Sting is a hybrid of Blackletter lowercase with Roman Capitals. This style drawn by Michael Clark in pen and ink evolved over several years and is now avaiable in font form. 12 alternate lowercase characters are included. Great for historical and official document titling as well as many decorative uses.

The Mramor family first appeared in the Stormtype catalogue in 1994. The first sketch arose in 1988 through the narrowing of Roman capitals. It has uniform width proportions and, above all, original lower-case letters, unprecedented with Roman Capitals. The text designs are discontinued since they were replaced by the related Amor Serif family (along with its -sans version). Now, Mramor has “only” 10 designs that each include true small caps, Cyrillics and a rich variety of figures, ligatures and alternates. Mramor excels in corporate identity or bottle-label design, also whenever there is a need for a “classic” looking face.

Like a lovechild of American Typewriter and Cooper Black, typewritten in melted chocolate, this is Margot. A bold single weight display typeface in roman and italic styles, Margot is boisterous but cuddly; warm but impactful. Margot comes fully loaded with a bunch of esoteric dingbats (grouped in the ornament feature), four figure styles (proportional- and tabular- lining, and proportional- and tabular- oldstyle), a spattering of swash capitals (K, Q and R), stylistic alternates and one discretionary gi ligature in the Roman. Stylistic alternates are split into stylistic sets thus: SS01 - alternate forms for ampersand and asterisk, and # changes to an attractive numero symbol. SS02 - in the Roman, a and g change to single storey versions; in the italic, the ae digraph changes to a less ambiguous double storey version. SS03 - the lining figure 3 gets changed to its alternate form. SS04 - the lining figure 4 gets changed to its alternate form. Margot is perfect for friendly headlines, logos, T-shirts (I love New York, perhaps?), food packaging and videogame apps. Margot gets its name from my equally boisterous and cuddly cat. Enjoy!

Victorian Orchid is a gorgeous vintage flower. Victorian Orchid is a beautiful, organic serif font family available for both text and display. Its bizarre serifs for A and other diagonal letterforms came from decorative types and letterings in old Victorian era. These unusual serifs support and enhance the horizontal flow of the eyes and vertical alignments. Very eye-catching lowercase g also came from the Victorian era and this is one of the most dramatic letterform of this font. Lowercase such like n and d also have horizontal serifs which designed in the same theory. Victorian Orchid is somewhat organic, humanistic and soft-impression font like Transitional Serif as typified by Times New Roman. But at the same time, this font has horizontal serif and vertical stressed letterform like Modern Serif. They make this font sharp, handsome and neat. In addition, Victorian Orchid has low contrast and the serifs are not too flat and not too coved. By them, Victorian Orchid create strong and casual impression like Slab Serif fonts. Victorian Orchid family consist of 5 weights from Light to Bold including about 500 glyphs, international accented letters, some OpenType features. Italics are "True" italics which designed very carefully to match Romans.

Sackers Roman is an engraver, all-capitals family for invitations and stationery. The letters have strong contrast between thin and thick strokes. See also Sackers Gothic, Sackers Square Gothic, Sackers Script, and Sackers Classic Roman.

Sackers Roman is an engraver, all-capitals family for invitations and stationery. The letters have strong contrast between thin and thick strokes. See also Sackers Gothic, Sackers Square Gothic, Sackers Script, and Sackers Classic Roman.

Ames’ text is designed for use in its own right and also as a complement to our Ames’ Roman family. Ames’ text is a ‘New-Style’ Didone family offered in three weights and three widths. It is designed to embody clarity combined with contrast between horizontal and vertical strokes, but with sufficient stroke width in both directions to display well at small point sizes. All typefaces include small capital forms, new and old style numerals (and ‘small capital’ numerals for consistency). Ames’ text is distinctive enough for use in headings and titles, but comes into it own as a text face. Keep a lookout for our forthcoming Ames Display faces…

Sapphire Script is a hand-lettered modern calligraphy font based on the signature script of Design by Laney. Made with wedding invitations in mind, this font with over 500 playful, romantic characters is perfect for branding, stationery, packaging, social media templates, magazine layouts, artist prints, and more! With 3 or more characters for each uppercase letter and 35 stunning standard ligatures, you'll be able to create that perfectly imperfect calligraphy style. Sapphire Script contains over 500 unique, coded features for a realistic, handwritten look: 35 standard ligatures, full Western European language support, over 100 stylistic alternates, ordinals (1st, 2nd, 3rd, etc.), 2 alternate number sets including 1-10 Roman Numerals, and a few word glyphs (for, to, from, and). Sapphire Script was named for the street where Design by Laney began, and where I moved in downstairs from my future husband!

It is a new style of Konga Pro, now more rough and ornaments.

NAURE is a vintage classy serif typeface, with a little roman soul on it. It comes with regular, condensed, and oblique style. It have a curve that give a unique yet elegant feel at the same time. The strong characteristic makes it suitable for attention grabbing design projects

Following up on the LP Saturnia, which is a modern interpretation of the classic Roman letterforms, comes the LP Saturnia Sans. While keeping the clear forms, this well-balanced Sans transports the original draft even further in the modern and at the same time preserves its classic character.

