A vintage poster from the British Columbia Forest Service on the subject of forest fire prevention provided the hand lettering that was the design model for Quick Poster JNL; available in both regular and oblique versions.

The unusual type design that comprises Cold Case JNL was modeled from a 1950s set of letter and number stencils manufactured by the Huntington Oil Cured Stencil Company of Huntington, NY (later relocating to South Florida).

A futurist inspired geometric stencil in clean and rough versions. This design approach was distilled into a more regular typeface in Futura Black; State takes its inspiration from the more eccentric designs that predated that font.

Scribblex is a new generation of handwritten sketch fonts. It was originally designed with a ballpen and a sketchbook. After scribbling the characters, I scanned, edited and aligned them. So Scribblex is truly a ‘sketchbook font’.

A monoline spurred sans serif typeface named “Elandkay” from the 1895 Cleveland Type Foundry specimen book was the design model for Northbrook JNL. This Art Nouveau-influenced design is available in both regular and oblique versions.

A decorative display face suitable for short headlines, drop caps or banners. Erasurehead was designed for all media and can be used in a wide range of point sizes. Erasurehead requires subjective display kerning and compensation.

Rantting Tjinta is a stylish handwritten script font. This enchanting font was made with digital brush pen strokes and it features an authentic feel. Use it for wedding invitations, business cards, logos, signatures, and much more!

The hand lettered title for the 1954 film “Power of the Press” was done in a condensed sans serif type style that is now available digitally in both regular and oblique versions as Local News JNL.

The Art Nouveau hand lettering on the sheet music for 1915's "I'm Glad It was Only A Dream" served as the inspiration for Melodie Nouveau JNL, which is available in both regular and oblique versions.

The goal was to create a typeface that looks reputable and still original. Notably, some uppercase characters indicate this font its unique character. It is ideally suited for both body text and headings, or modern logos.

Bluntz is the work of American designer David Sagorski, an all capital font which was influenced by the crisp, energetic look of graffiti. The angular, confident nature of the letterforms reflect a visual power and spontaneity.

FractalCaps was inspired by the self-similar nature of fractal geometry. It's a strictly decorative font, without accented characters. FractalCaps shines at large point sizes, and would be a good choice for wild and wooly posters.

The sight refracted through glass is mysterious. The san serif font was designed to look like it is visible through glass. Try using beautiful fonts. I put a lot of effort into each and every letter.

Linja is an elegant ultra condensed font. It's best for display use in magazines, books & posters. Linja font was originally designed in 2002. Now it's been remade with the complete character set and six different versions.

Drawing Tablet JNL was created based on those two words hand-lettered on the cover of a sketch pad from the late 40s - early 50s. It is reminiscent of the popular Deco typefaces of the time.

Doria was developed from my handwritten script Xan that has a definite Japanese touch. By making Doria really slick it became a font that is perfect to be used on labels and for many packaging jobs.

Snob is a high-contrast display face with a touch of luxury. It represents a classy typeface with a fashion magazine style. You can easily combine Snob with Ambassador, which was the base for creating Snob.

With Advertisers Gothic, SoftMaker revives a 1917 design by Robert Wiebking. Inspired by Art Nouveau (Jugendstil) lettering, this typeface is as fresh as it was back then and is well-suited for advertising and display work.

Based upon remnants of the Ludwig & Mayer font Magnet, first released in 1951, this Italian-style design was completely redrawn and extended for most main European languages, West and Central, plus a character set for Turkish.

Venture Script reflects Hermann Zapf's handwriting. It was originally written with a Japanese feltpen. And like with Zapf's typeface Noris Script he wanted to preserve the rough outline of the handwritten form in the final drawings.

Linotype Creative Arrows was designed by Robert Bucan in 1998 and consists mainly of directional symbols. Arrows and symbols in many different variations can also be built together, creating unique combinations for a variety of applications.

Based on a written pen-form of 'runes' (translation of Elvish Certar and Cirth), it was used by Dwarves to write their own secret tongue. NOTE: this font comes with an interpretation guide in pdf format.

The X-story font represents shattered fragile material. It was inspired by my love to grunge elements. Best usage is to complete other grunge composition. Font is really detailed and can be enlarged to humongous size.

The hand lettered sans serif title on the sheet music for the 1930s song "I'm Alone Because I Love You" was the inspiration for Radio Singer JNL, which is available in both regular and oblique versions.

Dolphus-Mieg Monograms is a collection of monograms from a rare cross-stitch booklet from the first year of the 20th Century. This new Monograms series was entirely designed by hand, without use of auto-tracing.

Artica Rough Pro is an elegant display typeface. It was inspired by classic Roman letterforms. Artica Rough Pro supports Latin, Cyrillic, modern Greek and Armenian scripts, and includes swash initial, final forms, stylistic alternates and ligatures.

