Tailor was a study of slab serif style with round and comfortable feel. I wanted to merge round shapes with exaggerated ink traps for legibility.

DB Just for U is designed to be used just for u! Use this DoodleBat to show someone just how special you know they are.

Varial typefaces are extra-condensed Opentype™ sans-serifs with small caps, extended character set (european languages support) and extra features (fractions, ligatures and alternatives).

The characters in SafetyPinned are composed of interlocked safety pins. The typeface lacks true lower-case letters but rather has two sets of capital letters.

A light roundhand with mildly clubbed terminals on the capitals. It was expertly transferred from an engravers’ pattern plate to the Fotosetter Intertype about 1955.

Fashyon was created as an experiment blending script and calligraphic elements, and with a perfect balance between characters, looks dynamic yet with a classical look.

How To Consume Oxygen was created with the plan of emulating words written on a fluted-steel 'warehouse'-type door in advanced state of rusting.

Playwright JNL and Playwright Slant JNL are versions of the perennial Art Deco font Broadway—with a look as if lettered by a sign painter.

Digitally engineered by Steve Jackaman. Based on the original Willard T. Sniffin design of 1933 for ATF, this informal brush script was known as Keynote.

This font was made in collaboration with Nikki at Melonheadz Illustrating. The quirky look and feel of the lettering is perfect for illustrations for children.

Edwardian font was designed by Colin Brignall, a free-flowing roman face with hints of the early Edwardian period. Edwardian exudes warmth, individuality and charm.

Cartoonist JNL was modeled from a casual brush lettering style found in a catalog of lettering templates sold by the Wright-Regan Instrument Company (Wrico).

The word "Signs" hand-lettered on the cover of a 1930s instructional book on sign and poster lettering was the basis for Poster Inline JNL.

The typeface was designed at ParaType (ParaGraph) in 1990 by Alexander Tarbeev based on Pragmatica typeface, 1989 by Vladimir Yefimov. A monospaced condensed sans serif.

Varial typefaces are extra-condensed Opentype™ sans-serifs with small caps, extended character set (european languages support) and extra features (fractions, ligatures and alternatives).

Christmas Dingbats 1 and Christmas Dingbats 2 are two Christmas fonts with different styles. Each font contains more than 90 Christmas icons, borders and ornaments.

Justine, while a playful, swirly, girly font is a complete font with the full character set. It was inspired by the handwriting of Justine Childs.

The hand punched lettering of an antique French shipping stencil was the inspiration for French Shipping Stencil JNL; available in both regular and oblique versions.

PT Adventure™ was designed by Natalia Vasilyeva and licensed by ParaType in 2001. An original calligraphic script. For use in advertising and display typography.

This font was designed as an experiment in simplfying the Blackletter. We never showed it in the Solotype catalog, so it didn't get much use.

Stoan is a rough, textured grunge font, based on the popular Spaza. Its characters are irregular and funky, with edges that disappear into the distance.

These are curly designs arranged into fanciful snowflakes, evoking 1960’s psychedelia as well as Victorian romanticism. An excellent choice for any winter holiday material.

Ornamental font, based on samples of Alphonse Mucha, who was an Art Nouveau painter and decorative artist. In this collection assembled typical wavy shape secession.

JasperSqueeze was an attempt to do a decent text face. Blending it with XAabced resulted in JabcedHy, which seems to be superior to both parents.

Edwardian font was designed by Colin Brignall, a free-flowing roman face with hints of the early Edwardian period. Edwardian exudes warmth, individuality and charm.

This font was made to be clean and legible. It's versatile nature makes it perfect for note taking, posters, or even for long form copy.

Andale Mono was designed by Steve Matteson. It is a highly legible monospaced font designed with the needs of terminal emulation and software development environments.

Presenting a vintage typeface named "Fisherman's Knot". Its style was inspired by boating knots and old graphics heritage. Thank you and have a great day!

This is a revival font from an Image of a plate made from Eleventh Century initial letters. The "numerals" are Roman numbers done as ligatures.

Kimaus is reverse contrast display font. It's letterforms are inspired by the classic cartoon style. Fit for titling and unique looking designs and creative projects.

Font Rospo-Wood is two-element font inspired by the weekly "Tygodnik Ilustrowany” from the 1933. Font has three alternative glyphs that are automatically replaced.

Adroit was designed by Phil Martin in 1981. Adroit’s letters have a strong contrast between thick and thin strokes and a distinct diagonal stress.

Shopping Spree JNL was inspired by the hand lettering on the title card for the 1938 film "Fast Company" starring Melvyn Douglas and Florence Rice.

Stampede was created from a small sample of letters found on an old document dating back to 1902 from the Chicago, Indiana & Eastern Railway Co.

This typeface was suggested by a 1930s ad for a product called Plantol, designer unknown. It can be either graceful or playful, depending on context.

Claridge was designed by Adrian Williams and released in 1979. The lowercase g of the Claridge font has a distinctive central join to the loop.

The Vtg Stencil fonts from astype are based on real world stencils from several countries. All styles offering an extended Latin character set. » pdf specimen «

Boa bold is a basic display font made for print. It was created for an Artbook about reptiles. It needed to be round and clear.

Typography is the art of crafting letters and shaping language, and for designers, selecting the right font is crucial. Every typeface has its unique personality and can evoke different emotions, which is why selecting the right one for your project is essential. With that in mind, we introduce to you the You’re Gone typeface—a true gem in the world of typography. This rounded techno typeface with an industrial vibe from the 1980s is the perfect way to add a unique, technical edge to your message. Its dauntless strokes and mellow, rounded edges create an industrial look with a contemporary twist, making it the ideal choice for designers looking for something fresh and modern. With its distinct, detached letterforms, You’re Gone is perfect for capturing attention and leaving a lasting impression. This typeface is ideal for all kinds of design projects, from branding and packaging to websites and social media graphics. Its bold, techno look is perfect for businesses in the technology, manufacturing, and industrial sectors. You’re Gone is a versatile typeface that can be used in a variety of ways. Its rounded edges and thick strokes create a distinctive and memorable look, while its technical vibe adds a sense of professionalism and expertise to your message. It’s the perfect way to stand out in a crowded marketplace and make a bold statement with your design. Overall, if you’re looking for a typeface that combines industrial vibes with a contemporary twist, then You’re Gone is the perfect choice. With its bold, rounded strokes and detached letterforms, it’s sure to make a lasting impression and give your message the edge it needs to stand out. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.