Among the world of Chinese commercial fonts, M Qing Hua has a relatively high flexibility to be used in different areas, for instance, media of advertising. Its design concept is to combine the neatness of Hei typeface with the roundedness of Yuen typeface. The typeface tries to revitalize the boring traditional design by adding energy, simplicity and modernness to it, which could be shown in the small features in strokes like delicate and curvy finishings. More is the appropriate mix of masculinity and femininity, so as to enable a more effective communication, stronger visual attractiveness and higher affections.

Ritornelos is a lively hand-drawn typeface, perfect for adding that whimsical touch to your designs. It's a unicase alphabet that contains two variations for each letter (accessible through keyboard's upper/lower keys) and handy embellishments.

Ultimate Ornaments was inspired by the decorative elements supplied by European type foundries and printing companies in the 18th and 19th centuries. There is an assortment of 47 ornaments all located under the character set keys.

Originally I called this font YearInYearOutYoureInUrine, but I was told that that name was too long and maybe not in good taste. I settled for WaterCloset when it was first released, but then renamed it with a more appropriate title. It is caps only but the letters on the lower-case keys differ from those on the upper-case keys. It comes with a large assortment of accented letters to support most European languages. Although you certainly would not want to use it for formal invitations, when bad taste is called for, it might be ideal.

Glitzy is a caps-only font with extreme contrast. It was inspired by Art Deco typefaces, especially Broadway by Morris Fuller Benton, but Glitzy is not an attempt to reproduce that typeface. The letters on the lower-case keys differ slightly from the letters on the upper-case keys. The large black interiors invite decoration and the family includes four faces with interior decoration. These four faces with interior decoration can be used in layers with the base font to add color to lettering. (OakPark is a another attempt to do high-contrast lettering with an Art Deco feel.)

XPawnShop is a typographical chess font; the pieces are letters. The Pawn is an awkward letter P, the knight is a horse in the shape of an h, the bishop is a decorative letter B, the rook is an elephant with an R shape, the queen is a Q, and the king is an ornate K. Two other XPawnShop fonts are made of very simple pieces, but as a bonus, both have the set of dominoes from the unicode block 1F030 to 1F093. The key layout is a bit complicated; see the key guide for detailed information on how to position pieces correctly.

Sabine is an Arabetic type design with a calligraphic flavor. It follows the guidelines of the Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in Unicode Standards version 5.1, and one additional, final-position, glyph for each Arabic letter that is normally connected with other letters from both sides in traditional cursive Arabic strings. Sabine employs variable x-height values. It includes all required Lam-Alif ligatures and uses ligature substitutions and selected marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form. In Sabine Kashidah, Irsal, and Tasmim keying Tatweel (shift J) after certain glyphs will replace it with a long stroke glyph. In Sabine Tasmim, keying it a second time will replace glyph with a final form swash (Irsal) glyph. In Sabine Irsal all final forms are swash glyphs. Keying Tatweel before Alif Lam Lam Ha will display the Allah ligature. Sabine family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, Allah ligature, in addition to standard English keyboard punctuations and major currency symbols. Fonts are available in regular and italic styles.

Information displays have an aesthetic of their own. Functional design where transmission of information is key — and best in real time. The Realtime Rounded typeface is not meant to recreate the appearance of those applications, instead it takes inspiration from them. The result is a technical yet friendly design with details that serve function and visual impact alike. Its soft edges apply warmth to the otherwise rather technical appearance. As a monospaced typeface it lends itself to tabular designs, sturdy columns and tidy layouts. Nevertheless Realtime comes with a feature for setting continuous text — a proportional design employable through OpenType — it further comes in five weights, from light to black, and with a character set that covers over 200 latin languages. Please see the Realtime Rounded Type Specimen PDF in the gallery. Realtime Rounded is the soft companion to the standard Realtime Typeface which is available separately. Thanks for visiting!

