Polish type designer Lukasz Dziedzic created this sans FontFont between 2006 and 2008. The family has 84 weights, ranging from Thin to Ultra in Compressed, Condensed, Narrow, Medium, Wide, and Extended (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, wayfinding and signage as well as web and screen design. FF Clan provides advanced typographical support with features such as ligatures, small capitals, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

HS Hadeel is a versatile display typeface designed for use in titles and graphic projects that require both Arabic, Persian and English characters. It draws inspiration from the modern kufi style and boasts a unique blend of sharp and curved lines that lend a beautiful and geometric structure to each character. The sharp endings at the bottom of each character add an additional aesthetic touch. With five weights available, ranging from Light to Black, HS Hadeel offers a diverse range of options for designers seeking to elevate their Arabic typography. Overall, HS Hadeel is a great choice for those seeking a visually striking and flexible typeface for their projects.

Cynosure is a humanist sans with a subtle thick/thin stress. This gives it a clean, sharp elegance and precision that can be missing in some more familiar monoline sans faces. The wide range of weights and the matching reweighed italics make it a versatile solution where a consistent appearance across a broad range of applications is required. Its clear and inarguable design make it suitable for a wide variety of uses, from corporate to entertainment, text to headline, signage, logotypes, magazines and reports. The italics retain the design of the upright across all characters, again ensuring consistency. Includes tabular, lining and old-style numerals.

French type designer Xavier Dupré created this sans FontFont in 2005. The family has 10 weights, ranging from Thin to Bold (including italics) and is ideally suited for advertising and packaging and logo, branding and creative industries projects. FF Absara Sans provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Absara super family, which also includes FF Absara, FF Absara Headline, and FF Absara Sans Headline.

I created the »EXEC« sans font during the years 2018 to mid 2020. The »EXEC«-Corners-family is a very special, unusual design. »EXEC«-Corners has 7 weights, ranging from Thin to Bold (plus 7 italics). This exceptional font is suited for editorial, book text, advertising and packaging, logo, branding, small text as well as web and screen design. »EXEC«-Corners has advanced typographical support including ligatures, small caps, alternate characters, case-sensitive forms, fractions, super- and subscript characters. »EXEC«-Corners comes with a range of figures—oldstyle and lining figures, each in tabular and proportional widths. »EXEC«-Corners supports Basic-, Western-, and Central-European Latin-based languages including Turkish.

Dutch type designer Just van Rossum created this display and sans FontFont in 1992. The family has 5 weights, ranging from One to Five and is ideally suited for advertising and packaging, film and tv, music and nightlife as well as poster and billboard projects. FF Advert Rough provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Advert super family, which also includes FF Advert.

French type designer Xavier Dupré created this sans FontFont in 2009. The family has 6 weights, ranging from Regular to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards as well as web and screen design. FF Masala provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Masala super family, which also includes FF Masala Script.

Introducing Magnite - an expressive, handwritten brush font jam-packed with character and authentic charm. Designed to be versatile, Magnite is perfect for branding projects, editorial work, invitation design, product packaging, and everything in between. The original handcrafted font family containing uppercase and lowercase glyphs alongside a large range of punctuation, symbols, numerals, and multilingual support. Also included in this font are discretionary ligature swashes (activated by typing in 1--, 2--, etc, as illustrated in the above presentation). 'Magnite Alt' contains a whole new range of lowercase and uppercase letters. By using this font in combination with the original you can improve the overall authenticity.

German type designer Siegfried Rückel created this display, serif, and slab FontFont in 2003. The family has 6 weights, ranging from Light to Bold (including italics) and is ideally suited for advertising and packaging, logo, branding and creative industries as well as poster and billboard projects. FF Alega Serif provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Alega super family, which also includes FF Alega.

The Neue Frutiger Variable Set is a single font file that features three axes: Weight, Width and Italic. The Weight axis has a range from Ultra Light to Extra Black. The Width axis provides a range of condensed values. The Italic axis is a switch between upright and italic. Variable fonts act as a complete family of fonts in a single file. The new Variation font feature is supported by a growing number of desktop design applications, and more importantly by all the major web browsers. Variable fonts provide a variety of benefits to web and print designers and developers including flexible, responsive typography.

