Molandika Script is elegant calligraphy font, designed to convey elegance and style. It is slender, feminine and friendly, This font is casual and pretty with swashes. Can used for various purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, quotes and more. Molandika Script features OpenType stylistic alternates, ligatures and International support for most Western Languages is included. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters using Adobe Illustrator : https://www.youtube.com/watch?v=XzwjMkbB-wQ Molandika Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. How to access all alternative characters, using Windows Character Map with Photoshop : https://www.youtube.com/watch?v=Go9vacoYmBw

Andriani is an elegant display typeface. It is characterized by its sleek and sophisticated appearance, making it suitable for use in headlines, headings and other prominent design elements. The elegant display typeface exudes timeless charm with its graceful, thoughtfully crafted letterforms. Each character is imbued with a sense of sophistication, featuring subtle serifs or exquisite details that enhance the overall aesthetic. The typeface features a harmonious balance between sleek strokes and subtle ornate elements, contributing to a refined and luxurious appearance. The design of this typeface reflects attention to detail, with curves and lines seamlessly intertwining to create a seamless flow. The letterform conveys a sense of luxury and refinement, making it an ideal choice for high-end branding, invitations and editorial designs that desire a touch of class. Whether used in large headlines or smaller display settings, elegant display typefaces attract attention and leave a lasting impression. Its timeless appeal ensures versatility across a wide range of design applications, adding a touch of sophistication and refinement to any project.

Mikanu is ideal for projects with a classic modernism serif vibe. This font’s exquisite and refined features can bring a touch of sophistication to your designs. Mikanu includes complex features such as ligatures and alternates to make your text more intriguing and unique. Not only that, but the Mikanu typeface supports multilingualism, allowing it to be utilized in a variety of languages around the world. As a result, you can quickly modify this typeface for other projects. By selecting Mikanu as the font for your project, you will receive a high-quality product that will enhance the visual message you want to portray. Use Mikanu right away to add aesthetic value to your design! What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Marsya script is a lovely, modern calligraphic script. It features dynamic and pretty swashes and can be used for many purpose, such as titles, signatures, logos, wedding invitations, letterhead, signage, labels, newsletters, posters, badges, etc. Marsya features OpenType, including the initial and terminal letters, ligatures and International support for most Western languages ​​included. To activate OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign and CorelDraw X6-X7, Microsoft Word 2010 or later. How to access all of the alternate characters, using the Windows Character Map to Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all of the alternate character using Adobe Illustrator: http://youtu.be/iptSFA7feQ0nn How to use stylistic sets font in Microsoft Word 2010 or later versions: https://youtu.be/x1A_ilsBsGs Marsya PUA encoded with Unicode, which allows full access to all the extra characters without having to design special software. Mac users can use Font Book, and Windows users can use the Character Map to view and copy one additional character to paste into your text editor / favorite applications. Enjoy using

Sifrand script is a new, very interesting brushed font. This font family is perfect for branding projects, logos, product packaging, posters, invitations, greeting cards, news, blogs, everything including personal charm and more. Sifrand offers OpenType features, some ligatures and swashes, initial and terminal letters, and International support for most Western Languages. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: http://youtu.be/iptSFA7feQ0nn Sifrand is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. Thanks so much for looking and please let me know if you have any questions.

Introducing Tooth & Nail; a rustic & hearty hand-painted dry brush font, designed to work in both all-caps as well as lowercase. It also includes a bonus vector pack, featuring 24 elements designed to boost your text and reaffirm it's hand-made style. With rough bold strokes and high quality textures throughout, Tooth & Nail is the perfect workhorse font for product packaging, promotional messages, handwritten quotes, home decor and branding projects. Tooth & Nail is reliable and familiar, like meeting someone for the first time and feeling like you've been reunited with an old friend. Tooth & Nail consists of 2 styles: 1. Tooth & Nail • A handwritten brush font containing upper & lowercase characters, numerals and a large range of punctuation. 2. Tooth & Nail Alt • This is a second version of Tooth & Nail, with a completely new set of lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option.

