A very bold, rounded sans font with Open and Outline versions

A version of Futura, but very bold, ideal for modern advertising.

Contra Sans is the slab serif version of my Contra family.

Arcron is a first release. There is also an Italic version.

Halfron is a first release. There is also an Italic version.

Gerry Powell’s stencil version of Clarendon designed for ATF in 1938.

Acherus Militant is stencil version of Acherus Grotesque Acherus Militant Specimen

Eco-nomico is the pop version of Eco , designed in 2001.

A drop cap ornamental font. Pro version includes the Basic one.

Fontron is a first release. There is also an Italic version.

The new version of Bordonaro Spur includes rounded corners. Meet it!

A micro version of the font Alabaster. Font actual size 32pt.

Crimstone is a bold and strong geometric typeface. Rectangular shape with rigid and sharp edges is the first impression that makes this font look powerful and hit. Its continued development created other variations including rounded styles, inline and handmade styles. Not only the clean version, Crimstone is also available in a printed version with a rough and textured appearance. Each has an upright and slanted version. Available in 16 fonts, the Crimstone family is perfect for poster designs, movie titles, logotypes, packaging etc.

Bannertype is – at least for my feeling – the most German of all fonts. It was used heavily mostly in newsprint and advertising in the early 1900s. I designed a dirty version of the narrow font in 4 stages of dirtiness, plus one free shadow font. Since the font has too many points I cannot generate a OTF-version, I am over the limit for that. But I have tried this TrueType version and it works like a jiffy in MacOS 10.8.2!

Ciribiribin is an Italian ballad composed by Alberto Pestalozza in 1898. Many versions with different sets of lyrics have been recorded over the years. The hand lettering on the sheet music for one such popular version of the song was comprised of bold characters with a "semi-serif" treatment; that is, characters with partial or no serifs on certain strokes of the letters. Ciribiribin JNL extends this unique design into a complete digital typeface. Available in both regular and oblique versions.

Starx is a variable display typeface with angular lines, offering a futuristic and dynamic aesthetic. It consists of three axes: angular, rounded, and slanted. The bold version embodies a strong and high-tech expression, while the italic and rounded versions convey a dynamic, sporty, and futuristic impact.

Hand-made slab serif. It’s cute, it’s versatile. It has a decorated version called Quijiboquail and a non-decorated version just called Quijibo. Each comes in three weights, plus italic. Each has 3,000+ kerning pairs. Go to http://facebook.com/frostfoundry to share this and see more!

Legendary lettering artist Alf Becker called his original offering “Aristocrat”; this version is a little less pretentious, but still suitably snooty. Graceful and elegant, but with a few amusing turns. Both versions of this font contain the complete Latin 1252 and Central European 1250 character sets.

Blotchy Bitter – Playful Typeface is made with a regular version and a polka-dot textured version ready to perfect the design in your project. Blotchy Bitter is perfect for design, logos, social media, branding, advertising, product design, handwritten quotes, product packaging, headers, posters, merchandise, and other designs.

Hello! Asbanur is here. Asbanur brings modern, clean and neat looks. This font can be used as the logo of your brand, headline title, magazine title or many things. We have two versions: light and regular, but both of the versions is cool! Try them and enjoy!

Office Staff JNL is a version [with serifs added] of Popularity JNL – a condensed Art Deco design based (for the most part) on a popular typeface known in some foundry books as ‘Radiant’ with some reinterpreted characters… and is available in both regular and oblique versions.

Taiko is a strong headline typeface based on a design by Otto Arpke from 1928. Taiko Std is the basic version with 235 glyphs. The full version with over 650 glyphs includes the following OpenType features: - central European glyphs - small caps - tabular & mediaeval numerals - dynamic fractions

On page 45 of Samuel Welo’s 1930 instructional book “Lettering Practical and Foreign” is a multi-line alphabet of Art Deco elegance that perfectly captures the spirit of the Streamline era. The digital version is available as Showcard Multiline JNL in both regular and oblique versions.

A long version of my Ayame font. Ayame is a display font which looks great on posters, logos, and titles. Ayame Long is a 2-weight family with a heavy retro look. Works great with the regular version of Ayame you can check out the original.

In 1935, Morris Fuller Benton designed Phenix American for American Type Founders. For 2017, the classic Art Deco design has been reinterpreted in an all-caps display version with an ever-so-slight "hand made" feel. Industrial Arts JNL is available in both regular and oblique versions.

Pine Nuts-United is the little sister of the popular "Pine Nuts" and "Pony Tale" family fonts. It's a connected (United) version with some new ligatures, stylistic alternates and alternate glyphs, small-caps are also included. See the 'Pine Nuts', 'Pony Tale' and 'Pony Tale Pro' versions.

I found an old typewriter and well... Typewriter BasiX is the result. Enjoy this rough retro looking design to use for your digital or print project and also check out Typewriter Revo, the clean version of Typewriter BasiX, and Typewriter DirtY, an even rougher and dirtier version.