Shaking hands is quite a complicated process: do it too lightly and you appear weak, grab too hard and you’re too eager. There are also those with a ‘Guerrilla Handshake’ - grabbing your hand unexpectedly, shaking it vigorously and yanking it toward them. Guerrilla Handshake font was actually made by hand, using Chinese ink and a brush. I did use the brush vigorously, but I made sure not to shake or yank it too much! Guerrilla Handshake comes in a slightly backslanted ‘regular’ version and an italic version.

Inspired by an old Russian book about Moscow’s plan to take over the world, this font was designed to give digital prints the taste of hand lettering. It’s vivid outlines and slight differences in boldness between characters give it an accurate and realistic imperfect letterpress look. It works amazingly well as a text font in small sizes and shows it’s crippled outlines only at larger sizes. »CA Moskow has a plan« has got an extensive character-set including Russian Cyrillic, the Russian Rubel and the Turkish Lira sign. Although it includes kerning, for a full simulation of letterpress print and cold-war feeling we recommend to turn it off.

Sitting in a diner and looking upon a wall full of nostalgia, there hangs a picture of another older diner in some Northern city. The lettering from it's rooftop sign almost screams "Make a font out of this!"... so Jeff Levine did... "Hash and Beans JNL".

DaleKids is a fun kiddie style font, a little bit picture book and a little bit comic book too. The font is available in two styles regular and italic. Designed to be playful it looks great on birthday cards and long tome like monologues of cute speak.

Elk Grove JNL is both historical and original in design. Inspired by a small sampling of letters from an 1800s wood type called Facade, Jeff Levine created the remaining characters. Because of its highly condensed design, it's best when used in large headlines and short phrases.

Crunchy Orange is a picture of fun, uniqueness, and authenticity. This eye-catching handwritten font will turn your creative ideas into a standout. It will take your various design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logos, labels, and more!

English designer David Quay created the Agincourt font in 1983. Drawn after the Old English style of type, Agincourt features intricate capitals, which complement the more reserved, slightly condensed lowercase. Agincourt is perfect for use on certificates, greeting cards, or anything that should have an historical appearance.

The German designer Karin Huschka created the fonts Linotype Authentic™ (1999), Chineze Dragon™ (2002) and Picture Yourself™ (2003, with Peter Huschka). The text font Linotype Authentic is part of the TakeType Library, chosen from the entries of the 1999 International Digital Type Design Contest.

The sheet music for "Good Night Angel" from the 1937 motion picture "Radio City Revels", had the movie's title hand lettered in a free form Art Deco sans serif design. This has been recreated digitally as Reveler JNL, which is available in both regular and oblique versions.

BorderGlyphs features an array of border elements inpired by our very own Egyptian Hieroglyphs font collections. These historic yet modern symbols have stood the test of time - they can blend into ancient as well as the most vanguard of themes and will add elegance to your projects.

Miller Banner takes Matthew Carter’s popular Miller series to new heights: 100pt and up, beyond any examples among the Scotch Roman’s historic antecedents. Optimized for very large settings, its hairlines have been sharpened and the contrast sweetened, lending grace and crisp elegance to banner headlines and titles.

Inside the pages of the August, 1930 issue of “The New Movie Magazine” is an ad for Warner Brothers-First National Pictures – hand lettered in a bold Art Deco sans. This was the basis for Movie Production JNL, which is available in both regular and oblique versions.

Hannover Modern belongs to a series of typefaces used at the Estudio Mariscal in Barcelona. José Manuel Urós developed this weight, a vigorous egyptian-style, the embodiment of the Javier Mariscal style.

Humeira is a playfully font, inspired by handwriting lettering and doodle art movement. Designed with a manual brush and carefully vectorized with many alternates that you can apply to give handwritten looks! Humeira is perfect for headlines or body text. You have a regular and a bold weight that you can combine well. Humeira also has an Outline Shadow style with bolder contrast, funny and childish looks. Humeira font family is suitable for T-shirts, mugs, coffee cups, flyers, brochures, quotes, branding and more.

Introducing our newest font Gerakent. What a fun font that brings a little sunshine to your day! Bring your next project to life with this retro-inspired typeface and create elegant typography that gives it a retro or vintage feel. You can use it for branding, product packaging, or even editorial work. It’s easy to use in any design program or even as a pre-cut vector and works best as text but you can also mix it with other fonts for added flair!

