The typeface was designed at ParaType (ParaGraph) in 1997 by Manvel Shmavonyan for Russian primary school sample writing schoolbooks. The typeface is based on script fonts presented in the book 'Rodnoy Mir' by. L.I.Tikunova. The first version of the font included just letters of Russian alphabet and basic set of figures and signs. The second version with extended set of alphabetic letterforms was developed in 2004 by Gennady Fridman. Current third version that covers full Cyrillic and Western code pages was prepared by Gennady Fridman and released in 2009. Medium style also was added by him in 2009.

In the 1990s I drew a text face for the San Francisco Chronicle. It was based on W. A. Dwiggins’ Electra and incorporated many features of the Linotype Legibility Series: More compact, with a taller lowercase X-height, etc. That type was called Electric and it was the Chronicle’s text face for nearly a decade, surviving several redesigns. From that, I made Azuza, a more detailed and sensitive style. Azuza was recognized in the TDC2 type competition in 2001. Then it went into hibernation as a Type 1 font family. Today it is back. Six fonts. Open Type.

This set of initial letters was inspired from French renaissance decorated letters. It is a typical pattern, one among dozen quite similar, but this one was in use in Paris, unchanged, for centuries, and was still in use in the beginning of 1900s. This explains the difference between I and J, U and V. These characters were engraved years after the original set. Our font was inspired from a late 1800s publication. It can be used as well with Humane fonts (like our 1543 Humane Janson or 1592 GLC Garamond) as with modern fonts like our 1820 Modern or 1906 French News.

Sydonia Atramentiqua is a strange creation. The inspiration was the first releases of "Malleus Maleficarum" (actually the typography used there). I decided I wanted something strange, so Sydonia came into being. Like a blood of all witches who were being hunted down by Malleus Maleficarum's "fans" for their skills and beliefs. Why Sydonia? Sydonia von Borck was a witch from my area. It was probably the last woman executed for witchcraft. The genesis of the name. Sydonia was THE WITCH, and by the name I added "Atramentiqua". It is a combination of the words "Ink" (polish "ATRAMENT") + "Antiqua". The idea of ​​spilling a font is historical. The former Zecer composition was not perfectly sharp. As it was a "wet job", there were always light exits behind the lines. Who supported me? The GENEALOGIA project has been carried out for several years in cooperation with the Academy of Art in Szczecin and the National Museum in Szczecin. The project's supervisors are prof. Waldemar Wojciechowski and MA Patrycja Makarewicz, who runs the Visual Communication Studio. Some information: Sydonia was like that! This is not an everyday font. It is a stylized font, used to imitate old prints made by Zecer. The first version of Sydonia Atramentiqua was created in 2018 for the purposes of the exhibition at the National Museum in Szczecin. Base inspiration: Malleus Maleficarum & Caslon.

While I was in Boston in 2014, I visited the Museum of Fine Arts and to my good fortune there was an exhibit of etchings by Rembrandt, one of my favorite artists. As to be expected, many were simply gorgeous, but one especially caught my eye. It was an etching of a priest (Jan Cornelis Sylvius, Preacher) with an extensive amount of writing in Latin. While I'm not certain that it was Rembrandt's own hand, the script was beautiful and I was fascinated by it because it had to be written on the etching plate in reverse. I snapped a few photos using my phone and later found other editions on line. I was so taken by the script that it begged me to create a modern typeface from it. The result is Saskya, named after Rembrandt's wife Saskia. There were many ligatures and glyph variants in the print, of which I captured many of them and made them accessible via OpenType features. The complete alphabet was not present in the sample, however, I discovered some other source material to sensitively fill in those gaps, with a remaining last few that I created myself. A truly romantic hand, Saskya will work well for invitations of many sorts, and when you're looking for that 'old thyme' scripty feeling in your graphics.

