Signage JNL shows the heavy influence of the perennial favorite Futura Black with a couple of minor changes here and there. The design was inspired by a set of British brass stencils for sale in an online auction.

Gilam is a sans serif font with semi-condensed proportions. The typeface was based on the famous DIN but combines its popular neo-grotesque look with characteristics, such as the pointed edges in the “W” and “M” as well as the outward cut terminals, which gives a distinctive look to the modern geometric typeface. The complete set of 9 weights plus italics gives to designers the absolute freedom to create anything. Perfect layouts with blocks of text, headlines, motion graphics, logos, apps, and websites are just part of the intended usage of this versatile typeface. Features: • 765 glyphs in 18 styles; • Extended Latin, Cyrillic and Greek; • Geometric forms and low contrast; • Prominent x-height which makes it legible in a text; • Perfect for headlines and logos; • Suitable for web, print, motion graphics etc. • Semi-condensed proportion; • Advanced typographical support and OpenType features including case-sensitive forms, fractions, superscript and subscript characters, and stylistic alternates; • Complete set of figures - old style and lining figures, which come with proportional and tabular variation; Gilam means “joy of people” so that you can enjoy it!

One of the most remarkable characteristic of this humanistic sans serif is its versatility. Ronnia’s personality performs admirably in headlines, but is diffident enough for continuous text and small text alike. The heavier weights deliver very cohesive shapes, and they have been successfully used for branding and newspaper headlines. Its ten styles grant the designer a broad range of coherent color and texture variations in text blocks, necessary tools to solve complex information and editorial design problems. Ronnia has been mainly engineered for newspaper and magazine applications manifested in its properties: economic in use, highly legible, and approaching the reader with some friendliness and charm. Ronnia features about 800 characters per weight, including small caps, fractions, old style and lining numbers, scientific superior/inferior figures, and a set of symbols and arrows. It supports over 40 languages that use the Latin extended alphabet. Ronnia Basic is a reduced version of Ronnia. It is still an OT-font but without any particular features except of a set of ligatures, class-kerning and language support including CE and Baltic.

Nimrod was released by Monotype in 1980. Designed for current newspaper technology, the Nimrod font family evolved as a result of extensive examination of newspaper industry needs. Nimrod retains many of the features of the traditional newspaper Ionics, but some of the fussier detailing has been replaced by the more sober forms of the old styles, such as Plantin. A highly legible font family, especially in smaller sizes, its clear unambiguous character shapes make easily readable blocks of text. Nimrod also withstands the degradation encountered in newspaper production and printing. First used for body text in the Leicester Mercury newspaper, the Nimrod font family has subsequently become a popular choice in newspapers for text and headlines.

Pill Gothic walks the tightrope between a heads down, hard working, utilitarian sans and something that stands out, saying, "Look at me!" Designers looking for a type that will work in blocks of text for callouts, captions and headlines will find that unique balance with Pill. Pill Gothic asks the question: what is the effect of a few truly unique characters on the meaning of a type? In particular, the 'a' and the 'g', while relating strongly to the forms of the other characters, stand out from the traditional milieu of sans serif types. The name Pill Gothic came from early studies of the condensed weight where the lower case characters had the shape of a pill capsule.

S.A.M (Super Active Matrix) combines the big, bright and bold with the microscopic and mathematically precise. Inspired by old science fiction films and new technologies, S.A.M merges the rigid constraints of display mechanics with the free-flowing curves of neon signs. This font is great for a classic sci-fi look – perfect for headlines/logotype. S.A.M also works for blocks of text, unlike some other display fonts. The matrix exists to bring order to an idea – it tames the free-flowing curves of neon signage into a repeatable structure while maintaining a retro aesthetic. Each character, glyph or symbol is drawn on a bitmap grid, merged with a dot matrix to round off the edges.

No. Seven is a bold brush style script family of three weights, ornament set and a block capital "small caps" font. No. Seven is equipped with plenty of OpenType features: To activate the alternates click on Swash, Contextual, Stylistic or Titling Alternates or Discretionary Ligatures, Tabular or OldStyle Lining in any OpenType savvy program or manually select the characters from Glyph Palette. Always keep on Standard Ligatures for the best outcome. Combine No. Seven with No. Seven Ornaments and No. Seven Small Caps to complete your designs. No. Seven is an effective font for creating ambitious headlines, logos & posters with a custom-made feeling. For the best price purchase the complete No. Seven Family.

