Anago shares the same DNA as its sibling Macha, but is a completely different species than the former or any of my other sans serifs (Aaux Next, Air, Akagi Pro or Wasabi). Soft, ample letterforms are casually constructed and the end result produces a typeface that changes color as it varies in size — allowing the type family to work well in both text and display settings as long as attention is given to size. Anago takes a little but gives a lot. The 10-style typeface features a fully-loaded character set that includes: Small Caps, Proportional Lining and Oldstyle Numerals, Tabular Lining and Oldstyle Numerals, Fractions, Ordinals, Inferiors, Superiors, Stylistic Alternates, Ligatures, Case-sensitive, and more.

Fabregas is a handwritten signature font with a natural & stylish flow. It will add an authentic touch to any design idea. This fonts comes in Regular and Italic and has many features such as Alternates, Swash, 101 Ligatures and Multi-Lingual support (ä ö ü Ä Ö Ü ß ¿ ¡). Fabregas works both on Mac & PC, is simple to install and accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, CorelDraw, even work on Microsoft Word. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and CorelDraw. More information about how to access alternate glyphs, check out this link (http://goo.gl/ZT7PqK).

The design of the Jeunesse font family derives from a study of primers which the designer undertook earlier in his career. Jeunesse was designed with the intention of combining excellent legibility and character recognition with the ability to create compact, distinctive words and lines while maintaining basic flourishless letterforms. The sans serif style is pre-dominant in this design, but serifs or rather parts have been added where necessary, mostly at the top left hand parts of the characters, to aid readability. Use Jeunesse as a text and display face. There are also fully sans serif and slab serif versions available which can be used on their own or mixed with each other and the parent fonts.

Vigrand is a stunning handwritten font with a vintage feel. Vigrand give you luxurious vibes as much as casual vibes, elegant but simple, strong but light. Use Vigrand to add a unique charm to any design project. With 6 stylistic, regular, regular rough, regular aged, bold, bold rough, and bold aged. Up to 5 level alternates. Opentype, swash, ligatures, multilingual support, ( Western European characters and works with following languages: English, French, Italian, Portuguese, German, Swedish, Norweigen, Danish, Dutch, Finnish, Indonesian, Filipino, Malay. ) PUA encoded, easy to use. No need for special software. Extras : Editable logo and Floral Ornament. It's very well suited for logotypes, wedding invitations, product labels, fashion and cloting product, and other type design.

Introducing “Cheese Dream,” a handwriting font that effortlessly adds a touch of whimsy and individuality to your designs. “Cheese Dream” is your perfect creative companion for crafting captivating magazine layouts, establishing a memorable brand identity through logos, and addressing a wide range of design needs. Every character in “Cheese Dream” radiates the warmth and charm of handcrafted artistry, injecting a personalized and elegant touch into your designs. Begin an enriching creative journey with the unique allure of “Cheese Dream,” where each letter is a brushstroke of artistic expression, poised to captivate and inspire your audience. Cheese Dream Multilingual Support ( Support for 91 Languages ) If you have any questions, don’t hesitate to contact us

Have you been looking for a vintage font?Get ready to transcend to a world of magic, laughter, and butterflies. Your projects will spark delight and engage everyone who sees it! Lostcowboy-A Vintsge Font Lostcowboy is a font made all in uppercase that is inspired by designs and illustrations from urban styles. An excellent choice to add the right amount of street and retro vibes. Perfect for social media branding projects, printed quotes, packaging, or even as a stylish text overlay to any background image. Lostcowboy includes Multilingual Support to make your branding reach a global audience. Features: Ligatures Alternates Stylistic Sets Bonus Ornament PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

Introducing "Kumala Handwritten Script," a font crafted with artistic finesse and a touch of personal charm. Embracing the beauty of imperfection, this script font captures the essence of hand-drawn strokes, bringing a unique character to your projects. Whether used for invitations, quotes, or branding, "Kumala" adds a distinctively human touch. Its fluid lines and versatile nature make it a perfect choice for those seeking a blend of elegance and informality. With a range of characters and a warm, inviting vibe, "Kumala Handwritten Script" is designed to elevate your creative expressions. Unlock the potential of personalized typography with "Kumala Handwritten Script" and infuse your designs with a handwritten authenticity that resonates with every stroke.