I’m here for you with my new colored font Curled Corner! Alphabet made of letters with curled corner. It’s looks like negative space style icons. Colorful gradient note paper. Modern clean vector origami font for your stickers, crypto app, nft identity, and tags. All the letters in this font are colored brightly and vividly with corner overlay. --- *You can use color fonts in PS since CC 2017, AI since CC 2018, ID since CC 2019, QuarkXPress since 2018, Pixelmator, Sketch, Affinity Designer Since macOS 10.14 Mojave, Paint.NET Windows only.* *Please note that the Canva doesn't support color fonts!* --- What's included? * Colored and B&W styles * A-Z & Numbers * BONUS icon (ligature) set If you have any questions or issues, please contact me: kaer.pro@gmail.com Best, Roman.

A handwritten font with a Roman feel.

Qonora is an innovative new sans-serif text face that combines flowing, almost calligraphic strokes with a post-modern sensibility for a look that works as well on the printed page as it does on screen. Its comfortable proportions and no-nonsense streamlining (note the lack of spurs, serifs or any unnecessary ornamentation) make it an excellent choice for legibility even at very small point sizes. Qonora includes a true italic, drawn independently from the Roman. Strokes for the italic have been re-weighted to complement the Roman, and idiosyncratic italic glyphs have been substituted where appropriate. The typeface’s extensive Hebrew implementation (including diacritics and cantillation marks) is an important part of its character. The Latin, Cyrillic and Greek ranges of the face maintain a consistent ethic of form and function.

Pilgrim is a re-cut of a Linotype face that Eric Gill originally designed for a book published by the Limited Edition Club of New York. Admired for its tranquil dignity, the Pilgrim type is both firm and elegant. Its general appearance resembles that of Gill’s Joanna font family. The contrast of the font is not very strong. The serifs are bracketed. Eric Gill, who designed the type on which Pilgrim is closely based, observed one sort of model for his lettering - the incised monumental letter of Roman origin. This is clearly seen in his capitals, but is also true of his lowercase letters, which have little of the calligraphic or engraved qualities of most other type designs. Gill’s types are Roman in the classic sense, yet also particular to Gill himself.

Prumo is a new type system, based on a unique skeleton that flows, like a pendulum, from high contrast to low contrast. It’s a sort of typographic journey, from the 18th century typefaces to the 19th century slab serif typefaces, gathering information from the Scotch Roman fonts on its journey. Prumo is a type family with classic proportions that takes advantage of the recent type production technology while looking carefully at the most important historical references.

Prumo is a new type system, based on a unique skeleton that flows, like a pendulum, from high contrast to low contrast fonts, is a sort of typographic journey, from the eighteen century typefaces to the nineteen century slab serif typefaces, gathering information from the scotch roman fonts on it's journey. Prumo is a type family with classic proportions, that takes advantage of the recent type production technology while looking carefully at the most important historical references.

Prumo is a new type system, based on a unique skeleton that flows, like a pendulum, from high contrast to low contrast. It’s a sort of typographic journey, from the 18th century typefaces to the 19th century slab serif typefaces, gathering information from the Scotch Roman fonts on its journey. Prumo is a type family with classic proportions that takes advantage of the recent type production technology while looking carefully at the most important historical references.

Prumo is a new type system, based on a unique skeleton that flows, like a pendulum, from high contrast to low contrast. It’s a sort of typographic journey, from the 18th century typefaces to the 19th century slab serif typefaces, gathering information from the Scotch Roman fonts on its journey. Prumo is a type family with classic proportions that takes advantage of the recent type production technology while looking carefully at the most important historical references.

Prumo is a new type system, based on a unique skeleton that flows, like a pendulum, from high contrast to low contrast. It's a sort of typographic journey, from the 18th century typefaces to the 19th century slab serif typefaces, gathering information from the Scotch Roman fonts on its journey. Prumo is a type family with classic proportions that takes advantage of the recent type production technology while looking carefully at the most important historical references.

Prumo is a new type system, based on a unique skeleton that flows, like a pendulum, from high contrast to low contrast. It’s a sort of typographic journey, from the 18th century typefaces to the 19th century slab serif typefaces, gathering information from the Scotch Roman fonts on its journey. Prumo is a type family with classic proportions that takes advantage of the recent type production technology while looking carefully at the most important historical references.

The font series Andron MC introduces a new feature to the repertoire of the Andron family: middlecase glyphs (intermediate between upper- and lowercase) – and uncial letters. Middlecase glyphs reach a medium height compared to full caps height and lowercase x-height. However, ‘uncial’ means the historic transitional lettershapes of the medieval ages which have gained no status in the bicameral typographic system of modern times. In all three of the Andron MC fonts middlecase (“MC”) glyphs dwell on the lowercase positions. These are coined in uncial fashion in the MC Uncial and MC Medieval fonts but appear as capital glyphs in MC Capital. The same variation occurs with the uppercase positions: whereas standard Roman/capital glyphs are there in MC Uncial and MC Capital, MC Medieval features uncial majuscules here instead. At the end that makes three different combinations of uncial and capital sorts. These fonts can be used for a great variety of purposes. The uncial sets are particularly well-suited for any typographic matter related to the middle ages. MC Capital is a worthwhile alternative choice when titling is to be possibly set in CAPITALS or Small caps. Andron MC adds a fascinating new aspect to the classical Andron fonts family. It enhances again the unique scope of typographical possibilities Andron is praised for since quite some time now. All three Andron MC fonts support full Latin, Greek (monotonic), Coptic and Gothic character ranges. Each font contains about 1000 glyphs.

