Modern Brush Style is a font duo combinations of serif and script font to express modern, elegant impressions in your designs. The serif font is characterized by scratches or hooks connecting the letters. On the other hand, script font is designed in brush styles of which letters are interconnected looking similar to a curve writing. You can use this font mixture as a beautiful set or separately as their own lovely characters. Additionally, this font duo has some unique features to enable you to maximize your designs. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Modern Brush Style fits for various design projects, such as posters, banners, logos, magazine covers, quotes, name cards, headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Hopefully, you have a great experience using our font. Feel free to contact us if you require more information when you are dealing with a problem. Thank you. Happy designing.

Is it necessary to tell the Gutenberg story? 1456 Gutenberg Pro is the second Gutenberg typeface produced by GLC foundry (look at our 1456 Gutenberg). This font was created from the so called "B42" character set used for the two Gutenberg Latin Bibles (42 and 36 lines), but with a better and finer design than in our first version, more faithful to the finest original printed books appearance. We offer also now a larger choice of the original ligatures and Latin abbreviations, as complete as possible to be usable with OTF specifications. The complete basic alphabet (with "long s" naturally)is strictly looking like the real one (including the curious twisted "X"). We have only recreated the capitals W and J, who was not existing in the time. The numerals, no more existing in the original type set, were inspired from those in use a few years later by early following printers, but matching with the Gutenberg font's pattern. The font includes West (including Celtic), East, Central European, Baltic and Turkish glyphs.

Tweed is a journey into the 1930s world of hand-lettering. The design looks very much like the personal scribblings of an old-fashioned cartoon animator. It’s the sort of sketch-style you might find describing a goofy caterpillar or laughing willyworm. Tweed is fun and light-hearted with open and rounded letters of a somewhat musical quality. Derived from old letterforms popularized by Carl Holmes in his wonderful book on the subject, Tweed is basically friendly in nature. This typeface is great for personal greeting cards and stationery - any kind of casual correspondence. It works well in display situations, too. And yes, there is an alternate to the funny-looking “w” character. Just press option l (el) on Mac. Or Alt 0172 on Windows. Tweed is now available in the OpenType Std format. Some new stylistic alternates have been added to this OpenType version. Advanced features work in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Introducing new classic display typeface it's call Moody Blue. Moody Blue typeface Inspired by Classic typografi design, vintage art, cover book and novel. OpenType features some characters that allows you to mix and match pairs of letters to fit in your designs. To access the alternat glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS and Adobe Indesign No matter how is your design concept to looking serious. it can be FUN , scary, mystical, chilling, dark or light. With MOODY BLUE typeface, your design will more quieter, relax, enjoy, etc. You can use this font for various purposes.such as book cover, product packaging, labeling, logo, classic shop, badges, movie title, t-shirt, wedding invitation, posters, lable, greeting card, letterhead,logo, Titles Branding, etc. Open Type featuring Discretionary Ligatures Stylistic Alternates Above the description of this font, I hope you're satisfied with what I have created. if there's anyone who purchase and find some problem, don`t hesitate to using product support or email me storictype@gmail.com Thanks and enjoy designing.

Best Valentina is a calligraphy script font that comes with a lovely alternative character. mix of copper calligraphy in a handlettering style. Designed to convey an elegant style. Best Valentina is attractive as a typeface that is smooth, clean, feminine, sensual, glamorous, simple and very legible. Its classic style is very suitable to be applied to all types of formal pieces such as invitations, labels, menus, logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting / wedding cards, packaging, labels. Best Valentina features 384+ glyphs and 183 alternative characters. includes multiple language support. With OpenType features with stylistic alternates, ligatures and swash characters, which allow you to mix and match pairs of letters to suit your design, and also a touch of ornament makes this font look elegant. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).

