SdrawkcabJJ allows one to create mirror writing, that is, writing which looks correct when viewed in a mirror. To understand why it is named as it is, print out the name “Sdrawkcab” using the typeface and hold it up to a mirror. It is derived from the font JetJane.

The Dewani font is a font of original Arabic fonts and is specialized in writing in the offices of the Sultan and the kings of the Arabs. It is also one of the most beautiful Arabic fonts as it has the flexibility to write official graduation certificates, certificates of appreciation, scientific progress and decorations. It is also commonly used in writing posters and sequences for serials, films, medals and decorations on clothes. The Dewani font has its aesthetics derived from its round and interlocking letters.

This Alfatih font is inspired by calligraphy writing, with modern classic characters. We can use this font for calligraphy book writing, Quran cover writing, film titles, t-shirt designs, magazine titles, web, posters, book titles, logos, country names, brands, billboards. Alfatih font, offers you: 1. Uppercase characters (All uppercase letters, 4 models) 2. Ligature (22 two-letter characters) and Alternate Styles 2. Ligature (8 characters three letters) with alternative styles, we can use it for logos 3. Multilingual Support (Europe Latin West), Numbers and Punctuation

Body graphic project at Behance Body is a type family designed for Zetafonts by Cosimo Lorenzo Pancini with Andrea Tartarelli. Conceived as a contemporary alternative to modernist superfamilies like Univers or Helvetica, Body tries to maximize text readability while providing a wide range of options for the designer. It comes in two variants (Body Text and Body Grotesque), each in four widths and four weights: regular and bold for basic typesetting, light and extrabold for display use. Body Grotesque applies to the sans serif modernist skeleton little imperfections and quirks inspired by our research in early 20th century type specimens. Curves are slightly more calligraphic and a light inverse contrast is applied to bold weights, giving the typeface a slight vintage appearance in display use. Body Text, on the contrary, challenges the modernist aesthetics maximizing horizontal lines and using open terminals for letters like “s” and “a” that appear normally dark in modernist grotesques. For both variants, the normal width family is slightly condensed in an effort to maximize space usage; the Slim width is provided for extremely dense texts or side notes while the Fit width is optimized for display usage as in logos, headings or titles. The Large width manages to look elegant in its light weight while becoming a valid heading or subtitle font in its extrabold weights. All the 64 fonts in the Body superfamily include a complete latin extended character set with small caps for over 70 languages, Russian cyrillic, open type positional numbers, stylist sets and alternate forms.

Axeo is a freeform serif typeface. With more than 500 glyphs for each cut, Axeo supporting wide Latin Base Languages. The font structures is sans-serif typeface. Then, the fonts is made into serif (serifed) using rhombus and adapted/modified rhombus (before remove overlaps) placed on its appropriate positions. This fonts is released first, while the sans-serif is being in process. There are 10 fonts; 5 weight in normal width: Light, Regular, Medium, Bold, and Black; and 4 in semi-condensed: Light, Regular, Medium, Bold and Black, too. The fonts has some minor character variations, all are sets in SS01.There are also standard and discretionary ligatures, arrow, some geometric shapes and ornaments. With its sansserif structure, the Medium, Bold and Black fonts is playful with text effect in various applications such MS Word, CorelDraw or others to enhance the appearance. Its serif form will make unique enhancements. Thus, the fonts is suitable for Branding, logos, cards, advertisements, banners, display and more; for the main texts or its companions. While the light, regular and medium fonts can also be used as description text, card text, note, caption and longer non-formal texts or other usages.

Conspired Lovers is based on five years of love-letter writing. A font to capture the intentions of love letters more than any other font. How did the Project start? In the last five years I wrote love letters with two persons. I became used to the joy of handwriting with ink and nib on fine paper. Through practice a experimentation my style continuously refined. As life moves on, suddenly I found myself with no one to write love letters to. It's a luxury to have someone to write letters to. Missing the joy of writing and listening to Gregory Porter’s “Be Good”, the decision was made to take this 5 years of writing and make this dance on paper a font. A handwritten typeface for everyone to use. This font was created in July, 2012 and named Conspired Lovers. A font to capture and convey your message in a special way to the beloved one close to your heart. With a long practice of writing crafted into the unique design I hope that you and the recipient of your writing will soon enjoy this design. The Open-type version features 350+ glyphs including alternates and ligatures. All lowercase and most uppercase letters are connected, to create a realistic hand-writing-calligraphy on your creations. Conspired Lovers is international and supports a wide range of eastern european languages with accented letters to reach everyone in Sweden, France, Hungary and almost everywhere around the globe. A trailer for Conspired Lovers can be seen here: http://vimeo.com/haraldgeisler/conspired-lovers If you're looking for more heart related fonts also check out my other fonts.

