Dream Island is a simple, relaxed, and fine handwritten font. Its simple style makes it fitting to a wide range of designs, so add it confidently to your informal or casual ideas, and you will love the results.

Selitta is a sweet, soft hand-lettered handwritten font. Fall in love with its authentic feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and a wide variety of projects!

Sweet Lavender simplifies elegance into one truly outstanding handwritten font. It maintains its classy calligraphic influences while feeling contemporary and fresh. This versatility will appeal to a wide range of crafty ideas, from letterheads and titles, to stationery.

Inspired by the hand-lettered address for the publisher of some 1920s sheet music, Nouveau Yorke JNL is a throwback to a simpler period in time when sheet music and piano rolls were the mainstay of parlor entertainment.

Mazzard Soft is a rounded version of Mazzard – a superfamily of three geometric grotesques with three different x-heights (H, M, and L). It features rich language support, includes Cyrillic, and offers a wide variety of alternate forms.

Spooky Green is an incredibly unique and quirky display font. Its friendly feel makes this font incredibly versatile, fitting a wide range of contexts. Add it to your creative ideas and notice how it makes them stand out!

With all the features of its wider relative, Rehn Condensed has been specifically designed for those situations where space is a premium. Rehn and Rehn Condensed together offer a complete package suitable for a wide range typographic applications.

Eneas Expanded is a decorative artistic poster handwritten font. It's an sans serif, wide, rounded monoline font which will provide an informal, funny and fancy look to your work. It's recommended for display usage for its glyph quality.

Italian designer Aldo Novarese first created Egizio in 1955. Egizio is a Clarendon-style typeface, based on type fashions that were especially common in Britain during the 19th Century. This font is a popular choice for newspaper headlines.

Jill Bell's typefaces are energetic, highly decorative, and refreshingly unpredictable. Some are friendly and childlike, while others are rough and nervous. Her latest creation is ITC Swank, a connected script whose shabby-chic" sophistication communicates a worn elegance. Bell begins the design process "with black stuff on white paper," she explains, preferring to draw letters before she digitizes them. Often the inspiration for her typefaces comes from a piece of hand-lettering. "Bruno began as a reminder to buy cat food," she says, "and ITC Swank started out as a small bit of lettering for Wurlitzer Pianos." Bell finds that working with blocks of lettering is a good start for script typefaces. "If I'm drawing a script typeface, I have to write out sentences in the letters first," she explains. "Drawing each letter separately doesn't establish the flow and spontaneity that scripts deserve." Bell's newest design is ITC Swank. It's a somewhat tattered formal script with definite links to early copperplate scripts. Though probably not for wedding invitations, Swank's elegant underpinnings are evident, with its slightly narrow proportions and a baseline that can best be called "bouncy." Graphic designers will appreciate the abundance of swash letters, making it easy to create distinctive headlines and short blocks of copy. Bell has a fondness for the "open, genuine" quality of Chinese and Japanese calligraphy. "Eastern styles incorporate the natural flow of the hand," she says. "Natural, human qualities shine through. Mistakes are accepted, not scorned as in the 'white-out' Western culture." This philosophy is evident in Bell's own designs. Whether it's ITC Clover 's carefree spirit, the slightly spooky Hollyweird, Caribbean 's< rustic charm or the weathered elegance of ITC Swank, there is a natural honesty in her work."

Kayto Script is the second collaboration of Erwin Indrawan as the calligrapher and Dexsar Harry Anugrah of Majestype as the typeface designer. Today the resurgence of calligraphy has reached the summit, with social media as the vehicle, we are now familiar with many styles of calligraphy. One of the popular styles is brush lettering, especially the pointed brush calligraphy. Kayto Script is an exploration in pointed brush calligraphy. It’s an interpretation of modern brush calligraphy that combines cursive writing with the East Asian calligraphy flair. Kayto is made with a real brush and held perpendicular to the paper so the brush can twist and turn freely to follow the movement of the hand. This technique gives a natural gesture and energetic look to the strokes. Kayto has a unique rhythm of brush pressure to generate the thick-and-thin strokes... the beating heart of brush calligraphy. Instead of the mechanical thick-and-thin strokes like the regular calligraphy, Kayto is written with a lot of variety of pressure that is somewhat melodic but still conform with the discipline. The result is a script that feels personal and characterized with lively energy. And just like handwriting, every letter in Kayto script is crafted with many varieties of glyphs and ligatures to make an unlimited combination of personalized lettering. Because of its natural letterforms, Kayto Script is best suited to complement anything that is earthy or has nature as the ground. Erwin, the calligrapher, has used Kayto in many of his watercolor illustrations. Another ideas are wedding names on invitations or place cards, logo for any natural products, inspirational quotes, business cards and the list goes on... but in the end, if you wish for something personal and truly one of a kind then Kayto script the one you want. Also, Kayto offer a free version called "Kayto Doodles" designed by Adiet Pramudya.

