Point Blair is a script typeface that mimics natural handwriting and signature styles. Inspired by the scribblings found in travel journals from early explorers, this script font focuses on a free flow feel, with real brush pen texture and variance built into each character. To keep things looking natural, every character a-z and A-Z has an alternate available so that you can add variance to your text.

This font family is simplified Arabic which was inspired from the modern Naskh style, where the reverse contrast is low and the counter forms are open. The original design is from the Lisboa Sans typeface (Latin), published on 2005 and after some years, this multi-script family is the compromise and balance between these two different scripts. This typeface contains characters for setting Arabic, Persian and Urdu languages.

Sugar Garden Script is a new modern script font with an irregular baseline. Trendy and feminine style. Sugar Garden looks lovely on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and more. Perfect for using in ink or watercolour. Including initial and terminal letters, alternates and multiple language support. I made this font very carefully so that each letter looked very unique and had various beautiful alternatives.

Kobold is a font system consisting of a hand drawn serif and a connecting script. The all caps serif combines a handmade look and angled, modern looking letter forms. It also contains rough styles with a printed vintage look. Kobold Script is warm and friendly and has an expressive charm. Use Kobold for logotypes, magazine headlines, packaging, invitations, clothing, labels, greeting cards, posters, ads and the various web usages.

Cralione Script Now Comes with updated neater glyphs, more stable kerning size, new punctuation & numbers. Cralione is a beautiful modern calligraphy script font that is suitable for branding, invitations, greeting cards, posters, name card, quotes, blog header, logo, fashion, apparel, letter, stationery and other projects. To access all OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator, Adobe Photoshop, CorelDraw and Microsoft word.

Kaufmann font was designed in 1936 for the American Type Founders by Max R. Kaufmann, a letterer, typographer, and one-time art director for McCalls magazine. Kaufmann is a connecting script typeface with a smooth, slightly whimsical look. Its monoweight is unusual in a script type but allows for a nice texture on the page when it is combined with sans serif text type. The bold Kaufmann is fine display type.

Cellien Font Duo is a combination of script and sans-serif fonts, offering a perfect blend of elegance and modernity. With over 140 ligatures, the script font features natural and flowing letterforms, while the sans-serif font adds a clean and polished aesthetic. These fonts are designed to harmoniously pair together and are suitable for various design projects such as logos, branding, posters, labels, product packaging, invitation designs, and more.

Handwritten script font comes with a modern style that is perfect for any job and craft that requires a thick font to get perfect cuts or letters good for use on T-shirts or also stickers, magazines or titles that require a thick script font and lots of it other uses in your work The font includes uppercase and lowercase letters, numbers, punctuation, Swashes language support, alternatives and also some ligatures

Suffolk is a traditional yet modern font family that takes inspiration from the county of Suffolk and its rich coastal history. This handwritten style font is a modern rustic take on a traditional script font and comes with a joined up 'script' style and an individual 'print' style. Along with a 'serif' style that evokes a similar feeling of old meets new that works well alongside the two handwritten styles.

Offstages - Strong Brush Script is a Authentic brush script that is written casually and quickly. Letters are made with Procreate. Then trace down into vector format, and carefully crafted into a typeface. That is why Offstages has rough, authentic and strong characteristic more natural look. You can activate Ligature OpenType panel. Offstages Perfect for designs,branding projects, Logo design, Quotes product packaging and another Project thet require cool strong brush font.

Gibrael is tattoo script style font. Truly a perfect script for any project that's need delicate typeface such as custom name, greeting card, create logos, etc. A handy font for tattoo designer and artsy creative people! It's a beautiful, elegant, clean and unique typeface you need to have! Contains over 590+ glyphs, it has many alternate characters so you can make a beautiful decorative type easily and multiple language support.

Fonts based on handwritten forms enjoyed a revival in popularity in the 1930s. Diskus was designed by Martin Wilke in 1938 and exhibits many traits of modern script and brush typefaces. The informal and energetic Diskus is a script and brush font for daily use and the capitals can be used as initials mixed with other fonts. Diskus is particularly good for titles or texts in middle to larger point sizes.

