Xaver Handwriting is in the sweet spot between authentic handwriting and very readable script. The original handwriting template was vectorized and optimized by hand. It contains lowercase and uppercase letters and can be used as a mixed flow text font as well as a capital font. It also offers language support for the entire European region, as well as for North & South America and Oceania.

It’s jaunty and flaunty and up to no good! It’s a child born of fairly odd parents and always looking for the good kind of trouble. It'll get you out of the red and into the pink like a panther pawning diamonds! Comicraft’s John Roshell has slipped his hands into the gloves of the Phantom Font Finagler and there’s HighJinks ahead to be sure!

Looking for a font that's fun and expressive? Look no further than City Park! This playful hand-lettered font is a good option for posters, headlines, logotypes, product packaging, movie titles, and more. With its unique character and charm, City Park can make your next project stand out from the crowd. City Park font includes : Standard Latin Uppercase and Lowercase Numbers, symbols, and punctuations Multilingual Support. Cheers

Worldly Even though it’s a new arrival, FS Brabo has seen the world. Designed by a Brazilian working in London and studying in Belgium under a Dutchman, it’s certainly well-travelled. And it was inspired by the extraordinary archive of early book typefaces at the world-renowned Plantin-Moretus Museum in Antwerp, while Fernando Mello was attending Frank Blokland’s Expert class Type Design course at the Plantin Institute of Typography. It was there that Fernando became engrossed in the collection of early metal type, matrices, punches and type samples by figures such as Garamond and Granjon. So much so that he took on the mighty task of developing ‘a beautiful, functional, serifed text font’ of his own. Heroic FS Brabo’s journey from sketch to font family took an epic three years, starting in Antwerp, continuing at Fontsmith in London, and reaching its conclusion back in Fernando’s home city of São Paulo. No wonder Fernando was reminded of another titanic face-off: that of Antwerp’s Roman hero of legend, Silvius Brabo, and the evil ogre, Antigoon. Brabo came to the town’s rescue after the tyrannical giant had been charging ships’ captains extortionate taxes and chopping off the hands of those who refused to pay up. Having finally downed Antigoon after a long and terrible duel, Brabo cut off the giant’s own hand and threw it into the river Scheldt, unwittingly giving the town its name: the Dutch for ‘hand-throw’ is hand werpen. What better way for Fernando to name his literary typeface than after the hero of Antwerp’s oldest tale? The garalde factor FS Brabo is not a revival, but a very much a contemporary, personal interpretation of a garalde – a class of typeface originating in the 16th century that includes Bembo, Garamond and Plantin, with characteristically rounded serifs and moderate contrast between strokes. Brabo’s ‘ct’ and ‘st’ ligatures, upper-case italic swashes and contextual ending ligatures – ‘as’, ‘is’, ‘us’ – all preserve the beauty and character of traditional typefaces, but its serifs are chunkier than a garalde. Their sharp cuts and squared edges give them a crispness at text sizes, helping to bring a beautifully bookish personality to hardworking modern applications. A workhorse with pedigree It may give the appearance of a simple, four-weight typeface, but FS Brabo has hidden depths beneath its simplicity and beauty. OpenType features such as cap italic swashes, contextual ending swashes – programmed only to appear at the end of words – and stylistic alternatives make this a complete and well-equipped typeface. Comprehensive testing was carried out at text and display sizes, too, to prevent counters from filling in. All of which makes FS Brabo a very modern take on a traditional workhorse serif typeface: colourful and versatile enough to adorn not just editorial projects but also signage, advertising and logotypes.

Worldly Even though it’s a new arrival, FS Brabo has seen the world. Designed by a Brazilian working in London and studying in Belgium under a Dutchman, it’s certainly well-travelled. And it was inspired by the extraordinary archive of early book typefaces at the world-renowned Plantin-Moretus Museum in Antwerp, while Fernando Mello was attending Frank Blokland’s Expert class Type Design course at the Plantin Institute of Typography. It was there that Fernando became engrossed in the collection of early metal type, matrices, punches and type samples by figures such as Garamond and Granjon. So much so that he took on the mighty task of developing ‘a beautiful, functional, serifed text font’ of his own. Heroic FS Brabo’s journey from sketch to font family took an epic three years, starting in Antwerp, continuing at Fontsmith in London, and reaching its conclusion back in Fernando’s home city of São Paulo. No wonder Fernando was reminded of another titanic face-off: that of Antwerp’s Roman hero of legend, Silvius Brabo, and the evil ogre, Antigoon. Brabo came to the town’s rescue after the tyrannical giant had been charging ships’ captains extortionate taxes and chopping off the hands of those who refused to pay up. Having finally downed Antigoon after a long and terrible duel, Brabo cut off the giant’s own hand and threw it into the river Scheldt, unwittingly giving the town its name: the Dutch for ‘hand-throw’ is hand werpen. What better way for Fernando to name his literary typeface than after the hero of Antwerp’s oldest tale? The garalde factor FS Brabo is not a revival, but a very much a contemporary, personal interpretation of a garalde – a class of typeface originating in the 16th century that includes Bembo, Garamond and Plantin, with characteristically rounded serifs and moderate contrast between strokes. Brabo’s ‘ct’ and ‘st’ ligatures, upper-case italic swashes and contextual ending ligatures – ‘as’, ‘is’, ‘us’ – all preserve the beauty and character of traditional typefaces, but its serifs are chunkier than a garalde. Their sharp cuts and squared edges give them a crispness at text sizes, helping to bring a beautifully bookish personality to hardworking modern applications. A workhorse with pedigree It may give the appearance of a simple, four-weight typeface, but FS Brabo has hidden depths beneath its simplicity and beauty. OpenType features such as cap italic swashes, contextual ending swashes – programmed only to appear at the end of words – and stylistic alternatives make this a complete and well-equipped typeface. Comprehensive testing was carried out at text and display sizes, too, to prevent counters from filling in. All of which makes FS Brabo a very modern take on a traditional workhorse serif typeface: colourful and versatile enough to adorn not just editorial projects but also signage, advertising and logotypes.