This old classic font has an interesting history, it was originally cut with lowercase by the Bruce Type Foundry in 1865 and listed as Ornamented No. 1514. Around 1903 the Bruce foundry was bought by ATF, in 1933 this font was revived by ATF as Caps only and was given the Gold Rush name but was sometimes called Klondike. A similar version of this font with lowercase and radiused serifs was produced by the James Conner's Sons Type Foundry around 1888. In the past other foundries such as the Carroll foundry, Type Founders of Phoenix and the Los Angeles Type Foundry have produced an all caps version of this font. After examining several printed sources of this font from more recent books I found that the original from Bruce's 1882 book was by far the best in design quality, it was also the only printed source that included the lowercase. New open faced, ornamented and distressed versions have been added to this old classic font, there are also many extended characters for Western, Central and Eastern European countries. The Gold Rush Trail OpenType version has alternate double letter pairs included in the font and will automatically be substituted when used in Adobe CS products or other software that takes advantage of OpenType features. Also available is a spurred version of this font listed under the name Gold Spur.

This typeface was named for one of George's daughters, at her request, after she discovered that another of George's designs, ITC Kristen, bore an appellation strikingly similar to that of her sister. And then there was peace...

The original OCR B was designed for optical character recognition systems and was therefore monospaced. Designer Alexander Branczyk made a more typographically tuned and fitted version, with both regular and bold weights, and called it OCRBczyk™.

Stich Me was inspired by embroidery patterns

Get your Aussie on! The new typeface, Ainslie, with its mix of influences from Oz, makes its mark as the first semi-serif from insigne Design. Ainslie, named for Mt. Ainslie and Canberra’s inner suburb of the same name, was originally developed for the Canberra Australia Centennial Typeface Competition. Canberra is Australia’s capital, and it’s a planned city designed by American Walter Burley Griffin, a contemporary and one-time associate of Frank Lloyd Wright. Griffin’s plan involved a distinctly geometric design with several focal points--one of which was Mt. Ainslie. This same purely geometric scheme is now the basis for insigne’s new release. Similar to the Chatype project in its scope, its challenge, and the way its concept was developed, Ainslie incorporates influences from Canberra and surrounding areas to form a font that is uniquely Australian. In comparison, Chatype was developed for the city of Chattanooga, Tennessee by insigne in conjunction with designer Robbie de Villiers. Chatype took elements from Chattanooga’s industrial character and Cherokee past and merged them with the area’s technological influences. Likewise, Ainslie takes Canberra’s distinct, geometric design and blends it with the organic, flowing effect of aboriginal art. Add in touches from the smooth, aerodynamic design of the boomerang and Ainslie gives you a look uniquely Australian yet usable in a wide range of applications. The fashionable typeface includes a multitude of alternates that can be accessed in any OpenType-enabled application. These stylish alternates along with a number of swashes as well as meticulously refined details with ball terminals and alternate titling caps keep the font well accessorized. Also included are capital swash alternates, old style figures, and small caps. Peruse the PDF brochure to see these features in action. OpenType enabled applications such as the Adobe suite or Quark can take full advantage of the automatic replacing ligatures and alternates. This family also offers the glyphs to support a wide range of languages. While Ainslie wasn't selected as the final font in the Canberra competition, the outcome allowed for additional adjustments to the typeface. Several approaches were attempted for the final product including a technological hexagonal concept, which may still be developed to another form later. Some of the organic forms were removed and substituted with more abrupt endings, leaving the face looking pretty spiffy and a fair bit more legible. In the end, Ainslie was pulled back to the basic forms from which it was started. Give it a go for your next project. It’s guaranteed to be anything but a barbeque stopper.

The origin of this font was a frieze in the RAF Chapel in Westminster Abbey which Michael Harvey was commissioned to design and create. It was comprised of the names of the top brass in wartime Bomber Command, namely Dowding, Harris, Newall, Tedder, Portal and Douglas. The Brief was to cut the letters in bronze and gild them. Instead, they were cut in perspex and gilded. To sit comfortably within the long and narrow vertical space available beneath the chapel’s stained glass window, extended letterforms were used with many vertical serifs omitted and with lengthened horizontal serifs. Some twenty years later, the missing upper-case letters were drawn together with the lowercase letters and Frieze, the font, was born. Subsequently, additional weights and styles were added to create a font family of six styles.

