Inspired by old letter engraving and tombstones, his font is unique by its flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm. OpenType Pro fonts- Excellent support for Niqqud (Vowels). All marks are programmed to fit each glyph's shape and width. OpenType Pro includes new advanced features like Dagesh Hazak, ShevaNa, Qamatz Katan, Holm Haser and wide letters. Best used with Adobe InDesign CC that support complex Hebrew text. Please check these advanced features in this link: https://tinyurl.com/ybgdsxme

The typeface Boom Pang Pow is designed from 2020 for the font foundry Typo Graphic Design by Manuel Viergutz. A collection of comic and pop art elements like Speech Bubbles Catch Words, Punctuation Symbols, Boom, Pow, Bang … with various layers for colouring. 1 font-style (Comic) with 248 glyphs (Adobe Latin 1). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE!

Very decorative pixel font which has organic and soft impressions. The best pixel font for Christmas. This 8-bit pixel font is designed with respect for 80s game designers and the pixel font pioneers in middle 90s. Use at size 10 pixels or multiples of 10 and anti-alias off is recommended. List of our Pixel Font Project. ·Flat10 Antique ·Flat10 Artdeco ·Flat10 Arts&Crafts ·Flat10 fraktur ·Flat10 Holy ·Flat10 Holly ·Flat10 Segments ·Flat10 Stencil ·Flat20 Gothic ·Flat20 Headline ·Flat20 Hippies ·Flat20 Streamer ·Behrensmeyer Vigesimals ·Civilite Vigesimals

TabloidDot M is a simple monospace font created for a small project. It had one task, to imitate the inscriptions on the electronic scoreboard in the form of dots arranged on a grid. As time went on I decided to make an extended version of the font with alternate letters and more styles, plus a variable font to control the size of the dots. The font has 6 stylistic sets, Proportional and Old-style figures, Ornaments, a set of Arrows, Currency Symbols, and supports Extended Cyrillic.

Piccata is a hand-drawn font family consisting of 2 weights with 4 styles each. Piccata has been built up from straight brush strokes arranged in a geometric grid. It is intended to work best in small and medium sized texts, but will also make a perfect logo for your next beer label, coffee packaging or shirt design. Combine the 8 styles to create interesting contrasts and rhythms. Piccata will spice up your artworks and is a new fresh approach to the handmade look in type design.

Safford is a family font with a sports style. I made it with a very mature calculation so as to produce the best visual view. This font is suitable for you to use for making flyers, advertisements, books, magazines, and others. Safford has 18 styles with different thickness sizes, each curve is dynamic and I will show you how serious I am in making it, you can see in the font presentation, how do I input designer values. Safford has 385 Glyphs with ligatures having 24.

Dylan is a Sans typeface in the best American tradition. In order to keep corners open and to make the font more readable in small sizes it has deep cuts where curves join straights. I designed 8 finely tuned weights with fitting italic sets. The fonts includes full smallcaps, language support for most European languages plus Turkish, many fractions, nominator and denominators, Greek mathematical signs and many currency symbols. It is a versatile font that is well suited for many occasions, even for signage.

Rotunda blends the best of three worlds: it’s geometric, humanist and grotesque. But, far from being a tasteless hybrid, it has a strong personality and British undertones that turn it into a stylish and sober classic font face. Thanks to its ample character set and many variables, it stands as a versatile, all-terrain font. Strong and elegant, modern and classic, firm and humanistic. It truly is a 21st Century classic. It includes a very thorough coverage for a wide variety of Latin alphabet-based language families.

»Dylan« is a Sans typeface in the best American tradition. In order to keep corners open and to make the font more readable in small sizes it has deep cuts where curves join straights. I designed 7 finely tuned weights with fitting italic sets. The fonts includes full smallcaps, language support for most European languages plus Turkish, many fractions, nominator and denominators, Greek mathematical signs and many currency symbols. It is a versatile font that is well suited for many occasions, even for signage.

ITC Fontoon was designed by Steve Zafarana of the Galápagos Design Group in 1995. Along with ITC Fontoonies and ITC Gargoonies from the same designers, it is the perfect text font for cartoons and comics. Slight irregularities in stroke contrast and basic forms distinguish ITC Fontoon and make it look like printed handwriting. It has an individual and consciously naive character and its high x-height makes it legible even in smaller point sizes. ITC Fontoon is best used for short texts and headlines.

Gizmo was created by writing with a brush pen on fairly porous paper, selecting the best characters, then scanning and tracing with precision to maintain maximum character integrity. Clever programming ensures an even flow when set as text, enabling Gizmo to appear as quickly-written handwriting. The inclusion of multiple ligatures, which automatically kick in as you type, give Gizmo a truly authentic brush script appearance and hand-drawn dynamic. Gizmo works especially well at large sizes when the characteristically blobby and uneven edges become more evident.