Neato Serif is a hand drawn, quirky serif font in regular and italic styles. It features stylistic alternates, standard and discretionary ligatures, and swashes to add options and flair to your typography. The typeface has a unique blend of sophistication with its high contrast of thicks and thins and also playfulness with the distinct ball terminal characters—especially evident in the lowercase "e". It is slightly condensed and great for display headlines, titles, packaging, branding, and more.

Bussi is an inline font family full of extras. It is rich with alternatives and symbols, which makes it a playful font to use. It was inspired by hand lettering and bullet journaling. The font is perfect for branding and packaging to bring your extra brand personality—an ideal font to use for stationery design or even movie titles. Versatile and high-quality Bussi will be your new font love. Bussi was inspired by hand lettering and bullet journaling. The first drafts were designed during studying for my high school graduation, where I would focus more on the headline lettering than on the actual content. I tried to motivate myself by lettering joyful, swirly headlines, and keywords. Originally designed as a caps-only headline font, over the years more and more letters and symbols were added, resulting in nearly 1400 glyphs and 5 different stylistic sets. Designed by Stella Chupik and Schriftlabor team.

Unique and funny are the hallmarks of a kenta font, this font is made with a wider width to make it look unique, and is combined with lazy hand strokes to make it look funny. suitable for use in casual themed graphic designs.

Vocalist JNL is a bit of a novelty Art Deco typeface based on hand lettering from some 1940s sheet music. Using the classic "thick and thin" style of the day, a number of letters and numbers have wedges cut out of their designs.

A piece of sheet music for “Broken Blossoms” circa the 1920s or early 1930s has its cover title hand lettered in a wide thick-and-thin Art Deco design. This is now available as Flower Shop JNL, in both regular and oblique versions.

This is a great poster font. It was created by hand, scanned and digitalized for quality. After, it was distressed with custom made brushes. The font is in all capitals with two versions of each letter. Font includes over 100 characters and glyphs.

A comic book feature entitled “Foe of the Borgias” appeared in 1937’s New Adventure Comics. The hand lettered title was done in a slab serif Art Deco style and is recreated digitally as Classic Comics JNL in both regular and oblique versions.

Iron Heart is a unique hand brush font that suits very well for your modern grunge vintage design. its texture was very interesting. use it for your special design and brilliant project such as Apparel, Web project, youtube content, logo, and many more.

Holy Roller is a fun, hand-drawn font inspired by typewriter fonts. It can be used for invitations, greeting cards, posters, advertising, weddings, books, menus etc. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Dower is a playful decorative geometric sans serif. Inspired by the doodle style and hand-drawn lettering. Dower contained three widths: Condensed, Normal and Expanded, four styles each, including dozens of ligatures.You can use Dower in many types of creative modern concept designs.

Cuckoo was first seen in 1988 when I painted it on a record shop's window. Since then this hand lettered font has been there and done that. Cuckoo is strong, classic and informal display font designed to work well on any job.

Orphiel from a sample of Edwardian period hand lettering, mainly because we wanted to offer an alternative to our Belphebe font for invitations, menus and wedding announcements. It's an elegant font, with nice variations in weight and capital letters which are quite ornate.

Cotton Hill - Natural Hand Written Typeface Font that will make your designs look modern, unique and fun. It’s perfect for labels, quotes, posters, DIY projects, branding, packaging, greeting cards, websites, photos, photography overlays, signs, window art, scrapbooking, tags and so much more!

The hand lettered title on the 1940 sheet music for "Pledge to the Flag" is a stencil design with wider rounded letters (such as the C, G and O). It is now available as Stencil Product JNL in both regular and oblique versions.

A 1940s-era edition of the sheet music for the Marine Corps Hymn offered up the hand lettering which comprises Ensemble Inline JNL. Bold, condensed and attention-getting, this titling font commands attention. Available in Inline, Solid, Inline Oblique and Solid Oblique versions.

