Fifties is a mix of classic geometric and a bit of humanistic grotesque. The goal was to create the font for present with look to the past. In other words, I tried to came back the Modernism aesthetics of XX century into nowadays. The result gives you 60 styles including Italic (Slanted). Your typography may be airy and elegant with Expanded Thin, catchy and expressive with Condensed Bold or dynamic and sharp with Expanded Bold Italic. You will find your way to use this family certainly. Theatre posters or party flyers, vintage t-shirt or modern web service, movie titles or magazine header and even infographic – Fifties will suit you everywhere. You may use the completed styles or may use a Variable Font. To make it as you want to. Weights: Thin / Light / Regular / Medium / Semi Bold / Bold. Widths: Condensed / SemiCondensed / Medium / SemiExpanded / Expanded OTF and Variable Font (TTF) OpenType features: Stylistic alternates for A, G, K, M, N, R, W, a, e, g, j, m, n, r, t, u, w, y; Fraction figures; Subscript and Superscript figures; Tabular figures; Typographic spaces: Em / En / Third / Quarter / Thin / Sixth / Hair

LP Cervo is a typeface designed by German type designer Peter Langpeter. LP has been running his own design studio since 1995, working as a typeface and logo designer, as a calligrapher, cartographer and illustrator. During this time LP created a large number of excellent new typeface designs. With its styles Grotesk, Lapidar, Semiserif and Serif the LP Cervo is well suited for various design possibilities

MRK Amentus is an elegant and modern sans serif font inspired by mixing humanistic and Grotesk styles. Horizontal oblique lines are the main visual style for this type. It gives an aesthetic dynamic look that is perfect for modern elegant brandings and for headlines. This font is suitable for various purposes such as movies, posters, logos, labels, packaging, branding, editorial design, and any modern purposes.

Ubiquity: the possibility to be in several places at the same time; this could be the definition of a typeface like Ubik. Its applications are numerous and various: books, magazines, posters but also architecture and signs. Ubik is a grotesk sans serif with a “nordic taste”: shapes pure and somewhat square. The nonexistent contrast between thin and thick strokes gives it a discreet rustic look.

Bugleboy started as a digitized version of "Wood Grotesk," a 1970s film typeface by LetterGraphics. It started with a bare bones character set which we added swash alternates for Capitals, Stylistic Alternates for a Unicase look, and crafted a Sans version without serifs. The Sans style lacks swashes but keeps Stylistic Alternate Unicase forms. See the last graphic for a comprehensive character map preview.

The Legal typeface family grew out a sans serif project that Hellmut G. Bomm began in the 1970s (his HGB Grotesk). This refined, industrial type family is well suited for short amounts of text, headlines, corporate identity and logo design. In small sizes, the typeface works like many other sans serifs, but with better differentiation between characters. The Legal family includes oldstyle figures and true italics.

The grotesque workhorse: Substance fulfills the primary role of emphasizing content. Containing 8 weights + italics (800+ glyphs each) Substance is a workhorse with loads of subtle OpenType features (small caps, a choice of lining, tabular and old style figures, numerators, denominators, tabular figures and signs, fractions, ligatures), 21 currency signs and a diversity of symbols and arrows. Substance provides everything you need for demanding briefs like signage or corporate design.

Introducing Monto Screen – the latest addition to the Monto superfamily, distinguished by its rational and meticulously constructed aesthetic. This new sub-family complements the success of Grotesk and Grotesk Display while offering a fresh take on Monto's design principles. Monto Screen is purposefully crafted for the digital era, ensuring unparalleled legibility and visual clarity on screens of all sizes. Its stroke endings align precisely at 90 and 0-degree angles, and its rounded shapes feature carefully designed verticals, creating a clean and harmonious structure. Through its rational construction, Monto Screen exudes a very trustworthy feel and established aesthetic, embodying a sense of reliability and timeless elegance. Its cap height aligned to the ascenders presents a unique choice that sets it apart, making it a compelling and distinct addition to the Monto superfamily. Embrace the future of typography with Monto Screen – a modern and rationally designed typeface that sets new standards for clarity and readability on digital platforms.

The Scrivano family was designed by Ricardo Esteves Gomes, inspired by some handwritings from the Middle Ages and Renaissance period. There are four elegant organic font styles (Regular, Italic, Bold & Bold Italic) that can be very useful to compose long or short texts in graphic standards that need some 'old style' feeling.