To break from the rigidity of a typical monospaced font, Alloca includes weights that go above and beyond. From the wire-thin to the ultra-bold, you’ll be able to do a lot with one monospaced family. With OpenType features like slashed zeros, old style numerals, and case-sensitive forms, Alloca is versatile. It's great for displaying code, showcasing data, or even flowing your body copy. It has broad language support, too, with localized forms for Vietnamese, Polish, Catalan, and Dutch, to name a few.

The Maiandra family of typefaces were inspired by an early example of Oswald Cooper's hand-lettering, as seen in an advertisement for a book on home furnishing, circa 1909. Although many of Oz Cooper's letterform designs were cast in metal type, this particular one was not. Cooper's design itself was inspired by examples of letterforms he had admired in his study of Greek epigraphy (inscriptions). Cooper combined those ancient forms with the flair characteristic of design styles of his time. The result was an attractive design possessing subtle, purposeful irregularities, or "meanders" in his skilled brushwork. The Cooper design exhibits a unique warmth and harmony in text, while presenting a compelling rhythm, color and texture on the page. "Realizing the presence of this uniform warmth and readability," notes Dennis, "I decided to expand the design into a family of three weights with companion italics." The weights for the Maiandra family were selected for their versatility in usage over a broad range of output device resolutions. Indeed, "the consideration of eventual display resolutions, be they for screen or printer, provided the greatest challenge in the design of this typeface family," explains Dennis. Creating shapes that conform to the rigors of digital letterforms and modern rendering environments, without losing the unique characteristics of Oz Cooper's original design, is what Dennis has accomplished with his tribute to this great designer of the past. Maiandra, whose name derives from the Greek 'maiandros', meaning 'meander,' is intended for extended text use, as well as for informal subject matter, such as business correspondence, brochures and broadsides. "An example of a good use for Maiandra," notes Dennis, "is in printed matter relating to the turn-of-the-century art period known as the Arts and Crafts Movement. It can stand alone or be used with designs that complement its shape and color."

K-Type’s ‘Banks & Miles’ fonts are inspired by the geometric monoline lettering created for the British Post Office in 1970 by London design company Banks & Miles, a project initiated and supervised by partner John Miles, and which included ‘Double Line’ and ‘Single Line’ alphabets. The new digital typeface is a reworking and extension of both alphabets. Banks & Miles Double Line is provided in three weights – Light, Regular and Dark – variations achieved by adjusting the width of the inline. Banks & Miles Single Line develops the less used companion sans into a three weight family – Regular, Medium and Bold – each with an optically corrected oblique. Although the ‘Banks & Miles Double Line’ and ‘Banks & Miles Single Line’ fonts are based on the original Post Office letterforms, glyphs have been drawn from scratch and include numerous adjustments and impertinent alterations, such as narrowing the overly wide Z and shortening the leg of the K. Several disparities exist between the Post Office Double and Single Line styles, and K-Type has attempted to secure greater consistency between the two. For instance, a wide apex on the Double Line’s lowercase w is made pointed to match the uppercase W and the Single Line’s W/w. Also, the gently sloping hook of Single Line’s lowercase j is adopted for both families. The original Single Line’s R and k, which were incongruously simplified, are drawn in their more remarkable Double Line forms, and whilst the new Single Line fonts are modestly condensed where appropriate, rounded letters retain the essentially circular form of the Double Line. Many characters that were not part of the original project, such as @, ß, #, and currency symbols, have been designed afresh, and a full set of Latin Extended-A characters is included. The new fonts are a celebration of distinctive features like the delightful teardrop-shaped bowl of a,b,d,g,p and q, and a general level of elegance not always achieved by inline typefaces. The Post Office Double Line alphabet was used from the early 1970s, in different colours to denote the various parts of the Post Office business which included telecommunications, counter services and the Royal Mail. Even after the Post Office was split into separate businesses in the 1980s, Post Office Counters and Royal Mail continued use of the lettering, and a version can still be seen within the Royal Mail cruciform logo.