Fountain Persona is a font pack consist of 3 fonts. These fonts were created based on authentic hand writing with natural signature style. It worked well to combine these three fonts into one lettering. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : 3 fonts uppercase & lowercase numbers and punctuation multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Introducing Victorian Radiance - Modern Vintage Serif Victorian Radiance is a modern vintage serif font that exudes timeless elegance and luxurious charm. With its vintage aesthetic and classy appeal, Victorian Radiance adds a touch of chic sophistication to your designs. Victorian Radiance is perfectly suited for branding projects, headlines, poster, movie titles, games, logos, social media posts, advertisements, product packaging, labels, photography, watermarks, stationery, and any creative project seeking a touch of modern vintage elegance. FEATURES - Stylistic Alternates - Ligatures - PUA Encoded - Uppercase and Lowercase letters - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word Hope you Like it. Thanks.

Introducing Motobreath, the bold typeface that is sure to turn heads. This font is inspired by the energy and power of hard rock music and the thrill of the racing car scene. With Motobreath as your secret weapon, you'll instantly add excitement and attitude to any design project. The simple angles yet energetic lines give this typeface an unmistakable edge that sets it apart from other fonts on the market. Whether you're looking to create a bold headline that demands attention or a logotype that conveys strength and power, Motobreath has got you covered. Motobreath features : Standard Latin Numbers, symbols, and punctuations Multilingual Support. Fully accessible without additional design software Simple Installations Works on PC & Mac Thank You.

Sparhawk in its obvious form is a 3D layered display font, but it's packed with over 300 swashes, extremely rare in the 3D font world. Every single swash is hand-drawn for extreme organic realism. The lowercase are small caps and the swashes are designed to be used mostly with the lowercase letters (top and drop swashes), but the drop (bottom) swashes also work well with all caps. Sparhawk’s large character set and plethora of alternates makes it perfect for logo type, birthdays, weddings, bands… the list goes on. All features include: 8 Awesome Layer Styles, 15 sets of Stylistic Alternates (over 300+ Individually Drawn Swashes), Double-Letter Ligatures for upper and lowercase, and Contextual Alternates.

The design of the Jeunesse font family derives from a study of primers which the designer undertook earlier in his career. Jeunesse was designed with the intention of combining excellent legibility and character recognition with the ability to create compact, distinctive words and lines while maintaining basic flourishless letterforms. The sans serif style is pre-dominant in this design, but serifs or rather parts have been added where necessary, mostly at the top left hand parts of the characters, to aid readability. Use Jeunesse as a text and display face. There are also fully sans serif and slab serif versions available which can be used on their own or mixed with each other and the parent fonts.

aIntroducing Orange Glos - a bold classic serif with more hand-illustrated alternatives, and preserved textures, for a unique, yet modern vintage feel. Each letterform has a slightly grainy exterior that works beautifully to enhance the conventional and soft details of the Orange Glos. This versatile display typeface has enough character for logos and branding, as well as headlines, apparel, bridal and more. Keep it classic, or decorate it with ornate alternatives to uppercase and lowercase glyphs! To access the alternatives, you must have access to an older version of Photoshop to copy/paste the glyphs from the included PSD, OR the Glyphs Panel, which can be found in Photoshop CC or any Version of Adobe Illustrator. Enjoy!

About this font family Round Foundational is a beautifully drawn hand lettering font made digital and captured in a typeface for anyone to use. It is one of the basic styles of calligraphy that students should learn and is perfect for creating beautiful greetings cards, wedding invitations, certificates and official looking documents. Features 1 weight based on a four nib width Multi language support Ligatures to improve style Capital spacing to help create original look Alternative characters that allow customisation To be able to access alternative fonts, make sure the software you use can support opentype features such as Microsoft Word, Paint, Adobe, Corel draw, Cricut and other applications. Designed and published by Andy Peat. Released August 2022

The design of the Jeunesse font family derives from a study of primers which the designer undertook earlier in his career. Jeunesse was designed with the intention of combining excellent legibility and character recognition with the ability to create compact, distinctive words and lines while maintaining basic flourishless letterforms. The sans serif style is pre-dominant in this design, but serifs or rather parts have been added where necessary, mostly at the top left hand parts of the characters, to aid readability. Use Jeunesse as a text and display face. There are also fully sans serif and slab serif versions available which can be used on their own or mixed with each other and the parent fonts.

