.2ach.2ella.2 D.2r.2umal.3 Thanks for checking out my font. I really hope you enjoy using it! If you have any questions I'd be more than happy to answer them, just send me a message!

Modeled from an example in the book “Lettering” by Harry B. Wright (1950), the poster alphabet shown was reminiscent of the kind of style used in the early 1900s by sign painters and show card artists. Vintage Poster JNL is available in both regular and oblique versions.