German Designer Klaus Sutter digitized Mustang, a brush script typeface from the 1950s originally drawn by Imre Reiner (1900-1987) and published in 1956 by D. Stempel AG. Mustang is a right slanted brush type drawn with simple and strong strokes. It has a dynamic character, and could be perfectly applied for emphasis in headlines. Mustang has the character of Imre Reiner's handriting. Imre Reiner was a prominent book illustrator, painter, and typographer during the 1950s.

Inspired by the elegance and sophistication of Hollywood's Golden Era, Oscar is a lyrical nod to the pinnacle of cinema achievements, the Academy Awards. Its slim, graceful features are accentuated by undulating triple waves. Delicate yet study, it will handily support messages both solemn and joyful. Use Oscar when you wish to convey a sense of celebration and prestige, a reference to the era of Art Deco and the 1920s or, a feeling of grace and ceremony.

The Halis Grotesque font family comes in eight weights of Normal and Italic. In addition, all weights contain small caps in both italic and normal. The name of the font means “pure, clean.” The Halis Grotesque Font Family has the new Turkish Lira Sign as well as an alternative ampersand created by Prof. Halis Biçer, renowned in Turkey for his expertise in typography, calligraphy, and graphic design. That’s why this font’s name is inscribed with a dedication to the venerable Halis Biçer. The spaces between characters are wide enough to be legible even at very small sizes. With the HALIS GROTESQUE FONT FAMILY, you can create beautiful works for the web, including logos, banners, body copy, and presentations. Halis Grotesque also works nicely in print formats such as posters, T-shirts, magazines, and affiches. Because of its eye-pleasing style, this font is both effective and versatile.

HWT Artz is the newest wood type to be cut at Hamilton Wood Type and Printing Museum. It was designed by venerable type designer Erik Spiekermann exclusively for his own print studio (P98a in Berlin), specifically to be cut into large size wood type. The digital version is being offered to the general public with proceeds of sales to benefit the museum's ongoing operations. HWT Artz evokes bold early 20th century European poster lettering. The design itself is intended to minimize hand-finishing and thus production time with rounded corners rather than sharp interior corners that would normally have to be hand-finished. In keeping with the tradition of naming new Hamilton designs after key figures from the living history of Hamilton (and following Spiekermann's tradition of four letter font names), Artz is named after Dave Artz- Hamilton Manufacturing retiree and master type trimmer.

Mineraline is inspired by the crystalline, faceted forms of minerals. This unique display typeface is made of a complex linear structure, giving the letterforms a dynamic, intricate and dimensional feel – especially suited to display use in very large sizes. The unique linear structure allows the line-weight of the character framework to be varied, to give the family a varying ‘visual’ weight, rather than altering the traditional stroke width. Used at smaller sizes, the type is incredibly detailed, almost woven looking. At larger display sizes the framework and bevelled joints become more obvious and striking. From the delicate Light through to the solid and angular Ultra, Mineraline is perfect to give your work a distinctive, modern and creative edge. Its multiple weights are ideally suited to work across Branding, Logo & Identity, Retail, Point of Sale, Packaging, Advertising, Fashion, Digital and Film, or any other experimental graphic and typography tasks.

Vierra Moon is a quirky handwritten font that will make your design more cheerful! You can use this font for your brand, your cover book, kids event, or even your quote. This font also including double ligatures that will make this font more handy. This font also support multilingual.

The Englishman William Caslon (1672–1766) first cut his typeface Caslon in 1725. His major influences were the Dutch designers Christoffel van Dijcks and Dirck Voskens. The Caslon font was long known as the script of kings, although on the other side of the political spectrum, the Americans used it as well for their Declaration of Independence. The characteristics of the earlier Renaissance typefaces are only barely detectable. The serifs are finer and the axis of the curvature is almost or completely vertical. The overall impression which Caslon makes is serious, elegant and linear. Next to Baskerville, Caslon is known as the embodiment of the English Baroque-Antiqua and has gone through numerous new interpretations, meaning that every Caslon is slightly different. American Type Founders presented a Caslon in 1905 which is true to the forms of the original. This font is relatively wide and comes complete with small caps and old style figures.

The Englishman William Caslon (1672-1766) first cut his typeface Caslon in 1725. His major influences were the Dutch designers Christoffel van Dijcks and Dirck Voskens. The Caslon font was long known as the script of kings, although on the other side of the political spectrum, the Americans used it as well for their Declaration of Independence. The characteristics of the earlier Renaissance typefaces are only barely detectable. The serifs are finer and the axis of the curvature is almost or completely vertical. The overall impression which Caslon makes is serious, elegant and linear. Next to Baskerville, Caslon is known as the embodiment of the English Baroque-Antiqua and has gone through numerous new interpretations, meaning that every Caslon is slightly different. Caslon Classico appeared in 1993 and was designed by Franco Luin, the designer of various interpretations of classic typefaces. Luin kept his design true to the original and Caslon Classico consists of two cuts with corresponding italic and small caps characters.