Ecriture Hand drawn Font was born from original and hand-drawn style font. This font gives a feel of classic, old, handmade look. Already PUA Encoded, and I think this font is perfect for people looking for an aesthetic or hand-drawn logo. Suitable for graphic designs such as branding materials, t-shirt, print, business cards, logos, posters, t-shirt, photography, quotes and more. What Advantages? Simple installation Multilingual Support with Accents PUA Encode Support for MAC and PC

"Phantom Urbanism" is a monoline font with a monoline graffiti theme and an option with stylistic set with arrow effect to add depth and decoration to the font. It is perfect for a wide range of urban or street-themed design projects, such as streetwear design, logo design, car/motosport decals, skateboard decals, and other similar designs. With its edgy and bold appearance, "Phantom Urbanism" brings a sense of energy and attitude to your designs. The font's monoline style and arrow effect optional to adds visual interest and makes your designs stand out. Whether you're looking to create a strong and impactful design or add a touch of urban style to your projects, "Phantom Urbanism" is the font for you.

HorrorScope - A Hand-made Horror Font Foretelling Creepy Tales of Terror! This grungy hand-drawn typeface is inspired retro by horror novels and their garish cover designs that would delight and terrify readers in equal measure. It’s an all-caps font with unique uppercase and lowercase characters, along with a complete set of alternatives so you can avoid repeating those o’s, e’s and t’s. It also includes punctuation, numerals and language support, plus a separate selection of underlines, comic book style boxes and ink splashes. HorrorScope is a font that helps you achieve an authentic, hand-made look in titles and headers; perfect for book covers, movie titles, album covers, editorials and much more. Check out my usage examples for design ideas!

"Street of Exodus" is a monoline font with a graffiti theme and a slight shadow effect to add depth and decoration to the font. It is perfect for a wide range of urban or street-themed design projects, such as streetwear design, logo design, car/motosport decals, skateboard decals, and other similar designs. With its edgy and bold appearance, "Street of Exodus" brings a sense of energy and attitude to your designs. The font's monoline style and slight shadow effect create a 3D effect that adds visual interest and makes your designs stand out. Whether you're looking to create a strong and impactful design or add a touch of urban style to your projects, "Street of Exodus" is the font for you.

🌿 Embrace the beauty of the natural world and the sophistication of elegant design with the Garmony Typeface. This exquisite font is a harmonious blend of nature-inspired decorative leaf illustrations and a versatile typeface that effortlessly combines two styles: Serif and Elegant Script. Whether you're working on a project for your wedding, branding, or any creative endeavor, Garmony brings the perfect balance of organic charm and refined aesthetics. ✒️ Serif Meets Script: Garmony Typeface seamlessly marries two distinct design styles. The serif characters exude a timeless and classical feel, while the elegant script elements add a touch of fluidity and grace. This dynamic fusion makes Garmony Typeface exceptionally versatile, suitable for various applications and themes. 🌱 Nature-Inspired Decorative Leaves: Each character within Garmony Typeface is adorned with delicate decorative leaf illustrations, reminiscent of lush foliage. These charming details infuse your text with a touch of nature, making it ideal for eco-friendly, organic, or natural-themed projects. 🎨 Dynamic Ligatures and Alternatives: Garmony Typeface includes an array of dynamic ligatures and alternative characters, enhancing the fluidity and elegance of your designs. With these options at your disposal, you can create text that appears hand-crafted and truly unique. 🌐 PUA Unicode and Multilingual Support: No matter where your project takes you, Garmony Typeface is fully equipped to meet your linguistic needs. It includes PUA (Private Use Area) Unicode, ensuring compatibility with various design software and providing support for multiple languages. This international versatility ensures your message reaches a global audience with style. 🌾 Swash and Swirl Delight: Elevate your design with Garmony's swash and swirl elements, perfect for adding an extra dash of sophistication to headlines, titles, and logos. These intricate details showcase the font's elegance, making it stand out in any context. 🌏 Versatility and Style: From wedding invitations to logos, product packaging to blog headers, Garmony Typeface brings unparalleled versatility and style to your creative projects. It's the perfect choice for designers, creatives, and individuals seeking a font that combines the beauty of the natural world with the grace of elegant design. Embrace the harmony of nature and elegance with Garmony Typeface. Unleash your creativity and let your designs flourish with the timeless charm and artistic sophistication that only Garmony can provide. Experience the magic of Garmony Typeface today and elevate your projects to a new level of style and allure.

