Manufacturer JNL is a reinterpretation of the classic type face Venus Extra Bold Extended, and is available in both regular and oblique versions. According to Wikipedia: “Venus or Venus-Grotesk is a sans-serif typeface family released by the Bauer Type Foundry of Frankfurt am Main, Germany from1907 onwards. Released in a large range of styles, including condensed and extended weights, it was very popular in the early-to-mid twentieth century. It was exported to other countries, notably the United States, where it was distributed by Bauer Alphabets Inc, the U.S. branch of the firm.”

Futuramano was the kind of typeface we scribbled in those old days, when I was an art-director in advertising agencies. We used it to simulate the headlines and the subheads, so the client could read what the copywriters had in mind. As Futura was the font of choice in those days (as it still is), our scribbled typeface looked much like Futura. The second half of the name “mano” means hand, so that is what it is, kind of a handwritten Futura. Futuramano is very practical if you want to have that unfinished touch! Yours very nostalgic Gert Wiescher

Portello is a display family in the tradition of Tuscan advertising and display faces. It's a family of three 'all capital' faces. A perpendicular regular form is offered, along with an italic form (a true italic - with purpose designed glyphs-NOT merely an oblique) and a basic form for small text - which dispenses with the family's characteristic outlined look. It offers the spirit of the Victorian era with ready and distinctive legibility. It's ideal for poster work, especially at large sizes, and for signage with a period flair. Why not give your work the flair of colorful 19th century commercial design today?

Simplo Soft is the soft companion of Simplo. In Simplo Soft, Simplo’s original sharp geometrics have been tempered by the moderate rounding of the edges of its characters — creating a softer and friendlier geometric typeface. Simplo Soft is ideal for use in display sizes. It is also quite legible in text, and is well suited for graphic design and corporate identity design. Simplo Soft has sixteen styles, extensive language support, eight different kinds of figures, sophisticated OpenType features — so it’s ready for advanced typographic projects. Free demo font available. For more information about Simplo Soft, download the PDF Specimen Manual.

Inspired by the lettering on Koloman Moser’s poster design for Fromme’s Calendar (circa 1912), Nouveau Calendar JNL is available in both regular and oblique versions. According to Wikipedia: “Koloman Moser (30 March 1868 – 18 October 1918) was an Austrian artist who exerted considerable influence on twentieth-century graphic art and one of the foremost artists of the Vienna Secession movement and a co-founder of Wiener Werkstätte. Moser designed a wide array of art works, including books and graphic works from postage stamps to magazine vignettes; fashion; stained glass windows, porcelains and ceramics, blown glass, tableware, silver, jewelry, and furniture.”

Was God an Ancient Astronaut? Are crop circles signposts for UFOs? Are we or are we not alone? Do you Want To Believe? We have No Idea. Nevertheless, we've put together a rather attractive little typeface -- by the name of Aztech -- which will undoubtedly add fuel to speculation vis-a-vis the existence (or non-existence) of Extra Terrestrial Intelligence. Yes, in our ongoing quest to spread enlightenment and dispel anxiety throughout the universe, we've created a font which will allow you to enjoy the concept of Alien Intervention without the embarrassment and discomfort of anal probing. Tell your friends.

Jemmy Wonder is a display typeface with a touch of vintage look and feel. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates / swashes and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Sundash versatile typeface with wide allternate allcaps. This bold modern font explores the style of Allcaps, we add a wide character to make it look more flexible. based on forms inspired by free urban culture, Sundash has a modern and vibrant spirit. Sundash explores how the shapes and curves of letters change their Focus. This font has a variable weight of 5 Light, regular, medium, bold, extrabold to make the sundash more solid. Sundash has 247 glypghs with a unique and bold character perfectly suited for a wide variety of applications from editorial design to branding, advertising, publications and digital.

The Iberian scripts are the Paleohispanic scripts that were used to represent the extinct Iberian language. Most of them are typologically unusual in that they are semi-syllabic rather than purely alphabetic.[1] The oldest Iberian inscriptions date to the 4th or possibly the 5th century BCE, and the latest from end of the 1st century BCE or possibly the beginning of the 1st century CE. The characters in this font do not contain all the characters of the Iberian script. If there are friends who need all the characters, contact me so that I can install the font on the system.

