Halliday JNL was redrawn from impressions made by a rubber stamp sign printing set, thus providing the slight imperfection of line widths that gives a hand-made approach to the typeface. The lettering style is based on Beton Open Condensed, a clean and popular slab serif used for decades in print display titling and rubber stamp manufacture.

The geometric G-Slab family is characterized by distinct large serifs and variance of line width from hairline to bold. It is suitable for titles in different sizes as well as for text blocks. The family includes seven weights and two widths. The extended character set supports Northern, Western, Southern and Central European as well as Eastern European languages.

The 1920s film production company Tiffany-Stahl often used a hand lettered Art Nouveau novelty type design with thick horizontal lines in their various film release ads. One such ad was in the August 11, 1929 of “The Film Daily”. This served as the model for Nouveau Event JNL, and is available in both regular and oblique versions.

Limehouse Script is the work of British designer Alan Meeks, a display face with a wide variety of applications. It is a script face with capitals meant to be used with the lowercase letters and strokes to join many characters. Limehouse Script is a striking, informal upright script which reveals a combination of brush letter and handwriting influence.

The seven ways of Moki. Moki comes in seven different styles: Base, Cut, Dust, Lean, Mono, Soft and Uni. Moki is a display expert – with a wide range of languages covered, the family offers a style for every purpose. You are a SciFi movie director and are looking for an alternative to the inevitable Eurostile? Now you have!

Aventra is a handmade organic sans serif typeface family. With curved edges and slightly uneven lines, it has a warm and friendly appeal. Its clean and minimal design makes it legibility and readable even in smaller point sizes. With a distinct and informal human touch, it is ideal for packaging, branding, display, posters, logos, advertising, signage and editorial design.

Gorgonzo is a creamy new bold typeface designed for attention grabbing headlines. Inspired by a blend of calligraphic strokes and printed letters, it includes a large character set that covers extended Latin, Greek and Cyrillic. Filled with a wide selection of Opentype features, this single weight offers a range of numbers, alternate letters, ligatures and even some typographic fleurons.

German type designer Jürgen Huber created this display FontFont in 1996. The family contains 3 weights: Regular, Condensed, and Heavy and is ideally suited for film and tv, music and nightlife, poster and billboards as well as software and gaming. FF Angst provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

Zampichi simulates an old school video game or halftone print. Nine futuristic styles are delivered in gritty pixelated format. Dingbats such as cursor symbols, radio buttons, checkboxes and (surprisingly) cats replace a few of the least useful alternate symbols. Zampichi is extended, containing West European diacritics and ligatures, making it suitable for multilingual environments and publications.

Kitchen Disaster is a wordplay, and not really a disaster! I deliberately made the lines a bit off here and there, to mimic bad poster design. In order to make your text even more natural, I added 5 different versions of each letter - and they automatically cycle as you type! Besides that, Kitchen Disaster comes with multilingual support!

The Gadabuursi alphabet, also known as the Borama alphabet Borama is an alphabetic script for the Somali language. It was devised around 1933 by Sheikh Abdurahman Sheikh Nuur of the Gadabuursi clan. Though not as widely known as Osmanya, the other major orthography for transcribing Somali, Borama has produced a notable body of literature mainly consisting of qasidas.

A "thick and thin" line weight treatment is given to Jeff Levine's Hash and Beans JNL, providing a whole new take on the design - first inspired by a sign in an old photograph of a diner. Favorite Hangout JNL conjures up memories of summer nights, drive-ins, your best guy or gal and sharing some tasty burgers and fries.

Skie is a simple gothic sans serif with normal, condensed, and wide widths. Its distinguishing characteristics are the small x-height with tall ascenders and a minimal amount of contrast, while the apertures are semi-open to help in readability. The simple design keeps the appearance fairly neutral and presents a blend of modern and vintage qualities.

Arya Rounded is a display typeface, based on Roman proportions. It has three versions, differentiated by the amount of the drawn lines. Single is solid. Double is sturdy but light. Triple is versatile and includes alternatives. They can be combined in layers. Capsule versions (White and Black) are designed to do quick, simple and elegant labels.

Petrol Stencil is a new creation of Naghi Naghashian. Petrol Stencil is designed for technical use. it is the first Arabic Stencil typeface known until today for stamping on packing crate, sacks and vehicles. This typeface offers a fine balance between calligraphic tradition and the sans serif aesthetic common in Latin typography. Petrol Stencil supports Arabic, Persian, and Urdu.

Epiphany is an elegant serif with wide proportions and an unusual stencil effect. This communicates honesty with an understated refinement. Suitable for headlines and shorter paragraphs of text. The design uses several repeated forms that give it a forward-moving rhythm, for example the small ‘flicks’ on the lower-case letters and the tails on g and y.

