Albertson is strong retro font. Made with vintage references like an old school automotive, signage, cowboy, lumberjack, woodwork, and DIY handicraft. The modern western font that you can apply for your classic design such as the logo, logotype, label, packaging, signage, and more! Albertson is an all-caps font with a strong design, equipped with 4 sets of alternates characters that you can mix and match to get the more solid typographic looks! Also complete with multilingual, packed in total 350+ glyphs. Fonts featured : Uppercase Smallcaps Numbers & Punctuation Stylistic set 01-04 Accented characters Thank you for your support!

Introducing the Doovy Groovy Party font! This stylized, psychedelic, and round Groove Display Font takes you back to the 90's and 00's era. With its multilingual support, it's perfect for creating a pop, funky, and bold vibe. What sets the Doovy Groovy Party font apart is its unique ability to capture the essence of the vibrant and energetic 90's and 00's era. Its stylized, psychedelic design evokes a sense of nostalgia while still offering a fresh and contemporary look. This font is a true standout, allowing your designs to stand out as well. For designers looking to create harmonious compositions, the Doovy Groovy Party font has a few relatives and typefaces that complement it beautifully. Consider pairing it with "Retro Sans Serif" for a bold and cohesive look, or experiment with "Funky Display" to amplify the funky vibes. These combinations will add an extra layer of creativity and versatility to your design projects. The Doovy Groovy Party font comes in three variations - Regular, Outline, and Shadow - making it a versatile tool for various design needs. The Regular version provides a solid foundation, ideal for headlines and titles that demand attention. The Outline variation adds an element of sophistication and can be used for modern designs, while the Shadow option creates depth and dimension for a more dynamic appearance. Additionally, this font boasts extensive multilingual support, ensuring that it can be used effectively across different languages and cultures. The Doovy Groovy Party font draws inspiration from the bold and expressive typography prevalent in the 90's and 00's. It captures the vibrant and carefree spirit of that era, where music, art, and pop culture collided to create an explosion of creativity. The psychedelic elements incorporated into the font pay homage to the colorful and trippy visuals that defined the time. This font encapsulates the nostalgia and excitement of those years, allowing designers to infuse their projects with a sense of fun and playfulness. We created the Doovy Groovy Party font with a passion for celebrating the bold and expressive designs of the past. We wanted to provide designers with a versatile tool that brings the nostalgic charm of the 90's and 00's to their modern projects. By using this font, you can effortlessly transport your audience to a time when colors were brighter, music was groovier, and creativity knew no bounds. Let your imagination run wild with the Doovy Groovy Party font and infuse your designs with a vibrant touch that will captivate and inspire! Unlock the power of nostalgia and creativity with the Doovy Groovy Party font. Its unique design, versatile variations, and multilingual support make it the perfect choice for posters, marketing materials, T-shirt designs, headlines, and much more. Get ready to groove and let this font elevate your creative projects to a whole new level!

A rounded slab in 4 styles In our age, since the arrival of microcomputing, the majority of professional letters have been composed in quality typefaces. Typewriters & the typestyles they used have become antiques. A letter set in Times or Helvetica & printed with a laser printer at 600 dpi or more are of such quality that one can no longer distinguish it with a document produced by offset printing. But letters composed in this way appear overly institutional when a bit of informality is needed. Le Monde Courrier, designed by Jean François Porchez, attempts to re-establish a style halfway between writing and printing. Informal neo-tech style This rounded slab serif returns the informal character of “typewritten” fonts to letters and suit well all bad conditions, from inkjet printed memos to webfonts use. With a unique typographic colour, it integrate itself with the rest of the Le Monde family with effective contrast. The verticals metrics and proportions of Le Monde Courrier are calibrated to match perfectly others Typofonderie families. Bukva:raz 2001 Type Directors Club .44 1998 European Design Awards 1998

