Mauren is a serif typeface inspired by the beauty of classic serif and calligraphic style, fused with modern appeal to blend with modern needs. Ranging from thin to black with italics, Mauren offers many possibilities to be applied in many graphic or editorial projects. The lighter weights are suitable for short paragraph, and the heavier weights are perfect for headlines, perfectly suitable for display purpose such as branding, editorial, book covers, and packaging. Mauren has extended latin character set that supports 200+ latin-based languages.

Meet Tilson, a versatile workhorse family for both texts and headlines based on a geometric and straight-lined design. It will give your apps, websites, logos, posters and so much more a techy and masculine look and feel. However, some friendly rounded details, such as the i-dot, add a rather pleasant personality to this family. With more than 200 languages covered, many opentype features on board, obliques, and weights ranging from Thin to Black, Tilson is a truly versatile companion for your next design project.

Another jewel of the vast treasure of historical font designs was digged out and brought to life again. Due to the courtesy of the Quay Brothers, London, who yielded to me an age-old brochure of Albert Auspurg’s ‚Miami‘, released by Schriftguss in 1934, I was able to redesign this elegant font. This font which I called ‚Elbflorenz‘, a cognomen for Dresden, contains West and Central European type faces as well as those for Romanian and Turkish. To get access to the historical number sign please use either the OT feature additional ligatures or ordinals.

Kon Tiki Aloha is a font that celebrates the design style of mid 20th Century Hawaiian kitsch. This font was inspired by the ad poster of a popular 1960s Hawaiian themed attraction, and contains 120 alternate interlocking ligatures to give it a Polynesian feel. The ligatures can be found under the Discretionary Ligatures OT feature or added from the glyph palette. Jukebox fonts are available in OpenType .otf format and all fonts contain basic OpenType features as well as support for Latin-based and most Eastern European languages.

Rockner is a family of fraktur typefaces designed by the calligrapher/designer Julius de Goede. Like all Blackletter styles, fraktur evolved out of Northern Europe's medieval manuscript tradition. Fraktur was the most used Blackletter variety between the sixteenth and twentieth centuries. Unlike many similar fraktur font families, Rockner is available in three weights: Regular, Medium, and Bold. This flexibility allows for richer design possibilities. The OT fonts contain the many alternate characters, such as the long s and historical ligatures, which are often necessary for the setting of historical documents.

Amster is an energetic & refined type created by Francisco Gálvez, with a sharp idea on how elegance & legibility can meet harmoniously. Amster can build a text that is highly readable as well as friendly. It has five weights of roman & cursive both with smallcaps and fully-equipped with all OT sorts and even a wonderful set of illuminated initials. Amster is a very versatile typeface, allowing for a wide range of uses: screen to print, small text to display, science to poetry. Amster speaks more than 200 languages.

RMU Gilgengart is a revival of Hermann Zapf’s beautiful calligraphic blackletter font which was cut and first released by Stempel in 1952. This font comes with fine ligatures and swash letters. Before working with this font it is recommended to activate both OT features Standard and Discretionary Ligatures in order to get access to all ligatures. RMU Gilgengart contains the following swash letters: D, L, h, f, g, k, round s, and t, whereby you should use the small letters at the end of a word or slogan only.

Briller is a super-wide display sans that covers 6 weights, from delicate Thin on one side to chunky Ultra on the other end. Briller tabular figures (via the OT feature) and most of figure related glyphs (such as monetary symbols) are the same width throughout the weights, leaving fun possibilities in pairing them up in contrast while retaining that sense of tabular order. Briller has a character set to support Western and Central European languages. Each weight includes ligatures, proportional lining and tabular figures, fractions and scientific superior/inferior figures.

In 2012 the city of Schwäbisch Gmünd will celebrated its 850th anniversary, and in 2014 it was host town to the State Garden Show of Baden-Württemberg. These both celebrations were the background to create a special font for my home town and give it the town’s ancient name. Inspired by Excoffon’s Diane, I drew and digitized a new, multilingual script font which covers the main European languages written in Latin or Cyrillic letters. For users typing in the Serbian language, I recommend to activate the OT feature Stylistic Alternatives.

A concertina is a kind of musical instrument, not unlike an accordeon. I just liked the name; I have to admit I’m not a particular fan of accordeon music… Concertina is a beautiful handmade script font. A little rough, but elegant as well. It was made with a small Japanese brush pen on coarse paper. Concertina comes with double letter ligatures and end-letter alternates. To access the end-letter alternates, type the letter you want + space (and make sure to tick the ‘ligatures’ box in your OT environment).