Amarelinha is a casual and dynamic handwritten font, charming in its own peculiar way. It is a unicase alphabet, counting two versions for each letter, easily accessible through keyboard upper and lower cases. It also has a pocketful of automatic ligatures, providing an organic and spontaneous hand lettering feel. Available in two handy weights.

Mitchell was released by Inland Type Foundry in 1906 as a bolder version of their popular sans, Blair. This revival is faithful to the original, and is quite handy for both formal and informal use. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

Hello, Youth Calm is a stylish, retro serif display font. Its funk and groove will definitely come in handy when you need to create some relaxed, laid-back designs. FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype Character Alternates Ligatures If you have any question, don’t hesitate to contact me. Happy Designing !!! Thank You, Illushvara Design

Bricola (rhymes with Nicola) is a condensed display face that contrasts soft curved outlines with sharp cuts and counters. Sturdy and idiosyncratic, Bricola is an eye-catching blend of functional and funky, appropriate for headlines, labels and branding. The licensed family includes Regular and Bold weights that both pack a punch, and also two handy italics (obliques).

Sforzando is a striking display font available in three variations. Each one is an all caps alphabet that brings two alternatives for each letter, amplifying your design choices. It comes with a small but handy set of alternates that help create that special, unusual touch. Vigorous and versatile, Sforzando is an excellent option for a wide range of applications.

Here's a new take on an old dry-transfer standard from the 70s named Barrio. This unicase version features several handy ligatures not found in the original typeface, which will substitute in OpenType-savvy applications when the lowercase combos are typed. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Sweeper is a font with several personalities; it’s friendly and scary at the same time, almost like Santa Claus, but nicer. Sweeper has got a handy touch with a lot of different possibilities. You can use it in several occasions. Sweeper is suitable in any environment: the business district in London or the shores of Oxelösund. It’s hella wide and hella fun!

This handy family takes its design cues from Beton, a slab serif designed by Heinrich Jost for Bauersche Gießerei in 1931. A number of characters have been softened by the addition of ball terminals, commonly seen on manual typewriter type in the 1950s. Both versions of this font contain the complete Latin A Extended character set, as well as extended ligatures and fractions.

Preview Video Here : https://youtu.be/sFSgLdQW_xY With 3 Version Style Clean - Brush - Rough Kindness is a hand brushed typeface, with authentic Clean and Dry Brush imperfections, and a very bouncy baseline It has a perfectly paired complimentary marker font , and a super handy set of bonus Swash. Ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards.

Get ready to make a statement with “Born Ready” - A dry marker handwritten font with textured lines and multiple personalities. Born Ready comes in various styles — Regular, Slanted and Upright — each with its own unique personality to suit the look you need. A handy set of alternate lowercase letters and ligatures allows you to get the perfect look you need for your design.

Here’s a collection of fifty-eight handy-dandy vintage Victorian and Art Deco panels to dress up your next design project. Letters A-Z, a-z and numbers 0, 7, 8 and 9 have single-element designs, and the number series 1-2-3 and 4-5-6 contain Victorian tapestry elements. Enjoy a wealth of design elements at a very attractive price.

Here's a handy collection of 72 type adornments gleaned from American Type Foundry catalogs from 1913 to 1934, featuring little treasures from some of the early twentieth century's most respected designers, including Will Bradley, Frederic Goudy and George Trenholm. Among the goodies are fleurons, pilcrows, guidons, bishops fingers, mortised initial frames and several other useful elements to dress up your documents.

Cyrillic Latino is a combination of the cyrillic and latin version of my Bodoni-Classic-Text typefaces. The typeface comes in very handy if you want text to look Russian but can be read by everyone. Since it is a combination of two of my typefaces I only charge the price for one typeface. Your trying-to-be-fair designer, Gert Wiescher

The Englishman William Caslon (1672-1766) first cut his typeface Caslon in 1725. His major influences were the Dutch designers Christoffel van Dijcks and Dirck Voskens. The Caslon font was long known as the script of kings, although on the other side of the political spectrum, the Americans used it as well for their Declaration of Independence. The characteristics of the earlier Renaissance typefaces are only barely detectable. The serifs are finer and the axis of the curvature is almost or completely vertical. The overall impression which Caslon makes is serious, elegant and linear. Next to Baskerville, Caslon font is known as the embodiment of the English Baroque-Antiqua and has gone through numerous new interpretations, meaning that every Caslon is slightly different. ITC Caslon 224 was designed by Edward Benguiat and appeared with ITC in 1982. It is the text font which expanded upon the title font ITC Caslon 223. The alterations in the proportions of the letters make this Caslon 224 a noticeable departure from the original, but make the font overall more legible.

