Gothicon is an authentic classic blackletter gothic vintage font. Multilingual support (All Latin Languages). Well to use in Poster, Vintage Labels & Badges, Headline, Packaging, Clothing Branding and much more. Please see also our Victorian Gothic font: https://www.myfonts.com/collections/luxgard-font-tadiar

Although the Taz family was designed for newspapers, it works equally well in many other contexts. The fonts have been used in glossy magazines, sales catalogues and corporate brochures, for instance. Taz is appreciated for its readability in longer texts at medium sizes.

Fleurons are embellishments and here is my second round. I again looked at some old ones and made some new, more modern ones. These go very well with my scripts Nadine and Ellida! Yours once more in a beautiful mood, Gert Wiescher

Joyto Soft is a slab serif family of five weights. With soft edges and an uneven thickness, it has a quirky, warm and fun character while retaining legibility. It is well suited for display, packaging, restaurant menus, children’s products & books and much more.

Kole P Rounded is based on the Kole font family. The complete family contains 18 weights. Kole P Rounded family is ideally suited for signage, packaging, brand identity, software, editorial design, as well as web and screen design. Perfectly for headlines and logotypes.

Although the members of the Thesis family have proven to work well as text faces, nothing beats a medium-contrast oldstyle for comfortable immersive reading. Hence TheAntiqua, an all-purpose text face whose name refers to the traditional Dutch/German word for oldstyle.

I present to your attention a new font - Scarytale I had a desire to make a vintage style with a cute but scary story. It is a multi-layered, multilingual vintage typeface that works well for fabulous books, T-shirts and logos.

This charming little number is based on a rubber-stamp alphabet set, sold in the early 1900s under the name "Perfection", which suits it well. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.

Fleurons are embellishments and here is my fifth set. I again found some nice old ones and made them completely new. These very elaborate ones go extremely well together with my scripts Nadine and Ellida!!! Yours in an elaborate mood, Gert Wiescher

Barila is a fun hand written font that is perfect for projects like games, apps, books, holiday cards, and nursery art projects. It is very readable while keeping it's fun and whimsical personality. Multilingual characters are included for international customers as well.

Gecko is a clean and original typeface. It has a full alternate alphabet and support Latin languages, as well as Greek and Cyrillic. Swash versions of all Latin letters, multiple ligatures and small caps are some of the other functions of this typeface.

Rafter is a new, sans font family, with modern, narrow line, graphically attractive with both upper and lower case letters. Spaced and mastered for optimal readability, Rafter plays well in a wide range of projects and applications. The typeface provides multilingual support.

Mile High is an airy and elegant font featuring exceptionally thin and tall characters suitable for text as well as display. Featuring 4 weights and italics, Mile High offers versatility for cohesive graphics applications. Especially lovely is text set in all caps.

Gingar – a headline face, playful and classic – a proper font. Gingar includes swash-characters and ligatures in a wide range of weights from UltraLight to ExtraBlack, plus Italics. Typeface for life, fashion, food, wellness, magazines, corporate design projects and more. Rock with Gingar!

Arrus was designed at Bitstream by Richard Lipton and first released in 1991. Arrus is based on Lipton’s own hand-lettered calligraphic alphabets that draw their influence from classic inscriptional forms. Arrus has small cap and extension typographer sets available as well.

Here's an unusual take on a "modern" typeface, based on a 1936 release from England's Stephenson, Blake foundry, which serves well for interesting headlines. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Rigaster is a font that encompasses four distinct styles, skillfully blending elements from classic serif fonts with those from modern typography. This fusion results in dynamic characteristics that lend themselves perfectly to contemporary designs as well as those with a retro aesthetic.

Simeon is well suited for setting an short and medium amount of text with an historic impression. OpenType features: - over 650 glyphs - Central European faces - stylistic alternates and historical forms - ornaments, signs, zodiac, symbols - proportional & mediaeval numerals - numerators, denominators and fractions - Roman numerals

Tough Cookie is a handmade font that looks like it has been cut out. It comes in three varieties that work together really well. Use it for your book covers and product packaging, or (if you’re a tough cookie) for your christmas cards…

Originally executed using a stick and sumi ink, Babaloo is Lisa's first digital font. While great in larger point sizes, Babaloo is surprisingly legible in small point sizes as well. Its quirky, spontaneous nature makes it ideal as a casual, fun, display font.