Peaceful Island is a handwritten combo pairing font. It combines script and handwritten sans. This font has a retro feel, playful handwritten sans, and a casual script. This attractive combination with retro vibes is perfect for your Display Design. You can use it for logo designs, title vloggers, brand imagery, quotes, merchandise, social media posts, and more. Features: - Uppercase & Lowercase - Numerals & Punctuation - Alternates and Ligatures - Multilanguage Supports 60+ Latin based languages

Superpop is sweet and gentle, a rounded geometric sans with a brushy script twist. Soft and refreshing like a soda, this font gets fizzy when geometric letterforms get mixed with script shapes you wouldn’t expect in a Sans Serif. A display family with two styles ( regular and italic ), 5 weights and an outline version for each style. Opentype Features: https://www.rsztype.com/article/how-to-use-opentype-features-adobe-microsoft-pages

Introducing Unofficial – Brush Script is a Authentic brush script that is written casually and quickly. Letters are made with procreate. Then scanned and carefully drawn into vector format. That is why Unofficial has charming, authentic and relaxed characteristic more natural look to your text with a more natural look to your text. You can activate Ligature OpenType panel, Better At class Perfect for designs,branding projects, Logo design, Quotes product packaging.

Omorphia is a decorative serif font inspired by Sephardic square type - the only Hebrew style with one vertical serif for each letter. Omorphia contains three script systems, including European extended Latin, Cyrillic, Greek, Hebrew and Arabic. The font has OpenType features as alternates and local substitution for Romanian and Serbian. Alternates themselves are based on cursive, script forms. Omorphia is an excellent choice for branding, packaging, fashion and titles.

Natalya is a flashy and rhythmic script. The script has more space between characters than most for better legibility, and the basis point for the ornate swirls is the golden ratio. This makes for an especially harmonious typeface with timeless appeal. The typeface includes three alternates with variations of the ascenders and descenders. All three fonts include OpenType ligatures, oldstyle figures and ending swashes for an even more elaborate appearance.

In 1543 the well-known “De humani corporis fabrica” treatise on anatomy by André Vesale, was printed by Johann Oporinus in Basel (Switzerland). Various typefaces were used for this work, mostly in Latin but including Greek characters. Its Jenson-type font was the one which inspired this font. It is a very elegant one, including the “long s”, a few abbreviation forms and ligatures. As it was a Latin text, there were no accented characters and a few capitals were absent. I had to reconstruct them. A render sheet, in the font file, makes all characters easy to identify on the keyboard. This font may be used as a “modern” one for web-site titles, posters and flier designs, publishing ancient texts... and anything else you want! One of the most elegant types ever cut, it stands up very well to enlargement, remaining as readable as in its original small size.

Slow Tempo is a relaxed, loose-fit font that you can easily enjoy. Slow Tempo has basic, natural and neutral letterforms and skeletons for a wide range of usage. Though, there are some distinctive features. As you can see, Slow Tempo has low curvature of the intersections between stem & shoulder or bowl and also has large and open apertures. This makes this font relaxed. The letterform has low contrast and geometric shape to be neutral design, large x-height and humanistic terminal to be legible and distinguishable. Slow Tempo consists of 8 weights and their matching Italics for a wide range of usages. Further, Slow Tempo is supporting international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also CSS covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works.

Short Films is an all-new-styled family, which kind of looks like Art Deco Style. Wide opened counters and softly rounded bowls create a new feeling – Retro but futuristic, geometric but humanistic. Exquisite contrast between thin and bold parts of glyphs make mixed feeling – Pop and feminine, formal and casual, strong and soft. The most distinctive feature is a coexistence of decorativeness and Readability. This coexistence expands the range of font usage. You can use this font for not only titling but also body-text. Short Films consists of 6 weights and their matching Italics for a wide range of usages. Further, Short Films supports international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also, Short Films covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works.

The Brāhmī alphabet is the ancestor of most of the 40 or so modern Indian alphabets, and of a number of other alphabets, such as Khmer and Tibetan. It is thought to have been modelled on the Aramaic or Phoenician alphabets, and appeared in India sometime before 500 BC. Another theory is that Brāhmī developed from the Indus or Harappa script, which was used in the Indus valley until about 2,000 BC. The earliest known inscriptions in the Brāhmī alphabet are those of King Asoka (c.270-232 BC), third monarch of the Mauryan dynasty. Brāhmī was used to write a variety of languages, including Sanskrit and Prakrit.