Experimental and accidental unicase grotesque. A font in which all the letters and numbers fell down and deformed under the force of gravity. Everything that was hanging fell down. Everything that was curved horizontally straightened. The form and principle of construction of each symbol in the font is dictated not by tradition, but by physics. This makes FE Planking 2020 an excellent tool for creating phrases and statements in advertising and art projects that attract attention and make your head spin. The first free version with a minimum set of Latin and Cyrillic alphabets was released in 2019, and in 2020 the font was updated and supplemented with an expanded set of characters. Dedicated to @Serge Rachok, who invented the Planking Game before it was invented by others.

A vintage British lettering stencil was the inspiration for Sandwell Stencil JNL, which is available in both regular and oblique versions. This pleasant and condensed stencil font was originally a semi-stencil – many of the characters were made as solid letters ,while the others had a traditional stencil treatment. For the digital version, the stencil treatment was applied to previously solid characters to create a consistency in the overall design.

This unique type treatment was born after working in a mixture between a pixel based font and a retro logo. With lot of details it looks great a bigger sizes, but you can also apply it to write long sentences or even as body text! This font was chose as the official online font of our favorite band Foo Fighters some time ago, when it was just a work in progress.

Gillies Gothic font was originally designed by William S. Gillies for Bauer'sche Schriftgiesserei. The Extra Bold Weight was designed by Freda Sack at Letraset Design Studio and later the Extra Bold Shaded was designed by Phillip Kelly at Letraset. The extravagant capitals should be used as initials with the more reserved lowercase, and the lowercase should be set closely, overlapping where possible, to reproduce the look of true handwriting.

Horizon was inspired by the style of the lettering used in the original Star Trek TV series. Quite fittingly, this font was used 21 years later in the film Star Trek: Into Darkness. In keeping with the digital experimentation of the 90s, Horizon has a space-age look—with sharp, unexpected angles that were achieved sharply with digital tools. It was designed in 1992 by Bitstream staff designers.

Say hello to Suerte. This new typeface with inverted contrast and bifurcated serifs was inspired by Caslon’s Italian type and by Aldo Novarese’s Estro, published by the turinese foundry Nebiolo. Our aim was to develop a wood type typeface adding a new personality incorporating Tuscan serifs. The complete alphabet was designed with a flat long brush and Indian ink and then vectorized. Suerte contains a big set of icons and dingbats.

DBXLZX was inspired by the logo of the ZX Spectrum home computer, released in 1982 by Sinclair Research. For many designers the 8-bit pixel grid of the ZX Spectrum was one of the first steps into the realm of digital design. DBXLZX was initially developed by DBXL into a three weight family for use on the Armind record label of world famous trance deejay Armin van Buuren.

ITC Vinyl was designed by J. Keith Moore, who was born in Germany but raised in Colorado. The typeface is a hybrid of Art Nouveau, street attitude, and 1950s design and was created with pen, ink, and French curves before being converted into digital fonts with Adobe Illustrator. ITC Vinyl is a family of four display faces in outline and solid designs with corresponding sawtooth" variants for each."

A universal text type was designed by Natalia Vasilyeva for ParaType in 2007. The type family is consist of 8 styles. Also corresponding decorative italic with calligraphic swash capitals was developed. The type has low contrast characters and narrow proportion. It is rather space-saved but very legible even in small sizes. For use in text and display typography. The upgraded version with extended character set was released in 2010.

Boo Boo Kitty is a blocky font with a halftone style gradient texture. One of the big inspirations for this font was retro comic printing so I tried to keep the background slightly messy to capture that look. It was originally released in 1997 as an all-caps font with mixed plain and textured characters but was recently updated it to include lowercase letters and full versions of both background options.