"Seen" is the name of the gods in Kingdom of Hadhramaut 3,000 years ago Kingdom of Hadhramaut - Wikipedia "Seen" Font Family Will Add a Splash Of Historical Musnad writing To Your Designs Coming in 4 Styles: Regular,Medium,Bold and Black, "Seen" Font Family is a serif typeface designed by Sultan Maqtari. Each style of the font is incredible in its own way, with attractive curves, spacing, and ligatures. Ideal for bold headlines, short sentences, unique logos, and general graphics, this typeface will effortlessly add a hint of Musnad writing and a splash of Amazing past to any design. "سين" اسم آلهة في مملكة حضرموت قبل ٣٠٠٠ عام ستضيف مجموعة خطوط "سين" لمسة من كتابات المسند التاريخية إلى تصاميمك. تأتي عائلة الخطوط "سين" بأربعة أنماط: عادي،متوسط،عريض واسود ، وهي عبارة عن خط مزخرف صممه سلطان المقطري. كل نمط من الخط لا يصدق بطريقته الخاصة ، مع منحنيات جذابة ، ومسافات ، ووصلة ربط. مثالي للعناوين العريضة والجمل القصيرة والشعارات الفريدة والرسومات العامة ، سيضيف هذا الخط دون عناء لمسة من كتابة المسند ونفحة من الماضي المذهل إلى أي تصميم.

The name DIN refers to the Deutsches Institut für Normung (in English, the German Institute for Standardization). The typeface began life as the DIN Institute's standard no. DIN 1451, published in 1931. It contained several models of standard alphabets for mechanically engraved lettering, hand-lettering, lettering stencils and printing types. These were to be used in the areas of signage, traffic signs, wayfinding, lettering on technical drawings and technical documentation. Rooted in earlier designs for Germany's railway companies, the alphabets were based on geometric shapes in order to be easily reproducible using compass and ruler. In post-1945 West Germany, the DIN alphabets were widely used, for instance on most road signs. They became available as fonts that were appreciated by designers for their industrial, somewhat quirky and “non-typographic” look and feel. From the 1990s onwards, more refined versions became available for use in book and magazine typography. DIN Next is a typographically corrected and expanded version of this quintessential 20th-century design. DIN Next Rounded is its softer, friendlier version.

Angelonia is a modern handwritten script with decorative characters wich makes it very suitable to use in blog headers, branding, t-shirts, wedding, social media, product design, stationery, advertising, clothing, book covers, business cards, greeting cards, branding, merchandise, invitations, handmade quotes and more. Angelonia features OpenType stylistic alternates and ligatures. Language Support for most Western Languages is included. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Angelonia is coded with PUA Unicode, which allows full access to all the extra characters without needing special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you have any question, please don't hesitate to contact me by email.

Uni Neue is the whole new redesigned version (remake) of Uni Sans – one of the most recognizable and signature font families of Fontfabric type foundry. From major changes like proportions, widths and thickness (weights) to the smaller details, this new family enables us to feel and understand the font at a completely new level. Uni Neue is а modern sans serif with a distinctive character and geometric feel. The rounded corners give the typeface a friendly look, yet it retains a professional quality suitable for branding even the most serious corporate identities. The attention to detail paid during its development means that this typeface offers a vast range of design possibilities – it helps users create eye-catching designs and brands that really stand out. It is perfect for TV, screen, editorial and publishing, logos, branding, advertising and packaging. It supports a wide range of languages, including Extended Latin, Cyrillic and Greek. The family has seven weights, ranging from Thin to Black, with corresponding italics. The font was manually hinted to ensure great web and desktop performance.