Cross Stitch Medieval is not intended for text use. It was designed specifically for use as fancy monograms or initials. Cross Stitch Medieval has an uppercase alphabet, 9 stitches tall, located under the shift+character set keys.

This font is, like, totally inspired by the handwriting of, like, teenage girls. You’ll note that the [ ] keys are actually adorable little hearts! Totally rad! This font includes enough European characters to fill a loose leaf binder.

Antique Vintage - Script font is a type of font that features thick and prominent strokes, giving it a bold and impactful appearance. The letters are usually interconnected, creating a flowing and handwritten look. The boldness of the font makes it stand out and grabs attention, making it a popular choice for headlines, titles, and logo designs. It exudes confidence, strength, and creativity, making it suitable for various design projects that require a strong visual impact.

Monogram font provides a striking effect, giving your monogram or business logo a custom-designed look. A bordered font includes a choice of components to project your own individuality. The parts align automatically as you press the keys.

Noopla is a modern sans-serif display font. Key characters are formed with sweeping and flowing lines, resulting in some really interesting word forms. With four weights, Noopla is great for branding, headlines, signage, social media and more.

Twigglee was inspired by the hand lettering on the plates in a 19th century book on ornaments by Owen Jones. It has no lower-case letters; the upper-case letters are simply repeated on the lower-case keys.

Akbeatso is a modern contemporary font for posters, visual identity and striking visual communications. Though Akbeatso is ready to be a text typeface. Modern sans serif with emotional contrast in stems and some irregular construction brings actual vibes to your designs.

Hand selected from multiple sources, the 60+ glyphs of Antique Borders & Corners 2 can be mixed and matched to make authentic 18th and 19th century borders of any length. Flip the orientation for 'bottom' borders with the shift key.

Dekros has the look and feel of an Art Nouveau font when a key feature in much of the design of the 1890s was characterized by intricate linear and flowing curves that were based on natural and organic forms.

Hand selected from multiple sources, the 60+ glyphs of Antique Borders & Corners 1 can be mixed and matched to make authentic 18th and 19th century borders of any length. Flip the orientation for 'bottom' borders with the shift key.

Cross Stitch Majestic is not intended for text use. It was designed specifically for use as fancy monograms or initials. Cross Stitch Majestic has an uppercase alphabet, 33 stitches tall, and is located under the shift+character set keys.

Cross Stitch Graceful is not intended for text use. It was designed specifically for use as fancy monograms or initials. Cross Stitch Graceful has an uppercase alphabet, 48 stitches tall, and is located under the shift+character set keys.

Creates monograms with a crisp, stylish contemporary feel, for personal or business stationery. Each of the 36 borders is selected with a single keystroke. The border aligns and centers the letterforms by the use of a special spacer key.

Many fabulous creatures were created for use on heraldic crests. The Heraldic Creatures font is an assortment of simplified renderings of some of these creatures. There is a total of 47 creatures all located under the normal character keys.

Miscellany JNL collects numerous images of various genres into one dingbat font. There are vintage stencil patterns, old-time ad cuts and decorations, line spacers [number keys 1 through 7], conversation balloons, parking lot symbols and other assorted goodies.

Piercing is part of a series of typographic experiments from the young Swiss designer Michael Parson. In the Piercing family, which contains three separate weights, Parson has successfully transformed the movements of points and lines into a fabulous display of alphabets. But you can use Piercing as your key to the techno scene: these letters, made up of fine lines terminated by dots, virtually groove with the beat as you set them in text. Like a musical score, they provide a fantastic look just right for your next flyer. Piercing is one of ten experiments in constructed letter design that Parson has included in the Take Type 5 collection from Linotype GmbH."

