Wavely JNL is a font that could have been made by a child or a nervous writer. Squiggly, handmade lines form the characters and this font can also be used for spooky or horror-oriented themes.

Burkey is modern family of Display fonts. Koumon has 8 families font, starting from the small thin to the largest black. This typeface is versatile and can be used successfully in magazines, posters, branding, websites, etc.*

Introducing HEXA’s second family-font, Retro Games Font. The RetroGames font is a witty reinterpretation of the fonts found in 90s 16-bit games that we enjoyed when we were young, presented as bitmap imaged fonts. It offers superior legibility and aesthetic sensibility compared to many other existing bitmap fonts. For instance, while most bitmap fonts create one stroke with 1 pixel or have various thicknesses in pixels, we have standardized it to a maximum of one stroke with 1-3 pixels, enhancing both legibility and aesthetic appeal. Since there are many similar bitmap fonts, we wanted to reinterpret it as a genre of its own. Our latest designed fonts HEXA, we noticed some shortcomings in legibility, and we aim to address those shortcomings in this bitmap font, Retro Games. Our RetroGames font, which brings back memories of our analog past, can be a valuable design element in many design works." ※ RetroGames is Latin-based and a completely crafted font that consists of 2 typefaces. Each typeface contains 195 sets of characters. This font family is in all-caps fonts. ※The font family includes 'Dropline' and 'Black.' 'Dropline' comes with a shadow effect, while 'Black' is designed without a shadow for simplicity." ※RetroGames is a monospaced fonts. So kerning is not applied.

The Modern Symphony Font Duo is trending and elegant font pair that will bring in your design a unique style and luxury look. This font duo particularly well suited for wedding invitations, cards and feminine branding. Modern Symphony Font Duo includes two beautiful fonts - elegant Script and Serif fonts. Modern Symphony Script includes three full sets of gorgeous uppercase and lowercase letters, numerals, punctuation and a large range of ligatures to perfectly re-create natural calligraphy. And you can check them all in this presentation. Modern Symphony Serif is a classy high contrast font that contains only uppercase characters, numerals and punctuation. You can check your language typing characters in text box above.

I present the new handwritten font "Ariel" - a fashionable and super-cooled new font for handwriting with some stylish watercolor additions :) The font of the signature collection was created in such a way as to look as close as possible to a natural handwritten font, which includes a full set of characters in lowercase. Font Features • A-Z; a-z character set; • 1 language (English); • numbers and punctuation marks, symbols Fonts can be opened and used in any software that can read standard fonts, even in MS Word. No special software is required, and to get started. It is recommended to use it in Adobe Illustrator or Adobe Photoshop Made with love ♡

History, as it's said, tends to repeat itself. The round-point pen lettering used in the 1920s logo and ads for Dodge Brothers cars (pre-General Motors) is an early predecessor to the techno type styles of the 1980s. Square in shape, with unique stylization to some letters, Jalopy JNL can cross the decades and be used for a 1920s period piece and still look fresh in an ad for computer parts. Rather than round out the inside lines of the characters to fully emulate the strokes of a lettering pen, the inside lines have straight intersections for the contemporary side of this font's design.

ALS Direct is an open and dynamic typeface with clear-cut letterforms that make it instantly readable. It lends text a neutral, yet agreeable and modern feel. Direct has nine font styles convenient for the purposes of navigation signage. Regular-style letterforms are rather wide, because direction signs are likely to appear before readers at an angle, so the type needs to withstand perspective distortions. And as signs and boards may vary in size, Direct was developed to include several width variations. Condensed fonts can be used where horizontal space is limited, allowing you to keep proper height and readability of the characters. A signage typeface must be easily readable from some distance away and have simple letterfoms with clear-cut features to quickly identify characters. Designing a type for a potentially wide range of purposes calls for a universal approach. If not destined to be used for navigation in a particular building, it shouldn’t incorporate any peculiar elements to agree with certain design or architecture. All of the above determined our choice of a sans serif with large apertures and definite features allowing readers to instantly recognize letters. Descenders are made compact not to interfere with the line below. And the low contrast between thick and thin strokes renders all elements equally perceptible. The x-height is significant, close to the cap height, which inhances readability of the lowercase type. There are two reasons why directions must not be set in all caps. Firstly, lowercase letters are more diverse and include ascenders and descenders identifying some of the letters in the line. And secondly, having learned to read, people recognize word shapes rather than individual letters, which makes lowercase text more readable. With Direct being a signage typeface, first to be developed were its width variations, and different weight styles and italics were added later. Another thing to be kept in mind was that signs often use dark background colors, and black type on a white background appears smaller than white type on a black background. Direct is the first Cyrillic typeface created for navigation purposes. Before that, designers could use the Cyrillic version of Frutiger (Freeset) developed by Adrian Frutiger for the Paris Charles de Gaulle International Airport, and a number of other, mostly body copy, neutral sans serif types. However, signs and boards were dominated by Arial, which Direct would be glad to replace offering elegance and lucidity of form instead of type bluntess. Direct was designed as a signage typeface, but its neutral style and clear-cut letterforms suggest various other ways of application.