Introducing Costa Riyal, a captivating and modern signature font that effortlessly combines elegance with contemporary style. Designed to leave a lasting impression, Costa Riyal is the perfect choice for those seeking a font that exudes sophistication and refinement. With its seamless integration of both uppercase and lowercase letters, Costa Riyal offers a harmonious balance that adds a touch of luxury to any design project. Whether you're creating a logo, designing wedding invitations, crafting headlines, or curating a fashion-forward magazine, this font will elevate your work to new heights. Costa Riyal doesn't just stop at its stunning letterforms—it also includes a comprehensive range of numbers and punctuations, ensuring versatility and flexibility in your compositions. Moreover, its multilingual support enables you to effortlessly communicate your message in various languages, making it suitable for international projects. One of the standout features of Costa Riyal is its extensive ligature collection. These artistic connections between letters provide fluidity and authenticity, giving your text a handcrafted and personalized touch. The font is also PUA encoded, allowing easy access to all the captivating ligatures and glyphs.

Say hello to the new classic nineties retro font, Fearlessly Authentic! The trend is to make thin serif fonts that made the 80s and 90s style, so we wanted to make them too but with a different touch. Make it slightly rounded for a retro look and make your design look great! Fearlessly Authentic - A classic nineties retro with a complementary italic version. In the italic family, we make it different from the regular and make a shape with a unique uppercase so it looks more classic, retro but a little modern We've also been loving combining the regular and italic, especially for logos (see the "Symphatize logo, image #3) Included : Regular and Italic Letters, numbers, symbols, and punctuation Use in many programs even in Canva Multilingual Support Language Support: Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Luxembourgish, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Spanish, Swedish, Swiss-German, Uzbek (Latin) Come and say hello over on Instagram! https://www.instagram.com/dharmas.studio/ Dharmas Studio

Astage is a new, very interesting brushed font. This font is perfect for branding projects, logos, product packaging, posters, invitations, greeting cards, news, blogs, everything including personal charm and more. Astage offers OpenType features, some ligatures and swashes, initial and terminal letters, and International support for most Western Languages. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: http://youtu.be/iptSFA7feQ0nn Astage is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. Thanks so much for looking and please let me know if you have any questions.

Not to be confused with the prolific, 1980s British super-star graphic and type designer Neville Brody, this brush script typeface was designed in 1953 by the American type designer Harold Broderson. Broderson worked for ATF (the American Type Founders), who were the original publishers of this design. Body is a brush script face that mimics the show card style of lettering, which was very popular throughout the United States during the first half of the 20th Century. The letters appear as if they were drawn quickly and spontaneously with a wide, flat lettering brush. The lowercase letters connect to each other, cursive script style. Brody is the perfect display face to provoke a nostalgic feeling for the 1950s. Anything having to do with apple pie, home cooking, or last minute sales would look great in this face. You could outfit a whole supermarket signage system in a snap with Brody. If you need the original version with more lettered characters then Brophy Script is a good alternate,

Because Contenu is designed for text use, it is spaced for body copy in the 9-12 point range. That is far too much spacing for heads, subheads, and the like. So I made the display version of Contenu Book to use for headers. In the process of tightening the spacing at the very large sizes, I also made some minor modifications to the glyph shapes to make this version a little more elegant. Contenu Opentype has two Opentype families for print design. Contenu Book has five fonts: Regular, Italic, Bold, Bold Italic, and Display. Contenu has Medium, Medium Italic, Black, and Black Italic. The name is French for content and this is what the family is designed for: text, body copy, and book layout. If it has a style, it is a modern take on oldstyle serif font using Jenson as a mask. There are no plans for display versions of the bolder weights or the italics. If you want them, use Contenu Medium, Book Bold, Contenu Black, or any of the four italics and tighten the tracking.