a stout font with the streamline art deco visual

Hasler Circus packs amusement park, Old West, folk art, and tattoo shop all into one colorful font. Characteristic of reverse-contrast faces, Hasler Circus swaps the weight of its stems and serifs creating an unexpected yet charming rhythm. The font also features an added bonus: split stroke endings to crank up the flavor. Inject a dose of novelty into toy packaging, candy wrappers, cook books, vintage signs, or festival marketing. Drawn in the 1950s for Photo-Lettering, Inc. by influential British designer and typographer Charles Hasler, Circus was digitized by Erik van Blokland in 2011, with a helping hand from Ken Barber. HASLER CIRCUS CREDITS: Typeface Design: Charles Hasler Typeface Digitization: Erik van Blokland, Ken Barber Typeface Production: Ben Kiel Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Charles Rennie Mackintosh's artwork has an art deco feel that has been reproduced on fabrics, jewellery and all sorts of household items. Now, with this font, you can add Mackintosh icons and letter tiles with just the touch of a key.

Hello World, Introducing, Newly Bridal is a lovely script font suitable for your design project needs, such as; wedding themes, Valentine’s themes, social media posts, quotes, overlays on images, tagline logos, posters, print needs, website banners, and more. Features A set of uppercase and lowercase glyphs Number, symbol, and punctuation Multilingual Support Alternates and middle connecting swash So Easy to Use Access middle Swashes by keyboard key plus ' + ' to feature middle swash 1 key equal ' = ' to feature middle swash 2 For Example: type love+you Thank you a million times for downloading and using this font for your projects. Enjoy this font and happy creating! Thank You

TapedUp, Tinkerer, and Rumpled are based on the template I used for several letterbat fonts—fonts made of wrenches and bolts, hammers, or paper clips. TapedUp can be thought of as a font made from masking tape, and Rumpled is the same design but the tape pieces are wavy. Tinkerer is the same design but with elements that resemble what might happen if one constructed letters from Tinker Toys. All are caps only, but some of the shapes on the lower-case keys differ from the corresponding shapes on the upper-case keys. The Rumpled family has four members, the regular, an oblique, a shadowed, and an oblique shadowed.

Many items we use in our day-to-day lives offer wonderful source material for font designs. Mailbox Letters JNL was inspired by a set of self-stick adhesive letters used on mailboxes, doors and other areas of identification at home or in business. Each letter, number and punctuation mark is centered on a black rectangle - just as the actual model for this font. Use it as spaced, or hand set it tighter to form a ribbon with white-on-black text. To provide continuity for the ribbon effect, a blank rectangle is provided on the vertical bar key (the shift position of the backslash key). Limited character set.

The letters in Bouncer are round because they all begin as a ball and then have parts of the ball cut away. Bouncer was one of the earliest typefaces from Ingrimayne Type. Lower-case letters are smaller versions of the upper-case letters. BouncerTwo, designed twenty years after the original Bouncer, continues playing with the idea of making letters by cutting out parts of a circle, but in this case the circles are interlocking. All letters are upper-case but some of those on the lower-case keys differ from those on the upper-case keys. BouncerTwo is eye-catching but not highly legible.

Guilloches were – in the old days – used to make the falsification of banknotes more difficult. The engraving of these intricate lines was done by a highly specialized mechanical machine, which was operated by an equally highly specialized engraving artist. Once the settings for a specific curve were changed back to zero it was very difficult, if not impossible to set them back to the old design. I have designed a useful set of Guilloches that join to form ribbons that create a kind of op-art 3d effect. Under the keys A-U and a-u you find joining pieces. Under the keys V-Z and v-z I placed start- and endpieces. 0-4 are different lenght straight extensions and 5-9 are not quite so straight extensions. All other keys are corner pieces that can be used as stand-alones or put in rows to make for superb decoration. With a little bit of experimentation and maybe colored overlays you can achieve super-phantastic designs. Your elegant type designer Gert Wiescher.

This is a curvaceous playful casual upright display script (the name inspired by Tibetan yak butter) and is unique due to the tall ascenders and cap heights combined with a small x-height and small cap height. Due to these variations I designed different heights of quote marks for visual consistency. There are five weights and multi Latin language support. This font is perfect for lingerie catalogs, gorgeous cookbooks, curvaceous branding and logo design, callipygian magazine heads, sumptuous restaurant and food designs, flamboyant word poetry and more.

