Bulk and robust headlines - this font family will make them stand out.

During the early years of the 20th Century, America's fascination with automobiles was just beginning. The cover for a 1916 piece of sheet music for the comedy song "On the Old Back Seat of the Henry Ford" had the title hand lettered by a round nib pen in an Art Nouveau style. This is now available digitally as Running Board JNL.

Put the needle in the groove and jive baby! Discolicious brings back the golden age of moustaches and sideburns, psychedelic tie-dyes and bell bottoms. Use this ‘bubblegum’ disco font for your product packaging, magazines and party posters and they’ll look off the hook! Comes with a primo amount of diacritics, so you can let it all hang out! Word!

I've been really tryin', baby, tryin' to hold back this Rounded Sans for so long. ND Nudel is the food-positive typeface you have been (secretly or not so secretly) waiting for! Stop beatin' 'round the bush and get into all the (20) tasty, yummy, and shameless zesty stylistic variations. Vanilla or with as many tangy alternates as you could imagine.

Benelux is inspired by European styles of the late twentieth century, their origins can be traced back to the Bauhaus. Broadly geometric and with an emphasis on legibility, it's well-balanced and is equally effective at both text and display sizes. Benelux is available in five weights and features an extended character set, including accented characters for Central European languages.

A while back I created a nice font called Harimau. It is a childish font, with a happy feel to it. Harimau had some unusual glyphs, most notably the 'g' and the 'j', which, for some designers, were a little too unusual. Therefore I have created a new font based on the old Harimau: it is similar, but comes with 'normal' glyphs.

New Bayreuth is a new and improved version of the original Bayreuth font (Friedrich Hermann Ernst Schneidler, 1932). New Bayreuth was reworked, redesigned, completed and digitally remastered by Ralph M. Unger for URW++, based on specimen taken from old font catalogues. Besides Ganz Grobe Gotisch and Legende, New Bayreuth is the third type design by Schneidler that URW++ brought back to (digital) life.

Joan Barjau used the pseudonym “Sniff” while working as a cartoonist for the Spanish satirical magazine “El Papus”, and Sniff is also the typeface based on the style of lettering he used for the balloons. Sniff is back in our catalog with a new impetus and an extra style: Open. The four styles incorporate Small Caps, Numerals, ornaments and various OpenType features.

Whenever I went to use Bodoni I could never quite find a version I was happy with, so I designed my own incorporating, hopefully, the best of all the others. I decided to make a slight curve on the uprights, rather like Optima, because I thought this added touch of elegance which many of the others lacked....hence the name.

This distinctive chunky design has a wide range of possibilities as a display face. With a nod towards Deco this strong, bold and well balanced font has a wide range of uses. Due to the nature of this design there may be a very slight lack of smoothness to the curves at extremely large point sizes (around 200 pt and above).

The Redikut Letter Company of Hawthorne, California specialized in die-cut cardboard display letters used by sign makers to achieve a three-dimensional effect on show card and display work. A set of these letters purchased by Jeff Levine brought back memories of classic movie houses with their fancy display and lobby cards, and thus was created "Aisle Seats JNL".

RM Celtic is derived from a mix of Uncial, Carolingian, Insular and Half-Uncial characters that, together, provide a legible and useable font with a touch of that old Celtic magic. Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

The idea for Granat goes back to my mysterious typeface Telepiu and later Teleneue. The straight horizontal bars in combination with the round joins create a very unique character. With Granat I wanted to push this style even further. Like in Teleneue Granat comes with a monocase version without any ascenders or descenders for all 7 weights from Regular to Ultrabold.

A modern classic which will readily find a place in your font folder. Great effort has been taken to ensure the balance of color and weight for every glyph to promote flowing legibility. Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

Introducing a new retro bold script called Rockadelic. Bring back to the 70's era Rockadelic inspired by posters and album covers of funk, disco and rockabilly music with bold and fun style. Rockadelic comes with OpenType features such stylistic alternates, stylistic sets, swash & ligatures and is good for logotype, poster, badge, book cover, t-shirt design, packaging and any more.