Nomadic Blackletter font, also known as Gothic or Old English font, is characterized by its bold, ornate and decorative style with thick vertical and thin horizontal strokes. They are highly ornamental and are distinguished by their black, high-contrasting nature. Features of Nomadic Font: Ornate and Decorative: Nomadic fonts are highly ornamental, artistic and decorative, making them ideal for titles, headlines, logos, and other design applications where a touch of sophistication, elegance, and class is required. Strong and Bold: Due to its bold strokes, Nomadic fonts exude strength and power, making them the perfect choice for logos and branding, especially in fields such as music, fashion and sporting industries. High Contrast: Nomadic font creates a high contrast between the thick and thin strokes, creating a unique visual appeal that is not found in other fonts. Gothic Style: Nomadic font originates from the Gothic period where it was commonly used in manuscripts and inscriptions. This style has persisted through the centuries and is still popular today. Use of Capitals: Nomadic fonts make use of stylized capital letters with exaggerated loops and curves, adding to the uniqueness of the font. In summary, They are excellent for logos and headlines, providing a touch of elegance and sophistication. However, their complexity limits their use in large amounts of text.

Condensed Oldstyle Gothic with flair. Great for tight-fitting headlines and other condensed titling situations such as headlines, ads, invitations, captions, packaging, bulletins, posters, and greeting cards.

Geometric shapes are the building blocks the construct these 2 fonts.

Monospaced black slab-serif without any philosophy or idea, it doesn't pretend to be anything sophisticated, it is as simple as chewing gum or a can of soda. Simple and angry typeface Ivan has a lively friend — Juan typeface.

Oboni, how are you. I am fine, thank you! This little song is what you will hear in Ghana and Togo. The white people are called Oboni and the black people are the Amebo. We'll bring both cultures together!

Monospaced black slab-serif without any philosophy or idea, it doesn't pretend to be anything sophisticated, it is as simple as chewing gum or a can of soda. Simple and lively typeface Juan has a ascetic friend — Ivan typeface.

Basalt is a hard, black volcanic rock with less than about 52 weight percent silica. Because of basalt's low silica content, it has a low viscosity (resistance to flow). Basalt is erupted at temperatures between 1100 to 1250° C.

AZ Audiotape font is inspired from a vintage '70s record sleeve company logo. This font is designed for use as a worn and antiqued headline or sub-headline.

Komera is a headline style font that has a creative and exploratory theme, this font is suitable for the design needs of stylish young people with short headlines.

Poxy is a black weight display font with 3 styles available. Built with particles, including circles, hexagons and stars. An Alternate Stylistic Set offers the option to make letters, numbers and symbols float away at the the top of each glyph.

The pages of the Speedball® Lettering Textbook have yielded a number of classic typefaces for digital designers. Frontiersman JNL and Frontiersman Black JNL have the wonderful hand-lettered look that adds just the right touch of nostalgia to any layout.

Based on the Batman logo, this font (and a medium weight which is unreleased) were designed especially for Rian Hughes' "Batman: Black and White" comic book. It retains the signature reversed-stress weight distribution, seen to best effect on the A.

A chic and simple geometric hand font. Maisy comes with a set of icons and is perfect for fashion, marketing, books, websites, magazines, film and television. Maisy comes in two font styles (basic/wide) and four weights (light/regular/bold/black).

Anantason Reno is a versatile sans-serif typeface that offers a range of 162 styles, spanning from thin to black in weight and ultra-condensed to ultra-expanded in width. Its adaptability makes it well-suited for a variety of purposes.

Retrade is a unique and modern family of Sans serif fonts. Simply Conception has 9 families Regular font, starting from the small thin to the largest Black. This typeface is versatile and can be used successfully in magazines, posters, branding, websites.

Magefin is a unique and modern family of serif fonts. Simply Conception has 9 families Regular font, starting from the small thin to the largest Black. This typeface is versatile and can be used successfully in magazines, posters, branding, websites.

Indoxine is a scribbled font, simulating hasty written letters with occasional inkblobs. Comes with ligatures for both double upper/lower letters and numbers, in regular and black versions! You will need to use OpenType supporting applications to use the autoligatures.

Nutnik was made using cut out cardboard letters, black paint and some brushes. The result is a highly legible, yet grungy font. It comes with all the diacritics you could possibly wish for and stylistic alternates for the lower case letters.

Colibre Bristole Pro is a serif font family that crafted with precision, Colibre Bristole consist of 9 styles from thin to black. has 49 ligatures to make writing more interactive Features : · Multilanguange · Alternates · PUA Encoded · Font Family totals 9 fonts

Majora Pro is a slab serif typeface which derives its name from a Portuguese historical toy manufacturer. The font comes in 8 styles, ranging from a delicate Thin to a robust Black, with matching italics and an upright version of stencil fonts, resulting in a total of 24 weights. Majora Pro is well-suited to a wide range of design projects which include packaging, editorial design, screen use, etc. Its humanistic features and moderate contrast between thick and thin strokes make it also suitable for long block of texts while having a high degree of legibility. The font includes a set of alternate glyphs which help give your compositions a different and unique look. The Stencil version was specially designed for use in signage, packaging, titles and headings. Majora Pro contains an extensive set of 750 characters (including small caps, different figure styles, etc.) that support over 200 Latin-based languages. Majora is the previous version of Majora Pro.

