Purveyor Purveyor is a bold modern sans serif with a lot of character. This will be your "Work Horse" for a lot of projects. It works nicely for projects that require a more refined yet vintage aesthetic. Purveyor is a simple yet refined All-Caps sans serif. I had a ton of fun making the specimens for this font, which is usually a good sign that I'll use it regularly. Purveyor includes 8 versions: Regular, Rounded, Rough, Textured (+ 4 Oblique Versions). Purveyor comes with Western European Characters. By the way, I included 2 R's - Just uppercase and lowercase to access

Introducing La storia - a fine tip signature font. Beautiful monoline signature, looking so classy and natural. There are 2 version, - Regular - Bold La storia is perfect for branding, photography, invitations, quotes, watermarks, advertisements, product designs, labels, and more that needs a natural sign feel. Includes number-punctuations and multilingual support. I created 89 ligatures to keep this font looks natural. at ct dt et ft gt ht it jt kt lt mt nt ot qt rt st tt ut vt wt xt zt an in un en on ar ir ur er or aa ant int unt ent ont att itt utt ett ott ii ee oo uu ff rr ss xx zz ll adl idl udl edl odl ald ild uld eld old art irt urt ert ort fl fh fb jl Fr Gr Hr Ir Kr Mr Nr Or Pr Tr Ur Vr Wr Dr space-r Titling and Ending Swash - Quick Access Add underscore 2x before or after a lowercase (you can see this on the presentation posters). For example a_ _ or _ _a Swash Lines make this font complete. Add underscore 2x before numbers from 1 to 9, you'll get 9 variations of swash line (as shown in the posters). For example _ _1 Thank You so Much!

Venecian Old Face fonts had a strong influence on typeface design in the 1930s and 1940s in England. Such influence is evident in the font Electra, designed by William A. Dwiggins for Linotype in 1935. Electra combines its classic roots with the Zeitgeist of the 1930s, also displaying characteristics of the Bauhaus and Art Deco styles.

Full Sans is a geometric sans in the tradition of Futura, Avant Garde and the like. It has a modern streak which is the result of a harmonization of width and height especially in the lowercase letters to support legibility. Full Sans is the younger brother of original Full Neue, Full Slab and Full Tools. Ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, wayfinding and signage as well as web and screen design. Full Sans provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Full Sans LC 50 Book” forms the central point. The first figure of the number describes the stroke thickness: 10 Thin to 90 Bold. Full Sans LC comes 5 weights and italics also Full Sans SC comes 5 weights and italics total 20 types. The family contains a set of 485 characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. Full Sans is the perfect font for web use. You can enjoy using it. UPDATE: 08 March 2019 - Fixed extension of glyhps "y" and "g". - "LineGap" error has been fixed. - Fixed bug in "onum", "pnum", "tnum" and "tnum" software in OpenType feature.

During the early years of the 20th Century, America's fascination with automobiles was just beginning. The cover for a 1916 piece of sheet music for the comedy song "On the Old Back Seat of the Henry Ford" had the title hand lettered by a round nib pen in an Art Nouveau style. This is now available digitally as Running Board JNL.

PT Bazhanov™ was designed at Polygraphmash type design bureau in 1961 by Michael Rovensky (1902-1996). Based on the lettering by Moscow book designer Dmitry Bazhanov (1902-1945). Old-fashioned flavor of this design recreates the Soviet hand-lettering style of the 1940s. For use in title and display typography. The digital version was developed for ParaType in 2001 by Lyubov Kuznetsova.

Akira Jimbo Vintage Font will gives a feel of vintage, classic, old, handmade looked like by Muhammad Afif Ersya. It contains uppercase, lowercase, punctuation and symbols. Freudian is is perfect for people looking for vintage aesthetic or hand drawn logo. Suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes, etc.

An old rubber stamp printing set called the Aristocrat Sign Marker was the inspiration for this font from Jeff Levine. The letter shapes are truly reminiscent of the 1920s and early 30s with their casual playfulness, hence the font's name of Casual Friday JNL. To add a more nostalgic touch, the characters show slight imperfection of shape, as if hand-lettered.

Rock Wood is a fresh version of old western wood type. With its strong and sinuous lines it has a taste of vintage and modern at the same time.

I was cleaning out my pencil box and found an old marker pen. I wanted to throw it away, because it was leaking all over my stuff, but decided I could use it one more time. The result is Full Blast font: a ‘brush’ font (made with that leaking old marker pen). Use if for your fireworks packaging, fiery pepper sauce bottles and whoopee cushions (and just about anything else as well). Comes with an explosive amount of diacritics.