Cartier was Canada’s first roman text typeface, created in 1967 to celebrate Canada’s centennial. Its designer, Carl Dair, was one of the country’s most celebrated graphic design pioneers, and a fine designer indeed — but he was not a trained type designer. He had spent a year at the Enschedé type foundry and printing works in the Netherlands, but that probably wasn’t enough to fully grasp all that was required to make an effective text face. It is also possible that Dair simply compromised his own design by not allowing any of the much needed alterations to be made to his working drawings when they were handed over to Linotype for production. Cartier, though a strikingly original oldstyle, never became the influential allround text face it might have been. A display typeface derived from it, Raleigh, was more successful. Realizing that Dair’s design was sound in concept, if not in execution, Rod McDonald began working on a new digital version in 1997. The final family is convincing proof that Cartier could have been the functional text face that Dair originally wanted.

We introduce our new product called Shaletta Font. Shaletta Font is a bold script font which has two styles, Clean and Textured. With those kind of styles, Shaletta Font will looks more vintage and classic. Shaletta Font is great for Logotype, Branding Design, Logo Design, Digital Lettering Arts, T-Shirt/Apparel, Poster, Magazine, Signs, Advertising Design, and any vintage design needs. What you get: Shaletta.otf Shaletta includes capital and lowercase letters, Alternates, and Ligatures Numbers + punctuation Foreign language support I highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor/application. Thanks for purchasing and have fun!

Foverdis is a versatile and powerful ornate script face. Foverdis features flowing hand lettering with tall and graceful ascenders. The face offers a wide array of weights, from the powerful Black weight to the graceful Thin to unique Hairline. Foverdis can get the job done for many unique design tasks. Its wide range of weights at a great price, and OpenType alternates make it a very valuable font for your design toolbox. Foverdis OpenType features include a set of non-connecting alternates, 20 ligatures, and two types of ending letterforms. OpenType features include ornaments, a full set of swashes, swash endings, ending contextual alternates, discretionary ligatures, ligatures and twelve different stylistic sets filled with alternates. In total, there are over 150 alternate letterforms and ornaments. Please see the sample .pdf to see these features in action. OpenType capable applications such as Quark or the Adobe suite can take full advantage of the automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of languages. Foverdis is great for a professional designer that wants to maximize design capabilities.

“Fanfare is such a fun typeface,” says Toshi Omagari, who revived the design for The Wolpe Collection. “It was my happiest discovery when I was digging through the Monotype archive. I came across it and had to check the designer’s name.” No wonder: Fanfare is modern, light and playful – not what you’d expect from an 80-year old design. From the original, very heavy weight design, Omagari started by creating a black weight, followed by four lighter weights for Wolpe Fanfare, preserving the character of the letterforms all the way down to a thin version. “I wanted to do more than digitize the original weight,” he says. “It’s surprisingly modern, and its skeleton, its basic structure, is so beautiful.” The new design packs more into a small space than most typefaces. It’s a natural for publication and advertising design. With displays capable of revealing fine details such as Fanfare’s subtly slanted baseline, its lovely forms will easily translate to mobile devices. With an extended European character set that includes Greek and Cyrillic language support, Wolpe Fanfare can speak in many languages.

Hi, Introducing the latest styles Buttelia with the kind of modern hand scratches, I hope you are interested in this font, if you want to use for your work this font can be used easily and simply because there are a lot of features in it to contain a complete set of letters lower and uppercase letters, assorted punctuation, numbers, and multilingual support. font also contains several ligatures and alternate style Stylistic To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. And there are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw This Font has given PUA unicode Thank you for your purchase!

The Akko typeface family is the first new design from Akira Kobayashi in a very long time - and it is well worth the wait. Picture an industrial strength typeface like the Isonorm™ design. Now blend this with an organic design like the Cooper Black™ typeface. It was the idea of the fusion of these two design concepts that inspired Kobayashi to draw Akko. „My initial idea was to create a sanserif type with a ‚soft-focus‘ effect,“ says Kobayashi. „From here, the design evolved into two families, the robust and structured sanserif Akko and soft and friendly Akko Rounded.“ Akko has a wide range of weights, with options including complementary italics and a new Condensed range. The Akko typeface family is available as a suite of OpenType™ Pro fonts, allowing for the automatic insertion of small caps, ligatures and alternate characters. Pro fonts also offer an extended character set supporting most Central European and many Eastern European languages. And new Paneuropean versions introduce support for Cyrillic and Greek.