Yorklyn Stencil includes three fonts, each optimized for use at different size ranges. Grande has greater contrast and more delicate breaks designed to be used at larger sizes where finer details are more conspicuous. Medium and Petite are intended for smaller sizes where the breaks and contours must be more resilient. We embedded several OpenType layout features, including traditional fractions and nut fractions. We extensively tested Yorklyn Stencil in what might be the broadest range of media and conditions in the annals of Northwestern Delaware typefounding history. From the ceramic kilns of Heath Ceramics to our studio’s stucco facade, Yorklyn Stencil’s robust curves and deceptively delicate breaks will withstand a wide variety of harsh conditions with unprecedented aplomb. Whether you’re hand cutting a stencil to buzz your bespoke restaurant bar stools or simply looking for a practical yet illustrative display font, Yorklyn Stencil’s elegant efficacy will enhance any creative composition. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Is it necessary to tell the Gutenberg story? 1456 Gutenberg Pro is the second Gutenberg typeface produced by GLC foundry (look at our 1456 Gutenberg). This font was created from the so called "B42" character set used for the two Gutenberg Latin Bibles (42 and 36 lines), but with a better and finer design than in our first version, more faithful to the finest original printed books appearance. We offer also now a larger choice of the original ligatures and Latin abbreviations, as complete as possible to be usable with OTF specifications. The complete basic alphabet (with "long s" naturally)is strictly looking like the real one (including the curious twisted "X"). We have only recreated the capitals W and J, who was not existing in the time. The numerals, no more existing in the original type set, were inspired from those in use a few years later by early following printers, but matching with the Gutenberg font's pattern. The font includes West (including Celtic), East, Central European, Baltic and Turkish glyphs.

Paciak is a hand-drawn dynamic font that provides you an opportunity to create fresh and intricate design projects. It is loaded with handy features including-alternate characters for all numbers and letters (it has mixed upper and lowercase characters to make it more crazy), multi-language coverage and is accompanied with vague borders and ornaments. This extraordinary mix will give you a lot of fun!

Roicamonta font looks very feminine and delicate. Perfect fit for invitations, greeting cards and other printing where soft and elegant writitng is required. The design stems from Copperplate calligraphy and comes in two styles - upright and italic. This family consists of six font files overall, each file contains over 1200 glyphs. Complete with variety of swashes and fancy ligatures. All engineered and included in handy otf format.

Say hello to South Pacific Marker , a new bold inky font with a casual handwritten feel. South Pacific includes a large selection of natural-looking ligatures and extra alternate characters ( see previews) in it's Opentype Features - make sure you have your stylistic alternates switched on to enjoy all the extras. Four handy swashes are also included in the glyphset - accessible via your glyphs panel.

Grand Heist is a bold and unique display typeface, fully equipped with basic and Western European Latin characters, numbers, punctuation, some symbols and special characters. Now we don't condone robbing banks here, but if you do, we can't deny that you'll have way more street credibility if you have this font in your handy fontbook. Just sayin'. Aa-Zz Numbers Multi-language support Symbols Special Characters

Hazzard is a script that is inspired by a retro style and combination with hand lettering style. I have made with personality in every single curve. I hope this can inspire your work with its very bouncy baseline. It also includes a super handy set of bonus swashes. Hazzard is ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards.

A new modern calligraphy font that features a varying baseline, smooth line, classic and elegant touch. It comes with a handy set of opentype stylistic, use the beautiful ligatures, alternates and swashes. It is perfect for logo, greetings, branding, quotes, prints, invitations and crafting. All lowercase letters include alternates, beginning & end swashes, that makes the font look fabulous! Thanks and have a wonderful day :)

Specta Typeface Inspired by Retro style and combination with Hand Lettering style. I'm made with personality touch every single curve. I hope this can make inspire you from your work. and a very bouncy baseline It has a perfectly paired complimentary marker font , and a super handy set of bonus Swash. Ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards.

Introducing Amerika Signature is a modern calligraphy script works perfectly together with the signature style is ideal for elegant branding design projects, packaging, social media, name card, logo design, wedding invitations. Amerika Signature includes handy OpenType features that make the font look more natural like a signature. Includes universal beginning swash for lowercase letters, a full set of lowercase alternates stylistic set letters with ending swashes, and some of the ligatures.

Hyperflow Script was inspired by contemporary fashion and streetwear in combination with Hand Lettering style. I've made every single curve with a personality touch. I hope this can inspire you for your work. Hyperflow Script has a very bouncy baseline. It has a perfectly paired complimentary marker font , and a super handy set of bonus Swash. Ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards.

Gibrael is tattoo script style font. Truly a perfect script for any project that's need delicate typeface such as custom name, greeting card, create logos, etc. A handy font for tattoo designer and artsy creative people! It's a beautiful, elegant, clean and unique typeface you need to have! Contains over 590+ glyphs, it has many alternate characters so you can make a beautiful decorative type easily and multiple language support.

Crazy Party is a quirky handmade font that will make all your project more unique and handy. This font also including a unique lowercase and uppercase with very different weight. Combining the uppercase and lowercase in one word will make your project even more stunning. You can use this font for quotes, your cover book or playing with words in your instagram post. This font also support multilingual!

Tony Wenman designed the display typeface Bottleneck in the early 1970s and its figures reflect the spirit of the times. Its distinguishing characteristic is the extreme heaviness of the serifs in the lower third of the characters, a trait which the viewer could associate with the plateau shoes of the 1970s. Bottleneck is a carefree, playful typeface which can be found even today on entertainment fliers and retro advertisements. When used sparingly in headlines and slogans, it is a real eye-catcher. Similar typefaces are Julia Script, by David Harris, and Candice, by Alan Meeks.