Intro Script carries with it ideas of resurgence, renewal and unconditional freedom. An updated and expanded version of the Intro Rust sub-family, itself developed from the popular Intro type system, Script comes with 8 different weights and a whole slew of goodies and additional features for you to tinker with. These consist of 3 supplementary fonts with ready-made words, patterns and even banners, so you can put the spark back into your project. The set includes a large number of ligatures and contextual alternates, including both lower and upper case versions, as well as positional variations. The latter allow for symbols to connect at different joints, and help you dodge unnecessary voids, resulting in an efficient work process and a more natural flow. With its broad language support and wide range of OpenType features, Intro Script’s friendly, hand-crafted appearance makes it a suitable and flexible choice for any design. Features: • An updated and polished version of the famous multifaceted bundle • 8 refined monoline styles; • Extended language support; • Supplementary goodies - words, patterns, banners; • Additional ligatures and contextual alternates; • Stylistic positional variations;

Miranda Wright is a captivating serif font designed in an exquisite and elegant style. Each letter is meticulously crafted with fine details, evoking a sense of sophistication and grace. What sets Miranda Wright apart are the last few letters, which feature graceful circular swings that add a touch of charm and uniqueness to the font.. The circular swings at the end of certain letters infuse this serif with a delightful flair. These subtle and graceful details add an air of playfulness and individuality to the font, setting it apart from conventional serif typefaces. The circular swings give the font a distinctive personality, making it ideal for creative projects that seek to stand out. Its legible and elegant letterforms make it suitable for both body text and headings, while the circular swings add a touch of character that enhances the overall visual appeal. Enjoy the available features here. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Miranda Wright fits in headlines, logos, posters, flyers, invitations, greeting cards, branding materials, print media, editorial layouts, website headers, and many more. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Looking for a way to add a touch of bold, retro charm to your designs that evoke the fun and creativity of the 70s, 80s, and 90s? Look no further than our collection of classic and modern fonts that are perfect for logos, posters, and all kinds of design projects, whether you're going for an old-school vibe or a fresh new twist on retro design. With our carefully curated selection of fonts, you'll have everything you need to create eye-catching and memorable designs that capture the essence of classic design from the past. Whether you're looking to add some vintage flair to a modern design, or you want to create a throwback look that's right at home in the 90s, our fonts are the perfect tool for the job. From bold, geometric designs that harken back to the 80s, to playful, colorful fonts that embody the fun-loving spirit of the 70s, our collection has something for everyone. And with our easy-to-use design tools and resources, you'll have everything you need to bring your creative vision to life in no time. So why wait? Start exploring our collection of classic and modern fonts today, and discover how easy it can be to create stunning logos, posters, and designs that are truly one-of-a-kind. Whether you're a seasoned designer or just starting out, our fonts are the perfect way to add a touch of old-school charm to any project.

Sharplion is a typeface family designed by Zeki Michael and Leyla Melis Aslan. It’s a simple, but sharp display typeface with a clear yet powerful personality, created to not only optimize space, but also build contrast on the printed page and on the screen. Sharplion, coming in two weights and a matching slanted version, is designed to give that neo-vintage industrial feel in 'titles and hierarchic subheadings, logotypes and cases of short and simple copywriting for the artisan, hand-made and small batch look.’ The first 4 letters for what is now Sharplion, were designed in 2018 by Zeki Michael to be used as a logotype for Depo Coffee Roasting’s branding project. In early 2019 after Zeki designed all the letters, numbers and glyphs, he teamed up with talented designer, Leyla Melis Aslan to add strength to the project. The full Sharplion type system includes Regular, Black and Slanted styles – providing a simple but sharp contrast type solution for digital and print design work.