Guinevere Pro is a typeface designed by Icelandic art director Sigurdur Armannsson. It started in 2001 as simple hand-drawn sketches of a few letters built from modules, then became an experiment with four goals: - Construct an original alphabet from a specific set of predetermined modules. - See how certain letter forms built without said modules would behave within the totality of the module-constructed alphabet. - See if certain letters would actually enforce their own shapes to be drawn a certain way within the totality of the typeface. Likewise, see if the totality of the alphabet demands that individual letters be drawn in a specific way, and if so, how much room for variation would there be? - See how all of the above reacts/changes to implementing the alphabet across different weights. The experiment was finessed and re-worked over many years of technology changes, and Guinevere Pro is the final outcome, ten years later. The Guinevere Pro set is four cross-platform Open Type fonts, with built-in small caps, alternates, ligatures, and support for a wide range of Latin-based languages.

Shorelly This pair was inspired by beutiful lettering design that i saw on some coffee shop, It was crafted by hand specially to add natural handmade feeling in its brand identity than i make it clean with pentool. If you need a serif decorative font style, Shorelly font is grat choice for you to make your design authentic and unique. Opentype features Shorelly font has 201 character set included Shorelly Font is very good looking in logo, movie poster design, youtube tumbnail, labels, product packaging, invitations, advertising and others. This serif decorative fonts works with folowing languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Chiga, Cornish, Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu Thank you for using this font. LS

The award-winning Conrad was created by Japanese type designer Akira Kobayashi. Its design was based on the fifteenth-century type by Conrad Sweynheym and Arnold Pannartz, two German printers active in Rome at that time. They produced a unique, slightly unbalanced yet attractive type. Kobayashi says of his typeface, “I have designed a couple of typefaces inspired from the past, but this time the original print acted merely as a reference. The distinctive lowercase ‘a’ and some other letters were inspired by Sweynheym and Pannartz’s second roman type, but I revived the type in a more informal way. Here I used the historical type as a springboard. The resulting type looks different, taking on a rather temporary and lively look. I assume that the Conrad is the first revival of the Sweynheym and Pannartz type, though it does not closely resemble the original.” Conrad won first prize for the text typeface category in Linotype’s Third International Typeface Design Contest (2000) as well as the Certificate of Excellence in Type Design from the Type Directors Club (2001).

PF Libera was designed at a time of leisure with no particular intention for commercial use. In fact it was offered in the beginning as a freeware. In 2001, designer Charis Tsevis was convinced that it may have some commercial value, so Parachute obtained the rights to sell this typeface. At that time, we did not even imagine what would follow. Since then, PF Libera is one of our most successful typefaces. We have seen it being used in very diverse applications. From publishing to advertising to banking, to transportation, to retail applications. Food, beverages, fashion, automobiles, tourism, the list goes on and on. In any way, this typeface is very personal, modern and provocative. It stays with you and definitely it brings along the message. PF Libera comes in 3 styles. One of them, 'Liberissima', was added later and is more loose than the other two. The new 'Pro' version is powered with 7 OpenType features and is carefully designed to include all languages that are based on Latin, Greek and Cyrillic.

Croftler This pair was inspired by old motorcycle poster design that i saw on some gellery, It was crafted by hand specially to add natural handmade feeling in its brand identity than i make it clean with pentool. We add some rough to make it retro feel, this font is bold so it can look strong if you use it for branding or even title for your retro poster design. Opentype features Croftler font has 201 character set included Walkingblue Font is very good looking in retro rough logotype, labels, t-shirt prints, product packaging, invitations, advertising and others. This fonts works with folowing languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Chiga, Cornish, Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu Thank you for using this font. LS

Karlburns This pair was inspired by unique t-shirt design that i saw on some store, It was crafted by hand specially to add natural handmade feeling in its brand identity than i make it clean with pentool. If you need a decorative serif font style, Karlburns font is great choice for you to make your design authentic and unique. Opentype features Karlburns font has 201 character set included Karlburns Font is very good looking in logo, movie poster design, youtube tumbnail, labels, product packaging, invitations, advertising and others. This decorative serif fonts works with folowing languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Chiga, Cornish, Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu Thank you for using this font. LS

Amnestia is a vintage serif typeface with a modern-classic feel. Inspired by vintage signage and minimalist serif style, this All-Caps font comes with 100+ alternates that gives you more options to get many variations in your designs. Amnestia has a medium height that looks perfect for display or sub-text. Amnestia available in 2 styles, distressed and normal, and is a great choice to be used in logos, insignia, apparel, labels, packaging, posters and more. Amnestia has a stylistic set 01 - 10 as the alternates of the letterforms. Some alternates have swashes and tails that you can explore to get more possibilities to create different typographic looks.