YD Gothic 700 is a modern sans serif typeface consisting of 9 weights. It supports up to 13 different languages such as English in Latin and other scripts

Dulan Anzelica simplifies elegance into one truly outstanding script font. This font is the perfect fit for all of your logos, branding, social media, and crafty DIY projects.

Interesting script font with lovely crunchy details - comes with multilingual support and contextual alternates with 4 different versions of each letter, and they cycle automatically as you type!

Sweet June is a lovely script font. It has a natural writing style with a great readability. It’s perfect for adding a natural touch to your luxurious designs.

Hi! Introducing calligraphic font named "Megawatt". It's a script with connected letters, lots of characters including West European languages support and few ligatures. Thank you and have fun!

Mirielle is curvy yet angular at the same time. Whimsical yet orderly. As with all Typadelic fonts, this script typeface is unique and original, with a playful twist.

Finesolla is a cool brush script font. It’s perfect for creating logos, product branding, posters, social media posts and much more! Ignite your creativity with this fun font.

Abudabi is a connected script typeface that includes 3 font styles: • REGULAR for signs and basic text • BOLD for titles and highlights • STONE for single words or backgrounds

Jh Hikmat is a modern arabic font; it is derived from the Naskh and Ruqaa calligraphy script. It is ideal for kids books, greeting cards and advertising projects.

Widia hand brush is a script in a new, modern, handmade calligraphy, with decorative characters, suitable for invitations, greeting cards, branding materials, business cards, quotes, posters, and more.

The letters of this cursive font connect together to create script lettering that will add a unique touch to your special occasion announcements, invitations, scrapbook layouts, and programs.

Shoebop is a playful, rhythmic brush script with a delightful retro flair. Its joyful presence is ideal for web and print headlines, posters, signage, logos, and greeting cards.

All Over Again is a messy, scratchy script that looks like someone wrote a lengthy letter, realized he had screwed up and had to start all over again.

A slightly wild brush script suitable for posters! Comes with contextual alternates - meaning the font has 5 different versions of each letter, which automatically cycles as you type!

Danu font is a font with a traditional style with a minimalist approach, this font is inspired by Javanese script with curved letters and some dots in it.

Calvin Fallen is a beautiful script font with an incredibly endearing and authentic feel. Use this gorgeous and unique handwritten font to bring any DIY project to life!

Gracia is a classic connected script design. OpenType features: - over 700 glyphs - central European faces - connection forms & stylistic alternates - proportional, mediaeval numerals & Roman numerals - numerators, denominators and fractions

Linguine is a flowing script family with plenty of automatic ligatures, Swash initials, Small caps and Ornaments. You can easily access these features in any Opentype savvy program.

‘Golden Moment’ a handwritten script font that has multilanguage and PUA encoded, this font is perfect for t-shirt designs, quotes, logos, display, branding, wedding invitations, and more.

The Graf Call is a beautiful, stylish script font. It has a modern and elegant style which makes it perfect for; labels, posters, letterheads, badges, and much more!

Moonshire is a script font with an authentic, handwritten look! This font is perfect for logos, branding, shirts, invitations, signs, home decor, wedding decor and more! Thank you!

Master Flo is a freestyle script based on handwriting. The face inspired by flat-nib felted pen or brush calligraphy. For use in short texts and informal headlines.

Jelantik is a beauty script typeface with adorable cursive alternative glyphs. Jelantik is suitable for wedding invitation, product packaging, product designs, label, photography, watermark, invitation, stationery and more.

Gatkins, its a Elegant Script font with swashes! create your own customized signature, quotes, or logo design. This font is support multi language. Also Support PUA. Thank you!

Linguista is a gorgeous monoline script, full of personality and curves. It features a natural flow that makes it perfect for any project that requires a handwritten feel.

String Line is a loopy script typeface. Its elegant turns are connected to form spiral-like lettershapes. The typeface is designed by Måns Grebäck and supports many languages.