Eurotypo BKL is a family of fonts inspired in on one of the most beautiful British Typography ever done. This version of Baskerville tries to reflect the taste of his fine style, compatible with the bluntness of the digital present. As many other designers and foundries, our intention has been to represent the atmosphere of Baskerville's style, than simply relive the shapes of its letters. Actually, capitals fits almost to a square proportions, lowercases are more open, ascenders and descenders are shorter, offering more space for enlarge the "x" high. The beauty of his letterforms can enrich headlines; this font can also be used as body text for its good legibility and accurate kerning. John Baskerville (1706-1775) was born 1706 in Wolverley, England. He was a great typographer and printer who published a remarkable edition of Virgil in 1757. His typefaces were greatly admired by Benjamin Franklin; He also has improved and developed many innovations in printing, paper and ink production. Baskerville’s typefaces are regarded as transitional types that represents the link between Old Roman Style and Modern Roman typography.

Risotto Script is a sexy font designed by Felipe Calderón, it represents the texture, sound, smell and flavor of food that come in those interesting packages with different concepts. This font makes you want to eat it because it is designed with a unique texture like a lot of vegetables, it has flourishes that suggest herbs and country roots. Calligraphy with folded pen and food packaging were two of the inspirations to develop this project that will work well wherever it is applied. Risotto Script Pro has 672 glyphs that have the purpose of covering a lot of writing options with different results, by applying OpenType programming as: - Standard ligatures - Stylistics alternatives - Contextual alternates - Discretionary ligatures - Swashes - Terminal forms - Stylistic Set 1, 2, 3 and 4 - Initials (it includes leaves in some endings) NOTE: The X height is generous, in order to design signs to 8 and low size. You`d better get the “extras” for a more complete experience. Most of the Standard ligatures include Stylistics alternatives with detailed endings Multiple language options.

Sporty and brawly, Magnesit Stencil creates impact everywhere it lands. Impressive headlines are its specialty, but it feels right at home used in packaging, branding and poster design. With a very tall x-height, wide language support and minimalistic yet playful appearance, it can take on any serious typographic job. Four distinct styles expand the possibilites even further: the straight to the point Regular, the friendly Soft and the determined Hard styles share metrics across related Magnesit and Magnesit Dark families, so you can mix and match to achieve exactly the effect you need. The SuperSoft style unique to the Magnesit Stencil family carries the concept to the extreme, mixing soft organic curves with rigid modularity inherent to stencil signage. Magnesit Stencil works great with illustrations, the generous shapes can be easily filled with strong imagery to great effect. Based on the best-selling Grim, Magnesit is a vast improvement of the concept with long awaited addition of lowercase, reworked proportions, spacing and kerning, expanded language support and useful icons to satisfy even the most demanding typographers’ needs.

I present to you the universal everyday font 'Kit Cloudkicker'!! This font is very versatile and can be used in various styles of projects where a fast relaxed handwritten font is required. Filled with fun and energetic brush strokes, this font will undoubtedly add a touch of playfulness to your text - perfect for greeting cards, branding, merchandise, invitations and handmade quotes! The 'Kit Cloudkicker' font is so easy to use and create completely unique, hand-made words every time. It looks so great!! Font Features A-Z; a-z character set; 1 language (English); numbers and punctuation marks, symbols. A font containing uppercase and lowercase letters, numbers, and a wide range of punctuation marks. Fonts can be opened and used in any software that can read standard fonts, even in MS Word. No special software is required, and to get started. It is recommended to use it in Adobe Illustrator or Adobe Photoshop Made with love and magic ♡ Thanks for checking it out, and feel free to drop me a message if you had any queries! ~ Anastasia

