ATF Agency Gothic was designed by Morris Fuller Benton in 1932 as a lone titling typeface. In 1990, David Berlow saw potential in the squared forms of the narrow, monotone capitals. He designed a lowercase and added a bold to produce Font Bureau Agency, an immediately popular hit. Sensing its potential to be than just a useful condensed face, Font Bureau developed Agency into a major series offering five weights in five widths; FB 1990-95

Moblick is a 90's vibes sans serif font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Moblick font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Moblick font. Cheers, Maulana Creative

Meet "Retroteen," the font that takes you on a nostalgic journey back to the vibrant 80s and 90s. The striking contrast between horizontal and vertical strokes adds a unique touch, exuding a bold and dynamic personality. From funky posters and album covers to retro-themed branding and advertisements, this font brings an air of nostalgia and playfulness to any artwork. It is also provides language support for the full Latin alphabet along with Western and Eastern European characters.

Handy Andy Andy Lethbridge had only just completed his graphic design BA at the University of Portsmouth when he was spotted by Jason, who’d seen Andy’s exquisite hand lettering at his degree show and on Instagram. Keen to push the handwritten theme further, having recently launched a digitally-created, chalky script font (FS Sammy), Jason offered Andy a job and the chance to develop a suite of more stylised, truly hand-drawn fonts. Andy duly got out his pads, pencils and pens, and started experimenting with styles and textures. Magic followed. Imperfection perfected Most ‘handwritten’ typefaces are created entirely digitally. Not FS Shepton. From the start, the intention was to create a collection of alphabets of similar character but different texture and style – 100% hand-drawn and purposely imperfect, with the kind of inconsistent, organic shapes and textures of market stall signs, dashed off in chalk or paint. FS Shepton Regular, drawn with a wet brush pen, is solid with a rough outer edge and a casual but controlled feel. The dry brush used to create FS Shepton Light gives it more inner texture and a more formal, slanted, calligraphic style. FS Shepton Bold, drawn using a wider, looser dry brush pen, has a woody grain in the middle of its broad strokes and greater solidity where the brush moves more slowly. Fresh as a daisy Think of FS Shepton not as a family of three weights of the same font so much as a collection of three fonts penned by the same author. All of them – the light, regular and bold – were created independently as display fonts that offer something different to labelling, packaging, point-of-sale and advertising. Lovingly crafted by hand, they’re a good match for products and settings that share the same artisinal qualities: organic foods, drinks and healthcare products, as well as premium chocolate, coffee and condiments.

Rosalinde is an original font based on rough hand-lettering reminiscent of 1960s era protest poster lettering. It's the kind of lettering you'd expect to see used for a snippet of anti-war poetry set against a red-white-and-blue striped background, or perhaps accompanied by a fat dove with an olive-branch.

Lazy Boutique is and exciting and beautiful piece of work. It's 100% handmade and slightly irregular in an organic way. I've added X different versions: Regular, Line, Fill and Curl - mix and match to find your favourite kind of look . Use Lazy Boutique for your products that needs a handmade, organic and exciting look!

Autumn is my favourite time of the year: I love the colors in the forest, the colder temperature and the stormy winds. Autumn Voyage is a very nice set of hand made fonts: a fat one, a thin one and a lovely autumn leaves doodle pack. Comes with a heap of diacritics as well.

Introducing a retro grotesque called "Stengazeta". The name means "wall newspaper" - this is very popular in USSR genre of handmade artwork that is actually a mix of newspaper and poster. During the Soviet era you could find it everywhere - in factories, schools, research labs, and even in army and police. Sometimes it was a kind of official propaganda, but often just a way of expressing of creativity of co-workers. The letterforms are bold and grotesque with strong handmade feeling. It has Extended Eastern Europe Cyrillic and some of Extended Eastern Europe Latin letters. "Stengazeta" created for titles, poster design, web design, branding and packaging works, illustrations, badges and other typography works. ST-Stengazeta supports languages: Belarusian, Bosnian, Bulgarian, Croatian, Czech, Danish, English, Russian, Serbian, Slovenian, Spanish, Ukrainian, and probably others ) WHAT YOU GET Uppercase, numbers, punctuation, international characters.

Nockwell font - Psychedelic liquid decorative font, which works perfectly for bold titles, Festival posters, as a graphic element for bright T-shirt or hoodies, or even backgrounds! This weird and ugly font likes an experiment with spacing and different deformation. Please, don't hold back on your bold modern ideas! Features : - Lowercase & Uppercase ( All Caps ) - numbers and punctuation - Ligature - multilingual - PUA encoded Please contact us if you have any questions. Enjoy Crafting and thanks for supporting us! :) Thank you

Inspired by circus billboards, old west posters and torn paper constructs, "Lonely Cowpoke" is an oddity of bold graphic forms and cheerful curving lines. Revelling in its own quirky nature, this playful font lightens up any mood.

Station is a bold headline typeface inspired by old Train Station type and graphics. It can be used in a modern and retro way, and its different patterns and styles give a unique look to any design.

Singel is a neoclassical serif with semi-condensed proportions. As a contemporary interpretation, this typeface combines the rationalist modulated stroke with an elegant silhouette and crisp serifs. The altogether splendid appearance of Singel, completed with a full set of Small Capitals and true form of italics makes it perfect for any luxurious and graceful design. Other aspects of its characteristics include the consistency of 10 styles from Light to Bold; a coverage of Extended Latin and Cyrillic with span for more than 130 languages; a flawless functionality and support of many OpenType features, such as localizations, tabular numerals, inferiors and superiors, numerators & denominators, fractions, case sensitivity etc. Features: • Over 900 glyphs in 10 styles (Light to Bold); • Extended Latin and Cyrillic for more than 130 languages; • Tall x-height and Semi-Condensed proportions; • High contrast and modulated stroke with vertical stress; • Neoclassical characteristics and moderate apertures; • Full set of Small Capitals; • True form of italics; • Coverage of multiple OpenType features; • Suitable for wide design purposes.