Zierde is a take on early advertising, small-copy grotesks of the late 19th/early 20th century, and is largely inspired by Miller & Richard’s own range of Grotesques. More importantly, Zierde is accompanied by a large set of ornaments (+200) which hark back to the look-and-feel of the early-modernist arts and crafts movement. The ornaments in, and presentation of, Zierde owe much credit to J.G Schelter & Giesecke’s 1913 type specimen book ‘Die Zierde’. The strong functional uppercase sans-serifs alongside luscious, beautiful patterns in ‘Die Zierde’ make for beautiful combinations. This early-modernist use of grotesk alongside ornament looks bizarre in the eyes of us used to seeing sans-serifs in more formal, sterile settings. The face itself retains some historical flourishes such as the eccentric leaning angle of the italics, the long cross-bar on the ‘G’, the gammy-leg of the ‘R’, a strange ampersand and some irregular terminals across the weights. Zierde is display face meant for headlines, titles, short-copy, labels and logos. It comes in caps and small caps, Latin and Cyrillic.

Introducing Russell - An organic and expressive handwritten brush script font designed for versatility. It's legible; making it perfect for product packaging, editorial work, and poster design, and it oozes personality; great for branding, invitations, and more. This font packs a real punch with super duper textures and a ton of useful extras (that line is certainly getting copyrighted!) including custom catchwords, ink splatters, underlining brush strokes, and italics! Take a look below to see everything that's included. ---------------------- What's Inside? ---------------------- - Russell: The original Russell script font boasting a full glyph range with multilingual support. - Russell Alternative: An entirely new font with slightly different lowercase and uppercase letters - perfect for improving the handwritten aesthetic. - Russell Extras: A font full of useful extras (Swashes, strokes, and splatters) that look great with the Russell fonts. Simply select the 'Russell Extras' font and start typing. - Russell Catchwords: Just like the extras above, this font is packed with 23 bonus custom catchwords that beautifully complement the family. - Russell & Russell Alternative Italic: Both Russell and Russell Alternative have italic options included, opening up more design possibilities.

Hello, Are you looking for a Blackletter font? Do you want of creating Something that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. Black Child a Natural Blackletter Font Black Child a Blackletter Font, Inspiring from gothic style typography. This font is perfect for a design that makes it more attractive and playful. made with a very good level of aesthetics making this font suitable for book cover, children book, comic, poster, packging, merchandise, logotype and much more. Black Child font includes Multilingual Support, among others : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa, Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

WARNING! Roughed version is quite heavy to open. Highly recommended to install the font without previewing it first. GOODRICH come in 2 different styles, with same character; Bold & Strong, and can evoke a different emotions. It comes in both clean and rough styles in only Uppercase Latin characters. When choosing a font, it’s important to consider the visual theme of your design. A clean bold fonts can lend a more stronger tone to your design, making it a great choice for Logo or Title. On the other hand, a textured fonts can lend a more natural printed-looks, making them perfect for designing 70s-80s themed parties. It can be used for various design purposes ; Posters, Logos, Packaging, Books or Movie Titles. In summary, these fonts are versatile and can add a unique look to any design project. If you want to add a touch of nostalgia and elegance to your designs, these fonts were timeless asset. With plenty of vintage and retro design resources available, it’s easy to find the perfect ideas for your next project.

Doing your design work in magical way? Yes, please. With Against Perfection you can boost your design performance to the max. Against Perfection is a brush script font combined with a pleasing serif font. This pairing of script and serif offers just enough sensuous curves for appealing design result. Together, these complementary fonts convey modern and elegant looks. The swoosh and brush style details make the whole word look custom-designed. On the other hand, the serif font has a nice, solid weightiness combined with smoothed-off shoulders. Further more, this font has fascinating features that helps you maximize your design. Features: Alternates Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuation It is perfect to be used for many design projects, such as poster, logo, book cover, branding, heading, printed product, merchandise, quotes, social media campaign, etc. Learn more about how to use it by seeing the font preview. Thank you for purchasing our fonts. Please don’t hesitate to contact us, if you have any further question or issues. We’re happy to help. Happy Designing.

