JH Lea cursive is a school kids typeface; it is designed based on cursive handwriting , typical for children books, first hand calligraphy experience.

Laudiea is a beautiful script font with a classy, elegant, and modern look. It will add a handwritten touch to any design project!

Kylemott was developed from an earlier font called Quadlateral. It was a look at the curve and line used in an angular fashion.

HWDP is heavy letterpress type. HWDP has two style: bold and bold italic. This type looks great in headlines and longer text. CHEERS!

Quadratish is the nice-looking ultrablack fonts. It have solid and outlined styles; they can be combined in order to get third style.

Aegion is a display typeface inspired by blackletter style. Aegion is perfect choice for people who looking for unique and powerful display heading.

This square and elegant typeface has unique round stems that makes the geometric look of Tmura MF work well in any point size.

52 cool Buddy Parts, each one with it's own goofy looks on his face. Can you tell which one reminds of you? *g*

This kooky font has thick bold style letter. They are slightly toggled to give it a fun look. You will enjoy this one.

PL Brazilia from Albert Boton is an elegant extended sans serif face in two weights. Usable in headlines on books, journals and posters.

Beeble is a heavy sans-serif font, with a design resembling ethnic patterns, which also gives it a slightly distressed and grunge look.

An original slab serif design inspired by the slab serif designs of the 19th century, with a modern geometric look, bold version, extended.

Venture is an all caps typeface inspired by the great outdoors. Also comes in 2 extra styles, great for that vintage print look!

The Vtg Stencil series of fonts from astype are based on real world stencils. Have a look at the Vtg Stencil Ornaments A .

This font has a unique character and can be used for your logos, business cards and other projects for a unique vintage look.

Data Seventy is a high-tech style font, with the look of old computer lettering. Data Seventy gives any text a futuristic appearance.

Vintage Designs JNL is another collection of images re-drawn from illustrations found in catalogs and sign painters' idea books from decades past.

Deco Pimp is a trashy, handwritten font with a deco-look to it. It has some unusual letters, but is very legible nonetheless.

Arte Critique JNL was modeled after an alphabet in an early 20th Century French lettering book spotted online at an image sharing site.

Helios Antique & Helios Stencil Check our PDF specimen for more details Helios type family is the result of a mixture between the early sans serif and the modern trends of our era. Its rational structure is subtly wider than the majority of the first sans, generating a higher impact in its uses. All the typeface terminals are more open in order to balance better the whites and blacks of Helios, and where the strokes meet it has a deeper contrast giving more legibility to the reader. Furthermore, in some letters it is possible to see some prominent features such as the leg of the "R" and the tail of the "Q", which are particular gestures that identify this type family. Helios Stencil is the tough version of this type family. All the stencil gaps were measured rigorously, thus in small sizes it conveys a neutral aesthetic whereas in big sizes a display logic appears. Helios Antique is composed by 36 styles, 782 glyphs and small caps. Besides, it has powerful OpenType features for each style, including alternates characters, ligatures, fractions, special numbers, arrows, extended language support and many more.

A year after the tremendous success of Memoriam in the "Lives They Lived" issue of the New York Times magazine at the end of 2008, Patrick Griffin and Nancy Harris Rouemy teamed up once more to tackle the same project for the 2009 issue. This time the magazine's design concept revolved around a typeface they created specifically for custom vertical malleability, and that can play just as well in single- or multi-color environments. The result was another iconic commemorative issue that shows exotic tri-line letters merging, swashing, extending and flourishing in stunning gold, silver and blue on black on the cover, and in black on white on the inside pages. Just like in the previous year, the issue won multiple publication design and typography awards. Crescendo is that typeface, finally issued for retail by public demand. Just turn your setting into outlines in your favorite vector program, grab single strands and extend away, and do your best alternating colours between strands. Crescendo comes with a limited punctuation set, but accented characters for Western Latin languages are included, and there many, many alternates and ligatures in there as well. This typeface is best used in large display sizes.

Type Tiles JNL is based on a ‘completed’ version of ‘Alpha-Blox’ by American Type Founders, circa 1944. The capitals, lower case and numerals shown in the sample sheet put out by ATF depicted type made with five-high blocks comprised of modular units spaced two points apart. These units could be combined in varying ways to create custom type of varying heights and widths and was available for purchase in both linear (multi-line) and reverse (white on black) formats. Using the 'reverse' model shown on the sample sheet, all of the characters were re-created digitally, and missing punctuation, foreign characters and other glyphs found in a basic computer font were drawn and added. The 'J' and 'T' in the type sample had truncations, so a more complete character was created for each of those letters. For those wanting an unbroken string of words or blank end caps, there is a double column space on the vertical bar key. A single column space is located on the broken bar key for shorter end caps. Type Tiles JNL is available in both regular and oblique versions