The Rastiku Groovy font is a bold, fun, and retro character, for all your design purposes! This is a versatile and vintage typeface that is perfect for any of your creative projects and will help make your designs stand out. The ideal font for your readers because it’s easy to read and ideal for branding, product packaging, or just to add a little flair to your editorial work. This fun Rastiku font has the right shape and subtle blend of different letter angles making this font very pleasing to the eye as both the title and sentence text of your projects. So what are you waiting for? Stop procrastinating and immediately incorporate it into your designs! What’s Included : Standard glyphs Iso Latin 1 Simple installations We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Introducing Quzirah, a retro condensed font that blends classic design with a vintage feel. This font is the perfect addition to any project seeking to evoke nostalgia and charm. Quzirah comes fully loaded with 49 alternate characters and 33 ligatures, allowing for endless creative possibilities. Designed with both style and functionality in mind, Quzirah supports multiple languages and is easy to use. With its beautiful and unique letterforms, this font will elevate your designs and add a touch of sophistication. Whether you’re designing a vintage poster or creating a retro-themed project, Quzirah has got you covered. Download it now and let your creativity run wild! What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

"Pearly Smiles," a delightful handwritten font meticulously crafted with love and attention to detail. This font encapsulates the essence of joy and brings a touch of whimsy to your design projects. "Pearly Smiles" embodies the playful nature of handwritten script, with its charming curves and natural stroke variations. Every letter reflects the genuine warmth and sincerity of my personal handwriting, infusing your designs with a sense of individuality and happiness. With its elegant yet cheerful style, "Pearly Smiles" is versatile and perfect for a wide range of creative applications. Whether you're designing logos, branding materials, invitations, greeting cards, or any project that calls for a lighthearted and personal touch, this font will add a touch of enchantment and personality. The meticulously designed letterforms of "Pearly Smiles" ensure both legibility and artistic appeal. Its balanced proportions and thoughtfully crafted characters make it a pleasure to work with, whether on digital or printed mediums

