Onthel is a bold-script with a touch of rhythmic brush that is very charming and has character. It was inspired by Onthel Bicycles, which is a Dutch design bicycle that is characterized by an upright sitting position and has a very strong and high-quality reputation. This font is a good choice for your logotype and lettering craft.

Featuring condensed, block hand lettering, Informational Sans JNL was modeled from a selection of water applied sign decals once made by the Duro Decal Company of Chicago and is available in both regular and oblique versions. About fifty different small decal signs covered a wide range of general purpose information such as “Open”, Closed”, “Please Pay When Served”, etc.

Free-flowing pen lettering of the Art Nouveau period took letter forms into interesting curves and angles. The style was embraced and revived by the 1960s counter-culture in its rock concert posters and record album covers. However, the source for Casual Nouveau JNL is a 1911 piece of sheet music entitled "Back to the Carolina You Love".

Chuck. Designed in 2004 by Jim Parkinson. Originally released as a Type 1 font, Chuck was refreshed (version2) and re-released as simple Open Type in 2012. The models for this massive Deco typeface appear on a bronze plaque on the South Tower of the Golden Gate Bridge. The plaque commemorates the builders of the bridge.

An early-1960s Canadian magazine ad for a brand of birth control pills featured the least likely spokesperson – Annette Funicello (“starring in “Beach Blanket Bingo” and “How to Stuff A Wild Bikini”). The text was hand lettered in an Art Deco-inspired sans serif type design. Tarpon Spring JNL is available in both regular and oblique versions.

The cover of the sheet music for the 1910 song “We’ve kept the Golden Rule” features a hand lettered and slightly spurred Art Nouveau type style. As an older couple was pictured below the song’s title, this inspired the name Golden Years JNL for the digital font, which is available in both regular and oblique version.

Unicorn is a super-condensed Display font with a subtle dramatic flair that works especially well in titles, headers and editorial design. It was firstly inspired by a lowercase set seen on a furniture ad in Domus (the architecture magazine) #192, from 1943. For maximum drama, use with a bright & smart colour palette. Appointed by the Unicorn. Of course.

Roncial is an Ultra Bold font with a hint of serif. This is one of the fonts originally designed before the advent of digital and started out being a bolder, slightly serifed version of Folio Extra Bold which was one of the boldest fonts at the time (old metal set). It is available as Roman and Italic.

ITC Symbol font was designed by Aldo Novarese, a simple, straightforward design of understated elegance. It has just the hint of a serif to aid legibility. Book and medium weights have a light, even color and are perfectly complemented by the bold and black weights. The italics are clear and simple, a comfortable companion to the roman.

Firstly is a script font with a unique character. It was created by Måns Grebäck during 2019 and 2020. Its wavy shapes and soft flow gives any project or logotype a well-balanced personality. It has an extensive lingual support, covering all European Latin scripts. The font contains all characters you'll ever need, including all punctuation and numbers.

Dottie is based on a matrix of dots. It was inspired by the output of old, cheap, dot-matrix printers. In addition to Dottie-Regular with round dots, the family group includes DottieDiamond with diamond dots, DottieSquareTwo with square dots that do not overlap, and DottieSquare with square dots that overlap to create horizontal and vertical bars.

The May 7, 1936 issue of “The Film Daily” carried an ad for the Will Rogers Memorial Hospital Fund. (In August of 1935 Rogers, along with famed aviator Wiley Post died in a plane crash.) While the fundraising for the hospital was a serious event, Rogers is remembered as a humorist, hence the font’s name of Humorist JNL.

This font set was developed for the Albright-Knox Art Gallery and is inspired by their collection of Pop Art. Artists such as Warhol, Lichtenstein, and Rauchenberg sought to blur the lines between high and low art as well as the boundaries between art and everyday life. The alphabets and extras in this set reflect that spirit.

