Glob is a multilanguage bubble-letter font. ?Includes Italic, outline & a rough version, Check out also Modern Love Slanted - Turquoise - Nautica

Beriot is a sans serif whose basics are condensed in Regular (Normal) weight, getting a lot of form inspiration from the topic also known as Steile Futura which is a letterform that Paul Renner himself explored in the mid-1950s, where shapes are constructed with little stress on modular squares but there are changes in certain parts so they become less modular. The Beriot family is available in 42 weights with matching slanted cuts, divided into 3 subfamilies: Condensed, Normal and Expanded. Each has been designed for a range of text sizes each, and already variable, allowing you to choose and make your own type of weight you like. OpenType Features are available in each of these font styles, including alternative characters, different numbers set and case-sensitive and there are additional symbols that make it the perfect choice for professional types of branding, digital design and editorial.

Loventica - Beauty Fashion Serif - Chic and Elegant Font Loventica is a beauty fashion serif font with a touch of elegance and charm.​​​​​​​ With same height for uppercase and lowercase, you can mix and match as you wish. Comes with condensed alternates and symbols It is perfect for your upcoming projects such as luxury logo and branding, classy editorial designs, woman’s magazines, cosmetic brands, art gallery branding, boutique branding, stationery design, blog design, modern advertising designs, card invitations, art quotes, home decor, book/cover titles, special events, and more. Loventica also support multilingual! Features : Basic Latin A-Z and a-z Numbers Punctuation Symbols Opentype Features Condensed Alternates PUA Encode Multilanguage Support I really hope you'll get pleasure using Loventica font and it will be perfect for your daily design! Contact me with an inbox message If you have any issue or question. Thank you! Second Son Radiance Std

The geometrical drawing of Fenomen Slab follows the guidelines set by our other font family Fenomen Sans. It is a perfect companion of Fenomen Sans, as well as being a standalone font family capable of delivering its own expression and aesthetics. The set contains four width proportions – Normal, SemiCondensed, Condensed and ExtraCondensed in eight weights ranging from Hairline to Black. Every font of the family contains four types of numerals, small caps, ligatures and contextual alternates. The typeface was developed between the years 2014–2017 and was subjected to a series of tests for the fluent legibility of all fonts even in extreme conditions. Narrow fonts provide this set with the maximum use including newspaper typesetting. The typeface has an elegant, delicate design in thin fonts and sufficient legibility in bold. Mutual contrast produces great creative tension. Font name acronyms described: SCN = SemiCondensed CN = Condensed XCN = ExtraCondensed

I set out to design a contemporary font that is condensed with thick and thin strokes. The highly structured forms of this condensed font was made more interesting and softer by giving it a slightly calligraphic tone and by adding round corners. Atto's express purpose is to be both utilitarian, compact and technical but with a friendly face. The name "atto" was adopted since it refers to the measurement of "smallness" or detail. You will no doubt discover all the many pleasant nuances within Atto. Adopted in 1964, "atto" comes from the Danish "atten", meaning eighteen. Atto - (symbol a) a SI prefix to an unit and means that it is 10 to the power- 18 times this unit. Examples are one attosecond or one attometer/attometre. Atto is available in for Mac and Windows in Postscript, Truetype and Opentype. See also the companion font Atto Sans.

Introducing the Golden Youth Font Duo; A stylish & modern harmony of sans & script typefaces. With a tall condensed sans-serif font and a free-flowing script companion, Golden Youth offers beautiful contrasting typography for a diversity of design projects, including; logos & branding, packaging design, social media posts, advertisements & product designs. Golden Youth contains 2 font files, designed to work as a perfect companions or simply as strong standalone typefaces; Golden Youth Script • A clean, free-flowing, monoline script font containing upper & lowercase characters, numerals and a large range of punctuation. Also includes a full set of alternate characters and a large range of ligatures, accessible by turning on 'Stylistic Alternates' and 'Discretionary Ligatures' using OpenType software. Golden Youth Caps • A tall condensed sans-serif font containing uppercase only characters, numerals and a large range of punctuation. Creates a perfect pairing contrast with the Golden Youth Script fonts.

Bound to rules, unbound in the usage. Hyper geometric, and minimal contrast. Circulo V1 is based on a font project I originally started because of a client I had. I wanted to create a display and text font for their product design brand, which is all about reducing the amount of necessary materials and production steps. Before I started the course at tipo-g it was called -“REDUCE“ and was more or less finished. The concept was based on the name. How far can letter shapes be reduced to their core geometric concepts and still be identified as letters? But in a way, it lacked a unique approach and was just a generic geometric Sans Serif with a lack of finesse. There was already a glimpse of characteristics visible which would later define Circulo V1. ‍ The high focus on geometric shapes was not of the same severity, and the angle on the stems was less intense. Those, as I call them, fake serifs turned out to be a significant factor in legibility and the characteristic of the font. Besides those changes and improvements, I decided to implicate a new feature to the concept, a condensed style. I quickly realised that it is impossible to keep my perfect circles and half-circles in this style without breaking my rules for the font. This „problem“ turned out to be the most crucial feature of the condensed set. Circular-based Letters will ignore the rules and boundaries of the condensed style and stay as they are. This feature allows the user to create a unique rhythm in their texts, and if you use the variable font, you can decide how intense this rhythm will be. In this situation, the user can choose which letters are allowed to keep their shapes and which will be put in their condensed corset. All, some or none of them, you decide.