Vindeco is a classic typeface, vintage with a mix of decorative. It looks stylish and elegant in any layout with it’s slick lines, use it for your magazines, brochures and editorial layouts. Vindeco is designed to make eye-catching headings and typographic designs, use it on invites and in magazines, Vindeco looks beautiful on its own or with imagery.

Our Bruno Ace Pro draws its inspiration from modern automotive logotypes. This geometric sans-serif has a wide stance with a tall x-height for a strong look and appeal, as well as ease of legibility. The SmallCaps and extensive figure sets offer a more extensive range of use as well as a more intense vibe.

Jeff Levine acquired a set of original water-applied decals made by the Duro Decal Company of Chicago (now Duro Art Industries) and painstakingly recreated one of the classic hand-drawn typefaces from the Duro line. Named after the street where the company is located, Juneway JNL is an authentic reproduction for the computer-based designer.

Malena is a typographic family created by Lentino and Muhafara like a shared working project which integrates both views on typography as a whole. Malena is intended to be used in lengthy texts with a wide range of variables, having a striking contrast, with consistent features and standard performance, Ideal to be used in paper with very good finish.

While the inspiration for Prospect Heights JNL may have been a piece of vintage sheet music entitled "My Ohio Lullaby", the name is classically New York. To be precise, it's a neighborhood in the Borough of Brooklyn. Prospect Heights JNL is available in both the regular version (with an engraving line) and a solid (plain) version.

This charming type family comes in four widths: Regular, Semi Condensed, Condensed and Extra Condensed – bringing flexibility and diversity to your drawing table. Crisp details convey confidence without losing fineness. Arnika is your ally for all things classy. Although it is a match made in heaven for beauty products and fashion magazines, we leave its usage to your imagination.

German type designer Matthias Rawald created this display FontFont in 1996. The family contains 3 weights and is ideally suited for film and tv, music and nightlife, poster and billboards as well as software and gaming. FF Burokrat provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with tabular lining figures.

Egon Condensed is a geometric sans serif typeface family built in nine styles - light, regular, bold weights in roman and italic respectably, plus three alternatives in roman. Egon Sans Condensed is an extension of Egon family - Egon Slab Serif (2008) and Egon Sans Serif (2010). Egon Sans is released as OpenType single master with a Western CP1252 character set.

Bromley Hatch & Extras is a modern scripts with handwriting, decorative characters, and basic dance lines! designed to perfectly combine informal, sassy, romantic, sweet scripts, and hand-drawn design elements allow you to create many beautiful typographic designs in an instant, just in time for branding, logos, web design and editorial, branding, prints , invitations, crafts, quotes, and more.

Adria Slab is a smooth slab serif typeface that comes in seven weights and charming upright italics. Try combine it with its super friendly family member Adria Grotesk. Enjoy making great typography with a vast choice of lining, tabular and old style figures, numerators, denominators, tabular figures, fractions, ligatures, some sweet symbols and even alternate arrows.

Bagor is a sans-serif typeface with a heavy touch. The concept is a big x-height and small ascender. Comes with 3 widths, namely: normal, wide, and expanded. And also a round version, making it 6 styles. Complete with ligature, alternative glyphs become an attractive choice. Bagor is perfect for branding, titling, headline, and more.

Prior to the advent of digital type, many architectural layouts, amateur print projects and a myriad of other lettering jobs were created by the use of routed plastic templates and ink pens. Plastic Template JNL was designed from just one strip of a multi-part template set and replicates the clean lines of the original design.

Auster Variable for Adobe's softwares. Auster packs sensational personality in its fine-tuned forms. Confident and quirky, yet comfortable to read, this distinctive san serif family stands out from the crowd. The curves cinch and strokes flair in unconventional places making Auster an unashamed rebel sure to turn heads. More About Opentype Features: https://bit.ly/opentype-rsz

Project Fairfax is a unique stencil typeface designed on a strict grid. It is perfect for any stencil design, especially a military look. It comes in three styles, sans, regular, and slab; each with a non stencil counterpart. It comes with a full Latin character set, tabular and lining figures, numerous ligatures, and stars and arrows for ornaments.

ATC Timberline, is an ultra wide-set sans-serif typeface. With its sharp points and extended curves, ATC Timberline feels just at home in mid-century modern as it does in forward-looking modern settings. Contains 370+ glyphs, full alphabet, ligatures, numberals, accents and punctuation. File type included in download is .otf. ATC Timberline was released in 2016.