The typeface was baptized as “Caldense" in order to honor the city of Caldas da Rainha, a small city in Portugal, the typography's birth place. It has three weights, Regular, Demi Bold and Bold and it is a stencil font, sans serif and grotesque. Each character was based on a grid and was built in modules, having round edges and straight finishes. The font is best used in titles.

Kangaroo FS Joey was the offspring of a project with Rudd Studio to develop a logotype for an online streaming TV service, in 2008. While under wraps, the secret project was code-named Kangaroo. The logotype led to a second project, to design a corporate typeface for the service. It was the first big project Fernando Mello had worked on with Jason Smith. “Like any designer who just joined a team, I was very excited about it, drawing and sketching lots of ideas. I remember Jason and I experimenting with lots of possibilities, for both the logo and the typeface.” Online As the font for a Spotify-style, internet-based service, FS Joey needed to be highly legible on-screen, including at very small sizes. There had to be a range of weights, and they’d have to work well in print, too. It was also important that it felt corporate, not too quirky, while still having a strong character of its own. Quirkiest “We designed three weights specifically for use on the Web,” says Jason Smith. “There was the usual fight between me and my team. I wanted at least one identifiable letter that was a quirk. As always I went straight for the lowercase ‘g’, and it was drawn numerous times with lots of variation. I got the quirkiest one accepted by the client.” But, later in 2009, the Competition Commission blocked Project Kangaroo, and Fontsmith were left with a couple of weights of an as yet unused font. From Kangaroo, Joey was born. A favourite “Straight away, people started to notice the typeface,” says Jason. “I can take the credit for pushing the art direction and standing up for the quirks. But it was Fernando who was the key to pulling it all together and adding his own distinct flavour. Now it’s one of my favourite designs in our library.” Fresh and friendly, geometric and energetic, Joey is available in five weights, all with italics, all finely-tuned for both screen and print.

Kangaroo FS Joey was the offspring of a project with Rudd Studio to develop a logotype for an online streaming TV service, in 2008. While under wraps, the secret project was code-named Kangaroo. The logotype led to a second project, to design a corporate typeface for the service. It was the first big project Fernando Mello had worked on with Jason Smith. “Like any designer who just joined a team, I was very excited about it, drawing and sketching lots of ideas. I remember Jason and I experimenting with lots of possibilities, for both the logo and the typeface.” Online As the font for a Spotify-style, internet-based service, FS Joey needed to be highly legible on-screen, including at very small sizes. There had to be a range of weights, and they’d have to work well in print, too. It was also important that it felt corporate, not too quirky, while still having a strong character of its own. Quirkiest “We designed three weights specifically for use on the Web,” says Jason Smith. “There was the usual fight between me and my team. I wanted at least one identifiable letter that was a quirk. As always I went straight for the lowercase ‘g’, and it was drawn numerous times with lots of variation. I got the quirkiest one accepted by the client.” But, later in 2009, the Competition Commission blocked Project Kangaroo, and Fontsmith were left with a couple of weights of an as yet unused font. From Kangaroo, Joey was born. A favourite “Straight away, people started to notice the typeface,” says Jason. “I can take the credit for pushing the art direction and standing up for the quirks. But it was Fernando who was the key to pulling it all together and adding his own distinct flavour. Now it’s one of my favourite designs in our library.” Fresh and friendly, geometric and energetic, Joey is available in five weights, all with italics, all finely-tuned for both screen and print.

Goudy Fancy was originally released in the 1970s and was not previously available in digital form until revived by Josh Korwin in 2004. This OpenType revival features alternate glyphs, additional new glyphs, as well as automatic ligature substitution.

NF Elena was designed by Nikolay Savchuk. NF Elena was created on base Katerina sans-serif typeface. It is brilliantly suited for graphic design and display use and perfect for magazines, newspapers, books, websites, brand identity, and advertising.