Curser is an oldish-looking typewriter font, decayed and scary. The special characters give an expression that they have been made using the common keys and moving the paper. Curser supports West and Central European languages as well as Baltic, Turkish and Romanian.

Kripke is a slab serif with rounded corners. It's readable and soft at small sizes, strong and friendly at large sizes. It's got a Greek and Cyrillic glyphs, as well as a large complement of accented characters. Try it on your designs!

Finto is a display typeface inspired by a jet plane, styled to give a feeling of aerodynamic speed. It is carefully handcrafted to preserve detail and smooth shapes. It is suitable for sports, adventures and more. It includes multi-lingual support as well.

Creative Signature includes upper and lower case letters, numbers and punctuation, as well as alternative stylistic characters and ligatures. OpenType features can be accessed using intelligent OpenType programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office.

Olympus Mons is a geometric display font, characterized by sharp edges and straight lines, designed to support all European languages. It is intended to be used for headings as well as smaller information, by brands associated by masculinity, power, and ambitious goals.

Floz is a simple and clean condensed all-caps sans serif font. It comes in two weights: regular (which is already pretty bold) and bold (which is even bolder). It works well for logos, headlines and other short texts. It's also quite cheap.

An original display typeface was designed in 2000 by Vladlen Erium for the series of international musical events. A wide Sans of distinctive letterforms with rounded corners is well used in advertising of teenage goods and modern technologies. Licensed by ParaType in 2003.

Brandegoris is a set of traditional split-pen capitals with two forms for most of the letters. It is excellent for headers and titles, especially on web pages and also works well as initial characters in combination with a serif text face.

Cast and Crew JNL is a condensed monoline font that lends itself well to any text project where more copy needs to fit into a limited space. A perfect example of this is a movie poster's cast, director, producer and other acknowledgements.

Astrospy JNL is a square-shaped, futuristic techno-style font from Jeff Levine. It is very well suited for short phrases, but caution should be used in setting too many words with it because of legibility issues. Best used in larger point sizes.

Minimal and modern sans serif consists of 10 weights from hairline to black as well as variable versions. Works great for branding, fashion, modern, and casual valentine design theme. Designing a logo is made easy with lots of alternates to play with.

Inspired by the 1947 Weber font Gabriele, Gaby Pro is a freshly designed versatile and everyday cursive font that can be used for a wide range of printed products and for web design as well. The font was carefully extended for multilingual use.

This font is good to use for any modern style magazine/posters etc. The letters in this font will give writing a nice look. It will be a perfect use for anything that needs to look fancy.

We’ve created Jinkay, a display typeface with a Japanese style that’s similar to original. Don’t be afraid to use this font in all of your special projects right now; imagine how beautiful and appealing your design will be; your project will instantly captivate all of your audience at first glance; they will easily remember the appearance of your project if you use this font, because it will be unique, different, and stand out from the crowd. Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font. Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display. Start utilizing this typeface in your projects to make them stand out.

Monolinia is a font that is unique and different from the others. Monolinia will make your designs and products more attractive. Try Monolinia and have an amazing experience. Your designs and products will look more elegant and authoritative.

Torus Pro is a rounded monoline typeface. As its name suggests, this is a more professional version of my original Torus family released in 2017. Each glyph has been scrutinised and redrawn where necessary. In addition, there are now italics, small caps, old style figures, and numerous other improvements. Torus Pro includes many new decorative alternates and ligatures that will add distinctive flourishes to your typographic compositions. With up to nine alternates for some glyphs, these additional styles include stencilled, simple dots, looped and smooth swashes, plus a more aggressive angled option for those looking for something a little different. When used subtly, these alternates and glyph combinations will add flair and personality to your own creations. Perfect for titling and branding, Torus Pro also packs a punch without these features activated, as well as being a comfortable read in long runs of text. There are 12 fonts altogether, ranging from Thin to Heavy weights in both roman and italic. The variable font versions of the family allow you to define the weight exactly to your liking. Torus Pro has an extensive character set that covers all Latin European languages. Key features: 6 weights in both roman and italic Variable fonts included with full family 212 Alternates 20 Ligatures Small Caps Full European character set (Latin only) 1450+ glyphs per font.