Florensans is an all caps display sans serif typeface in elegant & modern style with ligatures, special alternative glyphs and old style figures. The Florensans family contains three weights: Light, Regular and Medium. Florensans is ideal for headlines, headers, logos, labels, packaging, postcards, presentations, magazines, invitations, etc. Features: 3 Weights - Light, Regular and Medium Basic latin alphabet A-Z 64 Ligatures & Alternates 56 Accented characters Numbers, Punctuation, Currency, Symbols, Math symbols & Diacritics Old style figures Enjoy Florensans!

Aure Teddy emanates the trusting tenderness of a favorite teddy bear. The hand-penned look of these forms engages the reader with a subtext of comfort. Teddy is delightfully legible as a text font and works well where a more organic look is wanted. It brings an unassuming charm to text and titles and a welcome empathy to astrological expressions and chartwheels. Its engaging charcter serves well in labeling diagrams and personalizing nametags. Teddy is an original design developed by Aurora Isaac. After more than a decade in development, 2018 marks the first release of the CJ and KB glyphsets in regular, italic, bold, and bold-italic. The CJ glyphset is a full text font supporting a variety of European languages. A matching set of small-caps complements the extended lowercase and uppercase glyphsets. Supporting glyphs include standard ligatures, four variations of the ampersand, and check-mark and happy-face with their companions x-mark and grumpy-face. Numbers are available in lining, oldstyle, and small versions, with numerators and denominators for forming fractions. Companion glyphs include Roman numerals, specialized glyphs for indicating ordinals, and a variety of mathematical symbols and operators. The CJ glyphset also includes an extended set of glyphs for typesetting Western Astrology. These glyphs are also available separately in the KB glyphset: a symbol font re-coded to allow easy keyboard access for the most commonly used glyphs. Aure Teddy fills a unique niche, being a modestly decorative font as well as a competant text font. Like Aure Jane, Aure Teddy serves well paired with the decorative touches of Aure Brash and Aure Sable. Give Aure Teddy a trial run! You may discover a permanent place for this font family in your typographic palette. AureFontDesign.com

Taxon is a straightlined Sans with a clean, fresh and unsentimental look. Related to classical faces like Optima and Imago, it appears more contemporary and merges the austere linearity of the Grotesk with the elegance of the Antiqua. The Taxon family consists of 12 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.

Galvani offers a new geometric Sans Serif with humanistic displays. With its straight lines and rectangular shapes, and its clean and coolish appearance, Galvani unites some of the principal sans design features of the last decades. Galvani consists of 18 styles and is well equipped for advanced typography. It comes in OpenType format with extended languagesupport. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows.

Candide Condensed is the complement for Candide and widens greatly the possible applications of the Candide family. Through Its moderately condensed proportions, it also works superbly as a discrete space saving text face. Candide Condensed comes with the same character layout and features as Candide. Candide Condensed consists of 16 styles. It comes in OpenType format and provides an extended language support. All weights contain standard and discretionary ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternative characters.

Danton is a serif dominated face with a crisp and distinct graphical flavor. Designed especially for use in magazines and newspapers, It is superb in headlines and, because of its solid structure, it is also an excellent choice for text applications. The Danton family consists of 14 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain small caps, ordinals, ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, and arrows.

Chocolatier is an all caps display serif typeface with soft edges. Includes ligatures, special alternative glyphs and old style figures. Chocolatier is ideal for headlines, headers, logos, labels, packaging, postcards, presentations, magazines, invitations, etc. Features: Basic latin alphabet A-Z 36 Ligatures & Alternates 56 Accented characters Numbers, Punctuation, Currency, Symbols, Math symbols & Diacritics Old style figures Enjoy Chocolatier!

Introduces an old lettering style font. looks elegant, luxurious and classy. Chalysta is a form of handwriting with a sideways drag, which looks like it was handwritten in old scripts. Each lowercase has an alternate pull before the letter to make it look more natural. Very suitable for use in branding, wedding invitations, quotes, cards, etc.

