Magpie is a font family consisting of three sub-families with both regular and italic styles. Originally designed on squared paper, over time it has moved further and further away from this rigid grid, although its appearance is still based on it, so it can easily be used for logotypes or headlines with strict grid-based layouts. While Magpie Text is suitable for headlines and short texts, Magpie Display is ideal for logotypes or more playful headlines. Finally, Magpie Mix is a combination of both families. Magpie Text Regular represents stability, Magpie Display Italic is ideal for dynamic logos or headlines. To cover more languages, cyrillic and greek letters were added and Magpie can be used for nearly a hundred languages. In addition to the four common numeral variants, special numerals, punctuations and symbols for all-caps (c2sc) are included. Furthermore case-sensitive punctuations and symbols are available. To expand the typographic possibilities, four stylistic sets, different symbols, forms and standard- and discretionary ligatures have been added. Each Magpie-font contains more than 880 glyphs.

Pho Twice is a boisterous neoteric handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Jabogram is a quixotic fortuitous san serif typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 250+ glyphs including punctuation and numerical.

Missale Incana is a redesigned, new interpretation of a typeface from Herbert Thannhaeuser. Its a strong calligraphic roman typeface, well suited for headlines. OpenType features:

A bold, energetic, friendly font with a little bounce to it. A good, casual headline font. Works back well with Plz Print or Plz Script.

Earon is an inquisitive gubernatorial mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Ornubs is an agile ministerial mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Useful for newspaper and magazine headlines, a must for all kinds of impacting posters. Header includes hybrid glyphs encoded where small caps are normally found.

Endorfinia is a clean and geometric sans serif with a very high x-height. Smooth looking for both small amounts of text, or headlines/logos

Gvonz is a volitional innoxious tech display typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 150+ glyphs with ligatures and fractions.

Barmo is an enigmatic vociferous mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Handmade Roman JNL is a simple and clean serif design. Perfect for headlines or titles, this condensed serif font gets attention without being overly formal.

This geometric typeface makes it very useful for headlines, signs and short texts. The variety of 8 weights makes it ideal for signage and captions.

Designed by W.A. Parker in 1928, Modernistic is a headline face with a 1920s Art Deco appeal. Use the Modernistic font for posters and packaging.

Flock Machine is an inerrant peppy handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Baregx is an enthralling restorative mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Zafra is a geometric display font and works best in display applications, such as headline, posters, signage, magazine, product branding, corporate branding, logos and titles.

Ersota is a jovial Introspective mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Lucifer is Modern Display Font. This typeface is perfect for branding, logos, headlines, Captions. or simply as a stylish text overlay to any background image.

Roy Make is a handy perspicuous handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Pharma Geo is a rhapsody guileless handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Osrega is an altruistic momentus mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Loftie is an all caps, condensed sans serif font with beveled corner characters. The font is ideal for headlines, titles, branding, small blocks of text.

Pony Quest is an ebullient neoteric handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Golnama is a modern Sans Serif headline font. Golnama supports Arabic, Persian, Urdu and Latin. It includes proportional and tabular numerals for the supported languages.

Chitchy is a rough-hewn heavyweight display face perfect for headlines and emphasis body copy. Extended character set includes foreign language support for many countries.

Minnie is a clean monoline upright script. This fun-loving font is great for headline display and text use. It comes with numerous alternate characters.

Eva Poshy is an exhilaration rollicking handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Agenor is an all caps display typeface family. It comes in five weights and is suitable for headlines, headings, branding, posters, packaging, titles and logos.

Susa is an elegant and flowing brush script typeface. Ideal for short text in the lighter weights and for headlines in bold and heavy weights.

Rock Corn is a chipper intrepid handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Yekso is a halcyon coltish mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Eva Poshy is an inquisitive rhapsodic handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.

Futura is the fully developed prototype of the twentieth century Geometric Sanserif. The form is ancient, Greek capitals being inscribed by the Cretans twenty-five hundred years ago at the time of Pythagoras in the Gortyn Code, by the Imperial Romans, notably in the tomb of the Scipios, by classical revival architects in eighteenth century London, which formed the basis for Caslon’s first sanserif typeface in 1817. Some aspects of the Geometric sanserif survived in the flood of Gothics that followed, particularly in the work of Vincent Figgins. In 1927, stimulated by the Bauhaus experiments in geometric form and the Ludwig & Mayer typeface Erbar, Paul Renner sketched a set of Bauhaus forms; working from these, the professional letter design office at Bauer reinvented the sanserif based on strokes of even weight, perfect circles and isosceles triangles and brought the Universal Alphabet and Erbar to their definitive typographic form. Futura became the most popular sanserif of the middle years of the twentieth century. Ironically, given its generic past, Futura is the only typeface to have been granted registration under copyright as an original work of art, and, further irony, given the key part played by the Bauer letter design office, the full copyright belongs to Renner and his heirs. This decision in a Frankfurt court implies that a further small group of older typefaces may also be covered by copyright in Germany, particularly those designed for Stempel by Hermann Zapf. This situation appears to be limited to this small group of faces in this one country, although protection of designers’ rights in newer typefaces is now possible in France and Germany through legislation deriving from the 1973 Vienna Treaty for the protection of typefaces. Mergenthaler’s Spartan is a close copy of Futura; Ludlow’s Tempo is less close. Functional yet friendly, logical yet not overintellectual, German yet anti-Nazi... with hindsight the choice of Futura as Volkswagen’s ad font since the 1960s looks inevitable.

Greenhorn is a hand-traced comic type for headlines. Funky, irregular and smiling. The first inspiration comes from the unique lettering of a classic czech cartoonist.

Introducing, Dirchave, dirchave is a vintage inspired display font that perfect for packaging, branding, headline, quotes, etc. Features: - Uppercase Font - Number - Punctuatuon - Stylistic Alternate - PUA encoded

Friskily is a soft bold script font with a retro and simple vibe. It will look great on headlines, magazines, logos, branding and so much more!

A practical font family with 3 weights for all your needs: headlines, body text, signage etc. So elegant and so classic. High legibility at small sizes.

Backpage Article JNL and its oblique counterpart are a variant to the popular sanserif wood types used in newspaper headlines and on broadsheets in years past.

Cap off your project with this all capital letter font. Bold and stylish with hand lettered appeal. Great for any paragraph or headline that demands attention.