Metalizer sketched with calligraphy flat pen, then vectorized with Ai & generated with font creator. Inspired by the amazing style from Raghuveer G. Some Metalizer character is composed by broken strokes, adding a handmade feeling to this geometric kind of calligraphy. Metalizer contains some interesting alternates and ligatures that make this type more real. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Guides to access all alternates glyph : http://adobe.ly/1m1fn4Y Cheers!

"Dulya" is a weird, funny and irrational font. The design of the letters is based on the handwriting which is usually taught in school but the letters' graphics are geometrically transformed to make them interesting. The font has many alternative characters, so you can very freely control the texture of the text. Dulya supports Basic Latin and Extended Latin, Cyrillic — in total about 90 languages are supported. The font has one Regular weight, alternative characters, Uppercase and lowercase. Dulya font was designed by Viktor Pesotsky.

«Brozas» is a contemporary font for modern design. Created for digital art, Web-design, magazine layout. Brozas font is an unusual experience and an experiment on the edge of decorativeness. Drawing letters has a sharp, contrasting character and combined with smooth arcs. Different weights change not only the thickness of the strokes but also their shape. Brozas supports Basic Latin and Extended Latin, Cyrillic — in total about 200 languages are supported. The font has three weights: Thin, Regular and Black. Brozas font was designed by Viktor Pesotsky.

Viktor Solt-Bittner drew logo sketches for an insurance company. Luckily for Schriftlabor, they rejected the design, and he turned the sketches into a font family. Years later, Plantago was expanded, developed and completed by Schriftlabor’s type directors Franziska Hubmann and Lisa Schultz. Plantago shows delicate leaf-like stroke endings and subtle curvings and offers condensed and wide variants. Typeset in 6 weights from Light to Black, 3 widths from Condensed to Extended, both upright and italic, totaling in no less than 36 styles.

Gopetter is a casually and quickly handwritten brush script. Letters are made with procreate brush pen on ipad. Then scanned and carefully drawn into vector format. There is just a right amount of texture left so it looks good in small and big sizes. These elements gives modern, clean and elegant. Gopetter font has five sets include with swashes to give some variation for your project. Some projects that are suitable for this font include quotes, invitations, menus, taglines, flyers / posters and many others. Enjoy!

Austrian type designer Viktor Solt-Bittner created this script FontFont in 2002. The font is ideally suited for advertising and packaging, festive occasions, film and tv as well as logo, branding and creative industries. FF Danubia Script provides advanced typographical support with features such as ligatures and alternate characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Danubia super family, which also includes FF Danubia."

Here comes a New font, Bad Poser is a All Caps Brush Font that is written casually and quickly. Letters are made with brushes on Procreate. Then crafted carefully drawn into vector format. That is why Bad Poser has Stylish and strong characteristic more natural look to your text with a more modern look to your text. Bad Poser is perfect for homeware designs,branding projects, Logo design, Quotes product packagingprinted quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, PosterLabel, cartoon, and comic etc.

If you ever dream about light vibe, playful, easy going, cute, has some nature touch in it and still has a good read-ability font: it's time to wake up. Florentina is here. The "ink bleed", irregular line, it looks like you write it by yourself. Not mentioning that dreamy hand-drawn bonus... LOTS OF THEM. And it is support 22 languages as well. I hope it support yours. Happy designing! BONUS vector can be downloaded from https://www.dropbox.com/sh/fwgkzcecjy8tqsu/AADi06i-Hf0R49mtT8_DPMw8a?dl=0

Here comes a New font, Golga is Unique Bold Display Font this is strong Font, that is written casually and quickly amazing. Then crafted carefully drawn into vector format. This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Label, and etc.It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes.this font is great for your creative projects such as watermark on photography, and perfect for logos & branding.

Hello Everyone, introduce our new product font Nutshell is a Natural Handwritten Brush Font with a natural style and dramatic movement. Crafted manually with love and passion, This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Label, and etc. Every glyphs are made with Procreate. Then trace down into a vector format, and carefully crafted into a typeface. That is why Nutshell has textured,cool, authentic and strong characteristic more natural look.

The Brunette font was created with the sole purpose to serve companies that want to express character, emotion, and personal touch through their logotypes (think Bakeries, Juice Bars, Cafes, Jewelry stores, etc.) Brunette was made entirely from scratch (handwritten letters on paper), which were then vectorized and tweaked to gain consistency. The charm of the font is in its irregularity and resemblance to real handwriting. Brunette is perfect for businesses that want to convey a casual and organic image while making their products more human and approachable.

ALS Mirta is a clean text type well-suited for use in typesetting of smart volumes and kids’ books. A fine and well-balanced antiqua face is complemented by surprisingly vigorous sophisticated italics.