The typeface Yusyad is designed mainly for a very sentimental and emotional reason. Metaphorically, it is a modest artistic gift offered virtually from the designer to one of his beloved and cherished persons in this life, namely, his loyal and devoting wife. She represents one of the most essential motives for many artistic and non-artistic works that the designer achieved during his life. This was done through her tranquil personality, infinite patience, sincere support, and endless encouragement. The designer's partner (i.e., the significant other) lives with him along with their three children looking both always for a life full of peace, achievements, philanthropy, and of course love. The typeface's name Yusyad is a portmanteau word consists of two morphemes. It is a simple name-meshing for two different names. Those names represent the name of the designer's wife (Yusra) and the name of the designer (Eyad). Yusyad is like an epithet that ties the two partners' honest and eternal relationship until the last day of their lives. Technically, Yusyad is a sans-serif condensed and display typeface. It comprises seven fonts with dual styles and multiple weights. Specifically, it has two main styles, namely, the normal and the inline design. The normal style comes in five weights (i.e., thin, light, regular, bold, and black) whereas the inline style has two weights (i.e., regular and bold). The typeface is designed with more than 700 glyphs or characters. Its character set supports nearly most of the Central, Eastern, and Western European languages using Latin scripts including the Irish and the Vietnamese languages. The typeface is appropriate for any type of typographic and graphic designs in the web, print, and other media. It is also absolutely preferable to be used in the wide fields related to publication, press, services, and production industries. It can create a very impressive impact when used in movies' or TV-series titles, posters, products’ surfaces, logos, signage, novels, books, and magazines covers, medical packages, as well as the product and corporate branding. It has also both of lining and old-style numerals which makes it more suitable for any printing or designing purposes. To end, Yusyad's condensed appearance—especially the inline style—makes it very memorable, eye-catching, and striking for advertising, marketing, and promotional purposes.

Belgato is a vintage-inspired typeface with delicate details. It comes in six weights – plus italics! – for a total of 12 fonts, making it a highly versatile display face. The variable font version allows for ultimateweight and slant customization in print and web. Belgato has Latin, Greek, and Cyrillic alphabets, and supports dozens of languages, making it ideal for multilingual branding, publications, ads, social media, and more! I had so much fun designing this typeface, playing with classic serif letterforms to create an elegant, mid-century modern vibe. Belgato Light is fresh, airy, and delicate – perfect for feminine branding. By contrast, Belgato Black boasts fat curves with thin details, perfectly-suited to bold layouts and retro branding projects. Each Belgato font has 665 glyphs, encompassing: - the Latin alphabet (including hundreds of accented characters) - the Modern Greek alphabet - the Cyrillic alphabet (for Russian, Ukrainian, Bulgarian, and Serbo-Croatian) - discretionary ligatures - stylistic and alternate glyphs - numerals (lining and old style), small figures, and fractions - extensive punctuation, symbols, and diacritical markings Software: No special software is required to use Belgato fonts. You can even use these fonts with Canva! To access Belgato’s variable font features, ligatures, and stylistic alternates, it is best to use software that supports these functions (Adobe programs, Corel Draw, Sketch, etc). Languages: Belgato supports dozens of languages which use the Latin, Greek, and Cyrillic alphabets. Among the most common languages it supports are: English, Bulgarian, Catalan, Croatian, Czech, Danish, Dutch, Filipino, Finnish, Flemish, French, German, Modern Greek, Hungarian, Icelandic, Indonesian, Italian, Luxembourgish, Maltese, Norwegian, Polish, Portuguese, Russian, Serbo-Croatian, Spanish, Swedish, Swiss German, Turkish, and Ukrainian.

Salt&Spices Mono is the mono lined version of Salt & Spices Pro. Where Salt & Spices Pro has the rough contours and high contrast that is typical for dip pen calligraphy, Salt & Spices Mono has clean crisp smooth letterforms that result in a totally different look and feel. Great for creating neon effects. Fun features like connecting spaces and long swashes for customization of words and phrases are preserved in Salt & Spices Mono. This versatile 10 font family, consisting of 4 casual script styles: Regular, Bold, Shadow and Bold Shadow offers great flexibility. For instance: the appearance of initial and terminal letters can be customized using the glyph pallet. Contextual alternates, Swashes and Stylistic sets give you the ability to replace spaces by 3 alternate connecting spaces or add swashes to initial/terminal letters. Double letter ligatures help sustain the natural flow of handwriting. In addition to the 4 script styles 3 SmallCaps Sans styles and 3 SmallCaps Serif styles were added, all mono lined. They add great variation to your designs and supplement and support each other perfectly. Add exceptional language support to all that and you have the perfect ingredient to spice up even the most demanding design project. You'll need an Open Type savvy application to get the most out of Salt & Spices Mono.

