Introducing Barghust - Modern Decorative Blackletter Font Barghust is a modern decorative blackletter font inspired by classic aesthetics, yet infused with a contemporary twist. With featuring ligatures and stylistic alternative characters, Barghust provides endless possibilities for creating designs with a bold and unique charm. Barghust is perfectly suited for branding, logotype, social media posts, advertisement, product packaging, label, photography, watermark, t-shirt, website design, invitation, stationery and any projects seeking a touch of modern or aesthetic blackletter elegance. FEATURES - Stylistic Alternates - Ligatures - Uppercase and Lowercase letters - Numbering and Punctuations - Works on PC or Mac - Simple Installation - PUA Encoded Characters - Easily accessible without additional design software. - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word - Multilingual Support including Afrikaans, Albanian, Basque, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, German, Icelandic, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Spanish, Swahili, Swedish, and Zulu Hope you Like it. Thanks.

With a stylish Dutch accent, this font draws inspiration from a 1935 brochure by the talented graphic designer and artist Dirk Hart. Carrying different hand-drawn lettershapes on upper and lower case slots despite being a unicase typeface, this font also brings a nice set of ornaments and complete sets of initial and terminal swash forms. When working with OpenType savvy applications these can conveniently be applied at the click of a button, thanks to the smart swashes programming, which will change the first and last letters in words with its corresponding initial or terminal forms. There are also some stylistic alternates for a (yet) more decorated look. The black version, with a somewhat art-deco feeling with added boldness, is also very decorative and contains the same features as the regular cut: smart swashes, different letterforms on upper and lowercase slots, ornaments and stylistic alternates.

Aire is what Sproviero would call a < big display family >. We recommend seeing its user’s guide. After his success with Reina, Sproviero comes out with this big family of 7 members: Each of them loaded with lots of sophisticated ligatures, alternates and the entire cyrillic alphabet. The overall impression that the font gives is lightness and delicateness; that’s the reason the designer chose to call it Aire, or Air, in English. "Aire was somehow having a rest from my fat face Reina [...] It started as a really thin style of Reina, but it rapidly migrated from it and grew up alone. And how it grew..." The inspiration came from his own past creations: “The heavy strokes of Reina were shouting for a more delicate thing. Something more feminine. More fragile. Something which had a lot of elegance and fresh air inside”. Aire responds to this: Sproviero found that many of the typefaces of nowadays which are used for headlines (best known as display fonts) have almost always just one, maybe two weight styles. This was his opportunity to try something new. Aire makes it easier for the user to generate different levels/layers of communication thanks to its variety of styles. With this font you can solve entire decorative pieces of design with just one font, and that was the aim of it. Aire was designed to be playful yet formal: While none of its alternates are activated it can be useful for short to medium length texts; and when the user chooses to make use of its open-type decorative glyphs, it can be useful for headlines with dazzling results. On March of 2012, Aire was chosen to be part of the most important exhibition of typography in Latinoamerica: Tipos Latinos 2012. TECHNICAL Aire is a family with many members. In total, the user can choose between almost 6,000 (!) glyphs (1,000 per style). Each member has variants inside, which are open-type programmed: The user decides which glyph to alternate, equalizing the amount of decoration wanted. Every decorative glyph has its weight adjusted to the style it belongs to. Exclusively for decoration, Aire Fleurons Pro is an open-type programmed set of ornaments. And last but not least, remember Aire is delicate. What’s my point? It is not recommended to activate all the alternates at the same time. It is typo-scientifically proved: A maximum of 3 or 4 alternates per word would be more than enough.

Mi negra is a funny and hilarious typography designed especially for children, thought and created by Isabel de Gregorio. It could be described as an original combination between a semi-handwright and semi sans-serif font. Thanks to its structure and nice endings "Mi Negra" is recommended for composing short texts (logotypes, packing, posters, etc.). It may similarly be used for illustrations and comics, as well as in printing press works for children from 6 to 13 years old for instance. Mi Negra has been conceived to be a useful support in all kinds of illustrations works (please note that Isabel, the type designer, considers herself primarily an illustrator). The font designer of Mi Negra tells that every time she needed to provide some text data (i.e. in children infographies) and needed to make them more understandable and suitable for children, she used this typography. The former idea was than to create a font who could be a second option to comic sans, but as the project started to reveal its forms, it was clear that it was revealing another connotation and its own character. In this way, Mi Negra went on modifying its forms and the more it developed, the more it was showing its new characteristics and concepts. The family is composed of three weighs: Light, regular and black. It provides also interesting functional ligatures. It also includes a dingbat with nice doggies. It has 434 characters and can work with 208 languages.