Wingstone is a modern beautiful display sans font. Comes with 2 styles, decorative and regular. Suitable for logotype, branding, packaging design, poster design, website/display, editorial, headline, advertising, and more. Whats Include? 01. Opentype support 02. Multilingual support 03. PUA encoded 04. Features: Uppercase, lowercase, numerals, punctuations, contextual alternates 05. Accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu, Adobe InDesign, Corel Draw, even work on Microsoft Word Please message me if you're unsure of any language support. Thanks for looking, and I hope you enjoy it! Please don't hesitate to drop me a message if you have any issues or queries.

A new experimental vintage font called Hermona. The combination of retro and old fashioned era. Inspired by old school badges and labels. Hermona is an all-caps font that perfect for a headline. A great choice to use in label, poster, signage, t-shirt, storefront, greeting cards and logotype. Hermona is also complete with a lot of special characters such as stylistic alternates or swashes which are possible to combine and get more calligraphic looks. The ornaments and pre-made also include in a pack. Typeface features: - Uppercase - Smallcaps - Numbers - Punctuation & symbols - Accents - Custom ligatures - Stylistic Alternates - Contextual Alternates - Swashes - Stylistic set 01-05 Best Regards, Ramz.

Introducing Andalia, the romantic script typeface, that is modern, casual, and elegant. Created with slanted strokes, and a clean ornament that visualizes the more dramatic typographic looks. Andalia is ready to play with you. It comes with hundreds of alternates characters and some ligatures that you can mix and match. This font was created especially for food branding or advertising, and fashion. Consists with 500+ glyphs, Andalia is PUA Encoded, which means you can access the special characters from Font Book (Mac) or Character Map (Win). No special software is needed. Here is what you'll get : Uppercase Lowercase Numbers, symbols, & punctuation. Accented characters (Multilingual) Stylistic alternates Stylistic Set 01-11 Ligatures

Ranmor is a vintage slab serif typeface. Inspired by vintage logos & design, Ranmor gets the more strong typeface by adding the grunge feels, and inky effect on the letterforms. This font is a perfect choice for vintage or old-school themes. Ranmor represented strength, confidence, and an old-school aesthetic. You can use this font for many purposes such as vintage logo, mug, embroidery, prints, display, short text, packaging, cards, emblem, signage, and many more! Equipped with special characters to get your design more powerful. TTF & OTF in a zip file including : Uppercase Lowercase Numbers & punctuation Accented characters Stylistic alternates Stylistic set 01-02 That's all, folks! Thank you for visiting.

Abigral is a minimalist sans serif font, created with geometric shapes and fancy double-strokes letterforms. Abigral is designed in normal letterspacing that looks versatile to be used as a display, logotype, or body-text. This font is compliment with the beauty alternates characters and stylish ligatures that make your design more conceptual. This font is flexible for many styles of graphic design. You can use Abigral for minimalist themes, feminine, masculine, or luxurious. Perfect for logo, headline, magazine, body text, quotes, and more. Here's what you'll get : Uppercase Lowercase Numbers & punctuation Accented characters Stylistic set 01-04 Ligatures Thank you for your support and happy designing!

Singaphore is Stylish calligraphy font, Singaphore made by hand with copperplate pen and opentype feature with pua encode, Singaphore calligraphy include alternative,stylistic set and swash, Every glyph lowercase have a stylistic style, Singaphore is perfect for branding, wedding invites and cards or quote. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. The swashes are called alternative style. For example, letter "a" with ss.01 and ending swashes are alternative style for "a". In order to access you need them you need to open Glyphs panel.