Gutenberg Gotisch is a redesign of an inhouse font released by Bauer in 1885, and it is a predecessor of Princess Engraved. So both fonts make a perfect match. The long s can be reached by typing the integral sign or turning the round s into the long s by using the historical OT feature. In this font, you have the possibility to turn I, V, X, L, C, D, and M into Roman numerals by activating the salt feature. Finally I recommend to use both ligature features.

One of my favorite blackletter fonts - Schwabacher - redrawn and redesigned, whereby I took care to stick to the original forms as close as possible. This font which has its roots in the 15th century represents at the most the uprising humanism in this period. To get access to all ligatures, it is recommended to activate both Standard and Discretionary Ligatures. By using the OT feature Stylistic Alternatives you get the historical German umlauts which are small e above a, o, u, A, O, and U. This font contais also oldstyle figures.

Sinffonia is a beautiful ornamental font family. Its thin weight and roman style makes very elegant and ideal for any high quality project. The Open Type version, plenty of ligatures, alternative Characters and ornamental characters, is carefully programmed to replace automatically the glyphs accord to the feature and context so you can modify the aspect of the text easily without any incoherence in the design (i.e. overlaps and collisions). Non Open Type users can try the four plain versions of Sinffonia, which includes some of the beautiful ornamental characters of the OT version.

TUTORIALS : https://www.youtube.com/@madhalinestudio/videos Yenisack is a carefully crafted font, which features a very heavy black metal feel. Yenisack suitable for metal band logos, merchandise, clothing, apparel, or anything that needs a black metal feel.

The typeface Stempel Sans Print Neo is designed from 2022 for the font foundry Typo Graphic Design by Manuel Viergutz. The display font based on a original set of 29 old rubber stamps (6 cm height). Digitized via hand-stamped, a scanner and Glyphs app. 3 font-styles (Rough, Misprint, Black) with 321 glyphs incl. decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes (type the word #LOVE for ♥︎or #SMILE for ☻ as OpenType-Feature dlig) and stylistic alternates (6 stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! Font Spe­ci­fi­ca­ti­ons ■ Font Name: Stempel Sans Print Neo ■ Font Styles: 3 font styles (Rough, Misprint, Black) + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play Script for head­line size ■ Glyph Set: 321 glyphs (incl. decorative extras) ■ Lan­guage Sup­port (36 languages): Asu Bemba Bena Chiga Cornish English German Gusii Indonesian Kalenjin Kinyarwanda Luo Luyia Machame Makhuwa-Meetto Makonde Morisyen North Ndebele Nyankole Oromo Rombo Rundi Rwa Samburu Sangu Shambala Shona Soga Somali Swahili Swiss German Taita Teso Uzbek (Latin) Vunjo Zulu ■ OpenType features (16): aalt calt case ccmp dlig liga lnum onum ss01 ss02 ss03 ss04 ss05 ss06 mark mkmk ■ Design Date: 2022 ■ Type Desi­gner: Manuel Viergutz

Font Etruria is based on a real Etruscan inscriptions and realistic accurately simulates the writing of the Etruscans. The idea of the font Etruria is to give an opportunity for anyone to touch the past of mankind! The character of the Etruscan alphabet involves the creation of a font with only uppercase letters. However, I did not limit this font by that. Etruria has not only a lowercase is different from uppercase, but an additional sets of alternative characters. In General, the main characteristic of Etruscan writing is randomness and diversity of characters. Differs from lowercase to uppercase is only the first step on the road to make randomness effect. Next to the aid of the OT features. To recreate the randomness effect, in Etruria there are several OT features (Contextual Alternates, Stylistic Alternates and Stylistic Sets), which built a script to simulate randomness. Additionally, another script creates the effect of random positioning. Together they create incredibly realistic Etruscan inscription. Thus, any of these features can be disabled at will. I also used a small line spacing, because it is characteristic of the Etruscan writing. Actually the Etruscan writings is a mirror of the writings compared with the current European alphabets. I didn't use this feature all the letters, because this would make the font difficult to perceive, but to make the font characteristic of the Etruscan style, Etruria has a few letters in mirror image. However, if for someone it may seem unusual, mirrored letters can be disabled instead of them will appear more familiar to them. Another feature of Etruscan writing is the use instead of a space dotacentered. Font Etruria has this feature, there is a OT feature Stylistic set ss03. Naturally, it also can optionally be disabled. All these features can be used together, separately, or turn it off. The main goal achieved! The text typed in Etruria, creates full impression of these Etruscan inscriptions.