It’s stronger than the Thing AND the Hulk! It can bench press 500 pound gorillas and send them scurrying into the corner. RIPPED BAM BOOM is a font that can tear through the alphabet faster than you can say “A to Z” and will work your chest, shoulders and triceps and help YOUR characters gain upper-body strength and muscle mass! Features alternate uppercase characters, Western & Central Europe, Vietnamese & Cyrillic support, Crossbar I Technology™ and 18 Chinese Sound Effects

Remesterad - Modern & Signature Script Perfect, Font It includes a full set of upper and lower case letters, multilingual symbols, numbers, punctuation marks and 20 ligatures. This font has a smooth ballpoint pen texture. It has a lowercase start and end ligature! This font is PUA coded which means you can easily access all the glyphs full of signatures! It also features many special features including glyphs and alternate ligatures. font designs made for various vector designs, printing such as digital wedding blogs, online shops, social media, while printing can be used in the field of clothing products, accessories, bags, pins, logos, business cards, watermarks and many others... so it can make your product look cute and attractive, and also Multilingual support!!! If you have any other questions, feel free to drop me a message :) happy designing :), Mu Fazzal

Very close thematically and in style to the rest of our “whimbats” (the Absurdies, Bizarries, Illustries, Genteta and Whimsies series), the Ombres contain a number of peculiar silhouettes and illustrations of people that range from cute to scary, with everything in between. Ombres offers152 pictures in 3 files. These imaginary characters were produced with different techniques: quick pencil sketches, ink, watercolour, though once digitized and simplified to bring them into the font files there is little apparent difference. The silhouettes, rather than flat shadows are more dimensional in their look, because they have been digitized retaining the original brushwork or pencil strokes of their source drawings. Some of them remind of the venerable tradition of metal stock cuts from vintage type foundries. The digitized results are quite different, but the energetic nature of the subjects has been mantained. Their vectorial file format means you can use them at any size with no loss of quality. Every Ombres dingbat offers ready-made images for a variety of creative projects. They can be used as they come or easily customized in any graphics program. At small sizes they are ideal spot illustrations with a whimsical touch; at large sizes they can bring a whole page, a spread or even a big poster to live.

Hello everyone, I would like to introduce my newest font Merry Bright Script is a beautiful modern calligraphy typeface, I hope you will be interested in this font, if you want to use it for your work. This font can be used easily and simply because there are many features in it. contains a full set of lowercase and uppercase letters, a wide variety of punctuation marks, numbers, and multilingual support. font also contains a lot ligatures and contains many alternative Style Sets such as the stroke alternative of the heart to combine with two words, for example: Ashley-Haston. You can see an example in the image above. Merry Bright is perfect for today's emerging market design, this font has a stylish, trendy, natural and soft font, with this font you can take advantage of any opportunity is a great way to highlight the celebration the best of parties, because this font will be an advocate for the cause such as wedding invitations, branding, parties, graduations, birthdays, gatherings, etc. Thank You, Romie Creative

Hello everyone, I would like to introduce my newest font Hey Magnolia Script is a beautiful modern calligraphy typeface, I hope you will be interested in this font, if you want to use it for your work. This font can be used easily and simply because there are many features in it. contains a complete set of lowercase and uppercase letters, assorted punctuation, numbers, and multilingual support. font also contains multiple ligatures and many contain alternative Style Stylistic Sets such as a heart swash alternative to combine with two words, for example: Ashley-Haston. You can see an example in the image above. Hey Magnolia is very suitable for market designs being developed today, this font has a stylish, trendy, natural and soft font, with this font you can take advantage of opportunities every moment is a great way to highlight the celebration of the best of the party, because this font will be an advocate for the purposes such as wedding invitations, branding, parties, graduations, birthdays, gatherings, etc. Thank you, Mytha Studio

