This font was inspired by one of Antoine Augereau's three roman typefaces: the Gros Romain (±16 Pts) size, used in 1533 to print Le miroir de l'âme..., a religious poetic compilation by Marguerite de Navarre, sister of the French king François the first. It seems possible that Augereau may have also engraved italic styles. This alphabet, with its complete small caps collection, is covering all West, East and Central European languages (including Baltic and Celtic) and Turkish.

Buzz is a loose and informal grungy font with a modern, electric, zappy quality: The font is particularly useful for the promotion of products aimed at young and trendy consumers. It can be used for the design of: CD and DVD covers; clothing advertising and swing tags; magazines and advertising; and cosmetic packaging. It has been carefully letterspaced and kerned. It contains a full character set: all upper and lower case characters, punctuation, numerals and accented characters are present.

Matogrosso is another rough script from Argentine calligraphy team Koziupa and Paul. With its expressive urge at the importance of discovery, it is ideal to use on wine labels or organic food packaging, stationery and old maps. It also makes a great choice for designs relating to outdoor activities and rugged travel, where the concept of the wild is to be accentuated. Matogrosso's OpenType programming combines several alternate lowercase characters to generate perfectly fit and more natural textures.

Rummy is powerful, precise, and packed with personality. Simple and initially unassuming, Rummy may seem a reluctant hero. But, when called upon, Rummy will lend you all of its considerable strength and versatility in order to win the day. Influenced by sports branding and 1940s film, Rummy is an underdog that won't let you down. Need more height? Try Rummy Tall!

Lemongrass is a connected script typeface for display use. It was inspired by brush lettering and the sea and the strong winds that exist in Porto. These winds are called "nortada", which was also the developing name of the font. It has low contrast and smooth connections to get a good rhythm in the text. Lemongrass can be used for branding and packaging where it will shine, but it can also be used in small texts creating beautiful content. Lemongrass has lots of ligatures, swashes and alternative shapes that will allow making your brand unique. It supports most western European languages making it a more useful display font. Lemongrass Caps comes to complement the main style.

Poole Standard is the "flagship" typeface from former wine label designer, Wesley Poole. It's a versatile friendly face, antique but not antiquated, elegant yet inviting. "I first used a hand lettered version of this look on the Carmenet label. I've had this alphabet designed in my head for some time. It's perfect for upscale work. Like wine, this font is well rooted in the past, but meant to be appreciated and used in the here and now. Poole Standard is a stylish headline face, yet works well as a text face because of its readability at smaller point sizes. (Other styles and weights are coming soon!) If you're looking for understated elegance, Poole Standard does the job.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.

Musubi is juicy, flavorful display face inspired Tiki culture. Use it to make a big splash on posters and signage. This swinging face's special features include Small Capitals, tropical symbols, and decorative borders. Its funky and flared design is also perfect for a spooky Halloween bash!

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.

When you look at it for the first time, it seems to you that letters are inclined to the right. But it is only an illusion. Why Galleon you ask? I do not know. There is in it something both from the sea and from a wind.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.

Bright Flicks is a delightful script font that embodies a playful and whimsical spirit. With its rounded letterforms and charming swings at the ends of some letters, this typeface adds a joyful and lively touch to your designs. The defining feature of this script lies in its rounded shape, which gives the font a friendly and approachable appearance. The letterforms flow smoothly, creating a sense of fluidity and movement. Each letter flows into the next, creating a harmonious and lively composition. The uppercase letterforms are crafted with precision and creativity, maintaining legibility while embracing the playful nature of the font. Adding to its character are the swings at the ends of select letters, adding a touch of playfulness and spontaneity. Bright Flicks captures the essence of creativity and imagination. The rounded shapes evoke a sense of warmth and friendliness, while the swings at the ends of certain letters add a touch of whimsy and fun. This font brings a sense of joy and positive energy to your designs. You can also enjoy the various features available in this font. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Bright Flicks fits in logos, branding materials, packaging, and any design project that aims to evoke a sense of cheerfulness and creativity. Whether you're working on invitations, greeting cards, posters, or any project that needs a touch of playfulness, this font will bring a vibrant and lively vibe. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