Collogue - Variable Font is a cutting-edge and versatile typeface that brings a new level of adaptability to display typography. Unlike traditional fonts with fixed styles, a variable font allows designers to manipulate various aspects of the typeface, such as weight, width, and slant, along a continuous spectrum. Here's a comprehensive explanation of the features and functions of the Display Variable Font: Key Features: -Adaptive Design Elements: The primary feature of the Display Variable Font is its adaptability. -Designers can seamlessly vary specific attributes of the font, including weight, width, slant, and more. -This flexibility empowers designers to fine-tune the typography to suit the visual aesthetics of their projects. -Single Font File, Multiple Styles: Display Variable Fonts consolidate multiple styles into a single font file. This eliminates the need for separate files for different styles, providing a streamlined and efficient solution for designers. -Smooth Transitions: Changes in the font attributes occur smoothly and continuously. Unlike traditional fonts that switch abruptly between styles, a Display Variable Font ensures a fluid transition, allowing for a more harmonious and visually pleasing typographic experience. -Precision Control: Designers have precise control over the variation axis, enabling them to adjust the font's appearance with granular precision. This level of control enhances the typographic customization possibilities and allows for fine-tuning based on specific design requirements. -Responsive Typography: Display Variable Fonts excel in responsive design. They adapt gracefully to various screen sizes and resolutions, ensuring optimal readability and aesthetics across different devices. Functions: -Dynamic Branding: For brands looking to establish a dynamic and adaptable visual identity, Display Variable Fonts offer the perfect solution. The font's ability to adjust seamlessly allows for a versatile and cohesive branding experience across diverse applications. -Editorial Freedom: In editorial design, Display Variable Fonts provide editorial teams with the freedom to experiment with typography. The font can be adjusted to suit different sections or emphasis points within publications, enhancing the overall visual appeal. -Web Design Innovation: Display Variable Fonts are at the forefront of innovation in web design. They enable designers to create dynamic and interactive typographic elements that respond to user interactions, contributing to a modern and engaging web experience. -Attention-Grabbing Displays: Whether used in signage, banners, or large-scale displays, Display Variable Fonts stand out with their adaptability. Designers can experiment with different styles within a single font to create attention-grabbing and visually dynamic displays. -Customizable Interfaces: In digital interfaces, Display Variable Fonts provide a customizable typographic experience. Designers can optimize text elements for different device sizes and orientations, ensuring a seamless and visually pleasing user interface. -Innovative Advertising: Display Variable Fonts offer a fresh approach to advertising typography. Brands and advertisers can leverage the font's adaptability to create visually striking and memorable campaigns across various media channels. In summary, Display Variable Fonts represent a groundbreaking evolution in typographic design, providing designers with unprecedented flexibility and control

Sacnoth is a font inspired in the old knots celtic visual.

Bootstrap and less-distressed companion Bootstrap Alternate use the OpenType ligature feature to substitute a unique pair of distressed characters when any upper or lower case letter is keyed twice in a row. Both fonts also support Eastern European Latin and Baltic languages.

Sweet Home is a handemade font with stitching decorative symbols. The typeface follows grandma's way to use the needle. Three different pillows for this beauty: sansserif, serif and these cute little flowers for your backyard. And a key for your new home.

Dogjaw uses the OpenType ligature feature to automatically substitute a unique pair of distressed characters when any upper or lower case letter is keyed twice in a row. Dogjaw Pro extends the character set to support Eastern European Latin, Baltic, Greek and Turkish.

This font looks as if it was engraved on a plaque. Each letter has a top and bottom line. When you put the ending parts using the [ and ] keys, it forms a beautiful plaque. It is great for a more formal title.

Curser is an oldish-looking typewriter font, decayed and scary. The special characters give an expression that they have been made using the common keys and moving the paper. Curser supports West and Central European languages as well as Baltic, Turkish and Romanian.