About SFT Sushka SFT Sushka is a narrow headline typeface that will look particularly good on the packaging of something delicious. 10 different widths and a variable font make it possible to fit the font into various limited spaces. Soft shapes and rounded notches make SFT Sushka cozy, friendly, and appetizing. But if you need a more concise and readable version, the Flat Subfamily without notches is available for you. The family forms a gradient from very narrow and quirky to wider, softer, and more fluffy styles. Therefore, the variation is not just in width and thickness, but in the overall mood as well. You can use the variable font without any concerns about unexpected intersections in the letters! Its structure is no different from static fonts. And last but not least, SFT Sushka allows for a very tight line spacing even in languages with diacritics! SFT Sushka has wide language support: 200+ Latin and 60+ Cyrillic languages. Language support Latin: Abenaki, Afaan-Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese-Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Azerbaijani, Bashkir-(Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bislama, Bosnian, Breton, Cape-Verdean-Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Cornish, Corsican, Creek, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut), Guadeloupean-Creole, Gwich’in, Haitian-Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk (Latin), Hungarian, Icelandic, Ido, Igbo, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese-(Latin), Jèrriais, Kaingang, Kala-Lagaw-Ya, Kapampangan (Latin), Kaqchikel, Karakalpak-(Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Kurdish-(Latin), Ladinlatinlatino-sine-Flexione, Latvian, Lithuanian, Lojban, Lombard, Low-Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam-Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese-Creole, Nahuatl, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Onĕipŏt, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami-(Inari-Sami), Sami (Lule-Sami), Sami (Northern-Sami), Sami (Southern-Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish-Gaelic, Serbian-(Latin), Seri, Seychellois-Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio-(Latin), Somali, Sorbian (Lower-Sorbian), Sorbian (Upper-Sorbian), Sotho (Northern), Sotho-(Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok-Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen-(Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zarma, Zazaki, Zulu, Zuni. Cyrillic: Adyghe, Akhvakh, Aleut (Cyrillic), Altaic, Andi, Archi, Avar, Bashkir, Belarusian (Cyrillic), Besermyan, Bosnian (Cyrillic), Bulgarian (Cyrillic), Buryat, Chechen (Cyrillic), Chukchi, Chulym, Chuvash, Dargwa, Dungan, Enets, Even (Lamut), Gagauz, Godoberi, Ingush, Kabardino-Cherkess, Karaim, Karakalpak, Karata (Karata-Tukita), Karelian, Kazakh (Cyrillic), Ket, Kildin Sámi, Kirghiz, Komi-Zyrian, Koryak, Kumyk, Lak, Lezgian, Macedonian, Moldavian (Cyrillic), Mongolian, Mordvin-moksha, Nanai, Nganasan, Oroch, Ossetian, Russian, Rusyn, Saami, Serbian (Cyrillic), Soyot-Tsaatan, Tabasaran, Tadzhik, Tatar Volgaic, Tindi, Touva, Tsez, Turkmen (Cyrillic), Udege, Udmurt, Uighur (Cyrillic), Ukrainian, Ulch, Uzbek (Cyrillic), Veps, Yukagir.

Introducing Bradrock, a vintage slab serif typeface. Inspired by old-school cowboy design, and circus-style. Bradrock has a more decorative typeface by adding bold bifurcated serif on the letterforms. This font is a perfect choice for vintage or old-school themes. Bradrock is an all-caps font, which represented strength, confidence, and an old-school aesthetic. You can use this font for many purposes such as vintage logos, mugs, embroidery, prints, display, short text, packaging, cards, emblem, signage, and many more! Equipped with special characters to get your design more powerful. TTF & OTF in a zip file including : Uppercase Small-caps Numbers & punctuation Accented characters Stylistic alternates Stylistic set 01-03 That's all, folks! Thank you for visiting.