This is Avris, an exceptional and feminine stencil font. The base was designed in 2015. The word ‘avris’ derives from the latin rara avis, which means “rare bird”. Stencil fonts were initially designed for mass production and transportation companies. Unlike this one, Avris’ curvy and minimalistic design feels and looks like the wings of birds, flying above the quiet ocean. It also has a roman, calligraphic and cryptographic touch to it. It can be used for editorial (fashion) magazines and poster designs. Looks great in headlines! Also the numerals are a must see when you put it in use.

Trapped in a world they never made, the characters in our Story So Far have been engaged in final battle with their Arch Enemies... the characters known only as ToBeContinued. One of our characters will win, one will die, at least two of them will be engaged in a Clash of Titans. Face Front, True Believer, This One's Got it All! The Story So Far & Near complete family includes eight weights with support for Western & Central Europe.

Blackout SCF is a loose and informal grungy font with a modern, electric zappy quality. The font is particularly useable for the promotion of products aimed at young and trendy consumers. It can be used for the design of: CD and DVD covers; clothing advertising and swing tags; magazines and advertising; and cosmetic packaging. It has been carefully letterspaced and kerned. It contains a full character set: all upper and lower case characters, punctuation, numerals and accented characters are present.

Ferments is a stylish modern and natural handwritten script font with casual chic flair. It is perfect for branding, wedding invites and cards, and maybe for red wine label. Ferments includes full set of Natural uppercase and lowercase letters, numerals, a large range of punctuation and ligatures. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. Thanks and have a great day, Haksen Studio

Everybody likes to have a picnic: some fresh fruits, cheese, ham, wine and so on. Like a “typographic picnic,” Typnic font system gather many fonts with different flavors too, and you can enjoy them mixed or on their own. Typnic Headline Slab is just a piece created to complement the Typnic font system and as in the first headline version it comes in six layered fonts that can be mixed in a powerful variety of combinations to obtain outstanding texts.

Is that the trees rustling, or the hinges on the gate? Pull up your covers as daylight grows dim... there is indeed a chill of fear in your heart and the blood in your veins is turning cold. Try your best not to shiver and shake... The Iceman cometh!

An epochal battle in form of font. Calligraphic characters and pixel fight against each other in this experimental font. Two historical epochs collude. You decide the destiny of the battle using the shift button. The font is based on OpenType technology. Ligatures are required for its correct functionality and must be switched on (both on professional and office applications). May the best win, with Pixwar.

Stu is based on the penmanship of the late Raoul "Stu" Stuart. Raoul's penmanship was always admired by those who saw it; it was a first glimpse into the artistic and creative side of an otherwise easy-going, funny guy. The print variants exude a soft yet masculine feel, while the scripts evoke a sense of sentimentality and romance. Stu features dingbats which say something about Raoul: affectionate and romantic (heart), a big coffee drinker (coffee cup), a great cook (spoon and fork), a music lover (musical note), and a prankster (winking smiley). (The winking smiley is available in all the font styles, while each of the other four dingbats is unique to one font style.) Stu is a tribute to the coolest dad in the world.

The Adinkra name, by legend, comes from the King who was conquered by the Ashante people of Ghana. The king, Adinkra, wore wonderful patterned fabrics. Adinkra means “goodbye,” and the symbols were reserved for funeral garments. Today the symbols are part of the Ghana popular culture and around the world. You will find the symbols on everything from housing, clothing, to tattoos. These 100 symbols are accompanied by the Ghana name, a loose translation and what the symbol has come to represent. The meanings and symbols are by no means the complete list and some people do not use the exact same translations and meaning as you will find here. These are for casual use and not historical or anthropologically completely accurate.

Enfluence is a modern typeface perfect for titles and short texts. It could worked in print and digital mediums. It depicts a fresh and modern image but with some winks to older typefaces. About the shape of the letter, it was built with a wide “x” height, short ascendants and descendants, a high contrast, angular serif, and some round terminals. Some letters such as “m, n, h” show a light inclination in the right stem. These characteristics give this typeface great readability with a strong attraction to the eye for its cool forms. Not enough? Also includes a set of ornamental capital letters perfect for the creation of awesome designs.

