Modern script font inspired by summer, airy and attractive, Pattaya will fit perfectly into any project and decorate it. Alternates and ligatures will help to make it more natural.

Serene Textured Script is informal, good for logos, headlines in magazines or titles in food recipes with a slight retro feel and textured that add value to your designs.

Anathalya is a handwritten script font. Looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and any other design that requires a handwritten touch.

Mondio, it is a low script hand writing font. handwritten to give your designs a free-flowing and stylish design. , this font is a delightful addition to any project!

King15 is a beautiful script font based on signatures dated back from hundreds of years. Its asymmetry and ink imperfections give it a strong and a truly unique character.

Astria is a swinging script, that works best in short headlines or as a decorative Element. I like it when the lines overlap, with letters flowing into each other.

Adelphi is a geometric sans, redefined for the northern side of the English Channel. Typographic modernism was a late arrival in Britain — due partly to the Second World War and to the strong local type tradition. This delay provided for fruitful divergence, thus modernism was not adored in quite the same way as it had been in Germany and central Europe. It was instead rethought and repurposed against the backdrop of the bleak British weather and postwar social reform – a continental fashion statement reshaped into a more humanist variant. Likewise, when crafting Adelphi, Nick Job reimagined the constraints that defined the geometric sans as a genre. Whereas other typefaces seem overly bound by the rules, Adelphi feels relaxed and approachable. Elementary square and circular shapes are merely implied. A keen observer may notice that the uncomplicated letterforms occasionally reveal a subtle naïveté associated with early Grotesques. Brunel’s bridges and Harry Beck’s tube map spring to mind alongside the Bauhaus and Futura. But Adelphi is by no means nostalgic! It is a contemporary, comprehensive, and durable system with a pragmatic set of features. These include a wide array of weights, ‘uniwidth italics’, and variable extenders that go from tall and flat in Adelphi Text to short and sharp in Adelphi Display, with default Adelphi standing midway between these two extremes. You can set the extenders to your preference in the all-inclusive variable font or use one of the three static fonts that come packed together, priced as a single font. The pan-European support for Latin, Cyrillic and Greek scripts already makes for a vast character set, but Adelphi takes things a step further by including alternate glyphs to satisfy the DIN1450 legibility norm, a range of ordinals that can be used to create specialist compositions in all three scripts and two kinds of fractions and arrows. Play with the alternates or use it as-is. Either way, this understated beauty will carry you through.

While I was in Boston in 2014, I visited the Museum of Fine Arts and to my good fortune there was an exhibit of etchings by Rembrandt, one of my favorite artists. As to be expected, many were simply gorgeous, but one especially caught my eye. It was an etching of a priest (Jan Cornelis Sylvius, Preacher) with an extensive amount of writing in Latin. While I'm not certain that it was Rembrandt's own hand, the script was beautiful and I was fascinated by it because it had to be written on the etching plate in reverse. I snapped a few photos using my phone and later found other editions on line. I was so taken by the script that it begged me to create a modern typeface from it. The result is Saskya, named after Rembrandt's wife Saskia. There were many ligatures and glyph variants in the print, of which I captured many of them and made them accessible via OpenType features. The complete alphabet was not present in the sample, however, I discovered some other source material to sensitively fill in those gaps, with a remaining last few that I created myself. A truly romantic hand, Saskya will work well for invitations of many sorts, and when you're looking for that 'old thyme' scripty feeling in your graphics.

DIN has always been the typeface you root for—the one you wanted to use but just couldn’t bring yourself to because it was limited in its range of weights and widths, rendering it less useful than it could be. The century-old design has proven to be timeless, but modern use cases demanded an update, which resulted in DIN Next—a versatile sans serif family that will never go out of style. This classic design turned modern must-have includes seven weights that range from light to black, each of which has a complementary italic and condensed counterpart. The family also included four rounded designs, stretching the original concept’s range and core usability. DIN Next also boasts a suite of small capitals, old style figures, subscript, superscript and several alternate characters. A quintessential 20th-century design, its predecessor DIN was based on geometric shapes and was intended for use on traffic signs and technical documentation. Akira Kobayashi’s update made slight changes to the design, rounding the formerly squared-off corner angles to humanize the family. Rooted in over 100-years of history, it’s safe to say that there will always be a demand for the DIN design, and thanks to DIN Next, now it’s as usable as it is desired. Wondering what will pair with it perfectly? Check out Agmena™, Bembo® Book, Cardamon™, Joanna® Nova, FF Quadraat® and Quitador™. Featured in: Best Fonts for Logos, Best Fonts for Websites, Best Fonts for Tattoos

Font with hexagonal dots for small texts, names, logotypes, titles, headers, topics etc. Big size of this font can be used for texts on posters, t-shirts and other surfaces.

GansBlasones images were selected from the vignettes catalog from Fundicion Gans published in 1920. Represents heraldry devices, Spanish city seals, world nations seals, coats of arms, helms, crowns, crests etc.

Colo Pro is a custom font which is applicable for any type of graphic design - web, print, motion graphics, etc., and it is perfect for t-shirts and other items.

Walks Of Life is a handwritten brush typeface. Carefully handcrafted to straight away grab the attention of the viewers. Very cool if use for logos, posters, headlines, branding, apparels, etc.

