Ghost Town is a dot western font. The “r” can be used as a gun.

FG Jason is a casual male handwriting with special i's without a dot - really unique!

ITC Kendo is the work of British designer Phill Grimshaw, suggesting the dash and verve of quick, sketchy calligraphy, complete with splatters of ink. Grimshaw says he worked deliberately against his own habits to create the forms, drawing the letters with slow deliberation" and a pointed pen. He overloaded the pen with ink and drew on rough paper, "applying a lot of pressure at the beginning of a stroke and easing off towards the terminals. Accidental splashes occurred frequently owing to the nib catching the 'tooth' of the paper." Those splashes were refined into features which enhance but do not overwhelm the characters and carefully worked so as not to leave an obvious white strip of unsplattered space between lines and letters. The initial capitals can be used alone or combined with the lowercase alphabet, and the font includes a full set of f-ligatures and some extra ligatures as well as decorative elements."

ITC Tiepolo font is from the design team at AlphaOmega Typography and named after Italian artist Dominic Tiepolo. The designers describe it as a sans serif with serifs" and it has also been referred to as a calligraphic design. Similar to Asian calligraphy, ITC Tiepolo font has personality yet does not detract from the text."

ITC Snap is the work of American designer David Sagorski and represents both the creativity and humor of the native Kansan. It clealy displays the influence of cartoon graphics of the 1960s and 70s, but does not need to be limited to period or animated graphics. ITC Snap is ideal for headlines which demand attention.

Picking up a concept of Fritz Richter, Circensis is the realization of an adorned diplay font which had not been hitherto available, neither as a hot-metal font nor digitally. It is a great and legible font for circus and variety ads and posters, as well as for films, cafés, ice-cream parlors etc.

Valina - Modern serif has an elegant impression and displays a unique shape in each letter but does not leave the readability of the font itself so this font is good for logos, quotes, posters, covers and many more. Valina Uppercase Lowercase 75+ Language Alternates Font So what are you waiting for? Thank you for seeing

Long before there was Scooby Doo, there was scooby-dooby. This exuberant font is based on the works of whacked-out 50s album-cover artist Jim Flora, whose imaginative illustrations defined hot jazz and cool cats. The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

WurstchenDotted is made up up of sausage segments. It does not have true lower-case letters, but rather variants of the upper-case letters instead. As all extreme display fonts, it is useful in small doses. The three WurstchenOverlay fonts decompose WurstchenOutlined and can be used in layers to create letters with three colors.