The common Slavic word Osnova means basis in English and βάση in Greek. This universal but still distinctive typeface can make a good ground for any design project. Osnova has six weights from Thin to Heavy with Italic, Small Caps, Old Style & Tabular Figures, some ligatures, alternatives and letter variations. It supports Central European, Greek and Cyrillic codepages, and will be suited for both display and text use. Look how people use it: http://use.type.org.ua/tagged/osnova

Katka is a informal playful typeface entirely cut-out of paper. With two stylistic variants for each letter it enables your text to appear hand-made. Three layers of the type family – Basic, Contour and Confetti – give its users plenty of opportunity for creativity. By making use of its dingbats and icons you can create distinctive user interfaces, social media campaigns or festive designs. Katka feels at home in branding projects, editorial use, children’s books and packaging.

Papagayo in 6 versions Light & Regular with Italics and Small-Caps. Designed with short ascenders and descenders for tighter line spacing. Effective for short headlines and texts. By invoking the Stylistic Alternates feature to an entire line or paragraph the M W g m w y will result in their respective alternates. You can also invoke each single glyph with the Alternate feature. The Alternates g & y contain a more characteristic letter-form for improving legibility in smaller texts.

The beautiful Art Deco monoline pen lettering on the cover of a 1940s piece of sheet music inspired Central Park JNL. The 1940s was an era when couples took romantic walks along the pathways of Manhattan's Central Park or rode around it in hansom cabs. Big bands played at the major clubs and ballrooms and "uptown" meant the well-to-do. Men dressed in their tuxedos and top hats and the ladies were in their jewels and evening gowns.

Named after and inspired by an area in central Stockholm, this typeface also draws on design characteristics from faces such as Bodoni, Didot, Centennial and Walbaum as well as Mrs Eaves. The currently available Regular version of the typeface includes small caps, default and old style figures, standard ligatures as well as an extensive set of discretionary ligatures. Also included is a set of alternative lower case characters. These styles can be accessed as Opentype Features.

This is a digital reinterpretation of Walter Huxley's 1935 evergreen "Huxley Vertical", which was originally cast for American Type Founders. A timeless classic which has been in use since the Art Deco era, this version is known as Hotel Suite JNL. As in the original metal type, alternates for A,K,M,R,W and Y are available and can be found on their respective lower case keys. Hotel Suite JNL is available in both regular and oblique versions.

Orgon Plan is the square-cut sister of the Orgon. It represents the crispy counterpart to the sucsessfull Orgon family and was published in 2020. Orgon Plan consists of 20 styles and is well equipped for advanced typography. It comes in OpenType format with extended language support. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows.

A little goofy, a little nerdy, Winooski mixes loose pen-drawn gestures with legible forms to deliver a playful workhorse. It’s packed with goodies like small caps, ligatures, case-sensitive alternates, and broad linguistic support. It also sports extras like two styles of catchwords that can be fired up by flanking the desired word with either asterisks or underscores and discretionary ligatures for pricing. There are even easter eggs in the OpenType features for the scavenger hunters among us.

Calla is a scripted typeface with an interesting personality. Each letter was created many times so you can get a truly distinctive look to your designs. Notice when you type with open type feature switched on, your letters will bounce around and change as you type? This feature ensures you get a new version of each letter throughout the words you use! Want to get even more custom? Pair all caps words with your lowercase words to create hierarchy!

It is complicated to find an aesthetically charming font in a professional look. The thing is that a wrong font choice can damage your projects. For that reason, Honey Ponds is here for your needs. Honey Ponds is a simple display font in a plain, yet interesting, professional design. To create a better display and to be legible, the font’s form or geometry is presented in a simple style without many details. Additionally, this font provides you a clipart as a bonus. You can enjoy the available features here as well. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Honey Ponds fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, invitations, name cards, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