German type designer Verena Gerlach created this slab FontFont in 2011. The family has 10 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing as well as logo, branding and creative industries. FF Karbid Slab provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript character, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Karbid super family, which also includes FF Karbid, FF Karbid Display, and FF Karbid Text.

Avocado Candy - a Modern Monoline Script Font that's clean, elegant and perfect for a range of design projects! With its smooth, effortless lines and understated sophistication, this font is the perfect choice for those who want a modern look that's still timeless in its appeal. Crafted with precision and care, this font is incredibly versatile and can be used for a range of design projects, including logos, branding, invitations, packaging, and more. With its simple yet refined aesthetic, it's sure to make a lasting impression on anyone who sees it. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Canadian type designer Nick Shinn created this display, script, and sans FontFont in 2001. The family has 8 weights, ranging from Ultra Light to Extra Bold (including italics) and is ideally suited for advertising and packaging, festive occasions, film and tv, music and nightlife as well as software and gaming. FF Fontesque Sans provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Fontesque super family, which also includes FF Fontesque.

German type designer Jörg Hemker created this sans FontFont in 2002. The family has 16 weights, ranging from Extra Light to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries as well as sports. FF Zwo provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Zwo super family, which also includes FF Zwo Correspondence.

Hilmar Sans is a neo-grotrsque typeface family in 7 weights, support most European Languages and features. The typeface is versatile to blend in your design- with 7 weight, ranging from thin, extra light, light, regular, medium, semi bold, bold variable type. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design.The typeface is versatile to blend in your design- with 7 weight, ranging from thin, extra light, light, regular, medium, semi bold, bold variable type. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design.

French type designer Albert Boton created this serif FontFont in 2003. The family has 8 weights, ranging from Light to Bold (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing as well as logo, branding and creative industries. FF Page Serif provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Page super family, which also includes FF Page Sans."

German type designer Siegfried Rückel created this sans FontFont in 2008. The family has 10 weights, ranging from Regular to Black (including italics) and is ideally suited for advertising and packaging, festive occasions, logo, branding and creative industries as well as web and screen design. FF Nuvo provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Nuvo super family, which also includes FF Nuvo Mono."

Dream Peaches - a monoline handwritten that's clean, elegant and perfect for a range of design projects! With its smooth, effortless lines and understated sophistication, this font is the perfect choice for those who want a modern look that's still timeless in its appeal. Crafted with precision and care, this font is incredibly versatile and can be used for a range of design projects, including logos, branding, invitations, packaging, and more. With its simple yet refined aesthetic, it's sure to make a lasting impression on anyone who sees it. This font only has allcaps letters. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Danish type designer Morten Olsen created this sans FontFont between 2003 and 2004. The family has 18 weights, ranging from Extra Light to Fat (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, software and gaming as well as sports. FF Max provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Max super family, which also includes FF Max Demi Serif.

Univers Next Variable Set is a single font file that features three axes: Weight, Width and Italic. The Weight axis has a range from Light to Extra Black. The Width axis provides a range of condensed and extended values. The Italic axis is a switch between upright and italic. Variable fonts act as a complete family of fonts in a single file. The new Variation font feature is supported by a growing number of desktop design applications, and more importantly by all the major web browsers. Variable fonts provide a variety of benefits to web and print designers and developers including flexible, responsive typography.

British type designer Chris Burke created this sans FontFont between 1994 and 2004. The family has 8 weights, ranging from Regular to Black (including italics) and is ideally suited for book text, editorial and publishing as well as logo, branding and creative industries. FF Celeste Sans provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Celeste super family, which also includes FF Celeste and FF Celeste Small Text.

Slovak type designer Peter Biľak created this sans FontFont between 2000 and 2001. The family has 20 weights, ranging from Light to Black in Condensed and Normal (including italics) and is ideally suited for book text and editorial and publishing. FF Eureka Sans provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Eureka super family, which also includes FF Eureka and FF Eureka Mono.