Robert Hunster Script is a modern calligraphy font with the current handwriting style, this font is perfect for branding, wedding invites, magazines, mugs, business cards, quotes, posters, and more, you can try first if you want to buy this font. Robert Hunster Script is equipped with 369 glyphs. and by having many of these glyphs there will be able to choose the letters according to your liking, lots of variations and options for each letter, so you can customize on your design choices. With pleasure and happiness, in this font package you will get: - Robert Hunster Script OTF To use a variety of letters, you need a program that supports OpenType features such as Adobe Photoshop Cs / Adobe Photoshop CC, Adobe Illustrator CS / Adobe Illustrator CC, Adobe Indesign and Corel Draw and many more programs that support OpenType. If you do not have a program that supports OpenType, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows) If you have any question, do not hesitate to contact me by email mightype89@gmail.com Thanks and happy designing :-)

Amelina is a lovely, modern calligraphic script. It features dynamic and pretty swashes and can be used for many purpose, such as titles, signatures, logos, wedding invitations, letterhead, signage, labels, newsletters, posters, badges, and more. Amelina features OpenType, including the initial and terminal letters, ligatures and International support for most Western languages ​​included. To activate OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign and CorelDraw X6-X7, Microsoft Word 2010 or later. How to access all of the alternate characters, using the Windows Character Map to Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all of the alternate character using Adobe Illustrator: http://youtu.be/iptSFA7feQ0nn How to use stylistic sets font in Microsoft Word 2010 or later versions: https://youtu.be/x1A_ilsBsGs Amelina PUA encoded with Unicode, which allows full access to all the extra characters without having to design special software. Mac users can use Font Book, and Windows users can use the Character Map to view and copy one additional character to paste into your text editor / favorite applications.

Bushing is a quick serif experiment going for open light display type. For years I have always stopped and really liked what I saw with fonts like the original Cushing from the turn of the 20th century. This time the desire for a font was stirred by Felici's article in CreativePro on fonts from the beginning of the 20th century, especially his captures of Cushing No. 2 and the version commissioned for Norwood press from ATF. I'm not interested in historically accurate reconstructions. My desire is for the general feel I get when I see a font. As a result, Bushing has little to do with Cushing (other than the last six letters). But it is a Serif font with small serifs and a huge x-height with a very open feel. I like it. I hope you do also. I made it into a limited display version of OpenType Pro. I added small caps and oldstyle figures, as I can hardly work without them. But ligatures seemed silly for this one.

Introducing Gueton, the retro condensed font that adds a classic touch to your designs. This font features a timeless and stylish retro look and comes with 20 alternate characters and 25 ligatures that beautifully complement its unique design. Whether you’re working on a vintage-inspired project or just want to add some nostalgic charm to your work, Gueton is a perfect choice. Not only does Gueton offer stunning design features, but it also supports multiple languages, making it a versatile font for a wide range of projects. Whether you’re designing a logo, poster, or website, Gueton’s classic and modern blend will give your work a standout and professional look. Check out our collection now and elevate your designs with this elegant and sophisticated font. What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Marzano is a geometric sans serif font that's ideal for headlines, logos, text and advertising, the name comes from the ever so sweet and wonderful San Marzano plum tomato grown in Italy. Marzano includes stylistic alternates, small caps, swash caps, case sensitive forms, old style figures, tabular figures, small caps figures, small caps old style figures, small caps question mark and exclamation point. Since a lot of people today like to type in code using the copyright and trademark symbols in place of a C or R we've decided, the first time to offer two registered trademark symbols, one that's the same size as the copyright symbol and an alternate version that's reduced in size and sits at the caps height. Marzano Slant is set at 6 degrees and is perfect for when you want the look of an italic but don't have the horizontal space in your page design for a full 12 degree italic. At FontMesa all of our italic fonts are cleaned up placing all nodes at extremas.