Introducing our Art Deco Font: a classic yet modern and elegant typeface that adds a touch of sophistication to your logo designs. Inspired by the iconic Art Deco movement, this versatile font is perfect for creating sleek and stylish editorial layouts. It's clean lines and geometric shapes bring a sense of timeless beauty to any project. Whether you're designing a magazine, website, or branding materials, our Art Deco Font Editorial will elevate your work to new levels of elegance and professionalism. Embrace the allure of Art Deco and make a bold statement with our captivating font.

The font Eckmann is named after its designer, Otto Eckmann, and appeared with the Klingspor font foundry in 1900. The influence of the Jugendstil is clear to see in the flowing floral contours of the letters. This font was made for larger point sizes, like on posters, and while relatively legible, it is not meant for smaller print. The font was often used in book titles and advertisements of the 19th century and today Eckmann is often used to suggest a feeling of nostalgia and is often found on the Jugendstil facades in Germany, Austria and Switzerland.

Grimmig draws inspiration from solid and angular blackletter shapes and the idea of cutting letters out of paper. The interaction between curves, sharp edges, and partially unconventional serif placement makes it an excellent typeface for impactful headlines. The vivid details fade into the background in smaller sizes and provide an enjoyable reading experience for continuous text. Open counters and a large x-height contribute to Grimmig’s legibility in text sizes. It was developed as part of the MA Typeface Design in the University of Reading but had started before as a graduation project for Tamara Pilz.

Virtue Serif is a variation of the Virtue Script which is more friendly to use as the body of your design without losing its unique and authentic features while still being a workhorse in display use. The rugged and spacious look is armed with a stylish set that is easy to control due to the simple design of the nodes. with a full range of weights from thin to black, it also includes multilingual support this typeface is truly complete. Used for logo design needs, posters, magazines, mockups, web ui, branding, Cover art and more Virtue Serif font family is ready for that.

A title is something strong. Something that leaves its mark through time, in the memories and in the hearts. A title tells things about the content, its purpose, its meaning, its point. For your needs in strong titlecase letters comes Anthracite. Looking almost like they were carved out of raw wood in the 1820s, the letters of Anthracite will not only imprint well but they will also impress. Its carving gives a feeling of relief, or shades, of textures that will be unique every time you use it. The perfect font if you want to stand out and be read.

Surpassing traditional Antiqua, our new collaborative font family Audela emerges after overcoming time, national borders, language differences, cultural gaps, and professional challenges. Starting off as an exercise project of our very first intern Léa Bruneau in 2018, Audela slowly shaped into a full-fledged elegant serif typeface of 14 styles under the watchful eye of Plamen Motev, Fontfabric’s Type Director. Three years later, Audela is internally regarded as a breaker of limits earning its name from the French “au-delà,” meaning “beyond.” This new rising star features sharp serifs, flowing letterforms, advanced OpenType features, Extended Latin and Cyrillic support, to name a few.

The Brightside is hand lettered font with multilingual support. It is ideal for t-shirts, magazines, phone covers, social media, restaurant menus, greeting cards, invitations, weddings, headers and many more. This brush font comes with a two complete sets of lowercase and uppercase characters, a large range of punctuation ligatures, numerals and and multilingual support. The Brightside includes a set of Upper and Lowercase characters, numerals and lot of punctuation glyphs and 1 alternate for each character. The Brightside Font comes with automatic ligatures. For access to Stylistic Alternates is required software with glyphs panel like Photoshop, llustrator, Inkscape etc.