Presentation QuarterBraille (Abbreviated as "QB" thereafter) is a decorative, steganographic and lattice font. Its core design concept is that Braille dots are represented as "quarters of a square"[1]. This is illustrated by posters 1 and 2 (NB: these glyph parts will be called "QB dots" thereafter). The other glyph parts (see poster 3) are purely decorative and meaningless in terms of Braille dots encoding[2]. All glyph parts are meant to generate a wide variety of patterns from horizontal and vertical combinations of glyphs. There is also a graphic convention to differentiate uppercase from lowercase letters with the presence or absence of shape subparts (in the "endings", "quarter of a circle with a ring" and "quarter of a diamond with a small square in the middle") like shown by poster 4. This font is suitable for very short texts (e.g. logos, acronyms, quotes, ambigrams, pangrams, palindromes, etc...) but on the other hand it may be used for steganographic purpose like geocaching as well as fictive alphabets (e.g. Alien/SciFi/Fantasy/Antique civilizations). Posters 1. Font Logo: the displayed text is " Quarter " followed by " Braille". There's a rainbow layer above the text to highlight the "QB dots", this is achieved by A..Z glyphs with "only QB dots" (codes 230..255) 2. Anatomy of a Glyph (L) and "QB Dots" (quarters of a square) 3. Glyphs Parts: Square and Cross (Inverted square), Circle and Inverted Circle (with or without the small circle in the middle), Diamond (with or without the small square in the middle), Inverted Square and Circle, Shape combos, Ending 4. Uppercase vs Lowercase (tiny shape subparts are shown in red) 5. Sample 1: Bathroom sink with QB tiles on the credence 6. Sample 2: Hands knuckle tatoos: "LOVE/HATE"[4] 7. Sample 3: Poker Hand: pocket Aces. It's an Ace of Hearts (Ah) on the left and an Ace of Spades (As) on the right. Like in regular cards, the card value (e.g. Ah) is displayed twice: at the top and rotated by 180 degrees at the bottom. This poster also illustrates that QB could be used to print embossed playing cards with tactile and visual display of card values. 8. Sample 4: Pangram: "Adept quick jog over frozen blue whisky mix" 9. Sample 5: Latin Magic Square: "SATOR AREPO TENET OPERA ROTAS" (NB: for compensation of the 2/3 glyph ratio, letters on each line are separated by a space: "S A T O R", ...). 10. Sample 6: Quote of Mahatma Gandhi: "Learn as if you will live forever, live like you will die tomorrow.". This is also a demonstration of border glyphs combinations. 11. Sample 7: Steganography use case: the text is a sequence of 64 aminoacids (1 Letter notation), this protein was described in a research paper "The complete Aminoacid sequence of an amyloid fibril protein AA of unusual size (64 residues) 1975". 12. Sample 8: Border Glyphs with the provided styles and mixed styles. The words are the same than in poster 9 ("SATOR AREPO TENET OPERA ROTAS"). Despite the 2/3 glyph ratio, the "TENET cross" was achieved by both inserting spaces in horizontally ("T ENE T") and by using the "thin borders glyphs". Notes a. Border glyphs[3] are meant to enhance the esthetics of text samples displayed with QB b. Special characters (e.g. *$()[].,;:&@# ...) are provided and follow the NABCC (North American Braille Computer Code) convention. c. A..Z Glyphs with only the "QB dots" are provided as demonstrated by posters 1 and 2 (A/N: this was very useful to create them). d. Glyph Map: 32..64: Special characters - 161..187: "Thin variant" of Border glyphs, 192..229: Border glyphs, 230..255: A..Z with only the "QB dots" - Codes 176 an 181 are "regular SPACE" (empty glyph). Footnotes 1. There is indeed two shapes which represent the braille dot: the "quarter of a square" and the "quarter of a cross". It's because a cross may be considered as an "inverted square" because the square corners are merged in the center. 2. That's why the SPACE glyph is only made of decorative/meaningless glyph parts (i.e. no "QB dots"). 3. For other fonts with border glyphs, please take a look at my other "decorative Braille fonts" (GoBraille, HexBraille, KernigBraille, StackBraille, MaBraille, DiamondBraille, LorraineBraille). 4. LOVE/HATE knuckle tatoos are inspired by the anthology scene from "The Night of the Hunter" movie (Charles Laughton 1955), it also appearead in "Do The Right Thing" movie (Spike Lee 1989). Disclaimer This font is not appropriate and not meant to print text documents in Braille for the blind readers audience.

I live in a small hamlet near the Rhine river. It is a sleepy little town and it doesn’t have any facilities. For groceries I need to go to the next town. The only road leading to that town has been closed for half a year, because of ‘maintenance’, so doing groceries got a lot trickier. The fastest way to travel is through yet another hamlet in the forest, on a very narrow road with extremely bumpy shoulders. Yes, you’ve guessed it: it is a Bumpy Ride. Bumpy Ride was made using a so called Brush Pen. It comes with all the accents and a sweet set of alternates for the lower case letters.