Inspired by many Blackletter styles, ID Gotira Blackletter is a contemporary take of the historic Blackletter, also sometimes referred to as Old English. Modern, versatile, while not losing it's classic touch, it's also equipped with multi-language support and works best for headlines, body text, branding, packaging and posters.

A spontaneous, fresh, honest and non-doctored brush script font with an almost complete set of extra characters. Excellent for people that want to put their statement on the wall, but don't have the hand for it, but it's also great for use in poster design, bookcovers and scrapbooking.

Chatham is part of the "Staunton Script Family" of fonts designed by Ted Staunton for his historic novel centered around a family bible and the handwritten annotation through 7 generations. The Chatham font is overtly crooked and has an extreme right-leaning slant—perhaps we should call it "Cheney".

ancientos is a font inspired by ancient writings, transporting you to the past that is amazing and full of beauty and strong character. This font is perfect for use on all historical-themed projects and comes with italic style and opentype features that help designers produce stunning work.

This font is not a historical one, in spite of the fact that it was inspired by the Cancellaresca pattern (look at 1491 Cancellaresca and 1610 Cancellaresca). We have created this one as a fantasy script for a decorative use, like for invitation, greetings, menus, posters and so on...

Fette Kanzlei is a beautiful mid-19th century blackletter font with a touch of calligraphy which has been brought back into life again. The long s can be reached by typing alt plus b or by activating the OT feature historical forms. This font also contains oldstyle numerals.

Based on the fin-de-siècle Helios Reklameschrift of the Klinkhardt foundry, Leipzig, Affiche preserves the beautiful art nouveau character of its hot-metal forerunner and was carefully extended to make it multilingual. For more historical authenticity, you can use the long s by typing [alt] and [b].

Netherland Perpendicular, a family of five typefaces, is Greater Albion’s end of year Blackletter release for 2015. It is designed in the fine traditions of Victorian Revival Blackletter, where historical veracity is ever sacrificed to aesthetic calm. The five typefaces share uniform metrics, making for charming colour overlay effects.

Uppsala is a new and original uncial typeface designed by Paul Shaw in collaboration with Garrett Boge in 1998. Its strongly chiseled shapes were inspired by historical northern European manuscript lettering. The face is appropriate for short text or display settings. Uppsala is part of the LetterPerfect Swedish Set

Grenville is part of the Staunton Script Family of fonts designed by Ted Staunton for his historic novel centered around a family bible and the handwritten annotation through seven generations. The Grenville font is a graceful Italique hand similar in style to the classic designs of Arrighi's Operina.

Titul is a display typeface with strong historical connotations. It is based on a series of stylish lettering for book covers, designed by Russian graphic artist Alexander Leo in the 1920s. The historical reference for him was book design of the 1st half of the 19th century. Type family consists of four ornamented and three basic styles: one solid, one inline and one striped. All seven faces have corresponding oblique styles. Also, there is a beautiful vignette font and a style for constructing ornamental borders. Titul suits best for vintage spirited typography, from the 19th to early 20th century. It is perfect for book covers, theater posters, packaging and greeting cards. Typeface was created by Isabella Chaeva and released by Paratype in 2020.

The Ale symbol fonts designed by Alessio Leonardi supply a large range of different characters. The two "Ale Ornaments" fonts contain a large set of different spirals, which can be used on tapestries, or as placeholders in presentations. The four separate "Ale Signs" fonts contain a set of daily glyphs, like male and female, smoking and non-smoking, danger, ying and yang, arrows and mathematical signs. The "Ale Transport" font is a large collection of funny pictures for the various kinds of transportation available over air, land and water. Here you can see Alessio's Italian design joy, which he has presented in many ways. Have fun in discovering the various pictures such as the submarine on the railway, or the airplane with a "Do it again" banner.

Gaudeamus is a Cyrillic face of medieval Gothic textura inspired of incunabulum artworks. Recommended for a historical and cultural context, but it goes well beyond. Suitable for music, books, fashion, catering, packaging and more. Works for long paragraphs and short sentences. Features: — 7 Stylistic sets; two of which are text preformats to the commons of the Middle Ages and Early Modern historical periods. — Sets of Ordinal and Superscript characters for French, Portuguese, Spanish typesetting. — Localized letterforms for Bulgarian and Serbian. — Localized diacritics for Polish and Romanian. — Support typesetting in Russian pre-reform orthography. — Support typesetting in Middle English orthography. — Case sensitive characters for greater consistency with uppercase letters. — Set of Roman Numerals. — Standard and Discretional ligatures. — 530 glyphs; 40 languages support.