Moggen is a fonts of serif displays with high and beautiful contrast flows with a variety of alternative choices of characters that you can use according to your needs, also equipped with Swash Ornaments for vintage and luxurious views on your design. This font is also equipped with a variety of character ligature that you can use for logos, labels, posters, advertisements, wedding invitations, cover, and various types of display designs. Opentype Features : Stylistic Alternates Stylistic Set 01-08 Standard Ligatures Discretionary Ligatures Fractions Ordinals Superscript Subscript Hope you enjoy this font, and don't hesitate to leave a comment or message if you have problems or questions. Thank you and have a nice day :) ;)

TG Minagi Sans is a neo-humanist sans serif that takes inspiration from some calligraphy and blackletter letterforms providing sharp details and a little stiffness in some parts of the typeface. By combining these things with the modern form of the sans serif letter, TG Minagi Sans has a forceful and distinct character. Super terrific when used at massive sizes for display purposes and headlines, but reliable enough for small text sizes. TG Minagi Sans comes with 7 weights, 2 axes & 14 Styles, including a variable font file. Has several OpenType features such as various ligatures, lining figures (proportional, old styles, superior, inferior, denominator, numerator & fraction), stylistic styles 01-04 & covered more than 100 languages Latin based.

Promea is a Grotesk font meticulously designed with precise engineering in mind. Its amount of kerning, support for tabular/proportional figures, small caps, slashed zero, and fractions will make sure it performs well in all types of environments. Even the auto-centering colon among numbers will make your typography shine! The stylistic inktraps combined with low x-height and high contrast will surely bring you the sharpest typographic experience ever. The font is perfect for text environments like magazines, but it excels at displaying its full range of characteristics. Features: Smallcaps Tabular & proportional figures Small figures & fractions Slashed zero Double/single-story a & g Colon auto-centering vertically among figures (e.g. 10:00)

Armavir by Fontazy is an uppercase type-family consisting of three gradually distressed sub-families Armavir 01, Armavir 02 and Armavir 03 (each in Regular and Bold weights) and Shadow (also in Regular and Bold). Armavir is a sans serif font with a slight touch of handmade. Each typeface contains stylistic alternate version of vowels -A, -a, -E and -e, that converting uppercase font in unicase(-ish). The Shadow style is suitable for each of three text styles. Being a duplicate of the text layer, it gives an additional decorative appearance to the text. All fonts in the family has Latin (West, Central and Baltic) and Cyrillic encoding. Armavir is perfect for logo making, print design, advertising, branding etc.

Zomsenso is an angular, semi-modular typeface that supports OpenType alternates. The angular part means that the entire* font uses only angular segments and shapes. The alternate glyph shapes are under Stylistic Set 01. This font includes Seven Segment display (U+E000 to U+E07F) and arbitrary fractions (U+E1nd, n=numerator; d=denominator) that are mapped to the Private Use Area, so users can easily insert them via Unicode input. You can combine these fractions with the superscript and subscript numerals to create more fractions. This font can be used for essays, signs, logos, posters, commercial projects, videos, and many more. *except the circles in the Geometric Shapes block, which are still round

Say Hello to Quadrian, a modern calligraphy font. Carefully designed with consistent strokes, this beautiful script font offers a minimalist, luxurious and classy feel. Quadrian is inspired by classical calligraphy. This font is perfect for anything that needs an elegant, beautiful, feminine, and dramatic look. You can apply this font to weddings, invitations, logotypes, romantic quotes, labels, and branding. Quadrian consists of a full set of characters and is equipped with hundreds of alternative characters that you can use to enhance your designs. A total of 500+ glyphs that you can mix and match and multilingual support! What you'll get : Uppercase Lowercase Numbers & punctuations Stylistic alternates Stylistic set 01 - 20 With Love, Arterfak Project

Marhaban Ramadhan is an arabic style font. Comes with arabic character letters look. This font very usable for designing all kind of graphics design related to Islamic Contents. Marhaban Ramadhan font is suitable for branding, logotype, apparel, T-shirt, Hoodie, product packaging, quotes, flyer, poster, book cover, advertising, etc. Whats Include? 01. Opentype support 02. Multilingual support 03. PUA encoded 04. Features: uppercase, lowercase, numeral, punctuation, multilanguage, alternates, stylist set, and ligatures. 05. Accessible in the Adobe Illustrator Glyphs panel, or under Stylistic 06. Alternates in the Adobe Photoshop OpenType menu, Adobe InDesign, Corel Draw, even work on Microsoft Word Please message me if you’re unsure of any language support. Thanks for looking, and I hope you enjoy it!