Designer Panos Vassiliou created Square Sans Pro in his quest for a true square-like text typeface which could balance simplicity with vitality and enhance with its subtle power the identity of any product or service, without compromising its characteristics as a text typeface. The family consists of 12 fonts—from extrablack to thin—including true italics. It supports 19 special OpenType features like small caps, fractions, ordinals, etc. and offers multilingual support for all European languages including Greek and Cyrillic. Finally, every font in this family has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban life.

Vinneta is a direct italic font. Its contours and graceful, and precise. Vinneta has a huge number of alternative variations of the glyphs, 20 stylistic sets, it allows you to create a variety of compositions. In addition Vinneta has 17 OpenType features, including oldstyle numbers, swashes, contextual alternates, historical forms, standard ligatures, discretionary and contextual ligatures, localized forms, stylistic alternates, and more others. For convenience here are two faces, one with stylized capitals (they are different from swashes), in another - classic capitals. Vinneta has characters of all European and Slavic languages. "Vinneta" it is an ancient city of the Venedi (Wends), the legendary highly developed Slavic-Aryan people that lent its name to Venice city, lake Bodensee in southern Germany, the land of Wendland in Lower Saxony; and besides, Lithuanians and Estonians even today, this name referred to the Slavs (Veneja and Vene).

The new Bunday™ Slab Font Family consist of three main states with different moods: the crisp and distinctive slab serif, the cute script styled italic and the matching upright italic. All states of Bunday™ Slab share the same contemporary, clear and open base forms and create a space-saving and pretty homogeneous text colour with good legibility. The font was manually hinted and contains extensive handcrafted kerning tables to ensure perfect appearance in all media. Bunday™ Slab ships with 9 standard, 9 upright italic and 8 italic styles from a considerable thin “Hair” to a pretty fat “Heavy” weight. It supports at least 99 languages and provides OpenType® features for ligatures, alternative glyphs, localised forms and more. Please take a look at the other members of the Bunday superfamily: Bunday™ Clean Bunday™ Slab Further information: Bunday Slab Specimen PDF Feature Summary: 9 weights: Hair, Light, Thin, SemiLight, Regular, SemiBold, Bold, ExtraBold and Heavy 3 Moods: Sans, Upright and Upright Italic Overall width: Narrow or Space-Saving Advanced “f” ligature set* “s” and “c” ligatures* Alternates Characters: a, ç, e, f, g, l, t, y and more* Capital German Esszett* Supports at least 99 Languages * Only available applications with advanced OpenType® support

"Enter Cromix" is described as a futuristic display font that comes with multiple styles, including bold, italic, and outline. Fonts with a futuristic design often feature sleek and modern letterforms that convey a sense of innovation and cutting-edge aesthetics. The different styles—bold, italic, and outline—provide versatility in creating various typographic effects. The bold style emphasizes a strong and impactful appearance, the italic style adds a dynamic slant, and the outline style creates a distinct and open character structure. "Enter Cromix" is suitable for a range of design projects where a futuristic and dynamic typographic style is desired. Its variety of styles allows for creative exploration in conveying different visual elements within the text.

Introducing, Sertona, a trendy bold font with italic alternates! Sertona is a modern and trendy font based sans that have unique looks. This font contains uppercase and lowercase that have different form. You can use the lowercase and uppercase in the same word that will make your text more stand out! And the best of this font is the italic version as the alternates which mean you can combine it all without worrying about the kerning! You can use this font for the magazine, poster, and suitable for headline. This font also support multi language. What you will get: All Caps Font with different uppercase and lowercase Italic version as the alternates. Well Kerned.

Designer Steven Skaggs wanted a versatile uncial typeface that was not simply decorative. Traditionally, a true uncial is a majuscule form, entirely lacking in ascenders and descenders. However, by designing Rieven Uncial, Skaggs found a way to use the true uncial as inspiration but retained a lowercase look and feel. Typically, uncials do not have italic forms but in order for Rieven to be a truly versatile face, it was imperative that it should be accompanied by an italic. The italic form owes much to the historical roots in the letra antigua cursiva of the 15th century humanist masters. Rieven Uncial was awarded a Certificate of Excellence in Type Design in the 2010 TDC2.