Not of the Alps but from Los Andes. It tastes a lot more like wine than cheese. Neogrotesk is a versatile and functional workhorse typeface with a neutral look and Latin flavor. The font includes multiple typographic features such as alternates, ligatures, small caps, case-sensitive punctuation, arrows as well as lining, old style and tabular figures. Neogrotesk is the perfect choice for editorial, corporate and advertising design. This 40-style type comes in 5 weights with matching italics and contains 770 glyphs. The complete set consists of 4 sub-families: Essential, Essential Alt, Pro and Small Caps.

Narration is a bright serif font with classic proportions, that is inspired by the Renaissance as well as neoclassical tradition, contemporary design with a delicate sense of rhythm, clarity and legibility. Serif fonts, although reduced and simplified geometric lines, have a role model in the Roman lapidary inscriptions. Narration is suitable for the style that requires elegance and grace of the text, publications of historical, archaeological, artistic and other cultural events, as well as fashion, labels for cosmetics, wine... Character folders correspond to all functional letterpress requirements and contain all the glyphs of Latin European languages and Cyrillic.

Zapatista is derived from a typeface that I designed in 1998 but never released. It is a playful slab serif with a texture that is sometimes subtle and reminiscent of the irregularities of letterpress printing. Like a fine wine, this face has been aged to perfection and is now ready for public consumption. It includes a full character set with accented characters as well as a second full set of alternate uppercase, lowercase, and numbers. OpenType makes it easy to mix and match the two sets of letters to create custom designs. It's like having 2 fonts in one!

Linotype Sjablony is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. Designed by Dutch artist Mark van Wageningen, the typeface with its interrupted strokes has the characteristics of the stencils seen on crates and barrels. The difference lies in the raw contours of this font, which make the characters look as though they were slowly eroded away by water and wind. Linotype Sjablony is composed exclusively of heavy capital letters and is particular suitable for initials and headlines with point sizes of 18 and larger.

Belle Helene is a script and symbols font based on handwritten brush letters. The name is inspired by the famous french dessert with the same name (wine cooked pears with vanilla ice cream and chocolate syrup). This soft and smooth shaped font is suitable for restaurants, cafes, shops, bakeries, menus, wedding stationary or wherever a warm and informal feeling is required. It comes with open type features such as standard ligatures and alternate end/initial letters. The symbols font has 62 cute symbols to play around with to spice up your designs. Multilingual support is included for almost all European languages (Diacriticals). Please Note! Test the font in the Font Preview before purchase.

I have completely redone the spacing in this font, making the sidebearings more conventional. And after replacing the kerning with fresh pairs working together with the new spacing the font looks like a real gem. I love it! The inline version has a wider spacing after the letters CEK = no connecting words. Otherwise just as lovely and retro! Nick Curtis says: "Here’s a strange hybrid: I took the lower case from the formal script font Stuyvesant, straightened out its rather extreme 22° slant, and combined them with caps from the font Bellevue, again making them upright, and adding an inline effect. The result is a font that flows very nicely, with a nice balance between clean lowercase characters and swashy caps. Thanks to Deb Dunbar for naming this font. Fontleroy Brown is the solid version, produced at the request of the King of Ding, Jeff Levine." ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

»Artis« is the name for my latest art-project-font. Obviously I just chopped off the last »t«. Then I looked it up on Wikipedia and what do you know, it is of latin descent. »Ars Gratia Artis« which means »art for arts sake« or in French »l’art pour l’art«, a perfect font name. If I would cut off the »s« as well it would mean disambiguation and that in turn is, what I just did here. Enough disambiguation! »Artis« is a modern classical beauty with extreme contrast between up- and downstrokes that make it unique with a touch of art deco and showing Renaissance roots. But – »Artis« is a twin-font that has an elegantly decorated twin sister »Artis-Swing«. Between the 2 fonts you have endless possibilities for combination. I love these twins! It is a great everyday workhorse with seven weights from ExtraLight to Bold and all the necessary weights in between. Great for short copy and elegant headlines! With 879 Glyphs it is a truly European font designed for all Central European and Latin using countries. »Artis« has a set of Cyrillic that is – besides Russia – also good for Serbia, Macedonia and Ukraine. It has oldstyle- and lining-, tabular- and tabular-oldstyle-figures and many ligatures. »Artis« comes in Sans and Swing and is an elegant, playful and friendly font. Enjoy!