Kwaliteit is the result of a love story. The love story between a font designer and an old embossing label machine. The big bold letters produced by such machines are wonderful to convey a big bold message (big bold messages are fun!), but sometimes you just can't walk around with one of those antique label machines… That's why this font can come in handy! Its uses are numerous… be the boss of emboss!

Innova. A new grotesque for the 21st century. More open. More squarish. More legible. After the many grotesques which have been designed over the years, is it still possible to improve this genre? Innova is a new design — a contribution to the tradition of grotesque typefaces. It is an attempt to improve both this genre’s legibility and versatility. Innova consists of two families: Innova and Innova Alt. The Innova family has rectangular dots. The Innova Alt family has round dots — making its personality a little friendlier. Innova is well suited for both text and display use — for graphic design, corporate identity design, magazines, newspapers, books, reports, editorials, web, advertising, signage, etc. Innova includes 16 uprights and 16 matching italics. It includes small caps, arbitrary fractions, and extensive language support. It includes nine numerical styles: lining and oldstyle figures (proportional and tabular), small cap figures, superiors, inferiors, numerators, and denominators. Innova embodies the renewal needed for the traditional grotesques. It is a grotesque which is fit for the 21st century. In order to see whether you agree with this, please try the free Innova Alt Demi. For more information about Innova, download the PDF Specimen Manual.

At text size, Brown is a classic grotesque, distinguished by its semi-condensed proportions—especially in the capitals, which harmonize well with the lining figures—and an exceptional clarity in certain high-resolution media, such as offset printing, achieved by micro-detailing. At display size, the detailing provides the otherwise austere forms of the neo-grotesque with a subtle wealth of visual interest.

Holand Century is classified as a contemporary display grotesque font. It features sharp and dynamic strokes, a strong contrast between thick and thin lines, and delicate pointed grotesque elements. Its extensive set of styles, versatile usage, and support for various languages make it a valuable tool for designers looking to create clean, elegant, and visually striking typography for a wide range of applications.

The cold, conservative strokes of a typical sans-serif/grotesque descend into a distinctive "bat-wing drip" in this subtly spooky font named after the band for which it was originally designed. Perfect for any wordings which project darkness or menace, yet still require an air of respectability. Business in the front, evil in the back. Comes packaged in both TrueType and OpenType formats with standard complement of alpha-numeric glyphs, punctuation marks, mathematical symbols, and European diacritics.

DT Serifia Sans is a modern grotesque with a playful character. The font family contains seven widths and one Variable Font. From extra thin to ultra bold, you will surely appreciate this font. Typography will take on its own mood with it. The vertical terminals give it a sense of sophistication even with all its playfulness. A wide range of weights allows using this typeface in a variety of projects, and a plethora of OpenType features will make your project look outstanding. A wonderful addition to your collection, it is perfect for branding, magazines, web, broadcasting, packaging, apparel prints, prints etc.

Mello is a bold, easy going Grotesque. It was designed for display, branding, advertising, packaging or anywhere a strong but friendly voice is needed. Mello features soft curves and rounded corners; set in 4 widths and 8 weights. The character set is robust, covering extended Latin. The default forms are contemporary with alternates including: single-story a, two-story g, rounded top A, traditional G, rounded leg R, rounded K, and rounded form y in both uppercase and lowercase, all separated into individual style sets for control and customization. A set of icons rounds out the character set, with hand signs and shapes.

Typewalk Mono 1915, the vintage typewriter grotesque that is branded by history. It is a tribute to the European sign painter and lettering tradition of the early 20th century. Typewalk Mono 1915 also speaks in the proto-rational and graphical language of the Werkbund Objectivity which was used around 1915. It works great for cultural, editorial and branding purposes. It is versatile in small printing sizes and works great on the web. Speaking with its unique voice. Typewalk Mono 1915 is the debut release by Sven Fuchs and was designed between 2012 and 2016. It has 8 distinctive weights from thin to bold.

Ballasticus is a controversial bold grotesque for logos, big headlines, posters, signage, gyms, and bodybuilders. The outer contour of the beech is rounded, while the inner space is square. The font contains two barbell icons that can be immediately inserted into your company logo. The character of Ballasticus is honest, stable, open, grounded like a weight. Ballasticus contains extended Latin, Cyrillic, ligatures, barbell and peace sign, as well as alternatives for some letters, the total number of glyphs is more than 700. It contains OpenType functions: liga, numr, dnom, calt, ss01. The font is also case sensitive, has fractions, currency signs, and arrows.

Iki Mono is a multifaceted monospaced typeface designed for publishing and coding. Its sans serif structure displays some letterforms (as well as a degree of contrast) that are reminiscent of 19th-century grotesques, while in the non-oblique versions the letters have been very slightly slanted leftwards. Like typewriter typefaces Iki Mono has to cope with the limitations of a width system that forces shapes into a specific space. This extensive type family of forty weights and styles – from Compressed Thin to ExtraExpanded Bold, including their slanted versions – takes its name ‘Iki’ from the Japanese word for breath.

About this font family Musnad Serif Is Old South Arabian typeface for desktop applications ,for websites, and for digital ads. Musnad font family contains two types: Rigular and bold. The font includes a design that supports Latin, Arabic, and Old South Arabian language systems.

Canbera is an old style serif font, its funky, round, hight-contrast and bold shape with a retro touch is perfect for displayed, head text, logotype and many more.

RNS Miles font family combines geometric shapes, open forms and grotesk mood for achieve a harmonic, neutral and low contrast shapes. Clearly influenced by Modernism it’s designed specially for headlines, titles and subtitles. The family consist of 7 weights ramping from thin to black, each weight having a matching italic. Take advantage of Mile’s extended OpenType features, including alternate glyphs, fractions, arrows, oldstyle figures, numerator / denominators and a variety of symbols.

Altersan is sans serif font family with extraordinary abstract alternative glyphs and icons. The initial style is humanist grotesk sans which fit for various design purposes. The complete family consist of 8 styles from thin to black with each matching obliques. Its contain 477 glyphs which covered broad latin languages. The alternative glyphs can be accessed by activating the opentype feature; Stylistic Alternates and also by opening the glyphs panel.

Bauziet is a modern grotesk available in 12 styles with variable support. The weight range of Bauziet is significant due to its most distinctive design element: the prominent ink traps. As the Bauziet weight increases, these ink traps become more pronounced. This aspect makes Bauziet an excellent resource for designers to explore, as its substantial ink traps can swiftly evolve into an iconic feature within a branding system.

Zafrada features classic wedge serifs that can be sharp like a machete or round like molasses. Inspired in the sugar cane, this typeface brings great display legibility with versatile expressions. While the edgy version reminds us of classical rustic grotesk typefaces, the round version brightness the tone considerably. Be it display, branding, campaigns or content creation, this font has a sure space in many projects for it's reliable and versatile nature.

Randu Sans Serif Display Font Family is a sleek, modern font family with an elegant typography style. Created with clarity and boldness in mind, this font offers a variety of bold and italic styles, providing flexibility in its use. Whether used for titles, headings, or poster designs, the Candied Sans Serif Display Font Family provides the clarity and appeal needed to hold an audience's attention.

Decutto is a neo-grotesque that packs the Marionette formula and some blackletter ideas into a low-contrast sans serif design. Its name plays on the phrases “off cut” and “cut to” which express the key feature – the contemporary legible letter shape is decorated with cut carved edges and counters, giving the typeface crisp and simplistic look, like that of an old minted coin. Scripts: Latin, Greek, Cyrillic, Hebrew. Hinting: Manual PostScript.

Pixter straddles the lines between the extreme forms of grid based pixel fonts, and more conventional grotesque fonts. Its array of styles create a palette of textures to work with multiple scenarios, from large format display to oversized passages of copy. Inspiration for Pixter initially grew from old computer bitmap fonts, but branched out into Swiss and Dutch graphic design, such as the graphic work of Josef Müller-Brockmann and typography of Wim Crouwel.

Contemporary grotesk super family If you happened to sleep on Praktika – the previous bestseller of Fenotype – don't worry, as here's its new rounded counterpart. Perhaps even more functional than its predecessor, Praktika rounded has a distinct look & feel of its own – rather contemporary and urban than classicist. Praktika Rounded shares the same seven weights and three widths found in the original Praktika family, as well as the same familiar Open Type features: 
 • Built-in small capitals 
 • Both lining and old style numerals, in tabular or proportional form 
 • Superscript and subscript numerals 
• Many alternate characters However, if you can't decide on whether you should get original Praktika or the rounded version, they are also available as a bundle for a rather lucrative price.

Keep up that great western tradition with Buckle Bold! Buckle was created to be a contemporary twist to old "cowboy" fonts. It is bold while retaining a narrow width. When reduced down, it has a slightly worn look caused by the reduced double diamonds inside the capitals - which does not look out of place at all.