Gradia is a serif font in the form of a unique & elegant typographic design. very suitable for making your choice of design work from invitation cards to magazines, logos, branding, signage and many other creative projects. Gradia features OpenType 765+ glyphs, also has 270 character Alternates, 116 Ligatures that are perfect for various uses, and is also equipped with multiple language support. What is included: Gradia Regular Gradia Regular Italic Gradia Light Gradia Light Italic Gradia Bold Gradia Bold Italic To access these OpenType features, you will need Opentype-enabled software such as: Adobe Illustrator, Word, CorelDraw, Photoshop, Indesign and many more. Check out Bagoni Type which is a great pair for Gradia.

Mersin is a modern sans serif font family. The asymmetrical structure of the beginning and ending shapes of letters such as "Cc, Ss" is its most distinguishing feature. Mersin has a total of 20 fonts, includings 10 weights and their appropriate italics. With its 2-axis (Weight & Italic) Variable Version, Mersin offers the advantage of using a very rich weight between 100-900. It includes detailed ligatures such as "Th, Tl, Ti, Tä, Tä, Tü, Tö, iï, fä, fä, fö fü" for very wide and different accents. “Mersin Book” and “Mersin Book Italic” are specially designed for body texts and small fonts usages. Ideal for corporate identity, posters, brochures, guidance signages and all other kinds of graphic design works.

The Ctoxina family is growing. Due to the success the author decided to add an outline version of the font. The typeface is now available in 6 different styles: light, light italic, regular, italic, bold and bold italic. The Atoxina family is designed especially for the burgeoning market of starships and other space cruisers. The fonts are ideal for internal and external use (including zero-g and occasional bursts of cosmic rays), and with their simplified forms are expected to survive well in non-linear galaxies. With their unusual diagonal half-pixels the fonts are striking as abstract designs at astronomical sizes, where small text may be placed within the black holes formed inside the letters.

A typographic playground Stepford is a versatile semi-serif boasting 6 styles - regular and italic, sketch and italic and outline and italic. It includes 231 glyphs, ligatures and multilingual support. These six styles make it the perfect display typeface for any kind of project. Absolutely sweet for editorial design - mainly headers and sub-headers but can also be used for body text too. This typographic trio is based on the vintage 50’s and 60’s style scripts and modernised for the present day. It’s another powerful typeface to add to your arsenal of design assets that command attention. That’s what design is all about! For regular updates and freebies follow me on Instagram at joannemarie_cm

LTC Kaatskill was made specifically for use in an edition of Rip Van Winkle for the Limited Editions Club. "I feel that Kaatskill owes nothing in its design to any existing face, and the type therefore is as truly an American type as anything so hidebound by tradition as type can be."- F. Goudy This face was one of the first digital typefaces released by the Lanston Type Co. Ltd. Jim Rimmer took painstaking measures in his faithful revival. Goudy had never designed a specific Italic to accompany this face. The Italic completed by Rimmer is a variation on Deepdene Italic. The font set was re-mastered in 2006 by Colin Kahn.

Although initially designed as a rational/geometric font, Triplex developed into one of Zuzana Licko's most intuitive typeface designs at the time. Its first extensive use was in Emigre magazine #14, a special issue devoted to Swiss designers published in 1990. Triplex was intended as a friendly substitute for Helvetica. The name Triplex refers to the three versions that make up the entire family; Triplex, Triplex Serif and Triplex Italic. Each version of the typeface comes in light, bold and extra bold. The italic was designed and drawn by type designer and sign painter John Downer, and was designed to work with both the serif and sans serif versions. See also Triplex Italic OT.

The "Zornale", is an original manuscript that contains a large amount of data, providing a daily record of the books acquired by the Venetian bookseller Francesco de Madiis, between 1481 and 1488. Zornale is a family of text fonts in five weights that can be combined with the variant Caption with short ascenders and descendants. The family is completed with true italics in two weights (light italics and italics) specially designed for use in reading texts. These fonts have been designed with precise kerning and full OpenType features: Small caps, old-style numbers, Swashes, stylistic and contextual alternates, ligatures and case-sensitive forms. Each font contains 549 glyphs for complete control and enhance typographic refinement.

Variable version of 'Glimp' font family Glimp Variable supports 3 axis flexibility across width, weight and italic in a single font. It also comes with the static styles available as options in the font style selection menu. It features rich set of opentype features such as stylistic sets, contextual alternates, case sensitive forms, superscripts, subscripts, fractions, and more. Glimp Variable is made to be your go-to choice for a wide range of projects, whether you're working on branding, web design, print materials, or presentations. It elevates your designs or brand effortlessly, embracing your creative vision. Variable Axis Ranges: Width - wdth - 75 to 100 Weight - wght - 100 to 900 Italic - ital - 0 to 1

Nephrite is a clean and soft family of 14 styles, 7 weights and italics. Recommended for text, magazine, book, logo and brandings.

Montio is a simple Humanist sans serif typeface with rounded corners. It’s a family of 4 fonts: 2 weights and their italics.

Tushi is a handmade fontface with twist in two styles: regular and italic. Tushi is recommended for use as a display typeface.

PrivaPro is available in four styles with italics. It includes Greek and Cyrillic characters, along with small caps, ligatures, alternates and swashes.