Introducing, Clephons is a captivating serif display font that exudes timeless elegance. Crafted as an all-capital typeface, this font is a homage to vintage letterforms, blending classic charm with a touch of modern sophistication. Perfectly tailored for branding, headlines, logos, and designs with a classic or vintage theme, Clephons effortlessly captures the essence of a bygone era. Its distinctive serifs and refined details make it a versatile choice for projects that demand a touch of retro flair. Elevate your designs with Clephons, where every character tells a story of refined aesthetics and enduring style. **Uppercase

Mountain Warrior is a monoline script with a touch of retro look and feel. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase regular & rough numbers and punctuation multilingual alternates / swashes and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Cottonwood is a group effort of the typeface artists K.B. Chansler, B. Lind and J. Redick and displays the unmistakable look of the Wild West. It is stylistically modelled on the typefaces used in advertisements and signage toward the end of the 19th century. Typical for these capital alphabets are the split serifs which emphasize the markedly decorative character. Cottonwood is a kind of homage to the Western typefaces (woodtypes) which became popular through their use on Wanted signs in Western films. Cottonwood is best used sparingly in headlines to best emphasize its decorative, 'wild' character.

Tripper is a rock-hard display font family. The six styles – from Light to Black – of this robust stencil typeface will assure your text grabs all the attention it can get. Instead of settings large amount of texts, just use this font for a small amount of words. Or even better: just one word. But most importantly: make it really, really, really big. The lightest weight is pretty condensed, and slowly expands when the weight increases. The bridges – essential to a stencil font – have the same width across all styles, so you can safely apply all styles in the same size without the risk of stencils falling apart. Due to the absence of curves throughout the whole family, Tripper is suitable for more limited, industrial applications too. Tripper comes in several flavours. Next to the basic flavour, there is a stencil family which automatically creates borders around every letter, word or line. Then there is Tripper Rough, a textured version with that intelligent random, grungy look. Together with the previously released multi-colour font Tripper Tricolor, the complete family consists of 24 styles. Tripper is equipped with a bunch of OpenType features, like different figure styles, fractions, superiors, etc. But if all the OpenType ding-dong is not enough for you, just try the ornaments. The separate ornament font comes with icons, indicators, manicules, banderoles and patterns.

Jesus Saves is a font based on the familiar old logo that has “JESUS” hidden within a maze-like set of multi-branched vertical bars. The characters appear to be an alien, cryptic language at first sight, perhaps even a Japanese, Chinese, or Korean language, thanks to the unusual figures created by the combinations of various letters. It is a teaser for the eyes, as well as a visual feast of De Stijl-type art. It is an attention-getting font that is cool to look at, an eye puzzle that is enticing to decipher. It’s a great font to use for striking logos (see Gallery Images) by the judicious use of ligatures, where in word settings ligatures may be used at the beginnings of words, the middle or the endings of words. Jesus Heals is the missing spaces from the Jesus Saves font, sort of like a doughnut hole font! If you use this font to fill in the spaces in the Jesus Saves font, it becomes whole, or healed, thus the name. Jesus Lives is a raised block/3D or three dimensional version of Jesus Heals. For color combinations in apps that support layering, Jesus Lives synchs and has perfect kerning register with Jesus Heals, as Jesus Heals has with Jesus Saves. The digitization was done by fontmeister John Bomparte.

www.Stat-Type.com Complementary Type Family Stat Text Pro Stat Display Pro is an information design sans serif type family legible in circumstances of low visibility. Its large character set with multiple weights is defined by optimal size ratio, distinctive letter shapes, wide aperture and balanced counters. Stat Display Pro remains legible in unfavorable circumstances of distance, size, movement and similar. It contains nearly 700 glyphs, including diacritics, ligatures, small caps, old–style figures, arrows and more. This enables it to achieve wide language support. It consists of four main (Light, Regular, Medium, Bold) and four secondary, negative weights (Light Negative, Regular Negative, Medium Negative, Bold Negative) which are accompanied by their corresponding obliques. Stat Display Pro type family has higher than average x height (72% of cap height) which is accompanied by matching ascender and descender size ratios. With its distinctive letter shape detail it minimizes the possibility of letter shape confusion, while optimizing legibility with wide aperture and balanced counters. Its main intended use is information design, where it, with its characteristics, meets the requirements of wayfinding, infographics, table setting and much, much more. The development of the type family was based on research in legibility to achieve highly legible letter shapes, while not diminishing their visual character. A detailed description of Stat Pro type family is available at Stat-Type.com where a DEMO font can be downloaded.