Smudger, from designer Andrew Smith, is oriented toward a young generation who does not want to mind the rules. The font invites unconventional and playful use. The figures seem to be almost coincidentally shaped. Letters alternate between thin and thick strokes alternate and give the font the smudged look that inspired its name and gives the font its unmistakable character. Smudger is a font that just cannot settle down. It is best used for headlines and short texts in point sizes of 12 or larger.

Maine is a modernized book antiqua consisting of six styles and matching italics. Maine's cuts are from Light to Extrabold, of which Regular and Slightly Bolder Book are especially suitable for longer texts. Thanks to its clear features and high x-height, Maine creates a beautiful and legible body text. Maine gives a professional, no-nonsense impression and it’s best used in editorial, books, magazines and everywhere where you can use many different styles and sizes of the same typeface. Go dignified with Maine.

Hadriel is a beautiful light handwritten font with a unique feel and looks stunning. This fantastic handwritten font is best suited for headlines of all sizes, as well as for blocks of text. Whether it’s for web, print, moving images, or anything else. It will add a luxury spark to any design project! This font is PUA encoded which means you can access all of the amazing glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Spiralis is a font that wants to maximize the spiral by including at least one in each letter of the alphabet. It is a font that lends itself to being used for headlines or otherwise in large sizes in order to be best appreciated. It is based on the golden spiral, Archimedes' spiral, the golden rectangle and the square from which the construction grids are derived. 2 styles 179 glyphs for each style 6 ligatures Italian, english, french, spanish, german, danish https://www.behance.net/gallery/147197043/Spiralis

Meet Bjorn. A super usable, digital-device ready type design, refreshingly unburdened by today’s pre-conceived notions of ‘digital neutrality’. This is a typeface driven by the notion that today’s ‘digital’ shouldn’t automatically mean the devolution of typographic personality, Bjorn brings a softer-side to the idea of pixel perfect brand comms. Solid digital typography can also convey a warm tone of voice, radiate a softness, a human emotive charm whilst still maintaining all of the functional on-screen requirements of crisp easy reading fonts across viewports. Bjorn is a distinctive type design that combines a unique blend of flattened round stems (to take the edge-off), levelled inner terminals (pixel friendly) and pointed ears and feet (creating an distinct rhythm and dynamic with bowled letters). Bjorn is not a typeface following a tried and tested pattern, it’s a typeface designed to make digital brands feel special, enabling speech in a voice that brings viewers closer to their words. Bjorn is warm, yet clinical, flat and curved, elliptical and pointy. The font’s strong sense of ‘straightness’, the letter proportions and features build up its versatility across digital environments, not too wide, not too narrow, not too pointy, not too round — just right. Bjorn is available in 4 Roman styles — Light, Regular, Medium and Bold.

Okay Berry is a connected script with naturally beautiful handwritten style. Okay Berry is extended, containing is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Cheyenne JNL is a classic slab serif wood type with chamfered corners. Its tall, condensed design is perfect for short headlines that emulate the Old West and similar nostalgic themes.

Ulissia is a hand-drawn slab serif typeface with a strong character. It reminds me of the 50s, 60s and the film noir period or of old Wild West movies.

Harmond a new fresh & modern serif with a strong style, a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more! Harmond Display Typeface is the part of a strong and modern display family. This typeface both impressive at display sizes and easily readable in text size, while the sharp shapes of the triangular serifs and the distinctive letter shapes show their strength in logo design and impressive editorial use. Harmond come with elegant style, strength and contrasts, with features an extended latin character set of 470 glyphs covering over 88 languages. Casta is ready to be like a top model on the design catwalk, making your projects looking classic but contemporary, finely tuned but assertive, and elegant as the best luxury fashion.

Designed in The Hague amongst the canals and flowering lime trees, Node Display represents the best of organic curves with sharp modern edges. Sophisticated and edgy, it's everything you want out of a display font. It looks amazing at large sizes and, also, small sizes. 16 Fonts. Extra Light, Extra Light Italic, Light, Light Italic, Regular, Regular Italic, Medium, Medium Italic, Semi Bold, Semi Bold Italic, Bold, Bold Italic, Extra Bold, Extra Bold Italic, Outline, Outline Italic. 17 Languages. Basque, Catalan, Danish, Dutch, English, Estonian, Finnish, French, Frisian, Galician, German, Irish, Italian, Norwegian, Portuguese, Spanish and Swedish. 185 Glyphs. 36 Punctuation Marks, 57 Uppercase Letters, 60 Lowercase Letters, Full Number Set. Looks great packaged on wrapping, bottles and jars or digitally on websites, social and apps or printed on newspapers, magazines and flyers.