The Fluze Fonts This is the 21st font release from CozyFonts Foundry, a California Font Foundry established in 2011 with it’s first Official Release in 2012 with the Aladdin Bold Family. Inspirations for the design of this font family, by California Graphic Designer/Illustrator/Font Designer Tom Nikosey, is based on the wacky, weird & quirky films that have graced the screen with their offbeat styles and characters. Movies that come to mind are Mary Poppins, Beetlejuice, Wizard of Oz, Edward Scissorhands, Alice in Wonderland, Little Shop of Horrors, Addams Family, Labyrinth, Ghostbusters, etc. The absurd, the sublime, the animated, the scary, and the illustrated are all descriptors to define the possibilities Of the many uses and applications of Fluze and Flute Outline as presented in a sampling of the posters here. The intentional crooked hand drawn’ glyphs and extras lend their personalities to create this effect. Whether in black, white & grays or psychedelic color combos, Fluze can be comical, frightening and Downright irreverent. This font works as main titles, end titles, branding, signage, numeric displays and even logotypes and monograms. Have fun and let your inner cartoonist inspire.

Senkron is composed of "normal" and a "blok" styles. Senkron ("normal") was designed as a pure and modern neo grotesk font. The anatomy of the letters are designed to achieve an equal text color. For this purpose, the legs of the letters “R” and "K" are designed with a vertical angle to prevent the white space that would occur in the middle of these letters. In the minuscule, the characteristic features of letters such as ‘a’, ‘l’, ‘t’ are concretized and legibility is supported in the text. Considerable attention has been paid to the harmony between the anatomical structures of the letters and the diacritical mark’s structure. Senkron Blok is arranged for situations which have diacritical marks overflow to leadings of the headline and headline typographical color is affected negatively from this situation. For this purpose, majuscule diacritical letters are resolved within the letter height. However, when this is done, new forms are obtained by integrated diacritical marks with letters instead of directly merging them. The idea behind this approach is to preserve the typographic value of diacritical marks and emphasize the semantic value of diacritical letters. 82 letters have been redesigned in this way.

The inspiration source for MFC Spindler Borders is a collection of border treatments revived from the “Catalog 25 TYPE FACES” by Barnhart Brothers & Spindler. The border designs were recreated from two different border sets, “Classic Art Borders” and “Classic Black & White Borders”. This collection of borders represents a structured repetition of elements in various ways to create elegant patterns and backgrounds. You can start with a new document or work on a new layer within an existing document. Select MFC Spindler Borders from the font menu. (Some users may have font previewing enabled in the font menu which will cause the font name to appear as border elements, disable this option in order to choose the name) Make certain that the point size of the font is the same as the leading being applied to the font so the borders will meet up properly. While we’ve adjusted this within the font, your program may override these settings. For instance a 12 point font should have 12 points of leading. Download and view the MFC Spindler Borders Guidebook if you would like to learn a little more.

Milton Glaser’s Kitchen Typeface from the mid 1970s exemplifies the bold 3-D art deco revival genre that was a trademark of the Glaser style. This typeface resulted from his involvement in the design of the The Big Kitchen in the World Trade Center’s concourse in New York City. The new P22 Glaser Kitchen takes on the technical challenge of overlapping 3-D shadows by offering two styles. P22 Glaser Kitchen Regular is spaced out so that the shadows do not overlap the white spaces of the neighboring letters. Whereas the P22 Glaser Kitchen 3D Fill and 3D Shadow can be used layered on top of one another to achieve the tight spacing intended by Glaser. P22 Glaser Kitchen was based on original drawings and phototype proofs from the Milton Glaser Studios archives. Typographic punctuation and sorts were imagined by James Grieshaber to work with Glaser’s design, as well as diacritics to accommodate most European languages. Over the years there have been many typefaces that borrowed heavily from the Glaser designs, but these are the only official fonts approved by Milton Glaser Studio and the Estate of Milton Glaser.

Plz Print Brush is a good solid font for posters, headlines and accent words like - SALE! It gives the slightly irregular look of handlettering.

Otherslide Handwritten Script Font is a beautiful and stylish handwritten font. It looks stunning on a variety of designs that need a natural touch.

Artz is a highly stylized sans serif with a Deco look in Narrow, Plain and Wide. It has oldstyle numbers and many special characters.

A new design inspired by the various mastheads used in children’s comic books in the United Kingdom, published by D.C. Thomson of Dundee, Scotland.

Poster Plain JNL and its oblique counterpart offer the simple, hand-lettered look of home-made poster board projects with a bold, friendly typeface.

Purify Signature is a modern and simple handwritten script font. Contemporary and fashionable, this font will look great for a wide variety of projects.

Lo-Fi Copy is a good way to add an analog look to your design. Brutal pixels have chaotic errors, like a damaged signal.

Comic basic font is ideal tó use in a comic book or for children , it is very appropiate becouse it is easy to read.

Retrozoid is the first Open Type font from Pizzadude. It has got loads of different autoligs, just take a look at the preview pic!

Type Catalog JNL was originally a design drawn by Jeff Levine around 2006. Type Catalog JNL has a distinctively retro look for many applications.

Bored by ancient Western typefaces? Try Secca Saloon. If you like the ornaments in the back, have a look at the Accolades from Astype.

Crosstown JNL is a serif treatment of Midtown JNL, an Art Deco typeface displayed in the pages of an old 'how to' lettering book.