CONCEPT/CHARACTERISTICS
 The constructed, clear and modern cha­rac­ter of the typeface based on the basic form of the triangle. The motto is geometrically and italic. APPLICATION AREA
 The modern, futuristic and constructed font „slan­ted ITALIC shift“ would look good at dis­play size for poster, flyer, comics and gra­phic novel let­te­ring and logos. Head­lines in maga­zi­nes or web­sites, packa­ging, music covers or webbanner etc. TECHNICAL SPECIFICATIONS
 Head­line Font | Dis­play Font | Geometric Font „slan­ted ITALIC shift“ OpenType Font with & 308 gly­phs & 6 styles (thin, light, regu­lar, medium, bold, black). Alter­na­tive let­ters, symbols and liga­tures (with accents & €) FONT IN USE www.typographicdesign.de/font-in-use-slanted-italic-shift/

Display block letters inspired by train station LED board. Board Deluxe is a humanist version of previously release Board based on bitmap diamond cells pixel font. Original Board (released by T.26) provided rounded corners diamond shape cells deliver surprisingly nice texture when use in extra large size. Board Deluxe gives you solid headline letters that spell out the midpoint between Digital and OldStyle.

Inspired by strange classic typography, Gogles has its own unique style. This font is best suited for headlines of all sizes, as well as for blocks of text that have maximum and minimum variations. The Gogles style applies to all types of graphic designs on the web, print, moving images and more, and is perfect for t-shirts and other items such as posters and logos.

BlinkHead is a powerfull block typeface inspired by industrial revolution and machineries. It comes in three styles for the moment with possibility to be added more later. It has a dynamic, curved letter ending that makes it perfect for some modern logo designs purpose and even powerful headlines. The folded style comes as an option to change some letters in plain text for more dynamic appeal.

Equa is a font based on strict grid rules. The name "Equa" comes from the equal widths of the vertical strokes, inner spaces and counters and spaces between glyphs. Its geometric construction gives it a technical look with an art deco sensibility. A system of three "weight-widths" based various sized grids gives flexibility in uses, from large condensed headlines to small blocks of text.

Cracks is a display font inspired for fun image and playful taste. Although initially made for comical use, this fantastic typeface is also best suited for headlines of all sizes, as well as for blocks of text that have both maximum and minimum variations. Whether it’s for web, digital crafts, logotype, wordmark, print, moving images or anything else, it fits for every young and playful design.

Auberjean is a playful handmade display font, great for social posts, editorial design, posters, book covers, signs, and more! This font has a hip and contemporary feel. It works well for headlines as both uppercase and lowercase, as well as short blocks of text like quotes and info blurbs. The thick, rounded style means it looks great with an outside stroke or offset outline.

A timeless serif with a distinctly contemporary attitude. The Senhan font family makes a statement with confidence. Defined by sexy, sharp, angular contours when used in headline and display scenarios, this family of 5 weights and italics is a real eye-catcher. But with a tall’ish x-height for legibility, and a medium contrast, Senhan is a workhorse at small sizes and in lengthy blocks of copy.

Agharti is a bold condensed display font perfect for headlines with a punch. The lowercase glyphs reach as high as the capitals so even if you are not typing in all caps you will have a solid impactful block of text. These extra tall lowercase letters will be sure to catch attention from any viewer and add some playful delight to any design project.

Tachyon font family combines design simplicity of modern sans serifs with a futuristic feel based on a condensed character concept. Its clean lines can bring unusual spark to logo designs, headlines, magazine designs, quotes, documentaries, advertisements or similar projects. This font will find its use also in larger text blocks where simplicity, clean lines and well applied kerning are a must. Create something spectacular with Tachyon.

The letterforms for this typeface are pretty much standard block gothic, but its prismatic treatment features a twist: the letters appear to be lit from below rather than above, which is usually the norm. The result is a perfect choice for dramatic headlines. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Introducing our first old english black letter Royal Grande. Quite basic anatomy not the contemporary style. With this not too complicated black letter that make this font good for general display projects. We also make it a black letter family because we rarely see this kind of option in the market. Another good news , we also offer the variable format this time for the new font enthusias community.