Kelimajaroe is a bold vintage style serif font beautiful and soft, fonts in a contemporary style that can make your design projects look modern, elegant and luxurious. Made with many alternative characters to make it easier for you to do various design projects and give you fun while typing. Kelimajaroe is a great typeface for contemporary graphic design with that certain feeling of familiarity. It works well on them to designs like social media posts, logos, merchandise, book covers, posters, video content thumbnails, quotes, landing pages, wedding, or any display use, as well as in headlines or shorter texts. and one more font recommendation that you should apply in your work, (Silk Display) Features: Uppercase Lowercase Numeral Punctuation Multilingual Alternates Opentype Features & PUA Encoded Ligatures and Discretionary Ligatures Thanks :)

Foundry Dat is created with a common horizontal dash grid structure for accurate layering when characters are superimposed. Foundry Dat’s integrated background aligns vertically and horizontally, when set solid, forming a continuous pattern. Foundry Dat’s companion family Foundry Dit functions as a legible correspondence font, with a ‘typewriter’ feel. Each family contains: light, regular, medium and bold weights. Foundry Dat comes with a series of dashes to extend the background grid. Characters can also be offset to make different patterns – in the process becoming images – a graphic language with total integration of form and function.

Olio is a chunky geometric sans serif typeface. The bold version takes inspiration from classic geometric fonts like Futura and works well when creating clean, balanced typography. The inline version is the same font with a stylish and decorative stripe effect to each character. Olio inline is a nod towards graphic design champion Lance Wyman and his typographic treatment for the iconic Mexico 68 Olympic identity. Although both versions are designed in reference to great (timeless) graphic design from the past, they have a contemporary finish making them suitable for any design purpose or application.

King Trufle is display fun font with a bold and rough style. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: OTF Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Retrofunk was inspired by the retro typography design in 70's. Script and Serif form a great combination for creating a logos, signboards or a simple word mark. Hundreds of Alternates with PUA Unicode are packed inside Retrofunk Script. Those alternate characters will help you to create a bold, strong, artistic and variate graphic design for flyers, posters, banner Ads, T-Shirts, book covers, titles or any retro or vintage typography. Tutorial: Watch how to access the alternate characters and pairing the basic script font with the extrude style here.

AFTERMATH?? has been designed to come in four different widths; Normal, Italic, Narrow and Condensed, additional to add weight to support various uses ranging from Thin, Light, Regular, Medium, Bold, Extrabold, and Black. AFTERMATH It comes in 40 weights with various features that support designer creativity from the Font Menu and extended language support. AFTERMATH will suit many projects: fashion, magazines, logos, branding, photography, invitations, wedding invitations, quotes, blog headers, posters, advertisements, postcards, books, websites, etc. If you have any questions, you can contact us by email: bosstypestudio@gmail.com| Thank you!

Hippie Vintage’s bold, groovy, clean and unique with vintage fell. Hippie Vintage is very versatile sans font that works great with vintage themes. Hippie Vintage is a vintage sans serif font with beautiful ligatures, tons of alternative glyphs and multilingual support. Helps to create layout design in 60s or 70s design projects. Come with open type feature with a lot of alternates, its help you to make great lettering. Hippie Vintage best uses for heading headlines, cover, poster, logos, quotes, product packaging, merchandise, social media & greeting cards and many more.

Haliond is a modern script font with bold style and modern looks. This font would perfect for logos, branding, product designs, product packaging, photography, watermark, social media posts, advertisements, invitation, stationery, labels, logos, magazines, books, greeting / wedding cards, fashion, make up, and etc. What's Include : Uppercase & lowercase Numbers and punctuation Multilingual support Ligatures Alternates Swashes Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Thank you for your purchase! Hope you enjoy with our font!

We created a serif version of our popular "Werk" Sans Serif that will greatly enhance the Work family of fonts. Like “Werk” Sans Serif, “WerkSerif” is a sturdy, well-tuned font that is a true “werkhorse” with plenty of character without being overbearing. “WerkSerif”is an ideal choice for corporate branding offering a complete typographic solution with the sans and serif range of fonts — also a prime choice for distinctive and dynamic logotype use. “WerkSerif” comes in a range of offerings from Light to Regular, to bold and Black with matching Italics.