S E V A S T I A N - Seven Layered Fonts Sevastian Typefaces are coming for help the artist who want to create 3D lettering without special effects. Also you can use with different color, different style, and different combinations using 7 layer I've made. Font Naming are important for you to generate where at the top and where at bottom. Sevastian made it so easy because there is a number before the name like Sevastian - 01 inner until Sevastian - 07 3D Shadow. It means, the lowest number are must on top of them. As you can see on the display image I've been made, I use random combinations. So you can experiment what do you like most.

The typeface family TV Nord is based on the corporate typeface NDR Sans which was developed by Elsner+Flake for the Norddeutsche Rundfunk (www.ndr.de) between 1999 and 2001. This new design came into being as part of a complete overhaul of the visual image of the NDR. This became necessary because the NDR, founded in 1954, incorporated the stations of the East German states Mecklenburg-Vorpommern (1992) and Brandenburg (1997) after the re-unification of Germany. The Hamburg advertising agency DMCGroup developed a new and unified image for the NDR which is in existence to this day. The typeface TV Nord relates to the design of the Trade Gothic and similar American sans serif typefaces of the early part of the last century. Its development concerns itself as much with good legibility for print, as it does for the reproduction on TV screens, which among others, is achieved through its high x-height. The logotype for the NDR as well was developed from the capitals of the NDR Sans. In 2014, the TV Nord was revised stylistically and expanded to incorporate all European-Latin languages. As part of this effort, further complementary cuts were added.

So far the Creator Campotype standard version known in the form of free font (published on several websites by license: free for personal use). The font takes the basic form of modern typography, but some user feedback consider it in the medieval look. Whatever it is, the inspiration of the font was originally set off from the logotype of internal student magazine where the designer had studied in the late 80s. Creator Campotype is a pure display font. This fonts do not have faces lowercase, but all caps. Nevertheless forms of different characters can be accessed by pressing the uppercase and lowercase on the keyboard. Maximum usage can be made by combining them as necessary. Some forms of characters were made more stylistic such as slash and backslash which “out of” the conventional form. In addition, the circle effects on several glyphs were created by default (as found on the free version) so that the glyph was enough to generated with the keyboard access as usual. Information for those who have access to the free version, there are significant changes in this version (2001) as described in the file “creator ct pdf” (gallery)

A highly legible typeface in 4 series Le Monde Journal by definition is intended for newspaper use & at small sizes. It’s an economical and workshorse typeface adapted to any extrem condition of uses. Even though it has the same colour as Times, it appears more open. The reading flow has been made more fluent & less abrupt. The glyphs counters are bigger, as if they were “alluminating the interior.” The form, characterized by its serifs, remains embedded in our visual memory. Intermediate weights like Book can be considered as a grade supplement of the Regular. Italics accompany Le Monde Journal. With a more delicate design & a distinctive rhythm, they remain noticeable when used with the romans. Its companion, Le Monde Sans can extend your typographic palette. For beautiful page layout, use it in conjunction with Le Monde Livre for titling sizes. The verticals metrics and proportions of Le Monde Journal are calibrated to match perfectly others Typofonderie families. This family was designed in 1994 as bespoke typeface family for the French newspaper Le Monde. The family is not used any more by this newspaper from November 2005. Bukva:raz 2001 Type Directors Club .44 1998 European Design Awards 1998