Shelflife is a display typeface with some extras under the lid. It features all the Standard Open-Type features you'd expect, like Class Kerning and Ligatures, plus some other useful additions and of course accented characters for most European languages and others. In essence it's an easy-to-read headline font with clean lines and a bit of character. There's an outline version that can be layered with the standard version to give the shadow effect seen in the accompanying graphics, simplicity itself to do. There's boxed headlines for SALE, SPECIAL, DISCOUNT (20 in total) all ready-made, plus some which can be tilted at an angle, and done automatically - just easily typed in; easy-to-do bullet numbers; a choice of square or rounded dots on j,ffi, and so on in Stylistic Alternatives; and shorter alternatives for U and N with accents. Details are included in the zip files. The zip file will contain both the OTF and TTF versions of the font. Install only one version, either the OTF or TTF, but not both - otherwise you will get all sorts of incompatibility issues and problems.

One day shortly after Christmas 2004, the art-director of Vogue Moscow called me. Would I maybe make a Cyrillic version of my Bodoni Classic Text typeface? Well, since I had been thinking about doing it since a long time, this was the perfect reason to finally do it. It was not an easy venture, since I do not have the faintest idea of Russian but, together with those nice people in Russia and a fellow helpful type designer in Kiev, I managed. I did an enormous amount of kerning, thanks to the help of the Moscow Vogue office. Here the fonts are now for all of you: five text cuts, plus one standard roman cut that has no Cyrillic letters but an extra set of medieval numbers. At Vogue they are happy with the fonts, even though I did not quite adhere to Bodoni's originals in this case. Nastarowje (or whatever you say in Russia), Gert Wiescher

Yoyo is a fun and fluid dot font that swirls and curves to deliver your message.

It is not only coarse but extremly black, and it is quite right to name it Black Letter in English. Ernst Schneidler, the designer, created the smallest possible counters. Still, this very coarse black letter is sensitive in detail and drawn with a high level of aesthetics. By the way, it was said in Schneidler's design class in Stuttgart that his number one student Walter Brudi had cut some of the characters with �silhoutte scissors� from black paper. Sharing his ideas and work with his students does not at all decrease or lower his copyright.Ganz Grobe Gotisch is not only a distinguised but also a very catchy design.(Albert Kapr in Fraktur -- �Form und Geschichte der gebrochenen Schrift�.)

The Yasmine Mutlaq type family follows the guidelines of the Mutamathil Mutlaq type style. It has one glyph per basic Arabic Unicode character or letter. Each glyph is completely symmetrical around its vertical axis to facilitate bi-directional ordering. This family does not include any required ligatures and does not use glyph substitutions or forming but it does use marks positioning. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Yasmine Mutlaq employs four x-height values, two above and two below the x-axis. Its design uses curves with equally distributed weight. This family includes both Arabic and Arabic-Indic numerals, all required diacritic marks, in addition to all standard English keyboard punctuations and major currency symbols. It is available in regular styles. Also included is an additional font, Yasmine Mutlaq bidi that encodes same glyphs as symbols to facilitate user input from left to right using a Latin keyboard. The fonts in this family support the following scripts: Arabic, Persian, Urdu, Pashtu, Kurdish, Baluchi, Kashmiri, Kazakh, Sindhi, Uyghur, Turkic, and all extended Arabic scripts.

The 1929 sheet music for Cole Porter's "You Do Something to Me" (from the musical stage comedy "Fifty Million Frenchmen") has the name of the play hand lettered in a bold sans with an intersecting inline. This design was the inspiration for Suggestion Box JNL. Not quite Art Nouveau, and not yet Art Deco, the typeface is nonetheless timeless in its clean, appealing style.

This rather quirky typeface is based on a design by Collette and Dufour, originally called "Independant", for the Maison Plantin foundry of Belgium. Ultramodern (by 1930s standards, at least) and ultrabold, it takes up a lot of real estate, and commands a lot of attention while doing so. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

The Adinkra alphabet is a way to write some of the languages spoken in Ghana and Ivory Coast, such as Akan, Dagbani, Ewe and Ga. It is a simplified version of the Adinkra symbols, and was introduced in 2015 by Charles M. Korankye, who has written a number of books about it. According to tradition, the Adinkra symbols were created by Nana Kwadwo Agyemang Adinkra, the King Gyaman people in the Ashanti region of Ghana from 1810 to 1820. Or they were created by Gyaman people, and the king liked them so much that he wore them on his clothes and named that after himself. The Adinkra symbols are used as decoration, logos, arts, sculpture, pottery and so on. The symbols represent sayings, proverbs or concepts, such as wisdom, authority, strength, unity, love adaptability, wealth, peace, war or agreement. Since Unicode codes have not been assigned yet, it is designed on a latin-based font. Please contact me if you want changes to the keyboard layout.