Roncial is an Ultra Bold font with a hint of serif. This is one of the fonts originally designed before the advent of digital and started out being a bolder, slightly serifed version of Folio Extra Bold which was one of the boldest fonts at the time (old metal set). It is available as Roman and Italic.

Apparata is a versatile display and text typeface suitable for identities or magazines. With a rounded finish, some characters have a combination of diagonal and curve strokes. Currently includes 4 styles: Light, Light Italic, Bold and Bold Italic. With more than 700 glyphs in each font, smallcaps, tabular and old style figures, fractions, ligatures, punctuation and symbols.

A modern geometric grotesque type family of 16 styles. BR Hendrix is a fine balance of functionality and contemporary characteristics. Precisely drawn with a modern aesthetic in mind, Hendrix has familiar qualities associated with the classic grotesques, but combines them with a stronger geometric flavour. BR Hendrix provides advanced typographic support with features such as case sensitive forms, fractions, slashed zeros and multiple figure sets.

Acarajé is a grotesque font that stands out thanks to its versatility. Its personality blossoms through its particular modulation, which grows with weights; making it a rather jovial typeface that does not abandon the characteristics of more classic grotesques. With two styles available: normal and italic, and a variety of 7 weights that range from "Black" to "Regular", this font offers incredible flexibility for your designs.

This font is an orphanage where all the beautiful details of classical grotesque typefaces from the early twentieth century are gathered, and thus living together, are forming a ‘new’, happy family. The aim was to collect my favorite characters in one font. The start was an eclectic collection orientated on British types from the Caslon Doric No. 4, the Monotype Grotesque, the Gill, the Franklin Gothic up to the Transport. In this amalgamation I avoided the narrow apertures in the ‘e’, ‘c’ and in the numerals ‘5’, ‘6’ and ‘9’ and enlarged the x-height dramatically. To the classical slanted form of the italics I added real italic forms for ‘a’, ‘e’ and ‘g’ in order to obtain a more distinguished italic style. DF-Dejavu Pro supports all Latin-based languages (Western, Central-European, Eastern-European, Baltic and Turkish) and includes small capitals, ligatures, inferior & superior numerals and letters, fractions, various numeral styles: proportional lining, tabular lining, proportional old-style, tabular old-style and last but not least a slashed zero.

Galano Classic is the display companion of the Galano Grotesque family. Like the Grotesque family, it also pays tribute to the geometric shapes of Futura, Avant Garde, Avenir and the like. However, instead of that family’s modern interpretation of the geometric genre, Galano Classic prefers to stay in the past, a tendency characterized by a moderate x-height and details like the long stretched leg of uppercase “R”, as well as the traditional shaped lowercase “g”, to mention only a few details. Galano Classic, compared to Galano Grotesque, includes lots of redesigned glyphs and consequently adjusted kerning pairs, an extended number of alternative characters, ligatures and opentype features to match a great many design applications. It comes in 10 different weights with matching italics containing 555 glpyhs per font. Although Galano Classic was planned to be the display version of Galano Grotesque, it feels great in small sizes and long text passages, too.

TT Tunnels useful links: Specimen | Graphic presentation | Customization options TT Tunnels is a modular font family with narrow proportions and a large number of pronounced visual compensators. In the basic version of the typeface, all glyphs have simple chopped shapes, created according to the usual geometric principles. In the alternative version of TT Tunnels, which becomes available when you turn on OpenType feature stylistic alternates or stylistic set 1, the typeface comes to life and turns into a stylized ductal gothic grotesque, in which the design of glyph forms is created based on the pen movements. Despite the fact that TT Tunnels was created as a display typeface for use in short inscriptions and titles, it works very interestingly in the body text, adding a small touch of archaics. This is especially evident in the Bold and Black faces, when the rhythm and thickness of the strokes create a dense set, covering the paper with a solid, dense pattern. The density and style of such a set conceptually refers us to the old Gothic texture and the Old Slavonic script. In addition to a larger number of alternates for lowercase letters, the typeface features an alternate for number 2, an alternate slashed zero, many ligatures, and other useful OpenType features (ordn, frac, sinf, sups, numr, dnom, case, tnum, onum, pnum, liga, salt, ss01, zero). The TT Tunnels includes five faces: Thin, Light, Regular, Bold, Black.