FF Cocon’s designer, Evert Bloemsma (1958—2005) described it as a “serious typeface”. Despite first impressions, the description holds up well. Since its 2001 release, FF Cocon has been used in an astoundingly wide variety of design applications. At large sizes, FF Cocon works as a display face, with beautiful detailing. And at small sizes, it remains surprisingly readable. The lowercase letters a, b, d, g, h, m, n, p, q, r and u, were drawn without spurs, as Bloemsma made an attempt to erase every trace of handwriting; even “normal,” neutral sans serif typefaces still retain elements in their letterforms like this. Bloemsma wanted none of it. Although a difficult starting point for a typeface, this proved successful. Bloemsma’s design is a family of rounded yet rather asymmetrical forms with details reminiscent of brush-strokes, but that were not made with a brush in hand. In spite of its claim to seriousness, FF Cocon is a family of seductive, voluptuous styles. The original FF Cocon had two widths—normal and condensed. Later, a more compact Extra Condensed version was introduced, as well as italics.

Opa-locka JNL is named for a city in Miami-Dade County, Florida and is based on an Art Nouveau-era bit of hand lettering found on vintage sheet music. Legendary aviation pioneer Glenn Curtiss (who successfully developed the city of Miami Springs and the city of Hialeah with James Bright) began the development of Opa-locka around 1925 as a planned community with a "1001 Arabian Nights" theme. Plans for this exclusive community included a country club and a small private airfield, but the hurricane of 1926 derailed Curtiss' original vision of the city. Opa-locka gradually took shape as a residential area for middle-class families, but the closing of a long-established Marine base, changing demographics and a reputation for being a hot-spot for crime, drug abuse and corruption tarnished this once-grand community (which boasts the largest collection of Moorish Revival architecture in the Western hemisphere). Old-time Miamians bristle when the city's name (an abbreviation of a Seminole place name, spelled Opa-tisha-wocka-locka) is mis-spelled as "Opa-Locka", "Opa Locka" or "Opalocka". The correct name is hyphenated, and the second part is in lower case.

A clean, smooth rendition of the magnificent B42-type used by Johann Gutenberg in his famous 42-line Bible. In addition to the usual standard characters for typesetting modern texts, the font includes a comprehensive set of special characters, alternates and ligatures, plus Opentype features, that can be used for typesetting (almost) exactly as in Gutenberg’s Bible and later incunabula. Also available as The Oldtype “Gutenberg C” Font in a slightly roughened style simulating irregularities and ink spreads associated with old metal types, papers and parchments. The main historical sources used during the font design process were high-resolution scans from several printings of Gutenberg’s Bible. Other sources were as follows: Kapr, A. (1996), Johann Gutenberg - The Man and his Invention, Aldershot: Scolar Press (ch. 7); De Hamel, C. (2001), The Book - A History of The Bible, London: Phaidon Press (ch. 8); Füssel, S. (2005), Gutenberg and the impact of printing, Burlington: Ashgate (ch. 1); and Man, J. (2009), The Gutenberg Revolution, London: Bantam (ch. 7). Specimen, detailed character map, OpenType features, and font samples available at Alter Littera’s The Oldtype “Gutenberg B” Font Page.

Movida™ is a 101-font mega family - modern, spurless, with geometric flat-sided nature. Its versatile character and huge choice of styles let it serve as a charismatic display typeface as well as clean contemporary tool for setting paragraph text. Its dynamic personality fits perfectly to such industries as sports, gaming, technology, streetwear, automotive. Movida works great for logo design & branding, magazine editorial use, web design, user interfaces and mobile applications. Movida features a super-flexible 3-axis variable font allowing fluent adjustments to width, weight and italic angle. This single font contains all the styles and features of the whole mega family. Main features: 5 widths (Narrow, Condensed, Normal, Expanded, Wide) 10 weights for each width (from Hairline to Black) + 10 corresponding italic styles 1 variable font (3 axes: weight, width, italic angle) modern, slick & sharp spurless design large x-height improving legibility in small sizes flattened oval shapes, adding vertical rhythm and elegance to narrow styles extended latin language support OpenType features (case sensitive forms, standard and discretionary ligatures, stylistic sets, contextual alternates, lining, oldstyle and tabular figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols)