Floro is a typographic family with 3 members designed by Carlos Fabian Camargo. Its idea combines medieval ideas, grotesque, stencil and grunge for T-shirts, stickers, advertising material design. More specifically the concept of Floro join several DNAís coordinating X height, ascendant, descendant and wide, in which proportions and adaptive optics were determined to inject great visual impact when composing titles. Its forms and counter forms have imperfections controlled with vitality and consistency. Floro is useful for ranking words and phrases with corroded edges and creases between the lines of his letters. In that vein, Floro refers to improvised design, deletion and copying. For that reason, its determinants seem stencil patterns that attract the attention of the reader. Its inaccurate decisions were planned that way, in which the type of contrast seems made with a flat tip and the amount of contrast between thick and thin is medium. Its sizes, regular and italic shine by their systematic wear and terminations sometimes in pointed forms resembling medieval darkness. In short, we can say that Floro comes from the miscegenation of Gothic calligraphy texture, foundational calligraphy and some refinements of gothic writings with italic sans-serif ideas of late 19th century. Even with the blur appearance, floro has ideal proportions to pile for horizontal and vertical areas when composing titles with striking looks and robust. And finally, floro dingbats are related shields and stamps, to accompany the written resulting useful at the level of visual support and hierarchical.

Introducing the Doovy Groovy Party font! This stylized, psychedelic, and round Groove Display Font takes you back to the 90's and 00's era. With its multilingual support, it's perfect for creating a pop, funky, and bold vibe. What sets the Doovy Groovy Party font apart is its unique ability to capture the essence of the vibrant and energetic 90's and 00's era. Its stylized, psychedelic design evokes a sense of nostalgia while still offering a fresh and contemporary look. This font is a true standout, allowing your designs to stand out as well. For designers looking to create harmonious compositions, the Doovy Groovy Party font has a few relatives and typefaces that complement it beautifully. Consider pairing it with "Retro Sans Serif" for a bold and cohesive look, or experiment with "Funky Display" to amplify the funky vibes. These combinations will add an extra layer of creativity and versatility to your design projects. The Doovy Groovy Party font comes in three variations - Regular, Outline, and Shadow - making it a versatile tool for various design needs. The Regular version provides a solid foundation, ideal for headlines and titles that demand attention. The Outline variation adds an element of sophistication and can be used for modern designs, while the Shadow option creates depth and dimension for a more dynamic appearance. Additionally, this font boasts extensive multilingual support, ensuring that it can be used effectively across different languages and cultures. The Doovy Groovy Party font draws inspiration from the bold and expressive typography prevalent in the 90's and 00's. It captures the vibrant and carefree spirit of that era, where music, art, and pop culture collided to create an explosion of creativity. The psychedelic elements incorporated into the font pay homage to the colorful and trippy visuals that defined the time. This font encapsulates the nostalgia and excitement of those years, allowing designers to infuse their projects with a sense of fun and playfulness. We created the Doovy Groovy Party font with a passion for celebrating the bold and expressive designs of the past. We wanted to provide designers with a versatile tool that brings the nostalgic charm of the 90's and 00's to their modern projects. By using this font, you can effortlessly transport your audience to a time when colors were brighter, music was groovier, and creativity knew no bounds. Let your imagination run wild with the Doovy Groovy Party font and infuse your designs with a vibrant touch that will captivate and inspire! Unlock the power of nostalgia and creativity with the Doovy Groovy Party font. Its unique design, versatile variations, and multilingual support make it the perfect choice for posters, marketing materials, T-shirt designs, headlines, and much more. Get ready to groove and let this font elevate your creative projects to a whole new level!

The Scandinavian Cyrillic kids font is stylish and laconic as famous Scandinavian monochrome design. Each letter of the font was carefully cut out of paper with scissors by little childish hands. And now it's turned into a font :) The Scandinavian Cyrillic kids font includes main uppercase, alternative uppercase, and double letters for uppercase and lowercase. It will be perfect for use in all your fun design projects: logos, labels, packaging design, blog headlines. Also, it will look great on mugs, cards, kid's books headlines, or other typographic projects. Multilingual Support for 32 languages: Latin glyphs for Afrikaans, Albanian, Basque, Bosnian, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Slovenian, Spanish, Swahili, Swedish, Turkish, Welsh, Zulu. And Cyrillic glyphs support for Russian, Belorussian, Bulgarian, Ukrainian and Kazakh languages. Works perfectly on the Canva platform. For Cricut & Silhouette recommended.

Meet the new Strong and Bold typeface from TBS. TBS GARTEK is a Display typeface It has a single weight ultra bold It come with multilingual glyphs. Good amount at Large Point sizes with combine with any suit typefaces, Headline, Logo font.

Vividangelo is designed after the handwriting of a real person. I saw it on the pricetags in a small shop and convinced the person to have her handwriting converted into a font. She is very happy about it now, so am I.