The genuine Futura takes up Paul Renner’s earliest sketches and brings back to life the original stylistic alternatives of the letters a, g, m, and n. Another of its peculiarities is the curved ends of the j, l, and t. It retains its genetic heritage, maintaining a perfect geometry, but with a fresher air than ever. Futura is a Trademark of BauerTypes SL

ADEQUATE is a basic geometric sans serif typeface comprising 6 weights plus a free italic with each. The family has modern, workaday letterforms with a tall x-height for clarity and legibility. Adequate does the job; it doesn't claim to be beautiful and lacks the fashionable mannerisms of many contemporary faces, but there is something timeless, perhaps elegant, about its mathematical simplicity.

The Griffith Initials font was inspired by a set of highly stylized capital letters from the remarkable hand of one of Americas foremost penmen, dating back to 1927. They combine a large degree of accuracy, grace, strength, and freedom. This font includes one set of graceful A-Z initials conveniently assigned to both the upper and lower case alphabet characters.

It is inspired by mandalic structures. Its visual language is based on misregister and flaws in textiles printed by serigraph technique in the ’70s. This typeface allows you to combine two characters (front/uppercase; back/lowercase) into a single one to create print repeat patterns. This way you can get many different combinations. Printa is ideal for those who seek handmade designs.

La Brilliante is the newest signature font perfect for wedding invitations, website headers, logos and more. La Brilliante is designed with natural handwriting which will make your design look unique and very beautiful. La Brilliante has front and back swashes in lowercase letters and has more than 50 ligatures that will beautify your writing. Thank you very much for viewing.

Way back in 1996, three student letterers went into the forest looking for the mysterious fonts used to letter Spawn: Blood & Shadows. They never returned. A year later, these fonts were found. And now, over 20 years later, we've updated Wiccan with separate Regular & Bold Special weights, Central Europe & Cyrillic characters, automatically cycling alternate letters and fan-favorite Crossbar I Technology!

Make your design as a time machine with "Mooners" typeface. Inspired by the decorative victorian advertising poster, Mooners came to make make your document, poster, logo, etc... perfectly have a vintage victorian vibes. It's a solid combination that can bring your design, logo, document, website, etc. back to 1800 decade. Multilingual fonts-family and playful one with 165 alternate characters.

Primordial is a chaotic handmade script font. It is rough around the edges, glyphs are shaky and don’t follow a baseline. Yet, in all this chaos, you will find the budding of a new idea, a glimpse of hope and a glint of something beautiful. Primordial comes in a regular and italic style, plus a back slanted style called Primordial Chaos.

The Antique - Vintage Serif is a inspired by classic fonts with retro style combined with decorative Serif style nuances of western back to the era of the 70's - 80's, a style that is timeless The Antique is perfect for vintage social media posts, Craft , Product packaging, product designs, label, branding projects, logo, advertisements, watermark, invitation, stationery and any projects

This font is based on a lot of the downtempo culture in Paris. Smoky bars, jazz clubs, that sort of thing. How a font can be influenced by intangibles is a question that I can't quite answer, but I can say that when I created it, it strongly reminded me of a couple of times spent in Paris back in the mid-90s.

Chelsnuts was inspired by old Art Deco typefaces used in poster art back in the 1920s. Yet, in addition it has a playful side that makes it unique to the sharp letterforms typically seen in similar ultra-thick typefaces. Also included are lowercase letters, not typically seen in fonts such as this, and a customized outlined version of the font.

Ornata C is the third of a series of old ornaments that I am trying to save from oblivion. I am not just scanning these, I am completely redesigning the ornaments from scratch, thereby eliminating imperfections. These ornaments have been first designed by a designer named Ben Sussan. The designs date back to about 1910. Your digitizing type-designing savior, Gert Wiescher

Aesthet Nova is a display type family. Released initially as Aesthet in 2015, it had a significant makeover. Inspired by the 70’s aesthetics, Aesthet Nova remains true to its original "back to nature" roots. It is a smooth talker with a larger than life personality. Equipped with an extended Cyrillic character set, it features rounded serifs, ball terminals and soft corners.