After my son was born, I found myself reading him a lot of books. A LOT of books. Some were good, some were great, but I found myself wanting to develop something using my skills and interests to make something that only I could make. In short, I realized my son needed to be indoctrinated—I mean, introduced into the wonderfully wild world of fonts. So, I set about to make a board book to teach about typography, called “The Clothes Letters Wear.” You can learn more about the book here. I’ve made the captivating illustrations bright and colorful, and the use of different letter forms makes for a fascinating read to delight ages young and young at heart. And, as an added bonus, this children’s book has a custom designed font. I’m always looking for an excuse to design a new font, and this book created the perfect alibi. Drum roll, please. I now give you … Cabrito (“little goat” en Español). This new serif typeface incorporates the latest research on typographic legibility for children, features to make it—well, extra legible. A little background: studies show that Bookman Old Style is one of the most readable typefaces, and as a consequence or perhaps the reason why, it is used thoroughly for children’s books. This font became my initial inspiration for the typeface. Then, I found more legibility research saying that (brace yourselves) Comic Sans is also very legible for beginning readers, much due to the large x-height and softer, easily recognizable forms. In addition, forms that are closer to handwriting also seem to be more legible. Once I threw all that into my cauldron and stewed it a bit, the result was a pleasantly rounded typeface that includes not-so-strictly geometric, handwriting-inspired forms for the b, d, p, and q. Es guapo! Cabrito’s slender weights are simple and fun, with extras that turn any “bah humbug” into a smile. Add lighter touches to your project with the typeface’s included sparkles or rainbows (not included). Splash a little more color on the page with the firmer look of the thicker weights. Cabrito’s upright variations across all weights are matched by optically altered italics, too, giving you even more variety with the font family. This modern typeface’s bundle of alternates can be accessed in any OpenType-enabled software. The fashionable options involve a significant team of alternates, swashes, and meticulously refined aspects with ball terminals and alternate titling caps to decorate the font. Also bundled are swash alternates, old style figures, and small caps. Peruse the PDF brochure to check out these options in motion. OpenType-enabled applications like the Adobe suite or Quark allows comprehensive control of ligatures and alternates. This font family also provides the glyphs to aid a variety of languages. Cabrito is a welcoming, everyday font family by Jeremy Dooley. Use it to convey warmth and friendliness on anything from candy and food packages to children’s toys, company IDs or run-of-the-mill promotional material. Cabrito’s unique appearance and high legibility make it equally at home in print as it is on a screen.

Ragland has a unique vintage look that will create and inspire awesome retro-looking projects! This font is awesome for your creative project such as Logotype, Branding, Packaging, Poster, Merchandise, label, and much more.

ALL CAPS font with an organic crunchy look. Very good for posters and stuff that needs a organic look. Multilingual support and 6 different versions of each letter - these cycles automatically AS you type!

Rocket Space is unique and fun display font, It embodies playfulness and authenticity and is the perfect choice for a label, book cover, children’s book, comic, poster, banner, packaging, merchandise, logotype, and much more.

Bang-Zoom! is a traditional comic book font based on lettering by award-winning illustrator and letterer Galen Showman. Its five weights and styles and smart OpenType features allow for professional comic book typesetting.

Resiliency font family offers 6 font; 3 weight in regular and italic that provides a variety of looks and possible combinations. Resiliency offers great looks on esports themed designs and other sports in general.

This is a font with a pretty vintage look You can express your design looks old-fashioned but has a modern feel, with several options that you can use and develop your work perfectly

The Section Bold Condensed font is patterned with lines dividing each letter into small sections. Section Bold Condensed is a headline face with uses ranging from book titles on technological subjects to embroidery books.

Your Stash of fonts for that custom hand-lettered look. Stash comes in two styles; a clean modern and a worn vintage look, each in five weights. Stash features hundreds of alternates to make every setting look crafted and unique. The fonts are programmed with a smart set of contextual alternates that handle initial and final forms, as well as a few connecting pairs, making each word look polished. Tails and underlines round out the character set. With Stash you can craft solid logotypes with a unique look, set posters and ads, and even run longer lines of copy on packaging. Pick it up for your next craft beer label, chocolate pack, café logo, or good old social media posts!