RMU Bison is my revival of Julius Kirns hot-metal font, which first was released by Weber in 1935. The versatile timeless brush font was extended as to cover the main Western and Central European languages plus Turkish.

Maferic is a combination font consisting of luxury three fonts. Which has uniqueness in each letter and helps you to make your design work look more special. This font is perfect for your designs such as logos, branding, fashion, business cards, social media, and of course many more. Maferic font ready with: Any options to get creative variations (combination of Regular, Italic, and Signature) 3 files format already: .otf .ttf . woff Preview as an inspiration that you can do with Maferic Signature font Ready with Lowercase and Uppercase characters Language Support; All three fonts support English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Turkish, Icelandic, Slovenian. That's it! I hope you enjoy it, and please don't hesitate to drop me a message if you have any issues or queries. Oh, and come and say hello over on Instagram! www.instagram.com/sealoungfonts

Introducing “Nesting” – sanserif / display font with a new look, which is stylish and flexible. Its bold, solid, clear, and strong characteristics make this font look beautiful with the right portions in your various design projects This font is made with passionate pleasure and passionate passion applied to this font design, so this font is suitable for offline or online games, PC or smartphone games, adventure posters, children’s movie titles, food titles and logos, magazines, youtube covers, youtube cover images, social media page covers, banner headlines, children’s book titles, film titles, and more. What’s Included : Standard glyphs Ligature Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support for; Afrikaans, Albanian, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish

Paperlight Script - Luxury Calligraphy Font. Paperlight Script is calligraphy font with a classic style and a touch of elegance, inspired by the handwriting of ancient manuscripts. This calligraphy harmony gives the impression of being luxurious, free and sophisticated. The body text of Paperlight Script font has been designed with high details, precisely, smooth and flow. Paperlight Script font carefully designed to work together harmoniously making it perfect for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires classic, formal or luxurious The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

Nor Tidal – A Modern Serif Font Nor Tidal is a contemporary serif font that seamlessly merges timeless elegance with a sleek, modern aesthetic. Designed to exude sophistication and readability, Nor Tidal strikes a perfect balance between tradition and innovation. Its well-defined serifs lend a touch of classic refinement, while subtle tweaks and clean lines bring a distinctly contemporary flair. The font’s versatile nature makes it suitable for a wide range of applications, from editorial design to branding, offering a timeless yet fresh typographic solution that captivates with its graceful curves and crisp, professional demeanor. Nor Tidal is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Ready to make your branding spark? If you need to create a big, bold logo for your business, work on a poster for an event, or whatever your project may be-then this is the perfect font for you. Medyan Script-A Script Font Medyan Script is a captive font designed with strong outlines and fat strokes to bring your branding to life and add a touch of modernity, fun and style. This font features thick and angular letters that easy on the eyes and nice to look while it’s also easy to read. Medyan Script becomes more special with extruding version option. Perfect to create amazing headings, logos, menus, social media graphics, and many more. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Ligatures Stylistic Sets Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Stay Glory is a luxury font. which comes with a combination of modern and elegant fonts, namely serif and Monoline style. You can combine it to make beautiful typography. This hand display style makes it perfect for use in all your design projects be it logos, labels, packaging designs, blog titles, posters, wedding designs, social media posts, Instagram designs, card invitations, art quotes, home decor, book / cover titles , etc. Already matched up and ready to be used together for your next design! Here’s what’s included : Stay Glory Script Regular Stay Glory Serif Regular Language Support • Supports the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian. I hope you enjoy this font. If you have questions, don't hesitate to give me a message :) Thank you for your purchase!

Fresh Spring - 8 Quirky Spring Font. Fresh Spring is a unique plant font with 7 different versions of the font, the difference between each version is in the shape of the plant decoration. This font is basically soft and fun, coupled with plant embellishments, various shapes and options, will make this font suitable for any project you are working on, especially those with the theme of love, plants, children, babies, weddings, etc. In addition, this font is also suitable for invitation cards, greeting cards, logos, branding, posters, crafting, stickers, social media, packaging, headers, merchandise and others. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font also supports multiple languages.

