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  1. Index 29° - Unknown license
  2. (HungryFrog) - Unknown license
  3. (Moving_Carton) - Unknown license
  4. Gimenells - Unknown license
  5. A.C.M.E. Secret Agent - Personal use only
  6. Scrapes - Unknown license
  7. KR Swash - Unknown license
  8. KR Fruitsy - Unknown license
  9. DNA ad - Unknown license
  10. KR Birdhouse - Unknown license
  11. Tragic Bureau - Unknown license
  12. Moony Cat - Unknown license
  13. Herbe Rouge - Unknown license
  14. Weltron - Personal use only
  15. InkyBear - Unknown license
  16. Omellons - Unknown license
  17. KR Shovelin - Unknown license
  18. KR Cirkle - Unknown license
  19. area LINEe - Unknown license
  20. Omellons - Unknown license
  21. KR Kube - Unknown license
  22. KR Boxy - Unknown license
  23. Omellons - Unknown license
  24. Double Strike - Unknown license
  25. Omellons - Unknown license
  26. Fat Pixels - Unknown license
  27. Teenage - Unknown license
  28. Liquid Newspaper - Unknown license
  29. Crank - Unknown license
  30. Scrapes - Unknown license
  31. Poison Skin - Unknown license
  32. Lunasol - Unknown license
  33. KR Spyro - Unknown license
  34. Omellons - Unknown license
  35. Caeldera - Personal use only
  36. BN Dragon - Unknown license
  37. Distorted Faith - Unknown license
  38. KR Snowflake - Unknown license
  39. Ah, the LED Counter 7 by Style-7, a font that hails from the digital age, winking at us from the not-so-distant past. Imagine, if you will, stepping into a time machine, only to find that instead of ...
  40. FranklinGothicHandLight by Wiescher Design, $39.50
    FranklinGothicHandLight is part of a series of hand-drawn fonts from way back in time – before computers changed the way we worked. When I was in advertising – before computers – a very time consuming part of my daily work was sketching headlines. I used to be able to sketch headlines in Franklin Gothic, Times, Futura, Helvetica and several scripts. We had a kind of huge inverted camera – which we called Lucy. We projected the alphabet onto a sheet of transparent paper, outlined the letters with a fineliner and then filled them in. It was very tedious work, but the resulting headline had its own charm and we had a permanent race going on who was best and fastest. I won most of the time! They used to call me the fastest "Magic Marker" this side of the Atlantic. Great days, just like today! Your sentimental type designer from the past Gert Wiescher
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