To design a text typeface "at the top with, at the bottom without" serifs was an idea which crossed my mind at the end of the sixties. I started from the fact that what one reads in the Latin alphabet is mainly the upper half of the letters, where good distinguishableness of the individual signs, and therefore, also good legibility, is aided by serifs. The first tests of the design, by which I checked up whether the basic principle could be used also for the then current technology of setting - for double-sign matrices -, were carried out in 1970. During the first half of the seventies I created first the basic design, then also the slanted Roman and the medium types. These drawings were not very successful. My greatest concern during this initial phase was the upper case A. I had to design it in such a way that the basic principle should be adhered to and the new alphabet, at the same time, should not look too complicated. The necessary prerequisite for a design of a new alphabet for double-sign matrices, i.e. to draw each letter of all the three fonts to the same width, did not agree with this typeface. What came to the greatest harm were the two styles used for emphasis: the italics even more than the medium type. That is why I fundamentally remodelled the basic design in 1980. In the course of this work I tried to forget about the previous technological limitations and to respect only the requirements then placed on typefaces intended for photosetting. As a matter of fact, this was not very difficult; this typeface was from the very beginning conceived in such a way as to have a large x-height of lower-case letters and upper serifs that could be joined without any problems in condensed setting. I gave much more thought to the proportional relations of the individual letters, the continuity of their outer and inner silhouettes, than to the requirements of their production. The greatest number of problems arose in the colour balancing of the individual signs, as it was necessary to achieve that the upper half of each letter should have a visual counterbalance in its lower, simpler half. Specifically, this meant to find the correct shape and degree of thickening of the lower parts of the letters. These had to counterbalance the upper parts of the letters emphasized by serifs, yet they should not look too romantic or decorative, for otherwise the typeface might lose its sober character. Also the shape, length and thickness of the upper serifs had to be resolved differently than in the previous design. In the seventies and at the beginning of the eighties a typeface conceived in this way, let alone one intended for setting of common texts in magazines and books, was to all intents and purposes an experiment with an uncertain end. At this time, before typographic postmodernism, it was not the custom to abandon in such typefaces the clear-cut formal categories, let alone to attempt to combine the serif and sans serif principles in a single design. I had already designed the basic, starting, alphabets of lower case and upper case letters with the intention to derive further styles from them, differing in colour and proportions. These fonts were not to serve merely for emphasis in the context of the basic design, but were to function, especially the bold versions, also as independent display alphabets. At this stage of my work it was, for a change, the upper case L that presented the greatest problem. Its lower left part had to counterbalance the symmetrical two-sided serif in the upper half of the letter. The ITC Company submitted this design to text tests, which, in their view, were successful. The director of this company Aaron Burns then invited me to add further styles, in order to create an entire, extensive typeface family. At that time, without the possibility to use a computer and given my other considerable workload, this was a task I could not manage. I tried to come back to this, by then already very large project, several times, but every time some other, at the moment very urgent, work diverted me from it. At the beginning of the nineties several alphabets appeared which were based on the same principle. It seemed to me that to continue working on my semi-finished designs was pointless. They were, therefore, abandoned until the spring of 2005, when František Štorm digitalized the basic design. František gave the typeface the working title Areplos and this name stuck. Then he made me add small capitals and the entire bold type, inducing me at the same time to consider what to do with the italics in order that they might be at least a little italic in character, and not merely slanted Roman alphabets, as was my original intention. In the course of the subsequent summer holidays, when the weather was bad, we met in his little cottage in South Bohemia, between two ponds, and resuscitated this more than twenty-five-years-old typeface. It was like this: We were drinking good tea, František worked on the computer, added accents and some remaining signs, inclined and interpolated, while I was looking over his shoulder. There is hardly any typeface that originated in a more harmonious setting. Solpera, summer 2005 I first encountered this typeface at the exhibition of Contemporary Czech Type Design in 1982. It was there, in the Portheim Summer Palace in Prague, that I, at the age of sixteen, decided to become a typographer. Having no knowledge about the technologies, the rules of construction of an alphabet or about cultural connections, I perceived Jan Solpera's typeface as the acme of excellence. Now, many years after, replete with experience of revitalization of typefaces of both living and deceased Czech type designers, I am able to compare their differing approaches. Jan Solpera put up a fight against the digital technology and exerted creative pressure to counteract my rather loose approach. Jan prepared dozens of fresh pencil drawings on thin sketching paper in which he elaborated in detail all the style-creating elements of the alphabet. I can say with full responsibility that I have never worked on anything as meticulous as the design of the Areplos typeface. I did not invent this name; it is the name of Jan Solpera's miniature publishing house, in which he issued for example an enchanting series of memoirs of a certain shopkeeper of Jindrichuv Hradec. The idea that the publishing house and the typeface might have the same name crossed my mind instinctively as a symbol of the original designation of Areplos - to serve for text setting. What you can see here originated in Trebon and in a cottage outside the village of Domanín - I even wanted to rename my firm to The Trebon Type Foundry. When mists enfold the pond and gloom pervades one's soul, the so-called typographic weather sets in - the time to sit, peer at the monitor and click the mouse, as also our students who were present would attest. Areplos is reminiscent of the essential inspirational period of a whole generation of Czech type designers - of the seventies and eighties, which were, however, at the same time the incubation period of my generation. I believe that this typeface will be received favourably, for it represents the better aspect of the eighties. Today, at the time when the infection by ITC typefaces has not been quite cured yet, it does absolutely no harm to remind ourselves of the high quality and timeless typefaces designed then in this country.In technical terms, this family consists of two times four OpenType designs, with five types of figures, ligatures and small capitals as well as an extensive assortment of both eastern and western diacritics. I can see as a basic text typeface of smaller periodicals and informative job-prints, a typeface usable for posters and programmes of various events, but also for corporate identity. Štorm, summer 2005