The Englishman William Caslon punchcut many roman, italic, and non-Latin typefaces from 1720 until his death in 1766. At that time most types were being imported to England from Dutch sources, so Caslon was influenced by the characteristics of Dutch types. He did, however, achieve a level of craft that enabled his recognition as the first great English punchcutter. The original Caslon specimen sheets and punches have long provided a fertile source for the range of types bearing his name. Identifying characteristics of most Caslons include a cap A with a scooped-out apex; a cap C with two full serifs; and in the italic, a swashed lowercase v and w. A few of the many interpretations from the early twentieth century were true to the source, as well as strong enough to last into the digital era. These include two from the American Type Founders company, Caslon 540 and the slightly heavier Caslon #3. Both fonts are relatively wide, and come complete with small caps, old style figures, and italics.

Shellonitha is a lovely, modern calligraphic script. It features dynamic and pretty swashes and can be used for many purpose, such as titles, signatures, logos, wedding invitations, letterhead, signage, labels, newsletters, posters, badges, etc. Shellonitha features OpenType, including the initial and terminal letters, ligatures and International support for most Western languages ​​included. To activate OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign and CorelDraw X6-X7, Microsoft Word 2010 or later. How to access all of the alternate characters, using the Windows Character Map to Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all of the alternate character using Adobe Illustrator: http://youtu.be/iptSFA7feQ0nn How to use stylistic sets font in Microsoft Word 2010 or later versions: https://youtu.be/x1A_ilsBsGs Shellonitha PUA encoded with Unicode, which allows full access to all the extra characters without having to design special software. Mac users can use Font Book, and Windows users can use the Character Map to view and copy one additional character to paste into your text editor / favorite applications. Enjoy using

Antero is a new, very interesting brushed font. This font family is perfect for branding projects, logos, product packaging, posters, invitations, greeting cards, news, blogs, everything including personal charm and more. Antero offers OpenType features, some ligatures and swashes, initial and terminal letters, and International support for most Western Languages. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: http://youtu.be/iptSFA7feQ0nn Antero is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. Thanks so much for looking and please let me know if you have any questions.

The typeface Belwe, created in 1926 by German typographer and teacher Georg Belwe, has an uncommon style that is difficult to describe. It is a synthesis of many different genres: it is a slab serif with Art Nouveau style but also with many blackletter influences. The angled serifs on the ascenders and the calligraphic flourishes on the the upper and lowercase V, W, and Ys reference marks made by pens. There are also many other special characters that are unlike any other designs. Have a look at the fun lowercase a, the quirky lowercase f and g, and the unique C, F, L, and R for the uppercase. This design works especially well for display sizes, but is also good for short amounts of text. The mood and image suggested by this typeface is great for menus, invitations, and signs when you want to send a personal and friendly message. It's Art Nouveau roots also give it a place in history for designs from the Victorian period up through the 1920's and 30's

Vintage Binary - Display Typeface Font is a captivating font that embodies the essence of vintage and retro aesthetics. With its classic display style, it evokes a sense of nostalgia and adds a touch of ornamental and decorative flair to your designs. This font is a perfect choice for logos, badges, emblems, titles, headlines, posters, branding materials, and more. The vintage retro style of Vintage Binary brings back the charm and nostalgia of bygone eras. Its classic display design captures the essence of vintage typography, giving your designs a timeless appeal. The font is adorned with ornamental elements and decorative accents, adding an extra layer of visual interest and artistic flair. Whether you're creating a logo for a retro-inspired brand, designing a vintage label, or crafting an eye-catching poster, Vintage Binary is a versatile font that will help you achieve an authentic and visually stunning result. With Vintage Binary - Display Typeface Font, you can infuse your designs with the vintage charm, retro vibes, and artistic details that will capture attention and make a lasting impression.

Feraldine Script is sweet calligraphy font. This font is casual and pretty with swashes. Can be used for various purposes such as logo, product packaging, wedding invitations, branding, headlines, signage, labels, signature, book covers, posters, quotes and more. Feraldine Script features OpenType stylistic alternates, ligatures and International support for most Western Languages is included. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Feraldine Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you need help or have any questions, please let me know. I'm happy to help.