Segment A is a powerful display type family with 18 styles inspired by condensed European grotesques of 19th-century, but with clear geometric proportions. In Black weights, the letterforms are inspired by the aggressive industrial graphic design of the 1960s and 70s. Both have 3 axes and are adjustable in weight, width and 10˚ italic. It is a typeface with narrow proportions, distinctive character, high-quality outline and lots of details. Characters have oblique cuts, sharp tails and highly visible ink traps. All this makes the font more aggressive and edgy. The huge x-height with short ascenders and descenders allows this typeface to be used in blocks with minimal line spacing. Features: – Total glyph set: 631 glyphs; – 18 styles (3 weights x 3 widths + italic); – Support 210+ languages; – Latin Extended; – Cyrillic Basic + Bulgarian letters; OpenType features: – Proportional numerals, tabular numerals, superiors, fractions; – Punctuations and symbols; – Arrows; – Stylistic alternates (ss01-ss05); – Ligatures; – Case-sensitive forms.

An open-hearted humanist sans-serif. Playful and friendly. Faible is everybody’s darling. You cannot not like this good-natured humanist typeface. Sure, it’s a typeface for serious work—but all serious work is better when you put a smile on your face and a whistle on your lips. The typeface itself isn’t rooted in calligraphy, but there are quite some details in Faible that reference handwriting and add a friendly, humanist facet to its appearance. Take the bowls of B, P, and R: they are merrily bulged, like balloons about to take off. The curved leg of the R adds to this joyful mood. Faible’s italics are rendered playfully, too: they’re not merely sloped Roman styles. Rather, they were designed independently with an internal dynamic that sets them apart on the page. With its trademark glyphs, the swooshin’ K and k, and its friendly details, Faible will radiate optimism in display sizes, titles, and headlines. That makes it a great choice for book covers, posters, editorial design, branding, corporate design, advertising, and packaging. Nontheless, it’s carefully spaced and equipped with plenty OpenType features—a reliable tool for short texts and body copy, too. The font family consists of six weights (ranging from Thin to Black), each with its corresponding italic style. Faible’s glyph set contains more than 600 characters, allowing you to enhance your layouts with ligatures, different sets of figures, case sensitive forms, arrows, and other necessities for the ambitious typographer. Faible is the typeface that puts “fun” back into “functional”.

KT Nirma Sans Nirma is a typeface with 9 Weight Sans Serif from thin to Black, inspired by Founders Grotesk, This project start from April 2022 and start from the stretch until shaped the solid character to represent the Dynamic Sans Serif. Nirma has total 462 glyph and 218 Support language. Nirma support Latin Basic, Latin-1 Supplement, Latin Extended A-B, Spacing Modifier Letters, and Combining Diacritical Marks. The Solid Character has multi function Display Sans & Body text based on Display Grotesk. Especially in te Thin to Regular is more legible for body text and the black one good for Display Sans, with dinamyc shape and more wide.

Comic Mode is a warm, fun and comical sans serif family, "its an alternative for comic sans, with a more formal looks". Availavle of 9 weights from thin to black. with a curved character that is round on thin and increasingly elliptical on black. The unique look of comic Mode is the combination of a technical sans serif and casual handwriting . These 9 diffrent weights also come with oblique style, so there are 18 styles in this family and 1 variable font that are a relatively new font format that allow one font file to contain multiple stylistic variations. Fresh, unique and casual, make this font really worth having.

TG Aqsa Grotesque Pro is the latest version of the font that was previously released in 2017, TG Aqsa Grotesque. In this latest version there are several optical fixes on each glyphs. In this latest version also added 2 new weights namely black and ultra black so that TG Aqsa Grotesque Pro has 6 fonts of different weights. Still maintaining the sans serif grotesque style coupled with the improvement of the letter form make TG Aqsa Grotesque Pro have a good level of readability when applied as a body text. And this version also has extended latin which will support more than 90+ different languages.