Venice La Corla is a breathtaking serif font that embodies timeless elegance and sophistication. This typeface exudes a sense of refinement and grace that is perfect for projects where a touch of classic charm is required. Each character in Venice La Corla is meticulously crafted to provide a harmonious balance between its serifs and elegant lines, resulting in a truly remarkable font. Key Features: 1. Serene Elegance: Venice La Corla's primary hallmark is its serene elegance. The font's graceful serifs and curvaceous letterforms create an atmosphere of sophistication that is suitable for various design applications. 2. Timeless Appeal: Inspired by the romanticism of the Italian city of Venice, this font transports you to an era of classic beauty. Its timeless appeal is perfect for projects that require a touch of nostalgia and charm. 3. Versatile Usage: Venice La Corla is incredibly versatile and adapts effortlessly to different design scenarios. Whether it's a formal wedding invitation, a vintage-inspired poster, or a high-end fashion magazine, this font adds a touch of class to any project. 4. Exceptional Legibility: Despite its ornate elegance, Venice La Corla maintains excellent legibility, making it a practical choice for long passages of text as well as for branding and display purposes. 5. Captivating Details: The font's characters are adorned with captivating details, making it a true work of art. Each letter is thoughtfully designed to enhance the overall visual appeal of your design. Recommended Uses: Venice La Corla is ideal for a wide range of projects, including but not limited to: - Wedding invitations and stationery - Vintage and classic-themed designs - High-end fashion and luxury branding - Editorial design and magazine layouts - Product packaging and labels - Fine art prints - Wine labels and menus for upscale restaurants Incorporate Venice La Corla into your design projects, and you'll instantly elevate the aesthetics, adding a touch of timeless elegance that will captivate your audience.

INSPIRED BY THE LOVERS OF LETTERS AND ANCIENT ANIMATED DRAWINGS: We present one of our most desired typographical tools of 2019: NUTCAKE CATCH-WORDS! Designed and produced by #carlosfabiancg and #a_freitez at different times and places in Venezuela and Colombia. Each word design was like “travel to the old school of hand lettering of 1930” due to the number of options and alternatives we discarded to solidify meticulous researches and Bezier drawings, based on analysis and synthesis of empty and full calligraphy, first done with a round brush and then perfected with pencil and paper. For this reason, each NUTCAKE CATCH-WORDS design contains a high dose of cursive expressiveness, apparently handwritten, and that is why our customers can take advantage of more than 160 words compiled in a single OTF file. NOTE: if you need any new word with the NUTCAKE CATCH-WORDS style, please write us and we will gladly design it to include it in your file. Below the list of 160 catch words: and, An, All, As, After, Ante, Avec, Break, Bright, Big, Back, Both, Best, Body, Butter, Breakfast, By, Bajo, Coffe, Café, Closet, Can, Cocktail, Cookies, Custom, Cabe, Con, Contra, Could, Crisp, Candy, City, Chocolate, Chocolat, Come, Del, Don't, Deliver, Desde, Di, Durante, Enjoy, Eat, Example, El, En, Entre, Front, Fire, Free, Fashion, For, Fresh, Friday, Family, Going, Great, Go, Heres, Here, Hand, Hacia, Hasta, Have, I'm, It’s, Imagine, It, Join, Just, Jam, Kitchen, Kiss, Know, Keep, Like, Life, Lady, La, Las, Les, Los, Le, Love, Money, More, Master, My, Mediante, Now, now, New, new, next, nuevo, nueva, Off, out, ofertas, oferta, offer, offers, Please, Para, Per, Page, Quality, Queen, Question, Valley, Queso, Right, Road, Save, See, Show, Something, So, Según, Sin, So, Sobre, Sale, Shop, Style, Styles, Sweet, Special, To, the, The, Theres, There, To, This, Three, They, That, Tras, Think, Time, Take, Transfer, Until, Vacation, Value, Vote, What, Hats, With, Welcome, Which, You, Y, You're, you, Zip, Zoom, Zombie.