German type designer Ludwig Übele created this serif FontFont in 2011. The family has 12 weights, ranging from Extra Light to Bold (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, music and nightlife as well as small text. FF Tundra provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. In 2011, FF Tundra received the TDC2 award. The typeface was also selected as one of Typographica’s favorite typefaces of 2011.

Chianti was designed at Bitstream by senior designer Dennis Pasternak in 1991 and initially released in 1995. The intent behind the design was to provide a humanist sanserif of high readability at a wide range of sizes and weights. Humanist sanserifs (others that fall into this category are Linotype’s Frutiger and Optima, and Monotype’s Gill Sans) are an attempt to improve the readability of sanserifs by applying classical roman structure to the letterforms. To enhance its versatility, Mr. Pasternak designed a wide variety of alternate characters, rare ligatures, ornaments and swashes. Chianti is a friendly sanserif useful for a broad range of typographic needs.

French type designer Albert Boton created this sans FontFont in 2003. The family has 8 weights, ranging from Light to Bold (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing as well as logo, branding and creative industries. FF Page Sans provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Page super family, which also includes FF Page Serif.

Maori New Zeeland is made for all MAORI Tribal fans. It comes with many MAORI Tribal Graphics and a extra Font for two color style!

Philip Bouwsma's Symposium Pro is a wide Carolingian script that can be set simply or with a wide range of flourishes. It takes its inspiration from the scriptoria of the twelfth century, particularly in Spain, where Christians, Muslims and Jews lived harmoniously in a brilliant culture for two centuries. As manuscripts were translated and copied to meet the Western demand for classical texts, calligraphic elements from Arabic and Hebrew spread throughout Europe, sparking a proliferation of new styles that brought the simple book hand to a higher level. Symposium Pro spans a broad range of time and space, from the court of Charlemagne to the Arabian nights and Renaissance Florence. Symposium Pro comes in four weights, ranging from Light to Bold, with each font containing over 1200 glyphs. Variations on every letter form, from swashes to subtle alterations, are plenty, with some even having up to 40 alternates. Also plenty are the embedded ornaments and flourishes, over a hundred of them. Keep that glyph palette handy for many pleasant surprises and easy setting solutions.

Uni Neue is the whole new redesigned version (remake) of Uni Sans – one of the most recognizable and signature font families of Fontfabric type foundry. From major changes like proportions, widths and thickness (weights) to the smaller details, this new family enables us to feel and understand the font at a completely new level. Uni Neue is а modern sans serif with a distinctive character and geometric feel. The rounded corners give the typeface a friendly look, yet it retains a professional quality suitable for branding even the most serious corporate identities. The attention to detail paid during its development means that this typeface offers a vast range of design possibilities – it helps users create eye-catching designs and brands that really stand out. It is perfect for TV, screen, editorial and publishing, logos, branding, advertising and packaging. It supports a wide range of languages, including Extended Latin, Cyrillic and Greek. The family has seven weights, ranging from Thin to Black, with corresponding italics. The font was manually hinted to ensure great web and desktop performance.

Nu Sans is a modern and stylish sans-serif font product that was created in 2020. It is a versatile typeface that comes with three different axis options: weight, width, and slant, allowing users to create a wide variety of unique and dynamic typography designs. With a total of 90 complete static fonts, Nu Sans offers an extensive range of options for designers looking for a clean and contemporary font choice. The font family features a bold, geometric design with sharp angles and clean lines, giving it a distinct and modern. Nu Sans is perfect for use in a range of design applications, including advertising, branding, editorial design, and web design. Its dynamic and versatile nature makes it a great choice for any project that requires a strong and bold visual impact. a high-quality font product that offers designers a wide range of options and possibilities. Its modern and stylish design, combined with its triple axis options, makes it a great choice for anyone looking for a versatile and unique sans-serif font.