Since many years I live in Munich and read the daily newspaper Abendzeitung. One morning they had redesigned the paper, using Eric Gill's Joanna for the body copy and a tweaked version of Franklin Gothic for the headlines. Since both typefaces are my all-time favorites, I was very pleased. The old hand-lettered title lettering designed by in-house designer Ernst Friedrich Adler around 1947 or 48 was untouched as it always was. Adler had worked for the newspaper an incredible 47 years! Ernst Friedrich Adler celebrated his 100th birthday in the summer of 2007 looking very healthy. But someone had adapted his title lettering for use in the chapter headings, and I did not like the way that was done. Every morning I saw those letters and thought "one day I have to clean that up". About 15 years later I finally did it! Being at it, I designed the whole typeface and added a second fancy cut. And, what do you know, the people at the Abendzeitung called me up and said they liked what I did and started using it. So since that day in 2005 I can read my morning paper without having to wonder about the chapter headings. Well maybe one day they will do another redesign and maybe they will use another one of my fonts. Your editorial typeface designer, Gert

• Support for 28 languages: Afrikaans Albanian Catalan Croatian Czech Danish Dutch English Estonian Finnish French German Hungarian Icelandic Italian Latvian Lithuanian Maltese Norwegian Polish Portugese Romanian SlovakSlovenian Spanisch Swedish Turkish Zulu Swedish Turkish Zulu • Contains OpenType features with alternates or substitutes • Tabular Figures • Ordinal numbers • 74 icons (It will keep updating.) • 72 graphic patterns for designer (It will keep updating.) • 27 arrows glyphs • 0-20 line circled glyphs • 0-20 solid circled glyphs • A-Z line circled glyphs • A-Z solid circled glyphs Boodle is a modern sans serif with a geometric touch. It comes in 8 weights, 17 uprights and its matching italics, patterns, so you can use them to your heart’s content. Designed with powerful opentype features in mind. Each weight includes extended language support, fractions, tabular figures, arrows, ligatures, icons and patterned. Boodle family consists of 17 styles (8 weights, 8 Italics and 1 patterns), in each of which there are more than 744+ glyphs. In the typeface, each weight includes extended language support, fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design. documents and folders, mobile interface. Useful links: Gravitica PDF Type Guide and Specimen (You can know how to use icons and arrows, other glyphs.)

Good Karma (its namesake) will be extended to you as you use this new relaxed script family. Originally, produced from hand and the sumi brush of Neil Summerour, Good Karma Smooth is a smooth digitization of the original exemplars in Good Karma. Good Karma Smooth is filled with a lot of heart, reliable and genuine movements, and a wide range of letter options to befit any project needing an honest hand-lettered look. And on top of that, proceeds form the sale of this typeface will be distributed to charities and organizations intent on combatting the Covid-19 global pandemic. Each typeface comes with an additional set of stylistic alternates (upper AND lowercase) that harmonize wonderfully when you have the Opentype Ligature feature active. Additionally, special double-letter ligatures have been produced for specific combinations in need of more expressive flair, as well as a few swashes that work with the economical strokes originally produced from the sumi brush. To further expand the usefulness of this peaceful script, a separate Caps/Small Caps font has been added that provides the simple contrast needed to bring the script fonts forward. Rather than limit the personality of this script, various styles have been produced to complement the original Regular—Upright, Wide, Wide Upright, and the aforementioned Caps fonts are included in hopes of helping you find the perfect variation needed for your composition.

As its name suggests, Multiple is a family with multiple font styles. The idea that sums up the concept behind the typeface is “workhorse”. The challenge was to develop a useful font fit for any scenario and suitable for any design needs: editorial design, packaging, branding, screen use, etc. Multiple features soft, rounded shapes and large counterforms which make it well-suited for both text and display usage. The proportions are based on classic typefaces yet its design was specially created to provide a high degree of versatility. Multiple contains different stylistic sets whose variety of glyphs provides a wide range of choices for any design project. Partly humanist and partly grotesque, Multiple comes with a number of font variants that will help you choose the style that will best meet your needs. The font also includes a serif version with the same number of variants as its sans counterpart. The sans version includes 4 stylistic sets while its slab companion comes with 3 sets, both available as separate alt family packages (ideal for those seeking ready-to-use alternate glyph sets). These alternate characters are also available as OpenType features in the regular versions. Multiple comes in 5 weights—ranging from Extra Light to Bold - with matching italics, and contains a 395-character set that supports 207 different languages. Multiple: one font, multiple faces.