My 9-year old son Sam asks a lot (a LOT!) of questions. Like: ‘what killed the dinosaurs?’ (probably an asteroid), ‘what is the distance to Pluto’ (about 7.5 billion km), ‘how big is space’ (93 billion lightyears - give or take). I am pretty sure he asked me about gravity as well. Gravitational Pull is a messy pencil script font. It comes with a whole bunch of double-letter ligatures and some really wonky glyphs. And no, in its virtual form, this font is not subject to the Earth’s gravitational pull.

In the advertising industry, I was often asked to supply the art directors with ideas for a san serif type design that was not the standard Helvetica or Univers. They wanted a fresh new approach, something with generous proportion, like Avant Garde perhaps, but not as uniform in proportions. A font that would lend itself well to wide and long columns of text with lots of leading. So, I rolled up my sleeves and designed a font that meet all their criteria. Contax is the new 'Univers' for the 21st century.

I proudly present Savant, a friendly headline typeface with an attitude. It’s got a slab serif touch and is packed with lots of nice typo-gems. The italic is a perfect companion for the regular. But beside that, it's powerful enough to stand its own ground. Savant is a good mixture of the playful and the classic. You can use it for fashion, food, magazines, packaging, corporate design- and other projects with an attitude. So show me what you’ve got! Savant Regular only is completely free in 2012, so download your free copy today!

A rough hand-drawn plain sans serif that would be good for non-formal use. Do not expect a polished set of fonts from a professional, this family is hand drawn, hand spaced and hand kerned.

Gentlemen’s Script is a dynamic hand-written script in which the sharpness and speed of writing harmoniously coexist with elegance and a serious attitude. The script allows you to simulate fast inscriptions made by hand while keeping them elegant and classy. Working on the project, we wanted to develop a script that would harmoniously complement serifs or traditional sans-serifs and perfectly match them. Gentlemen’s Script is like an accessory in a gentleman’s wardrobe. It dilutes font traditions and adds brightness and dynamics to them. Despite the fact that the script was designed to be used as a complementary font, it has all the prerequisites to become the main character of your design story. It does not matter how you use it—Gentlemen’s Script easily adapts to reality and always works at the maximum level of efficiency. To make the script more harmonious and natural, we have drawn more than 60 ligatures. In order for the ligatures to be substituted automatically, we recommend always keeping the standard ligatures OpenType feature turned on! In addition, there are several alternative characters in the font that are programmed on the OpenType feature contextual alternates and which are used when the letter meets the service characters. To use the script to its maximum power, we recommend that you always keep the standard ligatures and contextual alternates OpenType features turned on. If you do not have access to applications that support OpenType features, it does not matter—even without these features you can use and enjoy our font!

Domestic Bliss is a perky dot fonts that can bring some fun and bounce to your project.

Franko Luin, Esperanto's designer, on this typeface: Esperanto has a lot in common with classic typefaces, and newer interpretations of the classics. The italic reminds of the lettering idea of the Renaissance and their manuscripts. This typeface's name refers to the international language Esperanto, of course. The font is not compatible with the character set of the Esperanto language

Nick Curtis has created this stylish, Deco inspired design, packed full of quirky features and characters. Some of the letterforms, like the uppercase K, appear to be walking. And dig that lowercase ‘g’! There is a lot of lively design happening here, so much so that its a battle not to be stylish when you are Steppin Out.