Many typefaces are distinctive or attractive at the expense of legibility and versatility. Not so the Optima® family. Simultaneously standing out and fitting in, there are few projects or imaging environments outside of its range. Although Optima is almost always grouped with sans serif typefaces, it should be considered a serifless roman. True to its Roman heritage, Optima has wide, full-bodied characters – especially in the capitals. Only the E, F and L deviate with narrow forms. Consistent with other Zapf designs, the cap S in Optima appears slightly top-heavy with a slight tilt to the right. The M is splayed, and the N, like a serif design, has light vertical strokes. The lowercase a and g in Optima are high-legibility two-storied designs. Optima can be set within a wide choice of line spacing values – from very tight to very open. In fact, there are few limits to the amount of white space that can be added between lines of text. Optima also benefits from a wide range of letter spacing capability. It can be set quite tight, or even slightly open – especially the capitals. If there are any guidelines, Optima should be set more open than tight. It’s not that readability is affected that much when Optima is set on the snug side; it’s just that the unhurried elegance and light gray typographic color created by the face are disrupted when letters are set too tight. Optima is also about as gregarious as a typeface can be. It mixes well with virtually any serif design and a surprisingly large number of sans serif faces. The Optima family is available in six weights, from roman to extra black, each with an italic counterpart. In addition, the family is available as a suite of OpenType® Pro fonts, providing for the automatic insertion of small caps, ligatures and alternate characters, in addition to offering an extended character set supporting most Central European and many Eastern European languages. When you’re ready to find its perfect pairing, browse these fantastic matches: Monotype Century Old Style™, Dante®, Frutiger® Serif, Joanna® Nova, Malabar™, and Soho®.

Many typefaces are distinctive or attractive at the expense of legibility and versatility. Not so the Optima® family. Simultaneously standing out and fitting in, there are few projects or imaging environments outside of its range. Although Optima is almost always grouped with sans serif typefaces, it should be considered a serifless roman. True to its Roman heritage, Optima has wide, full-bodied characters – especially in the capitals. Only the E, F and L deviate with narrow forms. Consistent with other Zapf designs, the cap S in Optima appears slightly top-heavy with a slight tilt to the right. The M is splayed, and the N, like a serif design, has light vertical strokes. The lowercase a and g in Optima are high-legibility two-storied designs. Optima can be set within a wide choice of line spacing values – from very tight to very open. In fact, there are few limits to the amount of white space that can be added between lines of text. Optima also benefits from a wide range of letter spacing capability. It can be set quite tight, or even slightly open – especially the capitals. If there are any guidelines, Optima should be set more open than tight. It’s not that readability is affected that much when Optima is set on the snug side; it’s just that the unhurried elegance and light gray typographic color created by the face are disrupted when letters are set too tight. Optima is also about as gregarious as a typeface can be. It mixes well with virtually any serif design and a surprisingly large number of sans serif faces. The Optima family is available in six weights, from roman to extra black, each with an italic counterpart. In addition, the family is available as a suite of OpenType® Pro fonts, providing for the automatic insertion of small caps, ligatures and alternate characters, in addition to offering an extended character set supporting most Central European and many Eastern European languages. When you’re ready to find its perfect pairing, browse these fantastic matches: Monotype Century Old Style™, Dante®, Frutiger® Serif, Joanna® Nova, Malabar™ and Soho®.

Power Grotesk is a sans serif typeface with details that give typography that has its own characteristics from the thinnest to the thickest that is slightly widened. The goal is to create a typeface with legibility and good contrast between black and white so that it is suitable for different sizes. The typeface has a special feature that aids in reading and reproducing, trapping the right-sized ink for the text to work. The geometric shapes and structures reflect the inspiration and influence of medieval typography. Power Grotesk moves between the vast historical material that makes up modern typography, combining contemporary details with classic styles.

Spotlight was created by British designer Tony Geddes in the tradition of the bold serif fonts of early 19th century England. It too is a robust alphabet exhibiting extreme stroke contrasts, however, Geddes gave his font a more relaxed feel by not filling in the strokes completely. Long white rays break up the otherwise dark black strokes, following the form of the outer contours and giving the figures a three dimensional look. Spotlight is also reminiscent of the decorative advertisements of the 1930s and of the glamorous revues and shows of this time. Spotlight is perfect for headlines and display in larger point sizes.