We've always liked Art Gothic (you've seen it on the titles and credits for TV's Murder She Wrote) but felt it was far too animated for most uses. Here is our super-simplified version, a calmer font that will fit many display uses.

The Toxic Brew font was initially designed to be a Halloween font, but I guess it turned out not so scary in the end. But maybe you can use it for something scary anyway? I've added several versions, and they mix very well

The concept of this letter is health. Eat well, sleep well, exercise comfortably, have strong muscles and endurance. It makes people feel quite positive. It will give great strength to sentences that have meaning that people can understand, rather than inflammatory messages.

This typeface got its name from "anyar", which means "new/modern" in local Indonesian (Javanese). Just like it's name, this typeface gives a modern and simple look. Anjara's medium contrast makes it easily stand out in any compositions, especially it's bold version.

Amelia is a geometric sans, but it keeps the softness of humanistic strokes. The contrast and the different styles allow Amelia to work as a text or display font. Also it incorporates an Up version, calligraphic features that add a touch of informality.

This font should be used with all three formats. It is recommended to use it in big font sizes due to the thin hairline of Fansy A. Have fun playing with the new modern and fancy display font designed by Jörg Schmitt.

The characters in this font are composed of rounded lines with even thickness, giving an impression of neon tubes. Although the design is completely new, it has its stylistic roots in the modernistic 20th century world of steel-tube chairs and fluorescent lamps.

I created this font following my love for Etruscans, their culture and their myths. Many times I looked for a false, but similar, Etruscan TrueType font on the Internet, but I didn't find it, so one day I decided to make it myself.

Based heavily on Gill especially in the mid weights, Astoria has a subtle top left serif which makes it not quite a Roman and not quite a Sans. Designed specifically as a text face it still works very well as a headline font.

Although the Taz family was designed for newspapers, it works equally well in many other contexts. The fonts have been used in glossy magazines, sales catalogues and corporate brochures, for instance. Taz is appreciated for its readability in longer texts at medium sizes.

Queasily is a superb single line font that will make your work stand out through its elegant and simple lines. It is perfect for product packaging, branding project, magazine covers, social media, wedding, or just used to express words above the background.

"Kamila Arthur" was inspired by clean handwriting with a natural monoline flow. It contains lovely beginning, ending and connecting lowercase heart swashes. It appears to be an excellent tandem for minimalist wedding designs. Please, note that heart glyphs connect only lowercase letters.

Mocca Pro is designed by Naghi Naghashian. It is a modern Sans Serif headline font. The Mocca Pro Condensed is a single weight font. Its modern design is a reminiscence of the classic Romanesque characters. This Font supports western and central European languages.

wap_std makes cute fonts for kids. I only remember some of the font characters. I think this new font is cute & fun for your fun projects. yumna is made with all my heart, I love it, and I hope you like it too.

PhrackSle is a a Fraktur face with a difference: it has a uniform stroke rather than a calligraphic-pen stroke. It comes in four weights: thin, plain, bold, and extrabold. (For a version of the design done with a calligraphic stroke, see PhederFrack.)

Sticky Bold is a great display font. Its casual charm makes it appear wonderfully down-to-earth, readable and, ultimately, incredibly versatile. Sticky Bold will look outstanding in any context, whether it’s being used on busy backgrounds or as a standalone headline!

Urban Philosopher is a experimental font, its kind of mix of vintage typography with 80 s grunge. The font have a little messy and dirty texture, which gives it a little "horror" effect. The font includes almost all letters of the Latin alphabet.

Sadina™ S is the small lowercase font family of the default version Sadina™, It comes with the same OpenType features provided in the default family, and all lowercase glyphs are designed smaller. It will give you a different scripting taste.

Moonface Script is a flowing script with lovely swashes. It is based on the 20th Century Packaging typography. Moonface Script is a characteristic font with a retro feel. It contains a full set of ligatures, alternatives, swashes and special characters to end.

Originally executed using a stick and sumi ink, Babaloo is Lisa's first digital font. While great in larger point sizes, Babaloo is surprisingly legible in small point sizes as well. Its quirky, spontaneous nature makes it ideal as a casual, fun, display font.

Evening Sans is a slightly more formal, upright version of sibling font Morning Sans, most effectively used in small-to-medium sizes for print material. Its semi-condensed width and large x-height add to its legibility, particularly in long blocks of text.

Pimpernel is a tall and narrow typeface. It was handwritten on course paper to create a certain roughness, yet it retains an elegant feel. Pimpernel comes in 6 great styles, all of which will add that little extra oomph to your designs.

Jumping Squid is a Handwritten font with a Natural monoline graffiti style, perfect for your awesome urban designs. It will elevate a wide range of design projects to the highest levels, be it branding, headings, designs, invitations, signatures, logos, labels, and much more!