Carbonium (with lining figures) and Carbonium OSF (with Old Style figures) is a cursive (upright and oblique) typeface. Its character set support Latin, Cyrillic and Greek scripts. Contain fraction- and scientific numerals, standard ligatures, currency symbols and popular recycling symbols used for packaging. Kerning is prepared as single ('flat') table for maximum possible compatibility with older software.

ITC Farmhaus is the work of British designer Tim Donaldson and is, in his own words, Neil Young meets Paul Renner." Donaldson borrowed the perfect circles and clean lines of Renner's drawings for Futura and gave them jagged edges and uneven, thick strokes. Farmhaus contains one set of capitals and two sets of lower case letters."

British type designers David Crow and Ian Wright created this display FontFont in 2002. The family contains 2 weights and is ideally suited for advertising and packaging, editorial and publishing as well as poster and billboards. FF Beadmap provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with tabular lining figures.

FF Milo Slab is not just the sans with slabs attached. It has undergone a wide range of careful adjustments from increased contrast, longer ascenders and descenders and modified glyphs in the heavier weights. All these changes amount a typeface that feels enough like Milo but also can stand on its own as a new and fresh typeface.

Ridley Grotesk is a modern sans-serif. It comes in nine weights with matching italics, designed with powerful opentype features in mind. Each weight includes true small capitals, alternate characters, extended language support, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design.

Tarquin is a All-Caps sanserif typeface, inspired by the beautiful hand-painted sign. It has a strong personality, high contrast stem, and widely opened counter to improve the readibility as it designed for display purposes. It's available in 3 different style, REGULAR, STENCIL, and SHADOW designed for display purpose design Crafted beautifully and carefully with hand.

Ignorance is a script typeface that mimics traditional handwriting found in America in the 19th century. Full of vitality and personality, this typeface includes a wide range of Opentype ligatures, alternates and swash characters that allow multiple choices for each setting. This design is principally aimed for use in display and titling setting that will reveal it's finer details.

The multi award winning ESTA is back, renewed and improved in OpenType format. Now named Esta Pro, is available in Regular, Italic, Bold, Bold Italic, Display and Swashes. Includes plenty of features, like SmallCaps, Alternates, Ligatures and CE characters.

Geometric sans fonts in the Bauhaus tradition were the inspiration for the design of FF Mark®, for example the Universal font by Herbert Bayer, Erbar® Grotesk, Kabel®, Neuzeit Grotesk and of course Paul Renner's Futura®. From an aesthetic point of view, FF Mark is a descendant of these classics of German typeface design that intends to meet the needs of modern communication. Hannes von Döhren and Christoph Koeberlin had the support of the entire FontFont Type Department in the design of FF Mark, including Erik Spiekermann, who took over the artistic direction of the project. The teamwork resulted in carefully planned, balanced forms, which are responsible for the harmonious overall impression of the font. The capitals are not based on Roman square capitals; rather, they have a uniformly wide letter form in a comfortable ratio to the x-height. Thanks to the x-height, which is significantly larger compared to the historical models, FF Mark is also very legible in small sizes. This makes it a very flexible font in terms of its range of applications. A contrast in the stroke width is barely noticeable. At the same time, light modulation supports readability, especially in the bold styles in small sizes. The uniform line ends are obvious for a contemporary sans family nowadays (unlike some of the historical precedents, which evolved over years). Other details from the predecessors are consciously maintained and provide for added individuality in FF Mark. For example, the limbs in the uppercase "K" and "R" are offset slightly from the stem. Alternative characters with crossbars are available for the numbers "0", "1", "7" and the uppercase "Z" and the lowercase "a" also has an alternative with an open form. German typesetters have the option of uppercase umlauts with points that are set lower, as well as a long "s" from the Fraktur. And last but not least, FF Mark has the very characteristic ft-ligature of Futura. FF Mark is available in ten finely tuned weights ranging from Hairline to Black. A Book style for text setting further emphasizes the well-rounded features of this contemporary typeface. When the font was published, it also included ten carefully designed cursives for all weights. Users also have the option of various numeral sets with old-style and uppercase numbers as well as small capitals. FF Mark also has some geometric shapes and arrows based on the features of Futura. FF Mark is a modern, full-featured, geometric sans serif that you can use without hesitation for large projects in headlines as well as in texts. FF Mark's design is a nod to the historical models and transports their charm, elegance and in some cases unusual design applications into a modern font family equipped with the most current typographical features. NEW: the new FF Mark W1G versions features a pan-European character set for international communications. The W1G character set supports almost all the popular languages/writing systems in western, eastern, and central Europe based on the Latin alphabet and also several based on Cyrillic and Greek alphabets.