Hello, now I tell you. its time for "Kelphyn". Yes you heard right. Kelphyn is a serif font family that allows you to try out new, innovative designs that suit your taste. Created to support all forms of design, art and ideas. especially for modern magazine designs, website layouts and supporting branding layouts. Grab it fast here Free updates

HansHand started out in 2003 as a simple free font, the adaption of my grimy handwriting. For its 10th anniversary it got a complete overhaul and lots of new characters. Now also available in BOLD for the first time, featuring scribbles, strokes, circles and boxes to underline the fast taking-notes-while-on-the-phone look!

Alphabet Agency presents this super cool new font originally designed for use in e-Sports related projects. Due to the private success, it is now commercially available for you to use. So now is your chance to stay ahead of the competition with this trendy font and create some new cool designs. gg.

P22 Preissig Calligraphic was originally designed by Czech typographer, artist, and designer Vojtěch Preissig (1873–1944). Preissig developed this type design in 1928 and has remained unpublished until recently. One can only speculate why this wonderful design was never produced into a commercially available typeface. His original designs feature an accompanying italic as well as small caps. Preissig had originally named the typeface design after his former employer in New York, Butterick Publishing Co. The ‘Butterick’ typeface retains the angularity of his previous typeface, Preissig Antiqua (AKA P22 Preissig Roman), but displays a more fluid calligraphic influence. P22 Preissig Calligraphic was started shortly after Richard Kegler saw the original drawings in an exhibit in Prague in 2004. A sympathetic security guard allowed a few photographs and the contraband images fueled a development of the typefaces. The design simmered for many years and is now ready to enter the world of contemporary design. P22 Preissig Calligraphic is a 2 font family that contains the originally designed small caps as an OpenType feature, as well as all the necessary diacritical to cover most European languages.

Some time back, a few basic characters were drawn out (possibly inspired by some vintage sheet music) and set aside for a future font project. Despite being incomplete for a few years, this once-forgotten design is now available as Deco Revival JNL, in both regular and oblique versions.

Gandur is a display textura in three weights, split into two families: Alte — the German word for old — and New . Gandur was inspired by other geometric texturas, specially Max Bittrof’s Element (1933). The design began by adhering to a strict hexagonal grid, but during its development, slowly moved from a purely geometric to a more pen-based design (this is especially true in the heaviest weights). The differences between Alte and New are essentially morphological, with reflections in the character set and OpenType features. Gandur New has a more humanistic, contemporary structure and is more ‘romanized’ then Alte. Gandur New also features small capitals. Gandur Alte, on the other hand, remains truer to historical forms, most notably: S s X x Z z. Gandur Alte also features the long-s, which can be accessed via a Stylistic Set or the glyph palette. (As is historically accurate, a short-s will be used at the end of words automatically when the historical Stylistic Set has been activated).

Released by the Monotype Corporation around 1932, Inflex Bold is a Scotch Roman fat face design similar to many others popular in the nineteenth century. A high-contrast bold roman, Inflex Bold is good for informal display work when used sparingly.

A new romantic serif typeface with Baroque initial caps that can be incorporated to complement the standard set or be set together. Inspired by European architecture of the seventeenth century, the decorative initials fit comfortably with today’s illustrative typographic trends. The standard set offers classic tradition with contemporary touches that can stand alone in display or text sizes.

Spandau is one of the 12 boroughs of Berlin and, if you add Ballet, a New Romantic British band. It is also a very nice all caps art deco font. Not too soft, not too angular, just about right! Some upper case letters differ from their lower case kin. Comes with all the diacritics you'll need.

Bitterlove is a romantic and graceful calligraphy typeface with characters that dance along the baseline. It can be used for various purposes such as logos, wedding invitations, headings, t-shirts, letterhead, signage, labels, news, posters, badges and so much more. Bitterlove is PUA encoded which means you can access all of the glyphs and swashes with ease!

Love Valentina is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It can be used for various purposes such as logos, wedding invitations, headings, t-shirts, letterhead, signage, labels, news, posters, badges and so much more. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

WIP FirstLady depicts the handwriting of a young woman with a consequent stroke representing ambition, open mindedness and talent. The (lower case) characters are joined as it is usual in German speaking countries. Originally designed in 1995 the font has been extended by a lot of new characters such as accented characters, punctuation, symbols and currency symbols.

WIP Grand Ma depicts the handwriting of an old woman, representing the kindness and reliability that we appreciate of our grandma. The (lower case) characters are joined as it is usual in German speaking countries. Originally designed in 1995 the font has been extended by a lot of new characters such as accented characters, punctuation, symbols and currency symbols.