Thirteen or 14 years ago I admired, out loud, a book I found on a shelf in Matt Carter's office. That Christmas I was pleasantly surprised to find that Matt had found another copy of the book and he gave it to me. The book was about the life of Oswald Cooper and it contained numerous specimens of Cooper's lettering jobs. Among them was an interesting image of 7 letter that spelled out the word 'Robusto'. These letters were used as the model for the font Robusto. All I needed to do was develop 221 other glyphs to finish the font.

Monotype Old Style is a nineteenth century update of Caslon Old Face with characteristics of the moderns built in. Monotype Old Style was recut by Monotype in 1901 from a Stephenson Blake & Company version. The design originated at the Miller and Richard foundry in 1860. In some respects it can be seen as transitional between old style and modern, but the spirit of the old styles predominates. By the turn of the century it had become a successful rival to the moderns. The Monotype Old Style font family is an attractive design which gives a light, airy feel to text.

Karol was designed in 2011 as a project in the MA in Advanced Typography from EINA/UAB, in Barcelona. It was born as text typeface inspired by the work of East European type designers. Two years later, Karol is ready for public release, in a collection of eight styles (four weights and matching italics) with high readability, strength and character. A few days before its publication, we received the news that Karol had been awarded the Certificate of Typographic Excellence (Judges’ Choice) of the Type Directors Club. Please check the ‘Read me’ file located in the gallery for more specifications.

Introducing Bubble Brown, an exciting and playful bubble display font that will add a touch of whimsy to your designs. This font features a unique alternate ligature style that combines bubbles and letters, creating a fun and engaging visual experience. With its lively appearance, Bubble Brown is perfect for various design projects, especially those aimed at children, toys, games, or anything that requires a cheerful and vibrant aesthetic. This font is carefully crafted with 710 characters, ensuring versatility and multilingual support. Whether you're designing in English, French, Spanish, German, or any other language, Bubble Brown has got you covered. The font includes special characters, punctuation marks, numerals, and a wide range of glyphs, allowing you to express your creativity without limitations. One of the standout features of Bubble Brown is its support for PUA Unicode. This means that you can access the font's extensive character set through private use area codes, giving you even more freedom to customize and personalize your designs. Let your imagination run wild as you combine different characters and ligatures to create captivating typographic compositions. Bubble Brown will bring joy and excitement to any project it graces. Whether you're designing posters, logos, packaging, websites, or any other creative endeavor, this bubble display font is bound to make a lasting impression. Its alternate ligature style adds a touch of uniqueness and flair, setting your designs apart from the crowd. So why wait? Get your hands on Bubble Brown today and unlock a world of creativity, fun, and boundless possibilities. Let this font take your designs to new heights and bring smiles to the faces of your audience.

Bastion is an ultra-bold text-style font derived from some turn of the century hand lettered signage. It is characteristic of the very bold lettering used in a lot of advertising and product packaging in the early 1900s, a style of lettering which was also the inspiration for the Cooper font, though we think Bastion has a much more attractive overall look.

Akira Jimbo Vintage Font will gives a feel of vintage, classic, old, handmade looked like by Muhammad Afif Ersya. It contains uppercase, lowercase, punctuation and symbols. Freudian is is perfect for people looking for vintage aesthetic or hand drawn logo. Suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes, etc.

Santiago is a gorgeous handmade typeface. Each letter was decorated by hand. It took weeks to get everything right and looking beautiful. You can use Santiago for Mexican themed logos, restaurants, menus, business cards, posters, flyers, invitations, greeting card, advertising, apparel, magazines, etc. The possibilities are endless. If you're in need of a decorative Mexican culture typeface, then Santiago is for you!

An extreme headline font with six optical variants. Black 24 is loosely based on ITC Grouch (1970) by Tom Carnase. It has some 2000 hand-adjusted kerning pairs for TNT (that’s Tight, Not Touching), a very popular type treatment from the seventies and eighties. Take your pick, or get them all, so you don’t have to buy another one later on.

Nanquim is a versatile font, available in three sketchy options. At display sizes the line art is very eye-catching. At smaller sizes it turns out like textured faces. Always with a pleasant handmade feel. Nanquim characters were hand drawn with pen and India ink on film, like we use to do when preparing artwork for screenprint. Hope you enjoy!

Tale is an experiment to convert the script-style calligraphy into bitmap format. The two variants have the same dimensions, but (as the naming suggests), Forty has double amount of pixels in it when compared to Twenty. Both variants have hand made bitmaps to compliment these correlating point sizes, and you can always get the appropriate bitmaps by multiplying by two.

Nixed is a cool and daring display font. Add it to your posters, headlines, banners, or anything that requires strong and modern typography.

Hello Farmer is a handwritten font in Cute, Bold and Child style. It is suitable for promotional designs, labels, packaging, branding and logotype.