Introduced by Timurtype Studio! Sabrina Destiny is a Handwritten Script Font This font Introducing the epitome of elegance and refinement, our exclusive luxury handwritten script font. Every stroke, meticulously crafted with precision and passion, exudes an aura of opulence and sophistication. Elevate your design projects to new heights as this exquisite typeface seamlessly blends the timeless charm of handwritten artistry with a touch of modern luxury. Sabrina Destiny Font also supports multilingualism. Enhance your designs with our original fonts, feel free to comment or provide feedback, Enjoy the fonts 😊 Thank You

TipTop Pro’s origin goes back to around 1900 when the font was released by the German foundry Julius Klinkhardt in Leipzig. Ralph M. Unger redesigned this beautiful art nouveau typeface, extended its character set and digitally remastered it. TipTop Pro fits perfectly into the series of recently released URW++ art nouveau designs (Edda, Gradl, Impression, Joga, Ornella).

An old printer's advertising cut for Red Star Oil Stoves yielded a typeface that was both vintage and somewhat techno at the same time. Originally drawn as a slanted logo, the individual letters had an array of chamfered, angled and flat sides combined with a bold outline. This font is available in both vertical and oblique versions.

This stunning display face is based on Hans Bohn’s 1929 opus for Gebr. Klingspor, originally named Orplid. One of the treasures discovered in the legendary green vinyl binder that launched Nick’s love of type, it’s a real crowd pleaser. Both versions of this font include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

An original type family designed for ParaType in 2001 by Zakhar Yaschin. The fonts were created within 'One Touch' project. The aim of the experiment was searching for a grapheme through primitive forms and intentional avoiding 'adjusted' characters. The family includes Wood style imitating woodcut letters, and a set of pictograms. For use in advertising and display typography.

Gafata is a font designed for small sizes in medium-long text, mixing elegance and readability causing it to have great applicability in books, magazines and web pages. In the process of finding the finest legibility, particular features emerged making this whimsical sans serif different from the rest, creating an original mark to the text its applied to.

WIP Macho Man depicts the handwriting of man with a strong need for independence combined with spontaneity and high potential. The (lower case) characters are joined as it is usual in German speaking countries. Originally designed in 1995 the font has been extended by a lot of new characters such as accented characters, punctuation, symbols and currency symbols.

The pattern for this classic typeface was originally called "Viking Oldstyle", from the 1909 H.C. Hansen Type Foundry catalog. To enhance its weathered look, the inside corners have been rounded to simulate ink buildup on metal typeforms. Both versions of the font include 1252 Latin and 1250 CE (with localization for Romanian and Moldovan) character sets.

This engaging headline face is based on a rather pudgy typeface named “Bullion Shadow”, which was originally released somewhere on the cusp between the hippie and disco eras, and was equally at home in both. Now available in shaded and plain. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

This font is based on the different bones of an skeleton , it is ideal To make a clear an original text , designed to make a very special gift !. On the other hand it has a multitude of use both in posters and in documents of differents Kind , parties , invitations ...finally , it includes Greek and Cyrilic characters.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web. Matthew Carter designed the original ITC Galliard. Carl Crossgrove created this eText version.

Here's another gem from Samuel Welo's perennial classic, The Studio Handbook, originally called Goddard Classic. Welo's inimitable penwork manages to be both worldly and whimsical, and remains as fresh today as when it was first introduced in the 1920s. Both versions of this font include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets.

Yoshida Soft is the cheeky partner in crime to Yoshida Sans. Based on the original sans, we've gone heavy with the curves to create a unique font that again comes in 2 widths and 8 weights and which has a multitude of uses from branding to posters to digital applications. Have fun with this big softy.

Air Factory Rounded was made for soft looking version of the original font Air Factory. Air Factory Rounded is a very simple and modern sans-serif and consisting of four weights. This contemporary typefaces would be good for restaurants, in retail, books, posters, etc. Air Factory Rounded also features various ligatures, stylistic alternates, fractions, and languages as well.

You wanted the best and you got the best! Originally created for the KISS: PSYCHO CIRCUS comic in the late '90s, this thick/thin font is one of our most versatile and popular offerings. ⁠ Features automatic alternates, Manga characters, Western & Central European language support and Crossbar I Technology™ to place that character in exactly the right spot!

Wanax is an original calligraphic font by Dave Nalle. It is a unique, freehand style, where each character is drawn in a single stroke without ever lifting the pen from the page. This gives it an unusual convoluted look rather reminiscent of an arcane or secret language. It also features a number of variant character forms.

Chuck. Designed in 2004 by Jim Parkinson. Originally released as a Type 1 font, Chuck was refreshed (version2) and re-released as simple Open Type in 2012. The models for this massive Deco typeface appear on a bronze plaque on the South Tower of the Golden Gate Bridge. The plaque commemorates the builders of the bridge.

The original name for Ambigue was “Confidence”. This font family received the first prize at the German Kurt Christians-Foerderpreis in 1997/98. Its interpolated weights offer a subtle differentiation in the grey levels. A special “Small” weight is available that offers better readability in very small sizes. The work was supported by Professor Jovica Veljovic.