Routhers Retro is a retro bold font that contain Uppercase, Lowercase, Numerals, Accents, Punctuation, 4 set alternates, Ligatures, Swash, and also Underline. You can use to make a logo for branding, best for apparel design, and quotes. This font also already PUA Encoded. What Will You Get: OpenType feature, including 5 Set Alternates, Ligatures, End Swash, and Underlines. PUA Encoded Foreign Languages Support: ÀÁÂÃÄÅÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖØÙÚÛÜÝßàáâãäåæçèéêëìíîïðñòóôõöøùúûüýÿ PS: Type underscore + number (from 1 to 5). Or copy Rout_5hers in preview bellow.. For another questions, please send a mail to saridezra@gmail.com. Thank You!

Rockner is a family of fraktur typefaces designed by the calligrapher/designer Julius de Goede. Like all Blackletter styles, fraktur evolved out of Northern Europe's medieval manuscript tradition. Fraktur was the most used Blackletter variety between the sixteenth and twentieth centuries. Unlike many similar fraktur font families, Rockner is available in three weights: Regular, Medium, and Bold. This flexibility allows for richer design possibilities. The OT fonts contain the many alternate characters, such as the long s and historical ligatures, which are often necessary for the setting of historical documents.

Checker is an all-cap ‘three-D’ font which automatically alternates white letters on black tiles with black letters on white tiles, by means of the Contextual Alternates feature. Checker is an attention grabber suitable for logos, titles and short headings. With its tiled construction, it's a natural for colorful interpretation. The letters are properly italicized and back-slanted, and adjusted for maximum readability within the constraints of the font’s concept. The letter style is bold grotesque, so Checker will mix smoothly with any other fonts in a layout.

Alaysa Script is retro signage font, bold and clean. There are so many variations on each character. Include OpenType stylistic alternates. You are able to create so many different typographical layouts easily and quickly. Make sure you use OpenType savvy program and simply open Glyph Palette to access all of the glyphs. This font is suitable for t-shirts, signage, logos, headlines, branding, packaging, etc. Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software.

Online auctions offer a treasure trove of lost or forgotten merchandise, and many items pertaining to lettering just beg to be digitized into a typeface. Case in point is a partial set of brass stencils that were the visual model for Ultra Thin Stencil JNL. While most of the brass interlocking stencils available now and in the past have bold lettering for easy readability, this particular set consisted of condensed letters with thin lines. Available in both regular and oblique versions, they join a long list of stencil designs available from Jeff Levine Fonts.

Thunderion is The ThunderStrike font is a striking display font that captures the electrifying energy of thunderstorms. Each character in this unique typeface is adorned with a dynamic thunder accent, adding a powerful and dramatic effect to your text. With its captivating design, ThunderStrike is perfect for headlines, posters, and any creative project that requires a bold and attention-grabbing aesthetic. Whether you want to emphasize a specific word or phrase, or you're looking to make a lasting impact with your design, this font will deliver a thunderous punch.

I was commissioned by the Emporium (now Macys) to digitize Radiant Bold Extra Condensed (originally designed by Robert Middleton in 1940) for use in their Sunday supplement to the San Francisco Examiner. For several years, I stubbornly refused to add the lowercase letters to the font, because I thought it looked best just used with caps, but finally relented, added the lowercase letters and at the same time created two more weights as well: Light and Medium. Used very large and carefully, these faces can be quite elegant.

Introducing our newest font called Boostnia, a bold signature font written with abstract curves but still looking modern and elegant, This font in addition to having a charming and unique shape is also equipped with various options that support good results when you use it in your project. This font is perfect for business cards, photography studios, autographs, interior designs, model names, coffee late, travel, weddings, cosmetics, jewelry, social media posts, product packaging, watermarks, special events, or anything else. Start using this font to add an authentic and heartfelt vibe to any design project.

Petugas is our newest font. This font is written in deep and dramatic handwriting. Each letter has a unique and beautiful character to be used as a title, word or sentence, which looks good and beautiful in every display design you make. Not limited to that, the bold calligraphy font is designed to keep paying attention to the beauty of each letter, there are alternate options for the letters which are certainly easy for you to access, so you can automatically customize the letters you want to enhance the visual appearance of your design project.

Inspired by newspaper headlines, this sleek and sophisticated font turns heads with its bold strokes and clean lines that exude professionalism. Debar is perfect for any project where you need a timeless design that's innovative at the same time. It comes in two styles: regular and oblique, making it highly flexible to use across various themes. With Debar at your fingertips, there are no limits to what you can achieve. Whether creating stunning logos or crafting captivating marketing materials, this versatile font will elevate every project to new heights of excellence.