Mireille is a typographic homage to french culture. Your journey through gourmet food, classical music, opera and wine tours over 100 romantic alternates and ligatures that allow you to add outstanding elegance to your typography. Take care: you might have a crush on this typeface – La vie, c’est beau! www.typethis.studio

While viewing a video posted to YouTube of a 1952 drive through Los Angeles, a building was passed for King Bros. Productions, Inc. The lettering on the signage was designed in a stylized Art Deco sans serif, and thus inspired Production Company JNL – available in both regular and oblique versions.

The simple song title "May I", found on the sheet music from the 1934 Bing Crosby-Carole Lombard film "We're Not Dressing" was hand lettered in a blocky, ultra-bold Art Deco design that foreshadowed the techno look of the 1970s and 1980s. This became the basis for Art Techno JNL.

The opening title for the 1962 Blake Edwards film "Days of Wine and Roses" [starring Jack Lemmon and Lee Remick] was the inspiration for Cocktail Hour JNL. Adding to the playfulness of this font, the characters float above the baseline. Cocktail Hour JNL is available in both regular and oblique versions.

For these fonts I have reworked the spacing a bit, and completely redesigned the "N" as they were calligraphically very wrong. Kevin King says: "Petrock is based on letterforms found in a small city Church in Exeter - from a display case about bell ringing. A lovely simple labeling hand, I think I've done it justice... Petrock Light is a lighter form of Petrock - makes both of them more usable." ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Taking its name from the arabic word for "king", Malik is a flared sans serif typeface family designed in 2020 by Andrea Tartarelli. The designer wanted to find a way to bridge the classical letterforms of Roman Old Style typefaces with the readability of contemporary sans typefaces. This was achieved by using the so-called flared serif that emerges gradually from the stem of the letter, ending in a sharp angle. It's something that also reminds of the peculiar shapes of the Simoncini Method, invented by italian type designer Francesco Simoncini to get a sharper definition of letterforms. To this blend of classical elegance and modernist expertise, Malik adds the calligraphic influence of modern masters like Frederic Goudy or Ed Benguiat, visible in signature details like the reverse contrast uppercase B, or the calligraphic lowercase k. Malik also means "owner", and this font surely wants to rule the page. It manages to be extremely readable when used in body text size, but looks surprising and expressive in display use. The inclusion of the Malik Heavy Display weight, with its black texture balanced by deep inktraps, allows for striking logo design. The weight range of the family is extremely wide, including a Book alternative to the Regular weight for fine-tuning readability, a range of light display weights and a solid choice of bold weights for branding, all coming with matching true italics. The 16 cuts of Malik have been equipped with all the features you need to solve your editorial and design challenges, including a wide language coverage (thanks to over one thousand latin and cyrillic characters) and a complete set of open type features (including small capitals, positional numbers, case sensitive forms). Alternate characters and stylistic sets allow you to fine-tune your editorial and branding design by choosing variant letter shapes. Malik is the typeface for everyone who wants to design like a king...or like he doesn't care who the king is!

Comicraft's latest joint has us swollen with pride! This one caps 'em all! Yes, it may look a little bony and stick out at right angles to our shins, but we reckon we'll win the a whole bunch of contests with this one... if we get up off our haunches and hobble up on stage. Trust your knee jerk reaction and download KnobblyKnees now, they look good on Kate and Angelina, they'll look good on you too! Features: Five fonts (Regular, Bold, Light, Broken & Open) with upper and lower case characters.