Rough Riders Redux along with our Rough Riders font, got its start from a small sample of letters used in the logo for the Beach Creek Railroad Co. dating back to the early 1860’s. I studied the design for one year before drawing the letters. Rough Riders and the Redux version are simply the most Wildest Western looking fonts you'll find. The Rough Riders fill font is not meant to be used as a stand alone black typeface, the fill font is designed to be layered behind the regular Rough Riders font.

Rough Riders, along with our Rough Riders Redux font, got its start from a small sample of letters used in the logo for the Beach Creek Railroad Co. dating back to the early 1860’s. I studied the design for one year before drawing the letters. Rough Riders and the Redux version are simply the most Wildest Western looking fonts you'll find. The Rough Riders fill font is not meant to be used as a stand alone black typeface, the fill font is designed to be layered behind the regular Rough Riders font.

This is a grotesque typeface which was derived from an older more simple version designed back in 2000. Bulletin Sans Pro is distinguished by its selective deep cuts which give this typeface a robust and contemporary look. These cuts become more apparent at larger sizes while they create a more subtle effect at smaller sizes. For intense titles try the black version. When space and legibility for long texts are critical, use the lighter versions. The family consists of 10 fonts—from black to light—including true italics. It supports 20 special OpenType features like small caps, fractions, ordinals, etc. and offers multilingual support for all European languages including Greek and Cyrillic. Finally, every font in this family has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban lifestyle.

Kievally is a refined aesthetic. This majestic typeface adds a touch of stunning elegance to any design. Although the inspiration for this typeface dates back to the Art Deco era, Kievally feels modern and contemporary. Use Kievally for your branding, magazine designs, logo designs, headlines, posters, packaging, cards or wedding invitations. Included : - Uppercas and Lowercase - Ligatures - Numerals & Punctuation - Accented characters

Pebl is inspired by the naturally simplified and smoothed shapes of beach pebbles. The result is a bold, super-rounded display typeface. It's pared back to just the most basic, smooth outlines without counters, for a friendly and organic look. It’s ideal for logos, branding, headlines or just abstract type shapes in print, in displays, on the web, on T-shirts, wherever. Enjoy.

The designers of wood type in the 1880s did not lack for inspiration or imagination. From extremely ornate designs to ultra compressed or condensed alphabets, there was no shortage of variety. Saddle Tramp JNL is one such compressed font. Its wide, bold design coupled with its squat appearance allows for multiple words in a headline without overuse of page space.

The Hybi14-Boldie is a bold Script in two styles. It’s lack of excessive details makes it appropriate for all oportunities of headlines, slogans and advertising. It’s friendly and charming character makes it pleasant to look at. The fonts are offering a huge character set for usage in many languages. Also thousands of kerning pairs within each style are obligatory.

Arzachel is a humanistic sanserif with a big x-height and a specific organic look. Its design is scientifically sharp and efficient in small type sizes as well as rugged and dramatic in headlines. Arzachel’s essential feeling comes from several features: all the letters are slightly sloped, stem terminations are flared at the top, and the terminals in letters a, c, e, f… are widening with the inside parts completely flat. The stroke contrast is low in the regular weight while it increases in the black; finally the capitals have an inscriptional flavor. Despite being a sanserif (thus a product of recent typography) Arzachel’s roots stretch back to the Renaissance tradition: Olocco took inspiration from some of the early and rather weird types cut in Venice in the 15th century. Arzachel was conceived during Olocco’s MA in Reading to provide a companion for his Zenon for use in small type sizes. But instead of expanding the Zenon family with optical sizes, the designer decided on a sans with its own personality rather than a sanserif version of Zenon with chopped-off serifs.

Roisty – A Black Display Sans Serif Typeface Roisty, a sleek and contemporary black display sans-serif typeface, exudes sophistication and modernity in its design. With clean lines and a bold, assertive presence, Roisty commands attention while maintaining readability. The sharp contrast between its thick strokes and thin lines creates a visually striking appearance, making it an ideal choice for headlines, logos, and other display purposes. The typeface’s timeless elegance, combined with its versatile nature, ensures that Roisty stands out in both digital and print mediums, embodying a perfect blend of classic refinement and cutting-edge aesthetics. Roisty is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

An ultra black blackletter, Avebury Black and Avebury Inline were inspired by an early blackletter from the Caslon Foundry. Early blackletters from the Bruce Type Foundry are also reflected in this slightly modernized and more readable typeface. Caution. For display only.

Meche Pro it is a geometric typeface family with a semi-formal touch, it contains 12 variants, from the Thin to Black and Stencil Thin to Black versions, plus Cyrillic alphabet with alternatives and different ligatures was added, especially for titles