As the name implies, this font was made with a gritty pencil. Gritty Pencil comes with language support and a set of cool alternates for the lower case letters.

Hand lettering used in the trailer for the 1943 movie musical “Broadway Rhythm” was the inspiration for Show Tune JNL, which is available in both regular and oblique versions.

To design the font Erazm, I was inspired by books from the 30's from Poland. From a few letters I created an entire typeface - lower and uppercase characters.

DANKEN is an all caps display typeface that was created to mix font styles and create unlimited variety of effects. Now it has 25 font styles but it’s growing.

This font was inspired by the lettering on a shop sign along a very classy shopping street in Bordeaux, France. There were similar styles among mid-nineteenth century types.

Poster Gothic was inspired by showcard lettering samples featured in the book,""Commercial Art of Show Card Lettering"" by James Eisenberg, published by D. Van Nostrand Company in 1945.

In 1935 Schriftguss Dresden released Arno Drescher’s famous titling font Helion. This font was brought to life again and carefully extended with Baltic, Turkish and Central European character sets.

Vixar ASCI is a unique font that was originally developed for inclusion in a Microsoft product. The Vixar ASCI font is available in TrueType with a custom character set.

The design of type Meeneralca 4F was inspired by the logo of the mineral water Borjomi from Georgia. The word "Meeneralca" is the short (slang) version for "mineral water".

An inline version of the Latin bold condensed, and designed on the suggestion of Robert Harling. There is a double white line, which was originally engraved in Latin type.

CG Symphony was among the first one hundred PostScript faces released by Compugraphic in 1988. The original version of CG Symphony font is the Linotype Original font family Syntax.

For many centuries, Chinese cut paper designs have been in common use. Floral Ornaments was inspired by these floral cut paper designs and contains a selection of 114 ornaments.

Fifty Famous Fairy Tales was inspired by lettering on the cover of a children’s book of the same name published by Whitman Publishers back in the 50s or 60s.

Art Nouveau Ornaments was inspired by designs from historic sources drawn in the Art Nouveau style. There is an assortment of 47 ornaments located under the character set keys.

Amongst the pages of a 1946 foreign publication entitled "100 Alphabets Publicitaires" ("100 Advertising Alphabets") is the casual brush stroke sans that was the design basis for Relaxation JNL.

A hand-cut antique brass stencil for marking barrel tops of dill pickles was the source of inspiration for Surface Stencil JNL, available in both regular and oblique versions.

Anecdote JNL gives a serif treatment to Haute Couture JNL, which in turn was modeled after die-cut cardboard letters and numbers used for displays, signs and show cards.

ReadySteadyGo is a display font that refers to the look of stadium tracks. The font was actually created for Sports Bible, a book about sportswear, published by Sportswear International.

Sumi Strokes was created as a set of simple abstract brush stokes that could be used on their own or in conjunction with one another to form a painting.

Art Nouveau Flowers was inspired by flowers from historic sources drawn in the Art Nouveau style. There is an assortment of 47 flowers located under the character set keys.

Display Chamfer is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. It has caps, lowercase and numbers.

Borough Park JNL is named for a neighborhood in the southwestern part of the borough of Brooklyn, NY and was modeled from hand lettering found on vintage sheet music.

Victorian Ornaments was inspired by the decorative borders and panels produced during the Victorian era. There is an assortment of 47 ornaments all located under the character set keys.

A round was added to a neat straight line to express a soft sensibility. It is a neat and flexible font using a clean and stable type of module.

Central was developed specifically as a titling font for a theatre-hub website. The pure geometric forms and elegant simplicity provide a pleasing contrast to small screen text sizes.

Inspired by Demeter’s Geperle Fournier, Baroque Pearl is a highly ornate display font of the same style which was carefully extended with Baltic, Turkish and Central European character sets.

Cul De Sac is a beautiful cartoon-like font. It was hand drawn, using an old fashioned pen and India ink. Use it for your ads, posters and websites.

This font was inspired by Claude Garamond antique. The original set of letters from 16th century is enlarged by several characters that were not in use in that time.

This was my best seller of all time. It should do well at MyFonts.com now that it has a full character set and an Italic style (exclusive to MyFonts.com).

Outline brush script originally designed for embroidery application. Everett was designed for all media and works best at 24 point and above. Everett requires subjective display kerning and compensation.

Audio Pi was created by the Linotype Staff. The Audio Pi font is a collection of symbols intended for use by designers working in the recording and broadcasting industries.

A magical alphabet used by secret societies in times past. It was based on the Hebrew alphabet. NOTE: this font comes with a comprehensive interpretation guide in pdf format.

Positively bold, Cachalote was drawn by subtracting negative space. The resulting glyphs show unexpected, original forms, packed in an unicase font. Suited for impact. For the coolest looks. Positively.

The basic letterforms for this typeface were found on a 1920s French poster for Les Arts de Feu by an unnamed artist. The stark geometric forms have been dressed up with an outline treatment, a drop-up shadow and a non-traditional small cap arrangement to make it even more striking, in a spooky kind of way. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Kwaliteit is the result of a love story. The love story between a font designer and an old embossing label machine. The big bold letters produced by such machines are wonderful to convey a big bold message (big bold messages are fun!), but sometimes you just can't walk around with one of those antique label machines… That's why this font can come in handy! Its uses are numerous… be the boss of emboss!

This dotty delight, with its exceptional x-height, is based on handlettering presented in one of Hal Martin’s many Idea Books for Signmen, Artists and Displaymen, published in the 1930s. The ball terminals on several letters in the original alphabet have been enlarged to punctuate the page with dancing dots, suggesting the game which gives this typeface its name. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

It’s a mixture of digital exactness and analog freedom. With over 130 Opentype features, the font can change its look from strict to charming twirly. GELI offers many different ways to highlight words, which gives the font a personal character. It is a powerfull corporate font with a wide range to play with. Tobias Gutmann designed the Font in 2009/10 in the Typoclub which is part of the Hochschule der Künste Bern.