This charming, disarming, roly-poly typeface is based on handlettering discovered on a Sabena Airlines travel brochure of the 1930s. Include it in your next project, and a good time will be had by all. Both versions of this font contain complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

P22 Salon was originally inspired by Art Nouveau lettering. In the development of the three fonts (P22 Salon Full, P22 Salon Inner and P22 Salon Shadow) they began taking on a slightly more modern feel. All three variations were designed to be completely interchangeable with one another, and can be layered to achieve a variety of effects.

WIP FirstLady depicts the handwriting of a young woman with a consequent stroke representing ambition, open mindedness and talent. The (lower case) characters are joined as it is usual in German speaking countries. Originally designed in 1995 the font has been extended by a lot of new characters such as accented characters, punctuation, symbols and currency symbols.

Dermaks - A modern typeface with unusual shapes. The starting point were intuitively drawn glyphs that gave the impression of being cut in paper. It goes well with colors and black and white. The font is intended to provide a distinctive original form. Intended for slogan designs, headlines, logotypes, clothing designs, posters and all designs with an intriguing style.

WIPEU The President depicts the handwriting of a versatile and energetic man of vision at the highest stage. The (lower case) characters are joined as it is usual in German speaking countries. Originally designed in 1995 the font has been extended by a lot of new characters such as accented characters, punctuation, symbols and currency symbols.

Introducing NewModern: Sawdust's inaugural typeface release, now making a comeback from our exclusive archives through the esteemed MyFonts foundry. Originally crafted for the renowned 'HypeForType' type foundry, this font represents a seamless blend of tradition and innovation. With a fresh perspective on the classic Didone genre, often referred to as 'Modern,' NewModern encapsulates the essence of contemporary design.

WIP Grand Ma depicts the handwriting of an old woman, representing the kindness and reliability that we appreciate of our grandma. The (lower case) characters are joined as it is usual in German speaking countries. Originally designed in 1995 the font has been extended by a lot of new characters such as accented characters, punctuation, symbols and currency symbols.

HOLBORN Aptly named after ‘High Holborn’, a high-street in London where the Central School of Art & Design was based. A font, just in capitals, based on the original design and the earlier sketches (1976) by André Toet. The strong optical illusion in this alphabet makes it an outstanding typeface. Concept/Art Direction/Design: André Toet © 2017

This loopy offering is patterned after a typeface from the 1888 specimen book from the Central Type Foundry of St. Louis, called simply "Spiral". The ragged contours on the original face have been smoothed out, but it still is an attention-getter. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Lydian is an unusual sans serif face with strongly calligraphic letter shapes, originally cut by American Type Founders. The eye-catching nature of the Lydian font family has made it popular for use in magazines and advertising as well as in newspapers for headlines and introductions. The cursive has an even more marked pen-drawn structure.

The sans serif type style for the specialty font Nameplate JNL was given a serif treatment and is now Hotel District JNL complete with a full character set. Originally inspired by two Art Deco-era metal door signs saying "Men" and "Ladies", the thin lettering lends itself well to period pieces as well as contemporary design work.

This delightful semiscript is based on an offering from a 1930s specimen book from the Mergenthaler Linotype Company, originally called, simply, "Card Italic". Elegant without being stuffy, it is equally “at home” announcing anything from formal occasions to casual get-togethers. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Where Headlined creates bold statements, Headlined Solid states facts. Simple, sans serif and steady as a rock, Headlined Solid does what needs to be done, no more and no less. For pragmatism and clarity of form this font couldn’t be better. Alternatively if you're looking for something a little more filthy, check out the original Headlined.

This contrast serif typeface is good for display use. Bandera Display has six weights with original italics. It catches attention in headlines of posters and magazines. It works well with Bandera (slab serif), Osnova (sans serif) and Bandera Text (serif) fonts. Bandera is Spanish for ‘flag’. And Bandera is a symbol of Ukrainian fighting for freedom for many years.

Snow, snow and more snow! Deniart's Snow Crystals 2 typeface is an original design featuring 62 unique symbols. These charming snow crystals are sure to add elegance to all your winter designs - the set includes traditional style snow crystals. This font comes with a PDF guide to put all these special characters right at your fingertips!

Mic32 New is a revival of the of the original Mic32 released in 2004. Keeping its futuristic appeal, this popular font has been re-drawn from the ground up, with new spacing and kerning. A range of Opentype features have been added, and the new version includes small caps, tabular, proportional and old style numerals and ligatures.

Based on electrical circuitry, David Philpott's Circles typefaces are oddly legible, even though one might think they were destined for display usage only. The circle is the base form, repeated throughout the design. Originally drafted during his time at the Massey University School of Design, subsequent refinements have turned Circles into two complete fonts with a full character set.

TREMELO a typeface based on a logotype (Microtel). We designed it as a complete capital alphabet. The original idea for the logotype font came from the products the firm produced. They provided the parts that go into hearing-aids. We thought the type should have some visual tremor in it. Concept/Art Direction/Design: André Toet © 2017