Delm font family is one of those large and useful families that you really can’t miss if you are looking for typeface combining originality and legibility. Delm is one of these – a sans serif with geometric modern look designed very smart with soft round look and very specific inktraps that complement its uniqueness. It is developed in 9 separate weights ranging from Hairline to Black, each coming with corresponding slanted version (called ‘Oblicua’). The light weights look more elegant, gentle and with more sensible feeling for geometry while the black versions are more soft, friendly even puffy and the geometric skeleton of the family is dominated by the overall roundness. The mid-weights are strong and prominent setting right the middle point in the contrast range of the family. Delm is a font with dedication – with so many options for different character contrast combined with slanted styles, it is perfect for editorial design where it could be easily used either for text or display font. Editorial is not of course the only application – you could successfully rely on this typeface if create brand or corporate identity, typographic posters, signboards, instruction plates, etc. Very diverse and original, this font will not leave you unsatisfied – moreover – it will surely make you try it in more and different designs be it printed or designed for screen. Web sites, banners, applications and e-books are places where Delm will show its best because of its originality, finely tuned contrast and its enhanced legibility. Fully equipped with OpenType features like ligatures and multilingual support, Fontmatters highly recommends to get the whole Delm font family for maximum results and satisfaction.

ITC Astro is the typeface that proves you can get your work done while watching cartoons. “It all started as a series of doodles while I was watching The Jetsons,” recalls Sasa Petricic. “The show's impossibly simplistic vision of the twenty-first century cried out for a font that fit into that world -- a world where everyday objects can carry far more fun and personality than they should.” ITC Astro is the first commercial typeface design from Petricic, whose “day job” is working as a reporter for the Canadian Broadcasting Corporation. Petricic has filed stories from across Canada and around the world for CBC's flagship evening newscast, The National. His reports have also appeared on CNN and BBC Television. Petricic's work as a correspondent and video journalist have taken him to six continents, covering everything from famine and genocide in Africa to the war in Iraq. With such serious matters filling the hours of Petricic's day as a journalist, it's not hard to see why he conceived Astro as a welcome blast of whimsy. “As I began to draw the design,” he says, “I decided that every part of Astro should be a cartoon character unto itself.” Each character has its own baseline shadow (or coaster, or circular antigravity generator, depending on how you look at things). The angular caps dance jauntily, rocking from left to right, while a suite of companion small caps provide backup. The end result is a design quite unlike any other, with surprising charm and versatility. ITC Astro comes in a two-weight family of White and Black.

Busted is the very strange and out-of-character outburst of Bill Troop, a guy who was classically trained in everything, from classical piano and literature to classical photography and type design. As far as we could tell, Bill Troop is the kind of guy whose appearance and voice instantly trigger thoughts of black and white photos, fedoras, and pre-industrial age Europe. A few years ago, he even moved from the United States to England, where it took him less than a week to feel at home and start sounding like a Norwich native. Then something happened and the poor dude just snapped. Busted is the controversial result of the blood rushing to his head. If you know what exactly happened to him, please let us know. Concern, consideration and human interest story aside, Busted is a fascinating thing. It is a set of four interchangeable thick outline fonts where the same letter forms turn from wild to wilder to broken to somewhat clean. Mix them up in a setting and you have words that snarl with a sneer. Life's too short. Take it all with a grain of salt. Scream whenever you feel like it. Busted Pro is a single font combining all four character sets, and rigged with an OpenType pseudo-randomizer in the contextual alternates feature, which you can disable or enable anywhere in your setting for maximum visual shock just the way you like it. Works just as well in PAL or SECAM. Don't be fooled by imitations, and don't get caught with your drawers down.

Are you looking for a unique elegant font? You came to the right product. Magicjar is an elegant hand lettering look attractive and natural! Every single letters have been carefully crafted to make your text looks beautiful. Magicjar is PUA encoded, which means you could access all of the glyphs! Every letter has a unique and beautiful touch, which will make your design come alive! Thanks

Sky Clipper JNL is a bold, Art Deco sans serif typeface derived from the hand lettered title on a 1940s-era “Big Little Book” entitled “Flying the Sky Clipper with Winsie Atkins”. The design is available in both regular and oblique versions. “Big Little Books” were published by the Whitman Publishing company and featured short stories printed in a tiny sized book format for young children.