The slab serif typeface Calvert was designed by Margaret Calvert with a marked constructed look. The unique design of its serifs distinguishes this typeface. Many figures have only half serifs, for instance, the A, M, and X, which lends the typeface its constructed character. Calvert is timelessly modern, static and stable, and is therefore particularly good for headlines.

Goldenlife is a vintage display typeface. This font was inspired by classic vintage signs. It come with uppercase, lowercase, various alternates, numbers, punctuation and multi-lingual support. Goldenlife is great for any kind of display purpose from logos, t shirts, apparel, handwritten quotes, product packaging, tittle headers, posters, merchandise, social media, labels, branding and greeting cards.

Bublik (one weight) belongs to a mixed stylistic group. It combines features of sans serif and serif typefaces. Some letterforms were inspired by antique Slavic typefaces and scripts of XV-XVIII centuries, especially by skoropis' (handwriting). The type has a fresh and original look. Bublik was awarded for Excellence in Typographic Design in TDC2 2005 Type Contest.

Baile Guneta is an elegant script font with a contemporary atmosphere and impeccable form, inspired by timeless classic calligraphy. Not too thin and not too thick, balanced and varied, this font was designed to enhance the beauty of your projects. This font is PUA encoded which means you can access all glyphs and swashes with ease!

Transmogrified started out as a special project for a client. It's a lovely sans serif font, casual, with sweet swirls over here and there. It is based on Transmogrifier , from which uppercase glyphs were selected. Next, new lowercase glyphs were drawn and a bold cut was also developed for added flexibility. Let your messages be transmogrified!

MERCATO is a headline family of typefaces inspired by hand-painted price tags. The idea for this family was born a few years ago in South America. I wanted to create a typeface that is written, expressive and organic on the one hand, and thrown into a geometric frame on the other. Co-designers: Karol Mularczyk & Małgorzata Bartosik.

The typeface was designed at ParaType (ParaGraph) in 1993 by Vladimir Yefimov based on Herold Reclameschrift by Heinz Hoffman of H. Berthold (Berlin), 1901, and Russian Herold typeface of the Berthold typefoundry (St. Petersburg). The bold style based on Herold Heavy of H. Berthold (Berlin), 1904, of the same designer. Advertising and headline typeface in Art Nouveau style.

Deco Template JNL is a font made from the inline portion of Stationer JNL, which itself was based on the hand lettered 1938 sheet music title for the official Coast Guard Marching Song "Semper Paratus" "(Always Ready)". Resembling a drafting template with a square, modular look, this type design is available in both regular and oblique versions.

ITC Fenice font (pronounced fe-nee-chay) is the work of designer Aldo Novarese and was influenced by the traditional designs of Didot, Bodoni, and Ibarra. It displays the fine serifs of a Bodoni but blends such characteristics with a contemporary structural style. ITC Fenice font is perfect for applications requiring the economical use of space.

Alma Serif is a typeface that tries to combine the modern shape of serif magazines such as Times New Roman with the atmosphere of classic typefaces such as Baskerville. I was working on the universality of the typeface, so that it would be suitable for both long papers and books, but also for formatting narrow columns in magazines.

Devama SRF was designed by Typodermic's Ray Larabie and provided for Stella Roberts Fonts. Available in Regular, Backlash and Forward, this typeface evokes a retro-80s look while still remaining clean and fresh. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

Deco Semi Serif JNL was modeled from the hand lettered title on the sheet music cover for the 1933 song "Another Perfect Day Has Passed Away". This interesting design blend of serif, sans serif and partial-serif characters commands attention with its eccentric mix of letter forms, and is available in both regular and oblique versions.

Scandals JNL is free-form hand lettering with an Art Nouveau influence showing up on a 1928 piece of sheet music for the song "American Tune", and is based on the cover text noting the song was from the popular (9th Edition) of George White's Scandals; a Broadway musical-variety show. Available in both regular and oblique versions.