A slab serif Mr Palker and grotesque Mr Palkerson build one superfamily together.  These are blank types. In a way even the display ones. Typefaces for newspapers, announcements, cheap advertising and police posters.  Mr Palker and Mr Palkerson will turn every language into a fence. And due to six types of faces one can choose what material should the fence be made from — from Thin steel rods to   the Black stone blocks. In their simplest appearance Mrs P&P are  intended for the solid blank composition in victorian or industrial style. They are quite decent, a bit old-fashioned slab serif and grotesque with closed aperture. All my types have layers. Walker and Palkerson also do. Besides the standard set of symbols, they have 4 add-ons. 1. Alternate glyphs, including unicase ones. 2. Ligatures with A letter. 3. Extra tall small caps. 4. Two-storey ligatures. All this options are intended for the complex composition. The additional letters are rather eccentric as their main function here is to imitate the victorian oddities. Imitate, parody, just not repeat. There are lower-case As and Es in the set in height of small caps and uppercases. They can turn every writing into the unicase.    The lower-case A (as well as uppercase and small caps version of it) has deliberately by my taste grown a ludicrous tail. To compensate it I’ve built all the possible ligatures - ад, ал, ая. There are 35 of this ligatures all together. Take a closer look at the Russian letters D, L, K, Ya from the main set as well as their alternates. The additional glyphs are one more comic than the other — on purpose to imitate (not to repeat!) the victorian set. This sets have lowercase numbers. And small caps numbers as well. What a modern typeface without them. They also have an У-letter with a generously curvy tail. As if before the WWI. The Latin of course has alternates as well. It has letters to make the perfect French sound more like the russian provincial version of it. The tails of Js and Ts can be made a little bit more open — or a little bit closed. My favorite feature here, an invention of a kind - extra tall small caps. It allows to compose logos with the small caped uppercases directly from the keyboard. The small caps of this typefaces are usually much taller than the customary ones. This is the kind of small caps that Palker and Palkerson have. More to that, the strokes’ weight and the letters width are corresponded to the uppercases. Just a ready set for making a logo a la 1913 style. With a unicase, one has to mind! One more trick with the tall small caps is a possibility to make them work like lower uppercases. Their height is just in between of lower- and uppercases. Isn’t it great to have an additional set of uppercase working ponies in stock for the case of emergency. And finally — the trademark of Palkers family, two-storey ligatures. They are made in the height of uppercases and turn every writing into an ornament or a puzzle of a kind, while at the same time making them much shorter. Each face has 90 of them. Mainly those are twins: CC, BB, DD and so on. ll this things are for the unhasty compositing, even for lettering. Which means that for the things which are not there you always should have Command+Option+O and some patience. Also — among the two storey ligatures one also can find some belvedere villas. All my types are glasses from the one kaleidoscope. The P&Ps family was preliminary part of the victorian set, which already has 1 Cents and Clarendorf - optionally one can add Costro, Gordoni, Handy, Guardy, Surplus, Red Ring, Red Square, Babaev to the list. And also Sklad, Odessa, Dreamland, Romb, Platinum - here, at Letterhead’s, every second one is victorian. All together our typefaces can allow one to set advertisement of any kind, even the trickiest one, and compose everything, from the coffee place’s menu to the antiquarian magazine.