A font that is purposely made for writing romantic memories or important stories.

Deveren is a font based on goosefeather writings from the late 1600's.

This textured outline is clear and easy to read while still having personality.

Short, wide thin-stroked writing. Although handwritten, it is a very clean style.

A wild extreme-looking font that can also be used as chalk writing.

Tender and elegant hand writing font, expanded to add air to your text.

Typography inspired by ancient medieval writings from texts and wordings of Spanish scriptures.

Clearface Gothic first appeared in 1910, designed by Morris Fuller Benton, the world-famously prolific typeface artist. In addition to Clearface Gothic, Benton also designed classics like Franklin Gothic, Century Expanded, and many other types. Clearface Gothic is a sans serif face with light forms displaying the Zeitgeist of the turn of the 20th century. Distinguishing characteristics are the open forms of the a" and "c," the arched "k," and the upward-tilting horizontal stroke of the "e." The relatively narrow typeface, with its open inner white spaces, is extremely legible even in small point sizes. There is no accompanying italic."

Built tall and strong, the Goodland font family is ready to do the heavy lifting in your next design project! Inspired by painted signs on industrial buildings in the town of Goleta, California, Goodland combines a mid-20th century aesthetic with modern features. Three widths: Normal, Condensed and Compressed Eight weights from ExtraLight to UltraBold Matching italics for all 584 glyphs support 223 languages, including Vietnamese & Cyrillics Two sets of Stylistic Alternates Variable font to select any amount of width, weight or slant The Goodland font family is a versatile branding solution. Extreme Light and Bold weights stand out in headlines and display type, while the mid-range Regular and Medium make for easily readable body text on light or dark backgrounds. Dial in the exact look you need with Stylistic Alternates and Variable Font features. Explore the many features of the Goodland font with wonderful things that have come out of the Goodland!

Valibuk is a compact clean typeface for headlines and short text. No details are small and it’s a bunch of details that make Valibuk as it is. It’s a heavy, condensed face with a high x-height and tight spacing and that’s why Valibuk can write loud. The quality of the spacing and kerning is ensured by Igino Marini. Lomidrevo is a grunge stencil family derived from Valibuk.

The mischievous elves crowding the keys on Santa's Little Keyboard might not make Santa's work easier (even though they're supposed to!), but they'll certainly help you and your kids put together greetings and decorations for the holidays. Lovingly illustrated by 'Lilou', Santa's Little Helpers will liven up cards and letters alike -- or just print them out for your kids to color while they're trying to get to sleep on Christmas Eve!!

This reinterpretation of Caslon Rounded showcases one of the early attempts of type foundries to create a novelty ‘rounded’ typeface for general use. While the lettering might easily convey a more modern look of 1960s or 1970s pop typography, its roots definitely lay in the later part of the 19th Century and the heyday of wood type design. Wood Rounded JNL is available in both regular and oblique versions.

Introducing Neue Alter: the harmonious blend of readability and dynamic details : With 4 weights and their corresponding italics, you'll find your ideal style. The regular weight showcases even strokes for effortless legibility, while the light and semibold weights offer a robust texture, ideal for impactful headlines and compelling paragraphs. It's perfectly proportioned and is an excellent choice for captions, navigation systems, and anything that requires concise, accurate language

VG Sans is a distinctive grotesque font that preserves the features of old grotesques while incorporating new conceptual solutions. Working on the font, its shape has been completely transformed, corrected, and the glyph set has been expanded. The font has a light contrast that increases with weight. VG Sans includes 5 weights, 670 glyphs, an extended Cyrillic/Latin character set, multiple stylistic sets, ligatures, numeral sets, and more.

Have you ever had to read text from a cheap dot-matrix printer which is not aligned quite right, so that the tops of the letters are either darker or lighter than the bottoms? Now with IrritationOne and IrritationTwo you can relive that experience even though you no longer use a dot-matrix printer. IrritationOne has dark tops and fading bottoms, while IrritationTwo has the opposite. Naturally both are monospaced.