Eurostile Next is Linotype's redrawn and expanded version of Aldo Novarese's 1962 design. This new version refers back to the original metal types and to its mid-century modern aesthetic of squarish characters and subtle curves. Eurostile Next brings back the gentle curves, which were lost in other digital versions, therefore regaining the spirit of the original design and its somewhat softer demeanor. The family has been greatly expanded, now consisting of five different weights: ultra light, light, regular, semibold, and bold. Along with the regular width, all weights also have extended and condensed versions. Stylistically, Eurostile Next is well suited for designs in the fashion of the 50's and 60's, yet it still has a remarkably new and contemporary feeling. Its numerous variations and typographic features are invaluable for projects ranging from extensive corporate branding to one-off posters and from large signage to small print text.

Eurostile Next is Linotype's redrawn and expanded version of Aldo Novarese's 1962 design. This new version refers back to the original metal types and to its mid-century modern aesthetic of squarish characters and subtle curves. Eurostile Next brings back the gentle curves, which were lost in other digital versions, therefore regaining the spirit of the original design and its somewhat softer demeanor. The family has been greatly expanded, now consisting of five different weights: ultra light, light, regular, semibold, and bold. Along with the regular width, all weights also have extended and condensed versions. Stylistically, Eurostile Next is well suited for designs in the fashion of the 50's and 60's, yet it still has a remarkably new and contemporary feeling. Its numerous variations and typographic features are invaluable for projects ranging from extensive corporate branding to one-off posters and from large signage to small print text.

Designed with help and inspiration from legendary tattoo artist Dustin Horan. This beautiful time saver was designed specifically for skin application. Short words and initials can instantly be turned into seamless tribal style tattoos. Each glyph links with the next allowing letters to flow endlessly around limbs and in circles. Respecting the rhythm and geometry principles laid forth by American pioneering tribal artist Leo Zulueta, Scribal makes flowing text shapes that disguise themselves as design. When mirrored back to back and rotated vertically, Scribal becomes well-crafted tribal pattern. Typeface wise, Scribal breaks the mold. While a script font, Scribal was designed to be written in all capitals. Each capital is a mono-spaced glyph, providing even spacing. The shape influences are also vast, ranging from scripts, to blackletters, to romans. Making Scribal a very "Americanized" font, reflective of this "Americanized" style of Tribal Tattooing.

GR Read is a very cool font for headline designs with a bold and bold theme. With a strong display and clean nodes make text in the design become more character and great. Inspired by headline trends in a poster or magazine today. So that with a firm and a very modern style makes your design better! This font is formed from the headline display font of a very careful title. GR Read has about 350 flying machines. Suitable for all graphic design projects, prints, logos, posters, t-shirts, packaging, website, ticket and applies to several types of graphic design. Especially for the use of a title! Very suitable! GR Read is compatible with any software without pain, especially in headlines with GR Read pairing

Nexa Slab is a geometric slab serif font whose design is based on the already popular best-seller Nexa . The font family contains 3 basic forms: italics, obliques and uprights, each of which has 8 different weights. This visual richness makes it the ideal slab serif font family for the web as well as for print, for motion graphics, logos, t-shirts and so on. It is also great for headings, fitting nicely with both small and large typesetting text blocks. Nexa Slab draws from the rich traditions of the classic Neo-Grotesque slab serif fonts such as Lubalin Graph, Rockwell and Memphis, which conceal the richness of typesetting text in its crucial advertising function. Just like these fonts, it’s design is subject to rational, carefully thought-out, thick and thin bars with a low contrast between them. The letters are characterized by the strict geometry and square proportions of the original, extra-fortified by suitably balanced slab serifs. Nexa Slab is serious without being rigid and inflexible, finished and lacking in nothing, systematic without being monotonous, and though it may seem at first glance to be more suitable for short, direct messages; in the hands of a master designer... it can build and create exquisite and harmonic designs. Open Type Features: Lining figures (proportional and tabular) The “f” ligature set Alternate characters (a, g, y) Automatic fractions Automatic numerators Automatic denomerators Automatic subscript and superscript Automatic ordinals Extended language support (most Latin-based scripts supported)*

Rotundum has a geometric concept and is useful for flashy headlines and ads.

Taste, with seven weights, is versatile enough for use in headlines and text.

A great headline face very bold and graphic. Not recommended for small sizes!

This bold and high contrast typeface is mainly used for extreme outstanding headlines.

Quadratic has a geometric concept and is useful for flashy headlines and ads.

The Chic font is a headline face ideal for packaging, posters and signs.