Need a catchy headline font with a clear handmade and organic look? Look no further, because Sukkergris is here to do the job! Each letter is handmade and manually cleaned up, but keeping the original quirky curves. I have added 6 different versions of each letter, which automatically cycle as you type. I also added a set of small caps, just because I think they look awesome!

If you're looking for cuteness, something whimsical and unpredictable madness - then Nothing So Childish is something for you. The font is 100% handmade with a slightly dry pen. With a closer look, the font reveals several scribbles and scratches - only to make the font look more authentic! Your next birthday- or greeting card will love this font! :) Comes with ligatures which substitutes double letters!

LordRat is a rugged unicase typestyle built for childish and off kilter purposes. A mix of heavy and light with quickcut appearance makes this typestyle offbeat and even festive. Put some dignified childish offbeat flavor into your designs today with LordRat. If you've been looking for a playful yet bold typestyle with papercut looks, LordRat is what you've been looking for. Get it today!

Black Palm is handwritten font. Black Palm will be perfect for greeting cards, story books, posters, child books, handwritten notes, stand out brandings, and others. FEATURES: UPPERCASE lowercase Numeral and Puncuation Multilingual Accent Happy creating...

Introducing. Fondest: A modern and classic look font that is simple and looks luxurious. Great for branding, social media posts, logos, quotes, magazines etc. Features: Uppercase, Lowercase, Numeral, Punctuation, Multilingual, Ligature, Alternates & PUA Encoded. Thanks.

Axeleon is great looking with a futuristic, rough, and metal-themed Display font. It will look great in death metal music projects, poster, logo band, band apparel, metal music logo, music album and much more!

A freehand OpenType face, including 20 ligatures as well as the most popular discretionary ligatures. (ft, ct and st) Usage recommendations: Posters, titles, book covers, books, greeting cards, packaging, invitations, magazine articles, titling and advertising.

Yogyakarta is a handwritten script font, with an elegant and beautiful look. It looks stunning on invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch.

INTRODUCE COCLENG HANDWRITING FONTS. Cocleng is a natural brushed font with a dirty textures. This font will give you a fresh and edgy looking design and will look beautiful with offers, fashion magazines, logos & more.

An attractive antique-looking script font.

A fun, goemetric, rounded new look.

Fun font suitable for children's books.

Mollisa felt equally charming and graceful. Looks great on wedding invitations, thank you cards, quotes, greeting cards, logos, branding, business cards, and any other design that requires a handwritten touch. This font is PUA encoded which means you can access all glyphs and swashes with ease! To activate the Stylistic OpenType alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later. and there is an additional way to swash, using the Character Map (Windows), Nexus Fonts (Windows), Font Book (Mac) or a software program like PopChar (for Windows and Mac). https://www.youtube.com/watch?v=XzwjMkbB-wQ Thank you for your purchase!

Like many of Jim Parkinson's alphabets, Pueblo began as poster lettering. It shows a range of influences: turn-of-the-century sign painting, old Speedball lettering books, and a touch of art nouveau. While developing Pueblo, Parkinson debated whether to make the ends of the serifs rounded or square. Rounded looked more like the work of a Speedball lettering pen, but squared stroke endings made the letters more legible at small sizes. The finished design sports serifs that are just slightly rounded. According to Parkinson, the design feature is “enough to be noticed at large sizes, while going virtually unnoticed at smaller point sizes,” adding to the versatility of this distinctive typeface.

Journal Hand was inspired by a 45-year-old travel diary I bought at an estate sale. The carefully constructed all-uppercase letters indicated that this traveler cared about style and legibility. Each picture, postcard and brochure that was glued into the diary had a neatly written caption and I admired the care this day tripper took to record his European trek. While the pages are now yellowed and falling apart, the handwriting is still legible and stylish. Because his handwriting totally suits today's uses, I re-created it in modern journalistic style that looks like it was written with a technical pen. Use this typeface when you need a neatly handwritten style. Uppercase only!