Wagon a new fresh & modern serif with a strong style, a dancing baseline! So beautiful on invitations like greeting cards, branding materials, business cards, quotes, posters, and more! Wagon Display Typeface is part of a strong and modern display family. This typeface is both impressive at display sizes and easily readable in text size, while the sharp shapes of the triangular serifs and the distinctive letter shapes show their strength in logo design and impressive editorial use. Wagon comes with elegant style, strength and contrasts, with features an extended latin character set of 415 glyphs covering over 87 languages. Wagon is ready to be like a top model on the design catwalk, making your projects look classic but contemporary, finely tuned but assertive, and elegant as the best luxury fashion.

Designed in Spain amongst the orange trees, Pulp Display represents the best of modern circular aesthetic with an air of friendliness. Wholesome, full and juicy, it's everything you want out of a display font. It looks amazing at large sizes and, also, small sizes. 16 Fonts. Extra Light, Extra Light Italic, Light, Light Italic, Regular, Regular Italic, Medium, Medium Italic, Semi Bold, Semi Bold Italic, Bold, Bold Italic, Extra Bold, Extra Bold Italic, Outline, Outline Italic. 17 Languages. Basque, Catalan, Danish, Dutch, English, Estonian, Finnish, French, Frisian, Galician, German, Irish, Italian, Norwegian, Portuguese, Spanish and Swedish. 185 Glyphs. 36 Punctuation Marks, 57 Uppercase Letters, 60 Lowercase Letters, Full Number Set. Looks great packaged on wrapping, bottles and jars or digitally on websites, social and apps or printed on newspapers, magazines and flyers.

Wakame is a friendly, playful, all uppercase font for book cover, display, packaging, poster, or whatever you can imagine. Each letter has three variations, which are automatically changed, when repeated. Hey, not only when side-by-side, but also if there are up to ten characters in between. Spice up your font menu with Wakame and stabenfonts!

The same monograms found on a 1930s-era business card that inspired Golden Beach JNL are reproduced as Art Deco Monograms JNL. Left-side monograms are on the upper case A-Z, while the lower case a-z are the right side monograms. A vertical bar is on the period key for a centerpiece between the two initials.

A new magical, mystical font family from Paper Moon Type & Graphic Supply. PM Endora was inspired by hand-lettered Mid-Century Modern movie titles and posters. Its mystical side makes it perfect for halloween and winter holiday marketing. Its casual side makes it a go to choice for weddings, specialty packaging, cosmetics, and modern lifestyle branding.

Firstland-Handwritten Fonts have many alternatives that give you the possibility to make your text almost handwritten with all the imperfections and captivating variations that the original handwriting has. Firstland will work perfectly for fashion, brand e-commerce, blog trends, boutiques, store brands, logos, weddings or any business that wants to look luxurious.

The title and credits for the 1951 Dick Powell and Rhonda Fleming film “Cry Danger” were hand lettered in a freehand brush lettering often seen on store signs and show cards. Serving as the model for Show Card Freehand JNL, this pleasant and casual typeface is available in both regular and oblique versions.

The Ornaments of Paris were inspired by a recent trip to Paris. Each tiny Paris icon is distilled from a church, a fence, a doorway, a railing, the Louvre, graphics in a store window, a feeling, a rainy day, a glass of wine... For more of the similar see Fleurons of Paris.

Rapier, designed by Martin Wait for ITC in 1989, is an impulsive, energetic script font with strong ties to the brush and advertisement typefaces of hte 1940s. The zestful capitals contrast with small, narrow lower case letters, lending the font its dynamism and liveliness. Desinger Wait reached the energetic, almost aggressive feel of Rapier with snappy base forms and especially with ascending strokes. For an optimal look it is advisable to set Rapier's forms near to one another, so that the ends of the strokes of one figure touch the beginning of the next. Rapier is best used for headlines and short texts.

Use lowercase letters to make the side initials and uppercase letters to create the large center initial.

Use lowercase letters to make the side intials and uppercase letters to create the large center monogram.

Right Hand is a legible naturally written script. Tidy pen writing with a casual slant. Right Hand is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Cattle Call JNL is reminiscent of Old West posters and broadsides. The design is based on an extra condensed antique wood type and is available in both regular and oblique versions.

A font classic as a RMU redesign - a small yet mighty family with a West and Central European character set plus Cyrillic. All three styles include small caps and oldstyle figures.