Ultimate Ornaments was inspired by the decorative elements supplied by European type foundries and printing companies in the 18th and 19th centuries. There is an assortment of 47 ornaments all located under the character set keys.

The Vtg Stencil series of fonts by astype are based on real world stencils. The UK No. 2 design was derived from authentic one inch A2 Roman stencil plates from Great Britain, manufactured around the 1950s.

The goal was to create a typeface that looks reputable and still original. Notably, some uppercase characters indicate this font its unique character. It is ideally suited for both body text and headings, or modern logos.

To design this font, Crackle, I was inspired by an advertisement in the polish weekly "Tygodnik Powszechny" from 1938. From a few letters I have created an entire typeface - uppercase characters - in crackled and uncrackled versions.

Dreamelly was born from hand writing style fonts. It is versatile and useful for design posters, logos, branding, labels, quotes, headline profiles, banners, t-shirt design, packaging, magazines, brochures, and much more in your amazing work.

This font was inspired by Spencer’s patterns, particularly the elegant varieties called “Ladies' Hand” in some handbooks. Intelligent OTF ligatures and alternates (about 160) are included in the font, giving a closer appearance to realistic handwriting.

Doublethink was developed from lettering drawn in the 1960s by Vinko Ožić-Pajić and used on the shop fronts of Yugoslavian state-owned clothes company Standard Konfekcija. The original design has been reinterpreted and expanded and is offered as a two weight typeface—Doublethink Medium and Doublethink Bold Inline. Standard Konfekcija was established first as a military fabric company and later became the premier fashion brand outlet in the Communist state of Yugoslavia. It is famous for being the first shop in the country to offer plastic bags (Standard Konfekcija stores ceased trading after the fall of Communism).

Collette was named in honor of an art deco font called "Independent" designed in the 1930s by Collette and Dufour. Collette is influenced by the design of the original font, however, there are substantial differences: instead of small caps, a true lower case was created, the upper case character proportions and shapes have been greatly modified, and all missing characters have been created to make a truly modern font which nevertheless has all of the panache of the original. It is best used to create a retro feel and in headings, subheads and in short passages of text.

Gobsmacked is a rather new English word. It has been around since 1959 and was used mostly around Liverpool at that time. The word means: ’astounded’, ‘flabbergasted’ (another nice word!) or ‘speechless’. Gob could be of French or Scottish Gaelic origin and means ‘mouth’. Gobsmacked font was created using a brush and black gouache. The result is a very eroded, very legible and quite unique brush font. I have created alternates for the lower case letters, plus two double letter ligatures (oo and ss). Use it for any design that needs a little brushwork; I am sure the result will leave you gobsmacked!

I used to be a tour guide and spent a lot of time in Asia. One thing that I really liked, was having noodles, ANY kind of noodles, for breakfast! Breakfast Noodles is a very uncomplicated headline font: I made it while seriously renovating our ‘new’ home (a fixer upper farm), which means that this particular font was made over a period of almost 3 months… It wasn’t exactly a letter at a time, but close. I will try and make the next font in, say, under two months… Hopefully! In the meantime, enjoy this one!

This family was inspired from the set of font faces used in Amsterdam by Daniel Elzevir to print the famous “Tractatus de corde...” the study on earth anatomy by Richard Lower, in 1669. The punch cutter was the famous Dutch Kristoffel Van Dijk. In our two styles (Normal & Italic), font faces, kernings and spaces are scrupulously the same as in the original. This Pro font covers Western, Eastern and Central European languages (including Celtic), Baltic and Turkish, with standard and “long s” ligatures in each of the two styles. The Roman (Normal) style contains a U stylistic alternate, and the Italique style A.

Every morning, after the kids have gone to school, I vacuum the floor and remove about half a kilo of breadcrumbs… No, not really have a kilo, but any given bird could probably survive on the leftovers. When it was time to name this font, Breadcrumbs was all I could think of! Breadcrumbs and children seem to go together well, as they are featured in Hansel & Gretel and Hop-o'-My-Thumb. Breadcrumbs font is a happy, sloppy fairytale font, which you can use for your book covers, your party posters and maybe crumbly bread packaging. But that is entirely up to you.

Plantain Stencil is based on Plantain which in turn is my interpretation of Plantin Adweight, which was one of my first commissioned projects (by Smarter Image, long before they went bankrupt). Plantin Adweight is one of the most beautiful designs of the Plantin family, which is a modern revival typeface, cut under the direction of F. H. Pierpont in 1913, who based the design on that of a famous 16th century printer, Christophe Plantin, for whom Pierpont’s font was named. The stencil cut of Plantain adds a bit of sparkle to the design. Supports most European languages that use the Latin alphabet.