Sonny Gothic Vol 2 is an extension of our popular font Sonny Gothic. All corners have been softened to get a friendlier and fluffy visual language. As Sonny Gothic, this typeface has ligatures inspired by the incredible work of Herb Lubalin, chiefly Avant Garde. We designed carefully Sonny’s Vol 2 ligatures, and we also created new ones to control the whites formed between softened characters such as FL, FB, FD, FE, FF, FH, FI, FK, FN, and FR. Developed with powerful OpenType features in mind. Each weight includes alternate characters, ligatures, fractions, special numbers, arrows, extended language support, small caps, and many more. Perfectly suited for graphic design advertising.

Fun Signs JNL comprises twenty-six humorous signs from a 1930s-era sales list of products manufactured by the Koehler Sign Company of St. Louis, Missouri. Koehler manufactured a large line of stock cardboard "Blue Signs" (presumably blue backgrounds with white lettering) and alongside the many standard phrases used by various businesses was a list of funny sayings. Such placards were bought by merchants to either evoke interest in their services (such as in a bar or restaurant, or jokingly comment on their business policies (as in credit billing). These novelty signs are a fun addition to a flier, ad, web page or announcement and will leave your readers smiling.

Monterey Pop oozes 1960s freedom and optimism, and is based on Tom Wilkes’s poster lettering for the Monterey International Pop Festival in June 1967, the event which heralded the legendary Summer of Love. The fonts include a newly-designed lowercase and a full complement of Latin Extended-A characters. In addition to the normal font, Outline and Thinline versions with matching spacing and kerning are supplied for use separately or overlapped with the regular font for bicolor effects. The Outline font is best for darker lines, and the Thinline font is designed for white and tinted outlines which can tend to halo and appear slightly bolder.

Old Labels JNL was inspired by the red and white gummed labels that were used for shipping parcels long before self-adhesive materials and desktop publishing rendered the older labels obsolete. The fifty-two glyphs include a generous supply of phrases such as ‘Air Mail’, ‘Do Not Bend’, ‘Rush’, etc. along with a number of blank label backgrounds and decorative frames. NOTE: Commercial replication of the images within this font for any resale purposes (including, but not limited to labels, t-shirts, stock designs, et al) requires a separate license which may be obtained by contacting the designer via the email address found within the End User License Agreement.

Many items we use in our day-to-day lives offer wonderful source material for font designs. Mailbox Letters JNL was inspired by a set of self-stick adhesive letters used on mailboxes, doors and other areas of identification at home or in business. Each letter, number and punctuation mark is centered on a black rectangle - just as the actual model for this font. Use it as spaced, or hand set it tighter to form a ribbon with white-on-black text. To provide continuity for the ribbon effect, a blank rectangle is provided on the vertical bar key (the shift position of the backslash key). Limited character set.

Octopuss is an energetic titling typeface designed in 1970 by Colin Brignall for Letraset dry transfer sheets. Brignall expanded the basic alphabet with an outline variation with a shadow, which makes the typeface look three dimensional, almost like it is floating. Octopuss font displays the unmistakable signs of the typefaces of the 1970s, as do Countdown and Harlow, also designed by Brignall. The circular strokes of the capitals that drop well under the base line are striking and unique. Because of the small white spaces of its lower case letters, the rounded, robust Octopuss is meant exclusively as a headline font and should be set in large point sizes.

Mijas Ultra font was designed specially as a headlines and caption text for advertising, packaging and Publishing design. It has strong visual impact, a persuasive personality and seduction appeal throughout its organic shapes. This versatile typeface is quite useful for creating logotypes, a variety of alternates and swash tails in three different styles and length were drawn for most letters, plenty of vowel-focused ligatures, it covers all Latin-based languages. Please refer to quick reference manual included. Mijas is a little white town located at a mountainside above the blue Mediterranean Sea, in the heart of the Costa del Sol. It has high contrast, small counterforms and friendly climate.