10,000 search results (0.031 seconds)
  1. Pea Shirley - Unknown license
  2. Pea Susan - Unknown license
  3. Pea Bethany - Unknown license
  4. !the troubles - Unknown license
  5. Manic - Personal use only
  6. Pea Neffer - Unknown license
  7. Pea Soniablu - Unknown license
  8. Pea Tracy - Unknown license
  9. Pea Marcie's Skinny Script - Unknown license
  10. Pea Girly Girls Script - Unknown license
  11. Pea Carrie - Unknown license
  12. Pea Amy*Rica Script - Unknown license
  13. Pea Kristy - Unknown license
  14. Pea Tammy - Unknown license
  15. Pea Heather - Unknown license
  16. Pea Randa - Unknown license
  17. Pea sdflenner - Unknown license
  18. Pea Alesa - Unknown license
  19. Pea Tana - Unknown license
  20. Pea Jean - Unknown license
  21. TypographerFraktur - Unknown license
  22. Pea Sara - Unknown license
  23. Pea Kari - Unknown license
  24. Pea Marcie's Skinny Print - Unknown license
  25. Pea Catherine - Unknown license
  26. Pea Elizabeth - Unknown license
  27. Pea Mimi - Unknown license
  28. Pea Deborah - Unknown license
  29. Pea Jenny - Unknown license
  30. Pea Meli - Unknown license
  31. Pea Tammi - Unknown license
  32. Pea Liz - Unknown license
  33. Pea Courtney - Personal use only
  34. Pea XOXO from Karen - Personal use only
  35. Pea Girly Girls Print - Unknown license
  36. Anime Eyes - Unknown license
  37. Scissor Madness by Hanoded, $15.00
    Back in 2017, I was working on a cutout font that I originally wanted to call Scissor Madness. In the end, I named it Cut Along and it was quite a popular font for a while. This week I decided to clean up my fonts folder a bit (as I usually have tons of unfinished fonts lurking in there) and I found a file named Scissor Madness. It was the original try-out for Cut Along. It contained a couple of nice glyphs that I never used, so I started playing around with them and after a day, I had a whole new font! So, in short, Scissor Madness was partly cut out by hand, partly computer made, but it is 100% fun to use! Scissor Madness comes with a bunch of very cute discretionary ligatures.
  38. Crescendo by Canada Type, $29.95
    A year after the tremendous success of Memoriam in the "Lives They Lived" issue of the New York Times magazine at the end of 2008, Patrick Griffin and Nancy Harris Rouemy teamed up once more to tackle the same project for the 2009 issue. This time the magazine's design concept revolved around a typeface they created specifically for custom vertical malleability, and that can play just as well in single- or multi-color environments. The result was another iconic commemorative issue that shows exotic tri-line letters merging, swashing, extending and flourishing in stunning gold, silver and blue on black on the cover, and in black on white on the inside pages. Just like in the previous year, the issue won multiple publication design and typography awards. Crescendo is that typeface, finally issued for retail by public demand. Just turn your setting into outlines in your favorite vector program, grab single strands and extend away, and do your best alternating colours between strands. Crescendo comes with a limited punctuation set, but accented characters for Western Latin languages are included, and there many, many alternates and ligatures in there as well. This typeface is best used in large display sizes.
  39. ITC Quay Sans by ITC, $41.99
    London-based designer David Quay designed ITC Quay Sans in 1990. One of the precursors to the long run of functionalist European sans serif faces that has been a dominating force in type design since the 1990s, ITC Quay sans is based on the proportions of 19th Century Grotesk faces. Grotesk, the German word for sans serif, defines an entire branch of the sans serif movement, which culminated in the 1950s with the design of Helvetica. ITC Quay Sans is made up of very simple, legible letters. The weights of the strokes throughout the alphabet vary very little. Microscopic flares on the ends of each terminal add a bit of dimension to the design. This helps prevent the onset of the monotony, a danger when one repeats countless near mono-weight stroked letters throughout a large body of text. ITC Quay Sans is a very readable face; it works equally well in all sizes. Six fonts of the ITC Quay Sans typeface are available: Book, Book Italic, Medium, Medium Italic, Black, and Black Italic. ITC Quay Sans is similar to Hans Eduard Meier's Syntax, and Tim Ahrens' Linotype Aroma."
  40. Giom Mod by Ardyanatypes, $15.00
    Giom Mod is a unique and elegant display font with a distinctive serif style. This font offers nine different thickness options, ranging from Thin to Black, providing a wide range of choices for various applications. Each thickness of Giom Mod has its own unique characteristics, allowing you to select the one that best suits your design aesthetics. For example, Thin may be suitable for light and elegant designs, while Black can be used for more dramatic and bold appearances. Furthermore, Giom Mod comes equipped with various OpenType features. These include features such as ligatures, which allow specific characters to combine beautifully, and alternative letterforms that provide more design options. With these features, you can create more engaging and unique text elements in your designs. Additionally, Giom Mod is designed to support multiple languages, making it suitable for use in many countries. This makes it highly versatile and appropriate for a wide range of multilingual design projects. So, if you are looking for a font that combines the beauty of serif with various thickness options, useful OpenType features, and multilingual support, Giom Mod is the perfect choice to meet your design needs.
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