A grotesque Mr Palkerson and slab serif Mr Palker build one superfamily together. These are blank types. In a way even the display ones. Typefaces for newspapers, announcements, cheap advertising and police posters.  Mr Palker and Mr Palkerson will turn every language into a fence. And due to six types of faces one can choose what material should the fence be made from — from Thin steel rods to   the Black stone blocks. In their simplest appearance Mrs P&P are intended for the solid blank composition in victorian or industrial style. They are quite decent, a bit old-fashioned slab serif and grotesque with closed aperture. All my types have layers. Walker and Palkerson also do. Besides the standard set of symbols, they have 4 add-ons. 1. Alternate glyphs, including unicase ones. 2. Ligatures with A letter. 3. Extra tall small caps. 4. Two-storey ligatures. All this options are intended for the complex composition. The additional letters are rather eccentric as their main function here is to imitate the victorian oddities. Imitate, parody, just not repeat. There are lower-case As and Es in the set in height of small caps and uppercases. They can turn every writing into the unicase.    The lower-case A (as well as uppercase and small caps version of it) has deliberately by my taste grown a ludicrous tail. To compensate it I’ve built all the possible ligatures - ад, ал, ая. There are 35 of this ligatures all together. Take a closer look at the Russian letters D, L, K, Ya from the main set as well as their alternates. The additional glyphs are one more comic than the other — on purpose to imitate (not to repeat!) the victorian set. This sets have lowercase numbers. And small caps numbers as well. What a modern typeface without them. They also have an У-letter with a generously curvy tail. As if before the WWI. The Latin of course has alternates as well. It has letters to make the perfect French sound more like the russian provincial version of it. The tails of Js and Ts can be made a little bit more open — or a little bit closed. My favorite feature here, an invention of a kind - extra tall small caps. It allows to compose logos with the small caped uppercases directly from the keyboard. The small caps of this typefaces are usually much taller than the customary ones. This is the kind of small caps that Palker and Palkerson have. More to that, the strokes’ weight and the letters width are corresponded to the uppercases. Just a ready set for making a logo a la 1913 style. With a unicase, one has to mind! One more trick with the tall small caps is a possibility to make them work like lower uppercases. Their height is just in between of lower- and uppercases. Isn’t it great to have an additional set of uppercase working ponies in stock for the case of emergency. And finally — the trademark of Palkerson family, two-storey ligatures. They are made in the height of uppercases and turn every writing into an ornament or a puzzle of a kind, while at the same time making them much shorter. Each face has 90 of them. Mainly those are twins: CC, BB, DD and so on. ll this things are for the unhasty compositing, even for lettering. Which means that for the things which are not there you always should have Command+Option+O and some patience. Also — among the two storey ligatures one also can find some belvedere villas. All my types are glasses from the one kaleidoscope. The P&Ps family was preliminary part of the victorian set, which already has 21 Cents and Clarendorf - optionally one can add Costro, Gordoni, Handy, Guardy, Surplus, Red Ring, Red Square, Babaev to the list. And also Sklad, Odessa, Dreamland, Romb, Platinum - here, at Letterhead’s, every second one is victorian. All together our typefaces can allow one to set advertisement of any kind, even the trickiest one, and compose everything, from the coffee place’s menu to the antiquarian magazine.

The “Trixy Toy Educator” was a 1930s-era set of letters and numbers (along with a few animal shapes) for teaching children, and was manufactured by the Durrel Company of Gardner, Massachusetts. Die cut from thick cardboard, the 40 piece set also included a rack to display the characters, presumably for little ones to practice the correct order of the alphabet and basic numerals or to spell simple words like ‘dog’ or ‘cat’. Whomever came up with the idea, they used the most rudimentary and unusual ‘type design’ shapes in the A-Z and 0-9, but they were just odd enough to inspire a digital type version of them. School Age JNL is available in both regular and oblique versions.

Ogelic Typeface Serif is modern and elegant. It pairs well with san serif as pictured or stands firm as a title and brand representative for an elegant look. This Ogelic Typeface is equipped with a modern professional character that can present an elegant and attractive identity for your company for business purposes such as business cards, name tags, and uniforms as a brand enhancement. This modern Ogelic typeface is suitable to be embossed as a letter nameplate or even pasted in your office with a cutting sticker that looks elegant. This elegant Ogelic-type shape is also stunning for book covers or magazine writing. You can see all the available characters in the screenshot above, and you can try the modern & elegant Ogelic now for any design issues. Ogelic also comes with multiple languages, making it easy for any country and language use. It also comes with alternative Ligatures and stylistics to make your designs more attractive.

Mikanu is ideal for projects with a classic modernism serif vibe. This font’s exquisite and refined features can bring a touch of sophistication to your designs. Mikanu includes complex features such as ligatures and alternates to make your text more intriguing and unique. Not only that, but the Mikanu typeface supports multilingualism, allowing it to be utilized in a variety of languages around the world. As a result, you can quickly modify this typeface for other projects. By selecting Mikanu as the font for your project, you will receive a high-quality product that will enhance the visual message you want to portray. Use Mikanu right away to add aesthetic value to your design! What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

I just finished book 8 of The Expanse (by James S.A. Corey) and the name Takeshi popped up somewhere, so I decided to use it for this font family! Takeshi is a hand made set of fonts: a fat display font, a thinner complementary font and a doodle font. Enjoy!

Introducing Silfer Queen Script vintage calligraphy font. Silfer Queen Script is a classic calligraphy font. This is a classic thin font with an italic style. Here you will get a beautiful classic font. This font is available in several modern swirls that can make your work look elegant, sweet and perfect.