Peleguer typeface is the reinterpretation of the characters that the valencias goldsmiths Peleguer Manuel, father and son had opened and merged between 1779 and 1783 on behalf of the Royal Economic Society of Friends of the Land of Valencia “in order to create a Factory letters. Then during that time, reached 6 degrees of open letters (small pica, pica, gross pica, text, great primer and double pica). It appears that the letters never were done, and were themselves Manuel Peleguer who kept the punches and dies, leading to create a foundry-printing which only came out 5 or 6 books or documents for the single year of 1784 . One of these books, “Praise in the solemn funeral service …” made ​​with the degree of “gross pica” samples were selected to take the characters for subsequent drawings on the following parameters for the unity and a contemporary look to the source: Keep the proportions of the original source (but unifying the shapes of the serifs, as these were different according to repose at baseline or in descending order). Match the counterforms and match the fallen traces from the cursive. En short, “catch” the formal essence of the source and following update current typographic design criteria to achieve a source with good legibility and subtle personality.

Sancoale Softened is the new rounded companion to Sancoale. While the original Sancoale is crisp and defined, its delicate forms also lend themselves well to a lighter, more rounded version. The stems of Sancoale Softened are blunted, and its corners have been carefully rounded, avoiding the “sausage” look seen with some rounded fonts. This blend of definition and delicacy makes the Sancoale Superfamily versatile and appropriate for a variety of applications. The design minimizes the characters to their essence, leaving a default set of simple characters without notches or spurs. However, the typeface family’s slightly technological feel still appears friendly and approachable to the reader. It’s slightly condensed proportions and tall x-height also make the design readable at a wide range of sizes, which works especially well for web pages. These softer letterforms give Softened its unique, futuristic look--great for distinguishing your text or display. There are six weights with true italics. All insigne fonts are fully loaded with OpenType features. Sancoale Softened is also equipped for complex professional typography, including alternates with stems, small caps and plenty of alts, including “normalized” capitals and lowercase letters. The face includes a number of numeral sets, including fractions, old-style and lining figures with superiors and inferiors. OpenType capable applications such as Quark or the Adobe suite can take full advantage of automatically replacing ligatures and alternates. You can find these features demonstrated in the .pdf brochure. The Sancoale family also includes the glyphs to support a wide range of languages, including Central, Eastern and Western European languages. In all, Sancoale Softened supports over 40 languages that use the extended Latin script, making the new addition a great choice for multi-lingual publications and packaging. Sancoale Softened continues with Sancoale’s successfully simple, geometric and legible structure. With its suitability for a wide range of uses, the Sancoale superfamily is a very economical and versatile addition to any designer’s font collection.

In the world of webfonts, Condensed proportions are key to maximizing your page's premium real estate while keeping your copy clean and catchy as you cut down to the essentials. Soon after the introduction of webfonts, I began to see Insigne's Le Havre used frequently for web headlines, not so much for its Art Deco look as for its more compact proportions. There seemed to be a need for a font that was designed to be used solely for the web's unique constraints. Enter Coegit Sans. Coegit is built specifically for web applications. Its highly Condensed forms range from thin--offering the greatest number of uses--to the attractive, accenting black. With three widths--Compressed, Compact, and the widest, Condensed --the family holds a total of sixteen fonts. The typefamily has also been hinted for excellent, onscreen display quality, even at small sizes. Overall, its lighter, humanist features provide the reader a more congenial welcome than its square, sans-serif counterparts can offer. Coegit is equipped for complex professional typography with stems, small caps and plenty of alts, including titling capitals. The face includes a number of numeral sets, including fractions, old-style and lining figures with superiors and inferiors. OpenType-capable applications such as Quark or the Adobe suite can take full advantage of automatically replacing ligatures and alternates. You can find these features demonstrated in the .pdf brochure. The family also includes glyphs to support a wide range of languages, including Central, Eastern and Western European languages. In all, Coegit supports over 40 languages that use the Latin script, making the new addition a great choice for multi-lingual publications and packaging. While the advanced OpenType features of webfonts are not currently supported in many browsers, the near future promises wide support. As acceptance of these features grow, Coegit Sans will prove to be a versatile element for your wide range of web projects.