Mode is a typographic experiment exploring how same sans serif form adapts to different circumstances and what are the possibilities in variations of Thin / Black, Contrast / Negative contrast. Two main groups are Mode 0 (with rounded shapes) and Mode 1 (with angular shapes). Each of them varies from Thin to Black in six cuts, in the same manner it varies from contrast shapes to negative contrast. Mode comes in total of 72 cuts regular and italic, it speaks majority of Latin based languages and is equipped with smcp, c2sc, Old style and all caps numerals. Mode is made by DAGGERtypo during a period of 2019/2020

Bellagia Display is a blend of two hand calligraphy typefaces and vintage serifs with a natural bond consisting of 7 weights from Thin to Black. All the wildcards and binders are specially designed to bring out the letters that are unique, and interesting. This makes it a very versatile font that works in both large and small sizes. Perfectly supports your creativity in making various design projects such as logo designs, branding, posters, magazines, labels, merchandise, invitations, long and short texts, and many of your other needs. Bellagia Display Features: - 7 Weights (from Thin to Black) - 1 Variable font - Alternates & Ligatures - OpenType support - Multilingual - PUA Encoded.

Along Sans Grande is an ultra condensed sans serif font family developed based on the typeface styles of the Along Sans Geometric Font Family. In the case of the black weight with the largest change in the size of the stem, the size is 180:140:100, respectively. And, the thin weight style has the same proportion of stem size. Some Glyphs that need to support the stem alone remain a size 222 for Black Weight. These interpolation rules are sufficient to complement the rhythm and readability of the whole family. This family is perfect for special titling works, logo designs, and cool showcases.

Chilada is an outrageous display family by designer Patricia Lillie for Image Club. Across four versions, the decorate treatment inside Chilada's letters becomes more intense. Chilada characters exude an energy of their own. Their design could be described as a cross between Bank Gothic and Neuland, with a spoonful of funk mixed in. Big and chunky, Chilada's forms are made up of straight lines only. There are no curved elements. The resulting design is angular and cuts a good figure on the page. Of the Chilada family's four members, the basic font is named Chilada Uno. Uno is Spanish for one!" The forms of Chilada Uno's letter are solid black-or whatever color you choose to set them in! Chilada Dos, Tres, and Quatro each offer their own decorative treatments: Chilada Dos's letters sport a zigzag inline, Chilada Tres is decorated or an ornamented leaving leaves more black from the letters than white, while Chilada Quatro's level of decoration is just crazy. Its letters are made up more more from white space than from black marks. Chilada Quatro is almost an outline font!"

The Siseriff family of types contains nine different styles, which were developed by the master Swedish typographer Bo Berndal in 2002. Siseriff is a contemporary slab serif face. Except for the Siseriff Black weight, all of the letters display a slightly condensed appearance that is coupled with a relatively uniform width throughout the alphabet. Siseriff's nine styles are distributed across five weights (Light, Regular, Semi Bold, Bold and Black). The Italic companions for these styles (Siseriff Black does not have an italic companion) are true italics. These redrawn italics add a higher degree of differentiation from the Roman weights than could be achieved with obliques alone. Many common Slab Serif families (e.g., Serifa) do not offer this degree of differentiation. This variety makes Siseriff the perfect choice for journalistic and editorial work, where a good hierarchy may be achieved solely by relying on the various weights available, and their italics. All nine styles of the Siseriff family are part of the Take Type 5 collection from Linotype GmbH."

Because Contenu is designed for text use, it is spaced for body copy in the 9-12 point range. That is far too much spacing for heads, subheads, and the like. So I made the display version of Contenu Book to use for headers. In the process of tightening the spacing at the very large sizes, I also made some minor modifications to the glyph shapes to make this version a little more elegant. Contenu Opentype has two Opentype families for print design. Contenu Book has five fonts: Regular, Italic, Bold, Bold Italic, and Display. Contenu has Medium, Medium Italic, Black, and Black Italic. The name is French for content and this is what the family is designed for: text, body copy, and book layout. If it has a style, it is a modern take on oldstyle serif font using Jenson as a mask. There are no plans for display versions of the bolder weights or the italics. If you want them, use Contenu Medium, Book Bold, Contenu Black, or any of the four italics and tighten the tracking.

Because Contenu is designed for text use, it is spaced for body copy in the 9-12 point range. That is far too much spacing for heads, subheads, and the like. So I made the display version of Contenu Book to use for headers. In the process of tightening the spacing at the very large sizes, I also made some minor modifications to the glyph shapes to make this version a little more elegant. Contenu Opentype has two Opentype families for print design. Contenu Book has five fonts: Regular, Italic, Bold, Bold Italic, and Display. Contenu has Medium, Medium Italic, Black, and Black Italic. The name is French for content and this is what the family is designed for: text, body copy, and book layout. If it has a style, it is a modern take on oldstyle serif font using Jenson as a mask. There are no plans for display versions of the bolder weights or the italics. If you want them, use Contenu Medium, Book Bold, Contenu Black, or any of the four italics and tighten the tracking.