Millport JNL is another retro-design font with a look closer to hand-lettering than formal typesetting. Use it for headlines, titles, signs, posters and point-of-sale items. No matter what the application, Millport JNL looks clean and retains its nostalgic feel.

The free form hand lettering from the titles and credits of the 1964 French film comedy “Le Gendarme de Saint-Tropez” [“The Policeman from Saint-Tropez”] was the basis for Off Duty JNL – which is available in both regular and oblique versions.

Barila is a fun hand written font that is perfect for projects like games, apps, books, holiday cards, and nursery art projects. It is very readable while keeping it's fun and whimsical personality. Multilingual characters are included for international customers as well.

Algreve is the progenitor of our recent set of WoodType inspired typefaces. It’s more sophisticated, perhaps, and less rustic than one of the others. It’s incised or hand-tooled style lends a little sophistication and a little lightness. Ideal for period poster work…

Arrus was designed at Bitstream by Richard Lipton and first released in 1991. Arrus is based on Lipton’s own hand-lettered calligraphic alphabets that draw their influence from classic inscriptional forms. Arrus has small cap and extension typographer sets available as well.

A hand lettered, dual line sans serif type style was used for the title of “Filmland” – a 1931 movie fan magazine from India. This inspired both the digital typeface’s design and name. Filmland JNL is available in both regular and oblique versions.

Old English Old English is related to Black Letter styles from early printed books and have a distinguished, historic look. The Old English font is used in advertising, invitations, greeting cards, and wherever a formal hand-lettered or engraved look is desired.

It is said that imitation is the sincerest form of flattery. Daily Funnies JNL (available in both regular and oblique versions) was inspired by and somewhat modeled after the hand lettering of Walt Kelly, the creator of the classic “Pogo” comic strip.

This calligraphic typeface comes with two styles. The first style has less ornate uppercase forms and the second has more flourished upper- & lowercase characters for a beautiful hand-lettered feel. Perfect for tubes, tags, invitations and other projects that need a personal touch.

Ink Nouveau JNL is loosely based on the hand lettered title from a lobby card for the 1927 film “The Taxi Dancer” and is available in both regular and oblique versions. The design emulates a hastily or sloppily drawn Art Nouveau display font.

Kato is a handwritten mostly-joining script with long, but not overly long ascenders and descenders, that make it a very elegant font. Scanned and finished carefully by hand on screen, with that little bit of extra effort to keep the "rough" touch.

BRUZH combines attractive and natural hand-brushed letters with swinging curves and fresh urban edges; delivering a stylish brush which is guaranteed to add an eye-catching appeal to your logo designs, brand imagery, handwritten quotes, product packaging, merchandise & social media posts.

Sunkiss font starts from a brush stroke with a script style and also follows the times. Sunkiss is very suitable for use in various media such as: packaging, logo, label, poster, shirt design, quotes of wisdom, hand-lettering, typography and many other media.

Cartwheel, a super bold and playful display font designed by Tom Censani was inspired by the imperfect beauty of hand-lettered signs at theme parks and the bouncy cadence of text inside comic book bubbles. Cartwheel is a fun attention-grabbing font.

Eckhardt Speedletter JNL was named in honor of Al Eckhardt (1929-2005), a talented sign painter and good friend of font designer Jeff Levine. The font was inspired by hand lettering on a reproduction of a 1950s rock and roll show poster.

The Magical look of Eklekt is not made by chance, it is created with the combination of graphic-sharp shapes and a flow curves that looks a bit like it is written by hand. Can be used for logos, headlines and short text.

NorB Architect fonts will add a beautiful architectural hand-lettering style to all your CAD project drawings. Architects have always wanted their CAD drawings to look more like they were drawn by hand, rather than by a CAD program. These AutoCAD fonts are the first step in bringing back that “artistic hand-drawn” feel to your CAD drawings or any graphic design project that can use true type fonts. NorB Architect is actually my emulation of architectural lettering, it comes with 4 weights: Medium, Regular, Semi Light and Bold along with their Condensed and Extra Condensed version. NOTE: For more variations of "NorB Architect" font please visit click on this link.

IRVINESA is a hype Font that's well-produced by hand and generated into a pure form, that will be best when used in any placement like logo, poster, t-shirts, or any display. --- Build manually by hand, and reform into a clean Typeface. Natural stroke from original hand-lettering. It can be used for just Titles or even writing. --- In this font, you will get: Over 226 glyphs 19 Ligatures in 7 OpenType features Support for 65 languages. --- Get IRVINESA now! It will be best used for any design requirement, many fonts will come with a unique concept. --- Thank you! Best Regards, PUDJI PANGESTOE STUDIOS

Ceundah font is inspired by thick and thin Hand Sketches. This font can be used for film titles, magazine titles, newspaper front pages, billboards, or company brands.

Peace Maker is a dry Brush Script Font with hand-lettered style. Suitable for design, element design, wedding, event, t-shirt, logo, badges, sticker, and awesome work.