Halliday JNL was redrawn from impressions made by a rubber stamp sign printing set, thus providing the slight imperfection of line widths that gives a hand-made approach to the typeface. The lettering style is based on Beton Open Condensed, a clean and popular slab serif used for decades in print display titling and rubber stamp manufacture.

‘Every Cloud’ is a cute hand-drawn type family. The family has 4 different weights and a matching inline style. It has a tall x-height, and the edges are rounded and soft. It was designed with applications such as advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and social media, and marketing in mind.

Although designer Michael Gills was influenced by 18th century French type designer Pierre-Simon Fournier, Charlotte is best described as a modern roman typeface. Its clean cut style, accentuated by a strong vertical stress and unbracketed serifs, exudes an authoritative tone, guaranteeing its effectiveness for almost all text setting applications, but especially where a formal unmannered appearance is desired.

The idea was to create a fully equipped handwriting script. Thus equipped with all kinds of typographic features like for example true small caps, lots of special characters, different sets of figures, real underlining, all characters as sub- and subscripts, the cap variations, OpenType-features for controlled character string modulations ... In a nutshell: a fully equipped handwriting script.

Every possible character in the standard encoding set has been designed, using a block system which is based on varying shapes, rather than the more common grid or dot-based signage systems. Each font contains 188 glyphs. Next Stop was designed for contiguous flow, and can be made pseudo-monospaced by using spacers in the fi and fl ligatures.

The three Script fonts: Brush Pro, Ballpoint Pro and Calligraphic Pro were derived from the original Ballpoint design. A custom Brush and Calligraphic texture was added to complete the family and twenty-two clip-art illustrations were created for each style. The 3-font package with illustrations is available in the Buying Choices of any of the three fonts.

Songbook JNL is based on a promotional blurb from the back of a piece of vintage sheet music. Its interesting style of slab serif lettering with strong Art Deco influence was worthy of re-drawing into a digital typeface. This design is the 900th release from Jeff Levine Fonts since its inception in January of 2006.

Hand lettering of the song title on the 1914 sheet music for “Dear Old Girl” was the working model for Old Songs JNL. A condensed Roman typeface available in both regular and oblique versions, this titling font exhibits a casual, nonconformist design that isn’t quite traditional, nor is it part of the Art Nouveau movement popular at the time.

Otto Weisert was a German type founder who ran his own foundry in Stuttgart during the early years of the 20th Century. In 1902, he created Kalligraphia, a cursive Art Nouveau display script face. Kalligraphia has a unique stroke contrast model; the tops and bottoms of its letterforms are thicker than the verticals on its sides.

Originally made for the Observer newspaper, in London, this version of Plantin is more condensed than the standard typeface. This condensing is most noticeable in the capitals and the bold fonts. The News Plantin font family was designed primarily for use in a magazine supplement. It retains the robust nature of Plantin but provides better economy in text use.

A new magical, mystical font family from Paper Moon Type & Graphic Supply. PM Endora was inspired by hand-lettered Mid-Century Modern movie titles and posters. Its mystical side makes it perfect for halloween and winter holiday marketing. Its casual side makes it a go to choice for weddings, specialty packaging, cosmetics, and modern lifestyle branding.

Jimi is a tribute to classic rock posters of the sixties and seventies. It was inspired by and modeled after a 1969 sheet of dry transfer letters. Named after the famous American rock and blues guitarist Jimi Hendrix. Ideal for any design that intends to invoke or parody the era of classic rock, free love and mysticism.

Dreamy Summer is a stylish and incredibly elegant handwritten font. This font was particularly crafted for those who need a beautiful and refreshing look to their designs. Add it confidently to your projects, and you will love the results. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

The typeface was designed at ParaType (ParaGraph) in 1993 by Tagir Safayev. Based on Placard typeface (Hermes Grotesk) of the Lange type foundry (St.-Petersburg), an adaptation of Hermes Grotesk, of the Woellmer type foundry (Berlin, middle of the 19th century). This sans serif with its old-fashion stability looks well in advertising and display typography.