Are you ready to make your branding stand out? Do you dream of creating headings that stand out and inspire creativity, imagination, modernity, and endless fun? Looking for an elegant and stylish font? We've got what you want. Vintage Kingdom-A Script Font Vintage Kingdom a gorgeous font designed with strong outlines and fat strokes to bring your branding to life and add a touch of retro and fun. This font features thick and angular letters that easy on the eyes and nice to look while it’s also easy to read. Vintage Kingdom becomes more special with extruding version option. Perfect to create amazing headings, logos, menus, social media graphics, and many more. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Ligatures Stylistic Sets Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Are you waiting for Autumn? I’m pleased to introduce my new handwritten floral font Autumn Embrace. Autumn Embrace comes in three styles: Floral, Regular and Extras. Autumn Embrace Floral is an elegant, decorative, feminine font. Floral uppercase letters are ideal for your wedding monograms and logos. Use this font for wedding invitations, branding, packaging, magazines, florist shops, social media, restaurant menus, greeting cards, headers and many more. Autumn Embrace Regular is a modern calligraphy font. It's perfect for design projects, instagram, invitations, signatures, watermarks, logos, letterpress address, titles, birthday invitations, handwriting and more. Autumn Embrace Extras is a symbol font (includes 52 hand drawn elements). You can use these characters either separately or in combination with Autumn Embrace Regular and Autumn Embrace Floral (or any other fonts). The symbols are perfect for creating your own logo, greeting cards, photo overlays, scrapbooking, writing letters and just for fun :)

Betterman is a realistic signature font, that is perfect for you to create a realistic signature logo, so easy to use and you can combine it with the swashes and 20 ligatures to make your signature more natural. Betterman font is also perfect for different projects such as invitations, quote text, stationery, wedding invitation designs, social media posts, advertisements, website & landing pages, product packaging, product designs, label, photography, watermark, and more like special events. How to use this font: Just open your Opentype features ( Minimum Compatible with Adobe Photoshop CS 6 and Adobe Illustrator CS 6 ) in Adobe Photoshop go to Window - Glyphs and all the alternates will appear while using the script font to use the ligatures and swashes. As you type, your text will look like a natural signature or handwriting. What are you waiting for? Download now Betterman font and make your own Signature logo!

Introducing Andallan, a stunning script font designed to add a touch of elegance and sophistication to your creative projects. With its exquisite curves and graceful strokes, Andallan brings a sense of beauty and charm to any design. Featuring both uppercase and lowercase characters, along with numbers and punctuations, Andallan offers versatility and functionality for various design purposes. Whether you're creating logos, branding materials, invitations, or social media graphics, this script font will captivate your audience with its timeless appeal. One of the standout features of Andallan is its multilingual support, allowing you to seamlessly incorporate different languages into your designs. From English to French, Spanish to German, Andallan ensures that your message can reach a global audience with ease. Furthermore, Andallan comes with ligatures, enhancing the fluidity and natural flow of the script. These ligatures create seamless connections between letters, adding a touch of authenticity and uniqueness to your text.

Need a font for a brand and personal visual identity? Introducing, our outstanding premium font duo, Raluxe; consisting of a ligature-rich Serif and elegant Script. These fonts are designed to pair harmoniously, specifically use for brand visual identities and personal identities such as logos, headlines, titles, labels, stationery, magazine, fashion industry, social media banner, business cards, or any advertising purposes. This typeface has been made carefully to make sure it's premium quality. Features : Numbers and Punctuation Multilingual Ligatures Alternates OpenType features *You can only access the ligatures and alternates feature in uppercase We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. We hope you enjoy our font – please do let us know by emailing us at info@prestigetype.com or prestigetypestudio@gmail.com if you need something!