Greeting the new day! Start with a new handwriting, it will make your work more creative! Introducing Rosanthie - Signature Script Font by Anomali Creative! Rosanthie is Signature script is handmade signature style font with stunning characters. Ideal for logos, name tag, handwritten quotes, product packaging, merchandise, social media & greeting cards. It contains a full set of lower & uppercase letters, a large range of punctuation, numerals, and multilingual support. This font can be used with all software that can read standard fonts. ------------------------------------------------------ Check out my instagram: www.instagram.com/anomali_studio Thanks so much for checking out my shop! All the best, Krisna Teja

Chopard is an elegant and modern sans-serif font family. It includes upright and Italic style, each of them has six weights from light to bold. This is a multi-purpose font that is perfect for any project, it is contrasted, modern and easy to read. With it, you can create logos, use in advertising, packaging, book covers and magazines, headings, descriptions and much more. Todes includes stylistic alternates for uppercase and lowercase, with them you can add dynamics to the font and make your project more individual and stylized. This font is easy to use has OpenType features.

Hardly is a delicate and elegant script font with a modern and sophisticated appearance. Its thin letterforms feature fluid strokes and subtle curves, creating a graceful and refined feel. The font is perfect for designs that require a sense of elegance and sophistication, such as wedding invitations, branding, or editorial design. Hardly is a versatile script font that can be used for both body text and headlines, and its delicate yet readable style makes it perfect for a variety of design projects. This font is PUA encoded which means you can access all the glyphs and ligatures with ease!

"Natures" is a display font with decorative floral motifs encircling the ends of each character. This font brings a touch of nature and natural beauty into your typography. The letterforms adorned with circular flowers provide an artistic and organic appearance, making it suitable for designs that aim to express the beauty of nature or natural elements. The "Natures" font can be used in various design projects, such as nature-themed posters, wedding invitations with a natural theme, products focusing on environmental conservation, and more. With floral decorations surrounding its characters, this font can add a special touch to your designs.

Legend font with simple models of natural and comic, you can take advantage of the opportunity at any time one wonderful way to highlight the celebration of the feast of your best, because these fonts will be a driving force for purposes such as cover design, wedding invitations, party , graduation, birthday, gathering, etc. Font Legend if you want to use for your work this font can be used to easily and simply because there are a lot of features in it contains a complete set of letters lower and uppercase letters, assorted punctuation, numbers, and multilingual support.

Thulth font (Thulth Tharwat Emara Golden) distinguished by beautiful artistic structures and ready-made sentences to help you design the designer designs and paintings easily. It also retains the beauty of its original Arabic calligraphy. This font can be used in titles of books, magazines and Quranic verses. Also specialized in printing on clothes, Najaf and antiques. It is the first font that you can write complete sentences and Ayat of Quran by beautiful artistic structure like as those written by the calligrapher. It also simulates the handwriting and no need to calligraphy it when you have this font.

Sakamoto font with simple models of natural and comic, you can take advantage of the opportunity at any time one wonderful way to highlight the celebration of the feast of your best, because these fonts will be a driving force for purposes such as cover design, wedding invitations, party , graduation, birthday, gathering, etc. Font Sakamoto if you want to use for your work this font can be used to easily and simply because there are a lot of features in it contains a complete set of letters lower and uppercase letters, assorted punctuation, numbers, and multilingual support.

Influenced by Blackletter type and highway fonts, the Nettle Sans font family sets out to be both a quirky and confident headline font (at the heavier weights), and an easily legible body font for print or screen (at the lighter weights). Careful attention was taken in choosing distinct shapes for each letter to maximise legibility, and to balance a daring experimental form with function. Through its brutal angled cuts out of the ends of tapered links, ink-traps, ascenders and descenders, Nettle Sans' defining motif offers a visual language that communicates speed, efficiency, advancement and the "cutting edge".

Tattooflash Fingers is a special Font for Finger-Tattooing. The Glyphs come in 3 Sizes for short fingers, normal fingers and long fingers. The Font is made for the little Space on a Human Finger. You can make your own Tattooflash! To Color your Tattooflash take the PART version!. After Install the Fonts you can use the part-version in Photoshop or better in Affinity Photo or Affinity Designer to color your Flash. Use the Swashes to make your tattoo flash better, make your own TattooDesign! You are a Tattooartist? This Fonts are made for YOU!