In ITC Arecibo, Argentinean type designer Luis Siquot has created a typeface of subtle typographic turns. At first glance, ITC Arecibo has a sturdy 19th century wood type flavor, yet the delicate hairline shadow is decidedly Art Deco. Its condensed proportions and character shapes have been carefully modeled to ensure legibility. Siquot added uniqueness and versatility to the face by drawing two sets of small caps: one in which the central horizontal strokes share the same plane (ITC Arecibo) as those in the full-size letters, and another where the horizontal strokes are proportional with the small caps(ITC Arecibo Too). Another intriguing subtlety is what Siquot calls the “soul of the face,” the distinctive highlight/shadow. “This ambiguous line is an effect I have wanted to incorporate into a design for some time,” says Siquot. “Is it a black hairline that surrounds the letters, or a white line incised into the left and bottom of strokes?” ITC Arecibo and ITC Arecibo Too: distinctive, powerful and economical of space. What more could you ask from a headline face?

Lyllo is a casual script font with a huge personality and a bouncy baseline. Each glyph was drawn by hand with a calligraphy pen for later, to be digitized with great precision, carefully guarding the authentic look. It is perfect if you want to convey individuality and style. Lyllo has 745 glyphs: a lot of ligatures that help to sustain the natural flow of handwriting, swashes, finishes, initial shapes and a lot of alternatives for a realistic look with handwriting and for you to give a personalized flare to your designs. Lyllo also offers many catchwords and adornments that complement the charm and uniqueness of the font. To activate the optional glyphs you may click on buttons in any OpenType savvy program or manually choose the characters from Glyph Palette. This lovely font has already an extended character set to support Central and Eastern as well as Western European languages.  Lyllo is a perfect choice for greeting cards, posters, labels, t-shirt design, logos, and more. Lyllo was made to make your project more beautiful and attractive!

The lettering found on an 1878 Salt Lake City advertisement for the Forepaugh’s Circus inspired Faux Pas JNL, which is a bit of a pun on the circus’ name and also a commentary on how this unusual lettering style seems to break all of the rules on stroke width and balance. According to Wikipedia: “Adam John Forepaugh (February 28, 1831 - January 22, 1890) was an American entrepreneur, businessman, and circus owner. Forepaugh owned and operated a circus from 1865 through 1890 under various names including Forepaugh's Circus, The Great Forepaugh Show, The Adam Forepaugh Circus, and Forepaugh & The Wild West. In 1889, Forepaugh sold his circus acts to James Anthony Bailey and James E. Cooper and he sold his railroad cars to the Ringling Brothers. The Ringlings used the equipment to transform their circus from a small animal-powered production to a huge rail-powered behemoth, which later purchased the Barnum & Bailey Circus. Thus, in liquidating his circus assets, he indirectly contributed to the demise of his arch-rival.” Faux Pas JNL is available in both regular and oblique versions.

Pepperwood font is a joint work of the typeface designers K.B. Chansler, C. Crossgrove and C. Twombly. These artists also created the typefaces Rosewood, Zebrawood and Ponderosa together and as the names suggest, all of these typefaces are so-called wood types. The origins of this kind of typeface can be found in the early 19th century. Called Italian or Italienne, these typefaces quickly became very popular. They are distinguished by square serifs whose width is larger than the stroke width of the characters. When the letters are set together, the heavy serifs build dark horizontal bands. Pepperwood font has a couple of unique characteristics of its own. Small squares decorate the middle of the letters and the edges of the serifs are not straight, rather, they have small, fine tips. Pepperwood is reminiscent of the Wild West with its shootouts and heroes, but also suggests the glamor of the 1970s with their platform shoes and wild hair-dos. The different weights allow a large range of design possibilities. Used carefully in headlines, Pepperwood font is sure to draw attention.