FebDei is neat, meticulous hand printing in two weights, plain and bold, each with italics. It has little contrast and appears as if it was written with a pencil or ball-point pen. Unlike many other hand-printing fonts, it has tiny serifs. FebDrei was created in the process of making the fonts AllSmiles and BringInTheFrowns and can be used with them.

Schreibweise is a pirate-flavored font inspired by a hand-lettered manuscript dating from 1492. The digital font features numerous traditional blackletter and discretionary ligatures and contextual alternates to help create the feel of genuine hand lettering, and features archaic glyphs including the long s and rotunda r for vintage typography. The font also includes a complete set of small caps.

Baby Angella is a cute and charming handwritten font. It will add an incredibly joyful touch to your designs. Add this beautiful handwritten font to each of your creative ideas and notice how it makes them stand out! Baby Angella font is perfect for logos, wedding invitations, clothes, souvenirs, magazines, quotes, crafts, and more, please try it yourself and perfect your design.

Introducing a new modern script, Bicillesta! Bicillesta is perfect for elegant logos, upscale packaging, wedding stationery, websites, and any other projects requiring a handwritten and luxurious touch. Alternates and ligatures are included so that you can give your logo or name a custom, calligraphic look. Thanks for checking out my shop, and feel free to get in touch if you have any questions!

Agenor Neue is a geometric sans serif with a slight twist. The selective use of rounded edges gives it a unique and distinct character. Agenor Neue family comes in 7 weights and works great for logotype, headers, titles and any other display usage. The Regular weight is available for free and can be used for any commercial or personal project.

Marlina Melvin is a modern calligraphy font with handwritten, sophisticated flows. It is full of hearts and glyphs. It is perfect for branding, wedding invites, and cards. Marlina Melvin includes a full set of lovely uppercase and lowercase letters, multilingual symbols, numerals, punctuation and ligatures. Also it includes: -short lowercase beginning and ending swashes -lowercase ending heart swashes, which serve to connect two words or letters (This is so perfect for invitations, monograms) -long lowercase beginning and ending heart swashes. The font has a smooth texture, so it would be perfect for all types of printing techniques you can do embroidery, laser-cut, gold foil, and is ideal for cutting. Marlin Melvin supports 162 languages.

Winter Beast is a captivating winter brush font that unleashes the untamed spirit of the season. With its bold, brisk strokes, this font encapsulates the raw beauty and power of winter, making it the perfect choice for projects that demand a rugged, cold, and untamed aesthetic. Whether used in winter-themed designs, holiday graphics, or any project that seeks to embody the frosty allure of the season, Winter Beast adds a chilly and visually striking element to your typography, making your text stand out like fresh snow on a moonlit night.

AFTERMATH?? has been designed to come in four different widths; Normal, Italic, Narrow and Condensed, additional to add weight to support various uses ranging from Thin, Light, Regular, Medium, Bold, Extrabold, and Black. AFTERMATH It comes in 40 weights with various features that support designer creativity from the Font Menu and extended language support. AFTERMATH will suit many projects: fashion, magazines, logos, branding, photography, invitations, wedding invitations, quotes, blog headers, posters, advertisements, postcards, books, websites, etc. If you have any questions, you can contact us by email: bosstypestudio@gmail.com| Thank you!

arlia Nephan is a beautiful script perfect for branding, wedding invitations, and other romantic projects. This love centered look makes it perfect for use in all your design projects be it logos, labels, packaging designs, blog titles, posters, wedding designs, social media posts, Instagram designs, etc. Font Features: Lowercase letters start and end swash up and down style 2 Styles Connect hearts Contains full set: -Uppercase -Lowercase -Alternative -Ligatures -Punctuation -Number -Multilingual support. I hope you enjoy this font. If you have any questions, feel free to message me :) Thank you for your purchase!

Cuddle Bunny is a playful display font that is easy to read. It’s perfect for Christmas cards, branding, stationery, blog design, custom art, custom stamps, custom embossers, book, apparel, packaging, headline, Crafting, Logo, or much more! It will add a unique feel and looks stunning to any design project! This font is PUA encoded which means you can access all of the cute glyphs with ease! It also features a wealth of including ligatures. Fall in love with its incredibly distinct and timeless style and use it to create spectacular designs!