The silent film »The Cabinet of Dr. Caligari« (1920) is undoubtedly one of the breathtaking milestones within the German Expressionist Movement, a time of extraordinarily creative works of art as a reaction to a world in rapid change. The original intertitles of Caligari were worked out by the set designers (and painters) Walter Reimann, Walter Röhrig, and Hermann Warm, using a unique expressionistic language of form for dramatic and iconic lettering. When in 2010 KOMA AMOK’s Joerg Ewald Meißner and Gerd Sebastian Jakob were commissioned by the Institut Mathildenhöhe Darmstadt and publisher Hatje Cantz to design the catalog for the exhibition »The Total Artwork in Expressionism«—showing works of art, architecture, film, literature, theater, and dance—it was soon perfectly clear that a new typeface, inspired by the Caligari intertitles, should speak for all the expressionistic arts. An intense process of research and analysis began. The original letters of the Caligari intertitles were individuals on their own. Furthermore, each of the three title designers had added his specific approach to the basic Caligari type style. From hundreds of different As to Zs a choice had to be made, which should be THE characteristic Caligari letter for a digital typesetting font. Finally the chosen letters were cut and drawn again, missing letters were added according to the formal priniciples, all-in-all 1000 glyphs were digitised to complete a usefull OpenType font ready for use. When in the autumn of 2010 the exhibition started successfully with great media interest, the posters all over Darmstadt announced »You must become Caligari!« – set in the brandnew typeface. The font Caligari Pro offers alternative forms for every letter and a whole bunch of ligatures, thus creating an expressive, individual image of headlines and text. By using included Stylistic Alternates the image will get even more vivid. Caligari comes with a complete set of expressionist ornaments and true old style figures—thus the heyday of the Expressionist Movement and the era of the silent films can be revived typographically by the means of today: »Express Yourself!«.

As its name suggests Captions is a font created to mimic the small legible bodies of text that often accompany pieces & productions. The letters were originally created with spray paint & rendered solid & smooth.

Re-drawn from examples of vintage wood type, Primitive Tuscan JNL captures the essence of early letterpress printing of the 1800s; the styles of which were most closely associated with the Old West.

Frankfurt - a clean, display sans serif with great versatility. With multiple weights, this typeface can be used to create a wide range of designs looking to achieve a fun, modern, and youthful look.

Designed by Les Usherwood. Digitally engineered by Steve Jackaman. A few weights were originally released by another foundry; but this complete version of the family is a better match to Les’ original drawings!

Wildest is a basic serif font. It's casual charm and classy features make it suitable for a wide spectrum of applications. Add it confidently to your projects and you will love the results!

The days of hot metal may be behind us, but Anvil looks as if it has been forged in a smithy’s fire: a handsome, heavyweight display face that is both impressive and impactful.

Summer Motion is a simple and friendly display font, featuring the perfect amount of trendiness. This original look will appeal to a wide range of crafty ideas, from letterheads and titles to stationery.

Graphically drawn condensed bold style with abbreviated square serifs. PitchPipe was designed for all media and can be used in a wide range of point sizes. PitchPipe requires subjective display kerning and compensation.

Sunny Days is a simple and friendly display font, featuring the perfect amount of trendiness. This original look will appeal to a wide range of crafty ideas, from letterheads and titles to stationery.

Hypocrite is a wide and black display serif face with a hint of decay and black humor. Handle with care. Shelf-life unlimited. Designed by Alexander Lubovenko and released by Paratype in 2017.

Summer Folk is a simple and friendly display font, featuring the perfect amount of trendiness. This original look will appeal to a wide range of crafty ideas, from letterheads and titles to stationery.

Sunny Days is a simple and friendly handwritten font, featuring the perfect amount of trendiness. This original look will appeal to a wide range of crafty ideas, from letterheads and titles to stationery.

Pleasant Feelings is a simple and friendly display font, featuring the perfect amount of trendiness. This original look will appeal to a wide range of crafty ideas, from letterheads and titles to stationery

These modern, handwritten letters can be used for fancy headings or images. The characters aren't oriented straight or orderly, but a bit random. So they look like they were written by a human.

Dastin Toxic Graffiti is a spectacular display font, It will elevate a wide range of design projects to the highest level, be it branding, headings, wall art illustration, apparel, labels, and much more!