Ragfille is a sans serif typeface in an elegant & modern style with special alternate ligatures and glyphs. Ragfille is ideal for headlines, logos, labels, packaging, postcards, presentations, magazines, invitations, etc.

Snackbar prn is a typeface with a humorous slant. The font has its origins in an art project. It is now made available for design around festifals, parties, invitations, etc.

Quado is friendly style font designed for such areas as Entertainment, Techno, Games & Applications etc. with Multilingual support (Latin Extended). Please see the preview images to see how it works.

Blowfish is an easy to set, easy to read, font. It is one of my most popular fonts. Good for anything, Print & Digital Media Bold Headlines, Product & Pagkaging, Websites etc.

Etruscan was the language of the Etruscan civilization, in Italy, in the ancient region of Etruria (modern Tuscany, western Umbria, northern Latium, Emilia-Romagna, Veneto, Lombardy and Campania). Etruscan influenced Latin but was eventually completely superseded by it. The Etruscans left around 13,000 inscriptions that have been found so far, only a small minority of which are of significant length; some bilingual inscriptions with texts also in Latin, Greek, or Phoenician; and a few dozen loanwords. Attested from 700 BC to AD 50, the relation of Etruscan to other languages has been a source of long-running speculation and study, with its being referred to at times as an isolate, one of the Tyrsenian languages, and a number of other less well-known theories. The consensus among linguists and Etruscologists is that Etruscan was a Pre–Indo-European,and a Paleo-European language and is closely related to the Raetic language spoken in the Alps, and to the Lemnian language, attested in a few inscriptions on Lemnos. Grammatically, the language is agglutinating, with nouns and verbs showing suffixed inflectional endings and gradation of vowels. Nouns show five cases, singular and plural numbers, with a gender distinction between animate and inanimate in pronouns. Etruscan appears to have had a cross-linguistically common phonological system, with four phonemic vowels and an apparent contrast between aspirated and unaspirated stops. The records of the language suggest that phonetic change took place over time, with the loss and then re-establishment of word-internal vowels, possibly due to the effect of Etruscan's word-initial stress. Etruscan religion influenced that of the Romans, and many of the few surviving Etruscan language artifacts are of votive or religious significance.

Fartha is a lovely and delicate script font that exudes elegance and class. This font was particularly crafted for those who need a beautiful and refreshing look to their designs.

Jartafisa is a strong and playful script inspired by the natural beauty of flowers. Fall in love with its organic charm, and take any spring craft to the next level!

Autosmash is a lovely and brushed script font that exudes elegance and class. This font was particularly crafted for those who need a beautiful and refreshing look to their designs.

Puppies Play is a fun, bouncy script with connectors that give a playful flow. Perfect for baby shower invitations, nursery rhymes, and other items that require a fun, children's look.

Steamboat is ready to embark on the next great adventure. Steamboat’s ribbony script has a vintage vibe, but is eager to put a playful twist on whatever comes its way.

AZ Dramamine font has some inspiration from A&F tee-shirts, but mostly it is completely original script. This font was designed for use as a worn and antiqued headline.

Okay Berry is a connected script with naturally beautiful handwritten style. Okay Berry is extended, containing is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Blang Yellow is a fun bold script font perfect for posters, logos, magazines, book covers, banners, and many more! Get this amazing freebie, and use it to create lovely designs!

The Chaplin font is a light-hearted script created for display purposes. Chaplin leans slightly to the right. Used for packaging and posters, the Chaplin font has a relaxed charm.

This new script font is written by our team, and ready to pop up your project by using this font for your party, event, invitation or at your wedding decor.

LD Cursive Flourish is the ultimate in casual elegance. This handwritten script comes complete with fancy flowing flourishes. Intricate and so unique! See LD Cursive for this font without flourishes.

Alger Blanche est une police de caractère inspiré du koufi et naskh. AlgerBlanche supporte les scriptes. Arabe, Farsi, et Ourdou Dans cette mise à jour l'ajout du Latin et Tifinagh

Gabriel Auste is a beautiful and refined script font. It has a classy, elegant and modern look that can be used for logos, branding, cards who need a signature touch.

KD Brushure is a brush, script font with handwritten touch. Even legible at 12 pt, these interesting and distinguishable glyph shapes will give you a wide range of design possibilities.

Glorius is a fashionable sophisticated signature-style script with its own unique curves and an elegant inky flow. Its elegant, classy, and modern look will make your designs look lovely.

Introducing Emeralde Chamerions - Stylish Font Duo , Display Serif And Signature Stylish Script inspired by famous logo perfect for the purposes of designing templates, brochures, videos, advertising branding, logos and more.

Bella Riosa modern script typeface. Contains a complete set of lowercase, uppercase, alternative, ligature, punctuation, numbers, and multilingual support. Works in harmony with Bella Riosa to create awesome calligraphy creations.

Athena Signature is an authentic and stylish script font. Not too thin and not too thick, balanced and varied, this font was designed to enhance the beauty of your projects.

An unconecting script face that closely resembles hand written with a fountainpen. It was expressly designed for informal applications such as invitations, notations, side boxes and hand written personal cards.

Yesslyn is a lovely and delicate script font that exudes elegance and class. This font was particularly crafted for those who need a beautiful and refreshing look to their designs

Free flowing legible connected-script with glyph terminals including all diacritics. Suitable for various applications such as captions, fashion headlines, packaging, invitations, cards, posters, ads, greeting cards and book jackets..