Someday, a long time from now, in a galaxy not so very far away, you'll find yourself Suddenly transported to the nether-realms of Elsewhere, bathed in the light of the mystic moons of Meanwhile... While you're waiting for that day, check out this font by John "JG" Roshell. It may not provide you with the same transcendental experience, but JG assures us that it really is the next best thing.

Our Luckiest Guy Pro was inspired by hand-lettering by vintage 1950’s advertisements. The uber-bold unicase letterforms exude charm and light-heartedness, while the SmallCaps and extensive figure sets expand the range of usability and appeal. Opentype features include: - SmallCaps. - Full set of Inferiors and Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures). - Stylistic Alternates for Caps to SmallCaps conversion.

Odell is a fun, whimsical, yet elegant handwritten font that was created in a light-hearted manner for use in things like menus, invitations, bed and breakfast collateral and whatever else you can dream up. Odell features extra thin letters and it is designed to be creative, a little fancy, and very legible. There are tons of foreign characters to choose from so you can write in other languages as well.

The font 'Aurélie' is a decorative yet contemporary writing font by Daniel Keith Bale. Applications for this font may include titles, letterheads, dialogue, written works and captions. With a thin, sleek and sexy appearance, 'Aurélie' will prove to be a useful asset to any graphic or web designer or writing enthusiast.

Monotype Hei3 HK is a modulated and transitional Chinese design with structure, diǎn, piē and nà carry Song style, while horizontal & vertical strokes are relatively simple. This mix of ancient and modern elements with low contrast is something that you can find in wood carving: rigid while balanced with softness.

Monotype Hei3 PRC is a modulated and transitional Chinese design with structure, diǎn, piē and nà carry Song style, while horizontal & vertical strokes are relatively simple. This mix of ancient and modern elements with low contrast is something that you can find in wood carving: rigid while balanced with softness

Kapitza's 2009 Ice Flowers font is a derivative of their snowflake font Snow. It is a much bolder interpretation of the theme, with strong black and white contrasts. The graphic style of Ice Flowers is inspired by 1960s folk art and embroidery.

A bold grotesque typeface in the best traditions of the Star Wars logo. It has clean geometric lines, a humnaist character, it combines a tech feeling with a friendly organic feeling. Will work excellently as a white text on a busy background.

What can be better than releasing a hot summer font in winter time! Honestly - all the images are ice blue or white. Christmas stuff is everywhere and 'Jingle Bells' torment your ears! But here it comes to catch you: Bold and orange! www.typethis.studio

Summerhaven JNL and Summerhaven Italic JNL were partially inspired by sign lettering spotted in an old black and white movie. These fonts are somewhat reminiscent of the Art Deco style, and their casual look can be applied to both formal and informal messages.

Crubster is a digitally natured font with a bolder and slightly wider presence. Its Linear/rounded corner features give it a modern style which is suitable for logos, web graphics, headlines and text. Crubster works nicely with white text on a darker background.

Designed by Konrad Bauer and Walter Baum in 1956, Folio was the first popular Swiss Sanserif; the positive black shapes of the letters appear to be locked inevitably into the correct position by the firm and positive white shapes that surround them.

‘Bridle Path’ is a captivating font that embodies the graceful beauty of natural ink strokes. With its unique blend of thick and light strokes, it exudes a tranquil and soulful writing style that is both relaxed and inviting. The font's distinctive character makes it an excellent choice for various applications, including brands, logos, photography logo watermarks, headers, titles, weddings, cards, and website banners. The fluidity of Bridle Path’s design creates an enchanting visual experience, as if each letter was crafted by an artist's brush. The thick strokes provide a sense of boldness and strength, while the light strokes add delicacy and elegance to the overall appearance. This combination results in a font that captures attention and leaves a lasting impression. Bridle Path’s versatility extends beyond its aesthetic appeal. It has been meticulously crafted to support multilanguage usage, ensuring that it can seamlessly adapt to various linguistic needs. Whether your content is in English, Spanish, French, German, or any other language, Bridle Path will faithfully represent your words with clarity and beauty. Whether you're seeking a font that embodies a serene atmosphere or one that adds a touch of sophistication, Bridle Path is the perfect choice. Its soothing and expressive nature elevates any design, making it a valuable asset for both professional and personal projects. Embrace the allure of ‘Bridle Path’ and bring a sense of natural elegance to your creations.